A PARKER 9CT GOLD FOUNTAIN PEN, PROPELLING PENCIL AND BALLPOINT PEN, WAVY ENGINE TURNED, MAKER'S MARK LONDON 1974, THE BALL POINT PEN 1970, MAKER'S PLUS LINED TAN PIG SKIN CASE FOR TWO (3) Each with vacant cartouche, no engraved initials and no wear. Pencil mechanism apparently complete but derfective, and also a very slight dent near the hallmark. The plastic/vulcanite part of the pent cracked near nib. Pig skin case slightly scuffed
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A PARKER PEN CASE CONTAINING FOUR STERLING SILVER PENS comprising of two '75' Cicele fountain pens and a fountain and ballpoint pen set (no cartridge), all stamped sterling silverThe silver pens. I can confirm there is not any personalisation on any of the pens. One of the fountain pen nibs is damaged, its slightly bent, the pens themselves are quite discoloured which is consummate with general wear and age.
* Wallis (Barnes Neville, 1887-1979). Autograph notes, 29 April 1968, an incomplete account in blue ballpoint pen, dated and titled 'En route from Scampton to Wisley, after witnessing the Ceremonial Stand-Down of Bomber Command', in full, 'How can one very simple unworthy person express all that this day has signified to the hundreds of people who were present at this historic ceremony - impossible of course to do more than tell the effect on myself - impressionable, emotional, and now alas old. To begin with this is no well-thought-out carefully planned description; it is only a simple record of my thoughts, as they come into my mind. Why was I asked? Why do I seem to receive so much credit (?) honour (?) respect from all whom I meet and know in the RAF. I am, and know I am, and who could know better a very simple, rather slow, and, inside, I think a genuinely humble man, stumbling along as best I can, doing what I know. Norbert Rowe would describe as the Will of the Holy Spirit and what I think Leonard Cheshire would describe in the same way. How can one explain in any other way why or how ideas come into my mind? What makes me so desperately keen to continue their fulfilment? What is the force that drives me on? Sometimes boasting that this or that can be done, when I have no firm idea as to how the desired result can be contrived. As I so often say "if a thing is obvious, and easy, and something that man needs, and would be the better for having then it would have been" ending abruptly, one page, a little creasing, foolscap folio, together with 5 further foolscap folio sheets with autograph fragments by Barnes Wallis, one an opening paragraph for an attempt at an autobiography, beginning 'How I wonder does one write an autobiography?', another a first page draft of a letter to Victor about airships, 'It did not require any mystic prescience for any level-headed and sane person to realise that R101 was doomed from the start. To begin with Richmond was a dope expert whose only experience of airships (as far as I know) was with small non-rigids, and some purely theoretical articles that he had written; and how misleading they can be... ', plus 3 further sheets of unrelated notes, all struck through with pencil, plus a 3-page manuscript inventory of articles taken by Barnes Wallis to Camp in 1951, written on rectos of 3 foolscap folio sheetsQty: (9 leaves)NOTESProvenance: From the family of Barnes Wallis, by direct descent. A small but revealing group of fragmentary notes and thoughts, offering good insights into the character and personality of Barnes Wallis.
A photograph of Sean Connery as 007 with the Goldfinger Aston Martin DB5 in the Furka Pass, mounted with an autograph,monochrome image, 29.5 x 19.5cm, mounted together with a signature of the actor in blue ballpoint on light blue paper, framed and glazed. For further information on this lot please visit Bonhams.com
Ruscha (Edward). Thirtyfour Parking Lots in Los Angeles, 1st edition, [Los Angeles:] Edward Ruscha, 1967, illustrated with 31 illustrations from black & white photographs of 34 parking lots photographed in Los Angeles from the air, signed by the author/photographer on front flyleaf in blue ballpoint pen, original cream wrappers with title lettering to upper wrapper and spine, glassine dust jacket, a few minor chips and splits, slim 4to, VGQty: (1)NOTESParr & Badger II, p. 141. A rare, fine and signed copy of this iconic book in the history of the photobook. Obtained new and signed for the current owner at the time of publication in Los Angeles.
The Who - Roger Daltrey & John Entwhistle (1944-2002) - a rare original vintage promotional postcard (likely c1990s) of the band, autographed neatly to the front by Daltrey and Entwhistle. Both signed in ballpoint pen near their respective image. With certificate of authenticity from an AFTAL registered dealer. Rare item.
A large collection of various vintage fountain pens, to include: nine various Watermans fountain pens; 512 V, 503, 515, L2, and five others (one with barrel terminal as found), together with eight various Ester Brook fountain pens and two Ester Brook pencils, a Parker ballpoint and cartridge pen in double pen case and three other Parkers, each in Parker box. (condition varies). (qty)Three additional images of nibs added. One blue Waterman engraved details.
(2) Delig set Waterman pennen. Bestaande uit een vulpen en ballpoint pen in gebruikte staat compleet met origineel etui en doosje extra vullingen. Geschatte opbrengst: € 20 - € 80. (2) piece set "Waterman"pens. Consisting of a fountain pen and ballpoint pen in used condition, complete with original case and box with extra refills.
Alighiero Boetti 1940 - 1994 Ballpoint pen on paper H26 x L57 cm (H10.24 x L22.44 in ), 1981 ca. The work consists of three elements: cm 26 x 19,3 each Provenance Private Collection, Milan Certificate of Authenticity The work is archived with n. 9757 at the Archivio Boetti, Rome. The buyer will receive the certificate of authenticity issued by the archive
Lucio FontanaConcetto spaziale (Aus: La Lune en Rodage) Kugelschreiber auf perforiertem Folienpapier 11,8 x 9,4 cm. Signiert und datiert 'L. Fontana 59'. Eines von 150 (+65 H.C.) signierten und datierten Unikaten. Edition Panderma, Carl Laszlo, Basel 1960. - Mit leichten Altersspuren. Lucio FontanaConcetto spaziale (From: La Lune en Rodage) Ballpoint pen on perforated foil paper 11.8 x 9.4 cm. Signed and dated 'L. Fontana 59'. One of 150 (+65 H.C.) signed and dated unique works. Edition Panderma, Carl Laszlo, Basel 1960. - Minor traces of age.
A World War II 1939-45 Star, Africa Star with Eighth Army bar and Defence medal, probably un-ascribed, together with a Waterman fountain pen, Waterman ballpoint pen and Parker propelling pencil, a white metal mounted propelling pencil and an ebony paperknife and a silver sheathed photograph frame
BRUSHED STAINLESS STEEL PARKER PENS - Vintage collection: 1 Parker 45 Flighter fountain pen (1964-early 70s) with chrome trim, 14ct gold nib, black plastic end cap and original squeeze converter; 1 Parker 45 Flighter fountain pen (early 70s) with chrome trim, steel nib and steel end cap; 1 (1970s) brushed stainless steel Parker 45 Flighter ballpoint pen; 2 (1970s) brushed stainless steel Parker 45 Flighter fibre tip pens. A vintage (1980) Grey Shield patterned Parker 45 Harlequin ballpoint pen with chrome trim, 3 vintage Brushed Stainless Steel Parkers: 1 Parker Classic Flighter ballpoint pen with gold trim (1980s); 1 Parker Jotter Flighter ballpoint pen with chrome trim (1996); 1 Parker Jotter mechanical pencil with chrome trim (1983) and 2 Vintage (1950s) Black Parker 51 ballpoint pens, 1 with 12ct Rolled Gold cap (some wear) and gold trim; 1 with Rolled Silver cap and gold trim. Pearlescent cap jewels to both
PARKER PENS (19) - 4 vintage (1960s-early 70s) Blue Parker fountain pens: 1 Parker 45, made in USA, with brushed Stainless Steel cap, chrome trim and half hooded nib; 1 Parker 45 with gold trim and half hooded nib; 1 Parker 17 with gold trim and hooded nib; 1 Parker 17 Lady with gold trim and hooded nib. All with original filling systems, Vintage (1975-80 No date code) Brushed Stainless Steel Parker 25 ballpoint and pencil set with Blue trim. In original box with guarantee. NOS, 5 vintage Brushed Stainless Steel Parker 25 pens: 1 fountain pen (1975-80 No date code) Mk1 flat top with hole in nib and Blue trim; 1 ballpoint pen date marked 1980 with Blue trim; 1 fountain pen date marked 1990 with Blue trim; 1 fountain pen date marked 1994 with Blue trim; 1 ballpoint pen with BLACK trim date marked 1994 . All f/pens fitted with converters and 9 Various Parker Vector roller ball (7) and fountain pens (2) including a Street Map roller ball pen
A black cased ballpoint pen, Cartier Diablo Chevron, the plain polished black case and screw off cap with signed white metal fittings; together with an Alfred Dunhill white metal and green guilloche lacquer cased ballpoint pen, satin finished metal fittings, dark green case, signed band; a Mont Blanc black and gilt ballpoint pen, Philharmonia of The Nations, 200Yehudi Menuhin, the polished black case with gilt violin neck as the clip to the screw cap, gilt band and engraved detail to tip
Albert Renger-PatzschWaldbild, Arnsberger Wald Vintage, Gelatinesilberabzug auf Agfa-Brovira-Papier. 22,4 x 16,4 cm. Rückseitig mit Blei- und Buntstift datiert, mit Kugelschreiber betitelt, mit Bleistift beziffert 'L 722' sowie mit Photographenstempel. Albert Renger-PatzschWaldbild, Arnsberger Wald Vintage gelatin silver print on Agfa-Brovira paper. 22.4 x 16.4 cm. Dated in pencil and crayon, titled in ballpoint pen, numbered 'L 722' in pencil as well as photographer's stamp on the verso.
Albert Renger-PatzschErlenwald und Bach Vintage, Gelatinesilberabzug auf Agfa-Brovira-Papier. 16 x 22,5 cm. Rückseitig mit Kugelschreiber betitelt, mit Bleistift beschriftet 'L765' sowie mit Photographenstempel. Albert Renger-PatzschErlenwald und Bach Vintage gelatin silver print on Agfa-Brovira paper. 16 x 22.5 cm. Titled in ballpoint pen, inscribed 'L765' in pencil and photographer's stamp on the verso.
Barbara KlemmDie Festnahme (Rudi Dutschke) Gelatinesilberabzug hochglänzend. 18,2 x 27,3 cm. Rückseitig mit Bleistift datiert, mit Kugelschreiber betitelt und mit Photographenstempel.ProvenienzPrivatsammlung, Hessen Barbara KlemmDie Festnahme (Rudi Dutschke) Ferrotyped gelatin silver print. 18.2 x 27.3 cm. Dated in pencil, titled in ballpoint pen and photographer's stamp on the verso.ProvenancePrivate collection, Hessia
August SanderJungbauern Gelatinesilberabzug 1974. 20,8 x 28,8 cm. Unten links mit Prägestempel des Photographen. Auf Originalkarton aufgezogen und fest unter Passepartout montiert. Rückseitig mit Editionsstempel, darin von Gunther Sander mit Kugelschreiber signiert und mit Bleistift nummeriert. Exemplar 19/75. Edition des Kunstraum München e.V.ProvenienzPrivatsammlung, SüddeutschlandLiteraturDie Photographische Sammlung/SK Stiftung Kultur, Köln (Hg.), August Sander. Menschen des 20. Jahrhunderts, Bd.1: Der Bauer, Göttingen 2002, S. 101 mit Abb. August SanderJungbauern Gelatin silver print, printed 1974. 20.8 x 28.8 cm. Photographer's blindstamp lower left. Flush-mounted to card and mounted firmly under a mat. Edition stamp, therein signed by Gunther Sander in ballpoint pen as well as editioned in pencil, on the reverse of the mount. Print 19 from an edition of 75. Kunstraum München e.V. edition.ProvenancePrivate collection, Southern GermanyLiteratureDie Photographische Sammlung/SK Stiftung Kultur, Köln (ed.), August Sander. Menschen des 20. Jahrhunderts, Vol.1: Der Bauer, Munich 2002, ill. p. 101
Willy RonisCalle della Bissa, Venise Späterer Gelatinesilberabzug. 20 x 29,8 cm (29,7 x 39,7 cm). Im unteren Bildrand rechts mit Kugelschreiber signiert. Rückseitig von fremder Hand mit Bleistift bezeichnet. - Unter Passepartout montiert.LiteraturGaëlle Lassée et Kate Mascaro (Hg.), Willy Ronis par Willy Ronis. Le regard inédit du photographe sur son œuvre, Paris 2018, S. 246 mit Abb. Willy RonisCalle della Bissa, Venise Gelatin silver print, printed later. 20 x 29.8 cm (29.7 x 39.7 cm). Signed in ballpoint pen in the margin lower right. Annotated in an unknown hand in pencil on the verso. - Matted.LiteratureGaëlle Lassée et Kate Mascaro (ed.), Willy Ronis par Willy Ronis. Le regard inédit du photographe sur son œuvre, Paris 2018, ill. p. 246
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7829 item(s)/page