A brass Grande Sonnerie carriage clock with alarm the gorge case with white enamel Roman dial with subsidiary alarm ring, blued steel Breguet hands, the eight day twin barrel movement with Pte Sonnerie, Silence and G D E Sonnerie three position lever to the underside, stamped '3843', the movement striking on a single bell to the back plate, engraved Prost a Vevey' 16.5cm high overall, 13.5cm high, 9.5cm wide, 8cm deep in its original leather covered carry case (lacking front slide and interior plush covering)
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A late 19th century French brass carriage clock the white enamel dial signed Ballard, Paris, with ring of Roman numerals over a subsidiary alarm dial, the gorge style case with swing handle, the back plate stamped `France`, the hinged glazed back door stamped `586` raised on a cut-out base with hidden bell, 10.5cm high, with key but lacking carry case WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
* Tag Heuer, Formula 1, a gentleman’s stainless steel chronograph alarm wristwatch, ref.WAH111B no.RWR2993, circa 2000, the two piece case with rotating bezel calibrated to 60 units, the silvered dial with outer seconds track, tapered baton numerals and luminous hands, a subsidiary seconds dial, and dial for the alarm, and date aperture at 6 o’clock, the seven jewel quartz movement cal.RONDA 4120B, the case 43mm including lugs, on a block link bracelet with fold over clasp
A Brass Striking and Repeating Carriage Clock with Alarm, signed Le Roy & Fils, 13 & 15 Palais-Royal, Paris, 211 Regent Street, London, No.18100, circa 1890, the gorge case with carrying handle and repeat button, bevelled glass panels, white enamel dial signed, twin barrel movement with platform lever escapement and striking on a gong, backplate signed and numbered, 19cm high see illustration
A Striking Carriage Clock with Alarm, signed Lucien, Paris, circa 1890, the cast gilt case with scroll decoration throughout, carrying handle, bevelled glazed panels, enamel dial signed, twin barrel movement with platform lever escapement, striking on a bell and a further hammer for the alarm, backplate stamped Japy Freres, 19.5cm high over handle
A Grande Sonniere Alarm Carriage Clock with Unusual Seconds Dial and Engraved Case, signed Le Roy & Fils, Palais Royal Galerie Montpensier, 13 & 15, Paris, 296 Regent Street, London, No.6593, circa 1880, the gorge case finely engraved throughout with scroll work decoration, carrying handle and repeat button to the top, bevelled glass panels, the underside with selection lever for petite sonnerie/silence/grande sonnerie, circular white enamel dial signed, unusual positioned seconds dial at 12, alarm dial, twin barrel movement with platform lever escapement, petite/grande sonnerie striking with two hammers onto two polished bells, another hammer striking a bell for the alarm, movement backplate edge signed by the maker and numbered 6593, 17.5cm high over handle, with fitted travelling case see illustration The Leroy family of watch and clockmakers was founded by Basile Charles Le Roy, circa 1785, and continued by his son Charles Louis in 1828 using the name Le Roy & Fils until the end of the century. One of his trading places was at 296 Regent Street London in 1854. See Allix (Charles) Carriage Clocks, pg.444.
A Mahogany Chiming Table Clock with Alarm, signed Cumming, London, circa 1810, arched top with carrying handle, pierced front and side sound frets, 8-inch painted dial, central alarm disc, triple fusee movement with anchor escapement, chiming on a nest of eight bells and striking the hours and alarm on a further larger bell, backplate signed and engraved to the borders, 48cm high see illustration
A late 19th Century French brass cased carriage alarm clock with eight day movement striking on a bell and two gongs, the white enamel dial with Roman numerals above subsidiary alarm dial with Arabic numerals, within a foliate engraved gilt brass surround, the glazed gorge case with swing handle on bracket feet, height approx 16cm.
An early 20th Century plated mantel timepiece with eight day movement, the enamel dial inscribed `WM Hamilton & Son, Edinburgh`, the plated case with lion mask and ring handles on bun feet (faults), together with a French brass eight day movement in a later case and a Smiths gilt metal cased alarm bedside clock.
A trunk containing various trading card games including Shonen Jump`s Yu-Gi-Oh!, Yu-Gi-Oh! Dark Crisis, Yu-Gi-Oh! Structure deck, Yu-Gi-Oh! Starter deck, Yu-Gi-Oh! Evolution, together with a box containing an alarm clock, Dual Master`s trading cards, t-shirts, etc. (Approx. 850 packs, 1,700 loose cards)
LATE NINETEENTH/EARLY TWENTIETH CENTURY BRASS REPEATING CARRIAGE CLOCK , with alarm, retailed by Shelwater and Lloyd, Liverpool, the enamelled roman dial with subsidiary Arabic alarm set dial, below (a.f.) powered by a movement string on a gong, stamped R & Co. Paris, housing a polished corniche case with oval top window and top carrying handle, 5 1/4" (13.3cm) high
A Victorian miniature gilt brass cased carriage clock, 19th century, of rectangular form, bevelled glass and brass case with rounded edges, white enamel dial, height 7 cm; a miniature gilt metal and ebonised carriage clock, of rectangular form, with alarm, on circular feet, height 8 cm, (2).
French gilt brass gorge cased Grande Sonnerie carriage clock, possibly by Drocourt of Paris, white enamel dial with Roman and Arabic numerals and subsidiary alarm dial, strike selection lever to the underside, dial with retailers mark for T. Martin & Co, 151, Regent St, London, stamped number to base, 28539, height with handle raised 17cm
A fine and rare early Germanic pierced gilt brass clock watch. Unsigned, early 17th century, The gilt full plate verge fusee movement with baluster turned pillars, later sprung three-arm brass balance and plain backcock, standing barrels for both the strike train and alarm each sounding on a pork pie shaped bell within the rear cover, the backplate with recessed countwheel driven by a spur pinion engaging with teeth to the inside rim, worm set-up for the fusee mainspring, stopwork for the alarm and now engraved with various Hebrew characters, symbols and a bird standing beside a conifer, the dial with blued steel hand now fixed to a rose centre engraved gilt brass alarm disc annotated anticlockwise with Arabic numerals to outer edge within applied silvered Roman numeral chapter ring with quarter hour divisions to inner track and triform half hour markers, the surround decorated with twelve hatched panels, the two-part twelve sided case with bell fitted to the inside of the rear cover decorated with symmetrical pierced scrolling strapwork and now engraved with the twelve Hebrew tribes above arcade pierced girdle, the front cover pierced to resemble a rose window and now with further engraved script to angles, the base with turn clasp and threaded panel for a pendant finial (lacking) the top with a post fitted with a suspension ring, 6.1cm wide. The current lot can be dated to the early years of the 17th century due to the provision of a fusee for the going train and the use of brass for the wheelwork. During the latter years of the 16th century German makers adopted the fusee in preference to the stackfreed to equalise the power of the mainspring and moved away from the use of steel for the wheelwork. The recessed countwheel (driven by a spur pinion engaging with teeth to the inside of the rim) is typical of German practice of the period and is a remarkable feat of workmanship and can be compared to a slightly earlier stackfreed example housed in The Basingstoke Museum and illustrated in Camerer Cuss, T.P. The Camerer Cuss Book of ANTIQUE WATCHES Plate 6 (page 52). The design of the case is perhaps a little old fashioned for a watch dating to the early 17th century but is conceived to facilitate the easy passage of sound out of the watch and for the time to be read without opening the front cover. Such cases passed out of favour during the early decades of the 17th century with the fashion moving towards fully enclosed models, often with finely decorated external surfaces.
A French gilt brass gorge cased carriage clock with push-button repeat and alarm. Drocourt, Paris, Late 19th century, The eight-day two train gong striking movement with original silvered platform lever escapement with DC trademark for Drocourt and numbered 8749 to backplate, the circular white enamel Roman numeral dial with Arabic five minutes and blued steel Breguet hands set into a foliate engraved rectangular gilt brass mask incorporating subsidiary alarm setting dial to lower margin, the bevel glazed case with hinged carrying handle and repeat serial numbers to base, 13cm (5ins) high excluding handle, with original leather covered outer travelling case.
A fine French engraved gilt brass gorge cased alarm carriage clock with calendar and push-button repeat. Retailed by Grohe, London, late 19th century, The two train gong striking movement with silvered platform lever escapement and signed Grohe, London to backplate, the circular white enamel Roman numeral dial further signed GROHE, 7 WIGMORE STREET, LONDON to centre, with blued steel Breguet hands and set into a foliate engraved rectangular gilt brass mask with subsidiary date of the month and alarm setting dials to lower margin, the `gorge` case overall engraved with panels of scrolling foliate decoration a matted ground, the rear door with conforming scroll decorated brass panel incorporating shuttered winding holes, 13cm (5ins) high excluding handle, on original gilt brass base with conforming engraved decoration between mermaid engraved supports to angles, 17.5cm (7ins) high overall.
A Black Forest miniature weight driven wall clock with alarm. Unsigned, late 19th century, The two train wooden framed outside countwheel bell striking movement with anchor escapement and transverse alarm mounted to the right hand side of the movement, the 2.25 inch circular white enamel Roman numeral dial with brass alarm setting disc to centre and with lakeland landscape painted scene to arched panel above, complete with side doors, hanging hoop and spurs, pendulum and weights, 10cm (4ins) high.
A Queen Anne brass lantern clock. James Drury, London, early 18th century, The posted countwheel bell-striking movement with verge escapement, the silvered dial with vestigal alarm disc to the foliate scroll engraved centre within applied Roman numeral chapter ring with cruciform half hour markers and signed Jam. Drury, London to lower edge, the frame with ball feet, columnar uprights and urn finials flanking dolphin frets beneath bell housed within the domed bearer above, with brass side doors, backplate, hanging hoop and spurs, (alarm removed, with restorations and replacements), 38cm (15ins) high. James Drury is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as admitted to the Clockmakers` Company in 1687, gaining his Freedom in 1694, appointed Master in 1728 and died 1740.
A French brass lantern clock. Unsigned, mid 18th century, The posted rack and bell-striking movement with anchor escapement and passing half-hour strike on the same bell with a second hammer, the dial with alarm setting disc to the plain centre within applied Roman numeral chapter ring with starburst half hour markers beneath crest with sunburst mask within foliate scrolls surmounted with a cockerel, the frame with tall teardrop shaped feet, columnar uprights and urn finials beneath bell with turned finial (pendulum, pallets, and alarm lacking, generally distressed), 39cm (15.5ins) high.
An unusual padouk wood musical alarm table clock. Berguer London, probably early 19th century, The five pillar twin chain fusee movement with verge escapement and alarm playing a choice of two peels or a lively melodic tune on eight bells, the backplate engraved with an urn within a rococo scroll cartouche and decorative border incorporating leafy sprays to angles, the 7 inch brass break-arch dial with alarm disc to the matted centre and blued steel hands within an applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes to outer track and signed Berguer, London to lower edge the angles with female mask and scroll pattern spandrels beneath arch with CHIME/SILENT dial flanked by conforming scroll cast mounts, in a case with brass carrying handle to a moulded panel following the profile of the break-arch top with brass pineapple finials, the front door with ebonised fillet mouldings to the glazed aperture and brass inset angles, the sides with circular foliate scroll engraved brass sound frets above concave-topped windows, on moulded base with brass bracket feet, 39.5cm (15.5ins) high. Four makers with the surname Berguer (probably brothers) are recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London during the first quarter of the 19th century; Frederick 1805-24, John 1809-24, Francis (Holborn) 1820 and Joseph 1820. Two generations of makers with the same surname are also recorded working in Chaux-de-Fonds, Switzerland during the 18th century hence it is probable that the London based makers at the start of the 19th century were first generation immigrants. The fact that the maker of the current lot was probably an immigrant may account for the unusual specification of the movement (which plays music as an alarm only) as well as the individual nature of the detail design of the case. These variations perhaps echo those seen on clocks made in London by an earlier generation of Huguenot immigrant makers working during the early years of the 18th century.
An extremely rare Charles II travelling timepiece with silent-pull repeat, alarm and calendar. Robert Seignior, London circa 1685, the pierced silver case of later date. The 4 inch diameter circular movement with five finned and knopped pillars secured with blued steel latches to the tulip and foliate trail engraved gilded backplate applied with a scroll pierced and engraved balance cock, double-headed alarm hammer and central bell, the going train with chain fusee and verge escapement regulated by a sprung three-arm flat rimmed steel balance, the silent-pull repeat powered via a standing barrel mounted on the inside of the backplate and now sounding the hours only on the bell mounted to the rear of the movement, the alarm with further standing barrel mounted on the frontplate and crown wheel for the dumb bell type hammer sounding on the same bell, the 4.5 inch circular gilt brass dial with recessed silvered alarm disc, ringed winding hole and calendar aperture to the matted centre within silvered Roman numeral chapter ring with quarter hour inner track, stylised fleur-de-lys half hour markers, Arabic five minutes within the narrow outer track and signed Rob.t Seignior, Londini Fecit to lower edge, with pieced blued steel hands and herringbone engraved outer border, now in a silver case of later date finely pierced and chased with panels in the Renaissance style with scrolling acanthus incorporating figural terms and grotesque masks, putti and squirrels divided by repeating borders including a pair of profile portrait medallions, the hinged front cover with convex glass within foliate cast bezel, opposing hinged rear cover relief decorated with a bathing scene with an old man attended by semi-clad female figures within elaborated pierced double border, the top fitted with a ball pivoted cast suspension ring, (repeat work formerly sounding the quarters on a second bell), diameter 13cm (5ins) overall depth 10cm (4ins). Robert Seignio(u)r is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as apprenticed to John Nicasius gaining his Freedom of the Clockmakers` Company in 1667. He worked in Exchange Alley and was often at loggerheads with the Clockmakers` Company. In August 1674 he was appointed the King`s Clock and Watchmaker `without fee` until the death or surrender of office by Edward East, presumably to ensure succession of the role in the event of East`s demise. This appointment was never formally fulfilled as East outlived Seignior who died in 1687. The current lot is a particularly rare model as it is neither a table clock suitably adapted and scaled for travelling purposes, or a large clock-watch as the scale of the movement and details in construction and design are more akin to clockmaking practice rather than watchmaking. The design and layout of the repeat work closely resembles the earliest silent pull mechanisms first used by leading makers such as Joseph Knibb (See Allix, Charles and Harvey, Lawrence Hobson`s Choice pages 36-41 for closely related table clock repeat work). The engraved decoration to the backplate is again closely related to designs found on contemporary table clocks by the leading makers and can be directly compared to an example by Seignior dated to around 1680 illustrated in Dawson, Percy G., Drover, C.B. and Parkes, D.W. Early English Clocks Plate 512 (page 359). The design of repeat work, style of movement pillar, backcock, engraving and other features such as the distinctive `S` scroll shaped cocks for both the alarm going train crown wheel lower pivots identify the movement and dial of the current lot as unmistakenly English. However two similar travelling timepieces by the Hague maker Johannes Van Ceulen are known. The first example is illustrated in Bruton, Eric THE HISTORY OF CLOCKS AND WATCHES page 173, this appears to be an alarm timepiece only and is housed in a plain drum shaped case with a foliate pierced band towards the rear to allow the alarm to be heard. The case may give an impression of how the original for the current lot may have appeared (the present fine purpose-made elaborately chased and pierced silver case is probably Continental and of later date). The second example is illustrated in Bertele, Hans von MARINE & POCKET CHRONOMETERS and is described as a `ship`s cabin clock`. This second example is generally a more complex model as it appears to strike, have a calendar dial as well as an alarm, and is housed in a more elaborate silver case with pierced decoration to rear cover. The original client for the current lot must have been an extremely wealthy individual to be able to afford the luxury of such a fine timepiece exclusively for travelling purposes. Furthermore a subsequent owner must have also valued it highly enough to commission such a fine purpose-made silver case to be supplied to house the movement and dial.

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