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127918 Los(e)/Seite
Los 1182
Franklin Mint Victoria & Albert Porcelain Teapot Collection (12), including Meissen, Worcester, Bow, Venice and Kangxi in a display cabinet 52cm wide.All cups are Franklin Mint victorian Albert Museum - (in order from left to right starting top left) Chelsea Derby, FURSTENBERG, TOURNAY, MENNECY, Worcester, MEISSEN, Chinese, KYOTO, Venice, HOCHST, bow, KANGXI. All teapots to appear in good condition
Los 214
A Bellville Sassoon black strapless gown, the boned bodice in ruched black silk chiffon with velvet bow detail bust, the voluminous bell shaped chiffon skirt lined with layers of net and finished with stripes of velvet to hem, the back with velvet bow and zip and hook and eye closures, bust approx 36", waist approx 30"
Los 1173
A George III Mahogany Bow Front Chest with square edge to top, the frieze inlaid with ebonised stringing, fitted three short and three long drawers with shaped apron and bracket feet 48.75ins wide x 22.5ins deep x 42ins highTo the top there is some general heavier scattered scratching and darker staining. On the right hand side there is a horizontal shrinkage crack running from the edge around 12ins long. Around all three front edges of the top there is some general rubbing and edge knocks. On the left hand side there are signs of heavier scratching, the same on the right hand side. Where the right hand and left hand sides terminate into the apron and feet there is a horizontal shrinkage line running from one end to the other. Key is present and locking mechanisms work. The handles appear to be replacements. Drawers run free and easily with minimal resistance. General heavier wear to the feet commensurate with age. Overall the item is structurally sound with little to no movement in the joints.
Los 1196
Three 19th Century Mahogany Rectangular Toilet Mirrors, one inlaid with chequered stringings on turned uprights, the bow front base fitted two drawers on ogee bracket feet 19ins wide, one on square tapered uprights with turned finials, the base fitted three drawers on ogee bracket feet 14ins wide, one of similar form the base fitted two drawers inlaid with chequered stringings 18ins wide
Los 1223
A Victorian Mahogany Bow Front Chest with square edge to top, fitted two short and three long drawers on shaped apron and bracket feet 40ins wide x 22ins deep x 50.5ins highTo the top there are numerous shrinkage cracks with two running horizontally from one end to the other and there is extensive veneer loss to all three front edges of the top. There is some rubbing and edge knocks. Dark stain and polish build up to the upstand at the back. On the left and right hand sides there are vertical and diagonal shrinkage cracks and splits. On the right hand side there is one that runs from one end to the other. Drawers run free and easily with minimal resistance. On the left hand small drawer there is an area of moulding loss running vertically from one end to the other. On the next long drawer down on the left hand side there is an area of moulding loss running vertically from one end to the other. On the next long drawer down on the left hand side there is an area of moulding loss running vertically around 6ins long. On the right hand side to the upper part there is an area of moulding loss around 4ins long. On the right hand handle half of the back piece of the turned wood is missing. The next long drawer on the right hand side there is an area of moulding loss and damage around 6ins long on the right hand side. The right hand handle half of the turned back is missing. On the lowest drawer on the left hand side there is an area of moulding loss in the left corner around 3ins long and on the right hand corner there is an area of veneer loss in a triangular section. General heaviver wear to the legs commensurate with age. Overall the item is structurally sound however there is some movement in the joints.
Los 1235
A Victorian Figured Mahogany Bow Front Chest with square and moulded edge to top, fitted two short and three long drawers on turned feet 43ins wide x 22ins deep x 44ins highTo the top there is some general light scattered scratching and darker stain. Across the back edge there is a horizontal shrinkage split running from one end to the other. Around all three front edges of the top there is some general rubbing and slight edge knocks. On the right hand side there is a vertical shrinkage split running from one end to the other. Drawers run free and easily with minimal resistance. There appear to be replacement handles. On the first long drawer on the right hand side there is an area of damage to the back piece of the turned handle. On the next drawer down there is a horizontal shrinkage split on the left running in around 8ins long. There is general heavier wear to the turned feet and apron commensurate with age. Overall the item is structurally sound with little to no movement in the joints.
Los 1177
A George III Figured Mahogany Bow Front Chest with square edge to top, fitted two short and three long drawers, on shaped apron and splayed bracket feet 41.5ins wide x 21ins deep x 41ins highTo the top there is some general heavier scattered scratching, water marks and extensive fading. Around all three front edges to the top there is some general rubbing and edge knocks. On the right hand side there appears to be a screw hole in the middle at the front. Handles appear to be replacements however of the period. Drawers run free and easily with minimal resistance. On the left hand side of the second long drawer there is an area of damage around 2ins long and on the top left small drawer there is an area of moulding loss on the left hand side running from one end to the other, the same on the first long drawer an area of moulding loss on the left hand side running from one end to the other. The same on the right hand side of the same drawer. On the next drawer down there is an area of damage with moulding loss around 3ins long. On the right hand side just above the third long drawer there is an area of damage around 2ins long. On the left hand side there is an area of moulding loss around 3ins long. General heavier wear to the legs and feet commensurate with age. Overall the item is structurally sound however there is some movement in the joints.
Los 1001
A group of Chinese miniature vases and boxes; together with a famille rose footed bowl, the largest vase 8cms high (10).Condition ReportThere are minor nicks to the corners of the covers of the square form boxes, otherwise good condition; two small pots have no covers, one spare cover is broken and re-glued, the miniature vase is in good condition, the pair of yellow ground vases have a chipped loss to the neck of one, the celadon glaze vase is in good condition and the bow has two hairline cracks and chips to the rims.
Los 288
This is an expressive and poignant portrait by Annette Krauss Rose, who studied painting in New York City under Tonalist and Impressionist Frank Vincent DuMont, showcasing her remarkable talent in capturing human emotion and individuality. The piece features a young girl with a reflective expression, accentuated by delicate brushstrokes and soft, naturalistic tones. Her white blouse, adorned with a playful plaid design, is complemented by a striking orange bow, adding a vibrant focal point to the composition. The background's muted gray hues contrast beautifully with the subject, further drawing the viewer's attention to her introspective gaze. Annette Krauss Rose, known for her sensitive portrayals and skillful rendering of light and texture, imbues this painting with a timeless quality. This work is executed on canvas and displays evident age-related wear, including surface stains and minor edge fraying, which add to its charm and authenticity.Artist: Annette Krauss Rose (American 20th Century)Dimensions: 22"L x 26"HCountry of Origin: USACondition: Age related wear.
Los 33
Jose de Alcíbar (Mexico City, 1730 - 1803)"Allegory of Africa"Oil on canvas.132 x 96 cm.José de Alcíbar was one of the main exponents of New Spain painting in the second half of the 18th century. Born circa 1730, Alcíbar was remarkable in his ability to portray the ethnic and cultural diversity of New Spain and to accurately depict the physical details and symbolic elements in his characters, something that can be seen in his numerous casta paintings. These artworks, executed in a style that combines European influences with a local sensibility, are a key reference to understanding why we are attributing the painting we are analyzing to him.This is an elegant and striking painting showing one of the personifications of one of the four continents then known (Europe, Asia, Africa and America).Africa is represented here by a standing black character, who turns his head slightly to the left, as if paying attention to a voice calling him. With frizzy, curly hair, richly dressed in the manner of eighteenth-century Europe, showing wealth and abundance, with clothing which is richly brocaded and trimmed on the sleeves and large red cloak. The character also wears a necklace of a string of pearls and other jewelry, in the form of earrings. They hold a sword in their right hand and a bow and arrows with their left.A Novo-Hispanic painting that helps us to gain a little more understanding of the sense that geographical allegories had in Renaissance and Baroque art.It was usually a way of demonstrating the confines of a given empire, and true to the mentality of the time, depicting a monarchy surrounded by continents was a clear expression of power, expressing that their power extended throughout the world.One of Alcíbar's best known paintings is “From Indian and Mestiza, Coyote” and “From Spaniard and Morisca, Albino”, which are in the Philadelphia Museum of Art. These paintings are part of the casta tradition, a pictorial genre that developed in New Spain and was intended to visually classify the different racial mixtures that arose from contact between Europeans, Africans and Indians. These works stand out for their detailed observation of the costumes, textures and gestures of the characters, something that is also evident in the painting of the “Allegory of Africa” that we have here.As in his casta paintings, Alcíbar uses chiaroscuro in “Allegory of Africa” to model the figure using strong contrast between light and shadows, giving it three-dimensional volume and reinforcing its presence in the composition.The depiction of clothing, with its folds, textures and finely worked details, is another characteristic shared with Alcíbar's casta paintings. The precision in the texture of the fabrics, the brilliance of the jewels and the meticulous depiction of the jewelry suggest the expert hand of a painter accustomed to capturing the material and symbolic wealth of his characters.The painting is significant not only for its artistic quality, but also for its ability to reflect colonial-era concerns and ideologies regarding ethnic diversity and the depiction of figures descended from Africa.This connection to Alcíbar's casta paintings, especially those in the Philadelphia Museum of Art, reinforces the attribution of the work and underscores the importance of José de Alcíbar as a key painter in the portrayal of racial diversity in New Spain. As the Museo del Prado states in their biographical factsheet, Alcíbar was ‘One of the most active and representative artists of the painting scene in Mexico City during the second half of the 18th century. He received numerous commissions, especially for religious paintings for various churches and portraits of leading figures in Mexican society, with a personal style that was not unrelated to the artistic processes taking place in the metropolis. Mexico City in the 18th century was a time of special cultural importance, also in artistic terms, with the founding of the Royal Academy of Fine Arts of San Carlos in 1784, of which Alcíbar was one of the founding members and in which he took an active part until his death. Despite the relative success of his teachings, the Academy saw the arrival in Mexico of painters trained and active in Madrid, such as Ginés Andrés de Aguirre, Cosme de Acuña, José Arias and Antonio González Velázquez, who undoubtedly enriched the horizons of the Latin American painters. The two portraits in the Museo del Prado are characteristic of one facet of Alcíbar's production, portraiture, and show the elegance and flamboyance of his brushwork.Reference bibliography:- Magali Carrera, “Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings” (2003).- Ilona Katzew, “Casta Painting: Images of Race in Eighteenth-Century México” (2004).- Museo de Arte de Filadelfia, Colección de Pinturas de Castas.- Museo del Prado. (n.d.). "Alcíbar, José de". https://www.museodelprado.es/aprende/enciclopedia/voz/alcibar-jose-de/858ad8f0-de5b-4a63-921a-49d2d989e660
Los 44
An 18th Century 1796 pattern British Infantry Officers sword. Urn shaped pommel with ball finial, copper bound hilt, gilt brass knuckle bow and twin shell fold down guard. The flat backed single edged blade unmarked. Measures approx 96cm.If this lot is required to be posted please see sale notes regarding age verification.
Los 222
A COLLECTION OF SILVER ITEMS To include: an Edwardian ewer shaped cream jug by Goldsmiths & Silversmiths Co. Ltd., London 1907, with a beaded border, a ribbon and bow band, on a square foot, 11.5cm high; a win handled trophy cup and cover by Barker Brothers (Herbert Edward Barker & Frank Ernest Barker), Chester 1924, with a lobed finial to the cover, twin loop handles, engraved Hambledon Hunt Cup and on a circular pedestal foot, 10.5cm high; an Egyptian silver coloured fava bean pot, post 1946 .900 standard, engraved with strapwork, 14cm high; a silver coloured bell in the form of a seated figure on a temple, stamped 925, 10.5cm high; a silver coloured figure carrying various items, stamped 925, 8.5cm high; and other silver coloured items 682g (21.95 oz) gross Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
Los 219
A COLLECTION OF SILVER ITEMS To include: a George III swing handled pedestal sugar basket, maker's mark I.M, London 1775, with a swing loop handle, beaded border, the body chased with a swag band and pierced decoration, on a circular domed foot, 14cm high, with a blue glass liner; a pair of oval salts by Stokes & Ireland Ltd. (William Henry Stokes & Arthur George Ireland), London 1913, with pierced bodies and on four ball feet, 7cm long, with two blue glass liners; a pair of pepperettes by E. S. Barnsley & Co.(Edward Souter Barnsley), Birmingham 1914, with pierced domed covers. chased with ribbon and bow bands, 6cm high, with two blue glass liners; a pair of electro-plated wine coasters, with reeded borders, pierced bands and turned wood bases, 13cm diameter; and other silver cruet items 304g (9.75 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
Los 323
A contemporary William Manson glass paperweight of domed form internally decorated with a central spray of stylised flowers in pink, blue and white on a ground of scrambled millefiori canes, signature cane to design, together with another William Manson weight central bouquet design with multicoloured central cane design with copper aventurine bow, surrounded with a border of millefiori canes on ice blue ground, signature cane within design, scratch signed to base, both boxed, diameter 6cm. (2)
Los 47
This Royal Doulton character jug features the legendary comedian Groucho Marx, part of The Celebrity Collection. Modeled by Stanley James Taylor, the piece showcases the iconic comedian with his signature round glasses, mustache, and bow tie, while the handle is formed as a cigar, a hallmark of his classic persona. The base is marked with the Royal Doulton backstamp and includes a quote attributed to Groucho Marx: "I've worked myself up from nothing to a state of extreme poverty." This hand-made and hand-decorated jug was issued in 1984.Artist: Stanley J. TaylorIssued: 1984 - 1988Dimensions: 7"HCountry of Origin: EnglandCondition: Age related wear.
Los 91
A Chanel-inspired walking cat sculpture by contemporary artist Khalil Douisse, featuring a sleek black-and-white splatter finish with hand-applied Chanel No. 5 motifs and dripping logo accents. Embellished with crystal elements, this striking piece also features a luxurious black feathered bow collar with a jeweled pendant, adding to its couture aesthetic. The cat's poised stance and high-fashion styling merge luxury branding with street art influences, creating a unique fusion of modern design. Signed by the artist, this sculpture is an eye-catching collectible for those who appreciate high-end fashion, contemporary art, and bold statement pieces. A must-have piece for collectors and lovers of avant-garde decor.Issued: 21st centuryDimensions: 12"L x 3"W x 8"HCountry of Origin: United StatesCondition: Age related wear. One loose stone.
Los 152
A late Victorian moonstone and diamond double heart brooch, modelled as two entwined heart-shaped clusters, each centred with a heart-shaped cabochon moonstone bordered by rose-cut diamonds, surmounted by a similarly cut diamond set ribbon bow, gold and silver mounted, (later fitting), width 2.35cmSurface wear, scuffs/scratches and nicks to moonstones, which have a subtle bluish schiller. Diamonds have a typically greyish or yellowish fractured and included appearance, some stones with chips. The mount has wear and heavy tarnishing commensurate for age and use, with wear and thinning to the edges and tips of the setting. Solder joins/repairs are present at junctions within the mount. The fitting doesn't appear to detach and has a later replaced visor clasp which is currently functioning. Metal standards are untested. Gross weight approximately 7.3gm.
Los 176
A diamond and half pearl bow brooch, centred with an old brilliant-cut diamond in millegrain collet setting, flanked by two half pearls and two further smaller diamonds, (half pearls untested for origin), principal diamond weight approximately 0.20ct, total diamond weight approximately 0.35ct, length 3.15cm
Los 304
An open face fob watch, the white enamel dial with Roman numerals and two tone gilt borders, to a profusely engraved case stamped '9K', suspended from a ribbon bow brooch fitting stamped '9CT', together with two stone set pendants on chains, a 22ct gold wedding ring, later mounted with a stone set panel, a stone set dress ring, and an oval shell cameo brooch, contained in jewellery case, watch case width 3.1cm (6)Approximate gross weights only: watch (including movement and brooch fitting) 24.5gm, pendants on chains combined 10.5gm, 22ct gold ring with later added panel 3.3gm, other ring 1.3gm
Los 197
Over one hundred Punk / New Wave / Post Punk 7" singles including five The Clash, The Sin Ceros, Sex Pistols, four Killing Joke, five XTC, two The Vapours, two The Ruts, Lene Lovich, Squeeze, Skids on white vinyl, three PiL, four Malcolm McLaren, six Siouxsie & The Banshees, Undertones, Bow Wow Wow, Sham 69, The Damned, Stiff Little Fingers, Therapy?, The Pogues, Blondie, Billy Bragg, The Boomtown Rats, The Stranglers, Tourists, etc. Condition generally appears to be Ex to Ex+, but have small indexing stickers
Los 95
Approximately seventy five Indie Rock / New Wave / Post Punk / New Romantic 12" singles including Blur For Tomorrow and To The End, The La's There She Goes, Edwyn Collins A Girl Like You, Exotica Maximus Paint It Black, Echo & The Bunnymen The Killing Moon, The Doves I Wouldn't Know You From The Rest, Duran Duran, Depeche Mode, Enigma, Flock of Seagulls, China Crisis, Kraftwerk, Cyndi Lauper, Blondie, Boy George, The Associates, Altered Images, ABC, Aztec Camera, Billy Bragg, Blue Aeroplane, Bow Wow Wow, The Big Supreme, The Clash, Flood, Ian Dury etc. Condition generally appears Ex to NM
Los 96
Approximately seventy five Indie Rock / New Wave / Post Punk / New Romantic 12" singles including The Cure Friday I'm In Love, Close To Me, Hot Hot Hot and Pictures Of You, Field Mice Missing The Moon, The Farm All Together Now, Fad Gadget For Whom The Bell Tolls, Blancmange, Blondie, Culture Club, ABC, Duran Duran, Depeche Mode, Eurythmics, Enigma, Korgis, Japan, Comsat Angels, Carter The Unstoppable Sex Machine, Berlin, Latin Quarter, Fisher-Z, Fatal Charm, Energy Orchard, Ian Dury, Hugh Cornwall, Cygnet Ring, Darling Buds, All That Jazz, Kites, Bow Wow Wow, Deacon Blue, The Bible, The Doll etc. Condition generally appears Ex to NM
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127918 Los(e)/Seite