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127918 Los(e)/Seite
Los 54
JOHN MACWHIRTER R.A., H.R.S.A., R.I., R.E. (SCOTTISH 1839-1911) AUTUMN AFTERNOON ON LOCH KATRINE Signed with monogram, oil on canvas 127cm x 84cm (50in x 33in) Presented by the Misses Bow, 1939. Titled ‘By the Loch’ in Illustrated Catalogue of Paintings, Drawings, Sculpture in the Collections of Paisley Corporation and Paisley Art Institute, 1948.
Los 493
France: Republic of France assorted medals: Franco Prussian War 1870-71 (2). Colonial medal clasp EXTREMEORIENT North Africa Security medal clasp ALGERIE 1939-45 War medal clasp (LIBERATION). Liberated France medal, Liberation medal 2004. Railway medal, Societe Industriele medal, Music medal, Orphan's medal 1965 with rosette, Insurances medal, Medaille de la Reconnaissance on lady's bow (13)
Los 149
TAXIDERMY - chub and roach in naturalistic setting, in original bow-fronted glass case, inscribed "Caught by FC&HR Glover Odac in SV Canal at Redwith 17th Oct 1929", no maker's label, case width 67cm, height 39cmGood untouched original condition, glass all perfect and original, no damage or repairs
Los 1282
An 18thc Longton Hall lidded vase and cover, with a floral encrusted lid, the body moulded and painted with flowers (14cms high, various damages). Also with a 18thc Bow vase of flowers (17cms high, damages). (2). *CR Longton Hall, pieces broken off the lid and some loose pieces, some chips to the leaves, base of handle with restoration, cracks running around the base, chips to the leaves on the body and lid. Bow, top section has been broken off and repaired, small chips to the flowers and leaves in places, nibbles in places.
Los 1087
A cello bow made circa 1999/2000, the octagonal stick with a natural finish and figured pernambuco, the ebony frog with silver mounts and mother of pearl eyes, and with a compliment slip from the maker with information (71cms long). Also with a larger bow, probably for a double bass, with a ebony frog and plated mounts (72cms long). *CR Bellis, this bow seems in good condition, no issues that I can see. Larger bow, the end of the stick has been well used and is quite worn with surface loss. Otherwise it seems ok with a few minor marks.
Los 928
A bunny dressed in patriotic American attire adorned with a silver-colored bow tie. Issued in 1997 to commemorate the 10th anniversary of the New England chapter, RDICC. Part of the American Heritage Collection. Royal Doulton backstamp. Artist: H. SalesIssued: 1997Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 874
A musician wearing a pink and yellow coat, white striped pants, and a polka-dot bow tie, and playing a guitar decorated with stars. Golden Jubilee Celebration 1984. Royal Doulton backstamp. Artist: H. SalesIssued: 1982 - 1988Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Los 516
Greek Coinages, Syracuse: 12 Litrai, struck under the Fifth Democracy, c. 214-12 Obverse: head of Athena left, wearing plumed helmet decorated with a coiled serpent and pearled necklace Reverse: συρακοσιων: Artemis standing left, drawing bow; hound springing left below, ξα to left Metal: silver; Sikel weight standard; 10.15g/12h References: Burnett 23 [O8/Rp]; cf. Ashmolean 2121; Du Chastel 138 Condition: Attractively toned and almost extremely fine, a little die shift on the reverse £900-£1,200 --- Provenance: Waddell Electronic Auction 79, Frederick, 10 December 2003, lot 21 CNG Auction 114, Lancaster, 13 May 2020, lot 81
Los 573
Greek Coinages, CILICIA, Soloi: stater, struck c. 440-410 Obverse: Amazon kneeling left, draped from waist down and wearing pointed bonnet, holding bow; leaf in left field Reverse: σολεων: grape bunch, laurel branch hanging down to right Metal: silver; Persian weight standard; 10.90g/4h References: Casabonne types 1-2 var. [control mark]; Boston 2123-3 var. [same]; Lockett 3043 var. [same] Condition: Overstruck on a stater of Side, otherwise extremely fine with fresh, sharp surfaces £600-£800 --- Provenance: Nomos Auction 19, Zurich, 17 November 2019, lot 180
Los 567
Greek Coinages, Time of Xerxes II to Artaxerxes II (c. 420-375): Daric, struck at Sardis Obverse: crowned Persian king running right, holding transverse spear and bow Reverse: irregular oblong incuse punch Metal: gold; Persian weight standard; 8.36g References: Carradice IIIb, Gp C; Kraay 82; Boston 2205 Condition: A few edge marks, almost extremely fine £900-£1,200
Los 542
Greek Coinages, PERGAMENE KINGDOM, Eumenes I (263-241): Tetradrachm, struck at Pergamon, c. 250-240 Obverse: plump head of Philetairos right, wearing laurel wreath with diadem ties Reverse: φιλεταιρου: Athena enthroned left, crowning legend with wreath and leaning with left elbow on shield behind, spear resting beyond; a to inner left, ivy-leaf to outer left, bow in field behind Metal: silver; Attic weight standard; 17.03g/12h References: Westermark IVA, LIII; Lockett 2722; Ashmolean 753-4 Condition: Extremely fine, light grey tone; a little peripheral roughness on the reverse £1,500-£2,000 --- Provenance: CNG Mail Bid Sale 93, Lancaster, 22 May 2013, lot 358 M. Gasvoda Collection, CNG Triton XXII, New York, 8 January 2019, lot 236
Los 563
Greek Coinages, Ephesos: Oktobol, struck c. 340-330 by the magistrate Agesipolis Obverse: diademed and draped bust of Artemis right, bow and quiver at shoulder Reverse: (ηγ)ησιπολισ: forepart of stag right, head turned back; palm tree behind, bee and ethnic [ε-φ] in field Metal: silver; Chian weight standard; 5.04g/12h References: SNG Von Aulock 1841; Lockett –; Boston – Condition: Good extremely fine, well struck up and with light iridescent toning; an exemplary piece of late Classical numismatic art £6,000-£8,000 --- Provenance: Nelson Bunker Hunt Collection; Sotheby Auction, New York, 19 June 1991, lot 1037 DNW Auction, A10, 22 June 2011, lot 1037 Morton & Eden, 24 May 2017, lot 32
Los 546
Greek Coinages, SELEUKID KINGDOM, Antiochos Hierax (c. 242-227): Tetradrachm, struck at the ‘B’ workshop of Alexandria Troas Obverse: head right, wearing winged diadem Reverse: βασιλεωσ αντιοχου: Apollo seated left on omphalos, testing arrow in his right hand, left hand holding tip of bow set on ground; two monograms to outer left [πχιτυο, ερ], grazing horse in exergue Metal: silver; Attic weight standard; 17.04g/12h References: Houghton/Lorber 882.3; Mektipini 211 Condition: Extremely fine, toned and rare £1,500-£2,000 --- Provenance: CNG Triton XXV, New York, 11 January 2022, lot 317
Los 395
dating: early 17th Century provenance: Brescia, Lock plate of elongated shape, with tang provided with a button and typical downward cusped shape. Small wheel retained by a simple 'C'-shaped plate (missing parts'). Two sturdy cocks with wide, square jaws. Small engraved and carved elements. The back with complete mechanism (only the spring holding the trigger pawl forward is missing perhaps?), pan cover still able to slide. On the back of the plate a bow and arrow mark with the letters 'L I'. length plate 22,3 cm.
Los 272
dating: 18th Century provenance: Tibet, A leather horse's head hilt provided with six rings for the fastening and, at the top, with an iron bow decorated with geometric and floral motifs in gold (9.8 x 19.7 cm). Set with four iron mounts decorated with dragons between gold and silver spirals. dimensions various cm.
Los 37
dating: Period (1603-1867) provenance: Japan, Bow with counter-curved wooden frame of parallelepiped section. Painted in red, provided with bundles of gilded ropes and with a brown rope grip. The cusp of a fukuro-yari is mounted at both ends and held by a mekugi. Both cusps provided with saya. Period: probably late Edo period, mid-19th century. height circa 150 cm.
Los 555
* JAMES PETER QUINN (AUSTRALIAN 1869 - 1951), PORTRAIT OF A WOMAN oil on canvas, signedframedimage size 55cm x 44cm, overall size 66cm x 55cm Note: James Peter Quinn was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Berneard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery next year. Quinn ostensibly returned as an acclaimed artist, was invited to re-join the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with Sir Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch Prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War Memorial, Canberra, and he is represented in most Australian public collections and in major galleries throughout the world.
Los 244
Greek Coinages, PERSIAN EMPIRE: Siglos, struck at Sardis, c. 375-340 Obverse: crowned Persian king running right, holding dagger and bow Reverse: oblong incuse punch Metal: silver; Persian weight standard; 5.22g References: Carradice IVc; Meadows 326; BMC pl. XXVII, 19 Condition: Countermark behind the king, very fine £90-£120 --- Provenance: Bt Spink, January 1969
Los 126
Greek Coinages, Thasos: Drachm, struck c. 390-350 Obverse: head of Dionysos left, wild unkempt hair wreathed with wild ivy Reverse: θασιον: Herakles kneeling right, drawing string of bow; cicada above knee Metal: silver; Chian weight standard; 3.89g/2h References: Le Rider 24; West 5; Ashmolean 3668-70 Condition: Very fine, dark toned; rare, particularly so with this control mark £200-£260 --- Provenance: Hermitage Museum Collection, Schlessinger Auction 13, 4 February 1933, lot 500 Münzhandlung Basel, Auction 10, 15 March 1938, lot 169 Bt Spink, April 1944
Los 9
Greek Coinages, Tarentum: Nomos, struck under the Pyrrhic Hegemony, c. 280-72, by the magistrate Aristippus Obverse: nude rider on horse prancing right, holding a shield and two javelins, thrusting down with spear in raised right hand; γυ behind; αρι/στιπ below horse Reverse: ταρασ: Phalanthos astride dolphin right, holding bow and arrow; δι and elephant below Metal: silver; reduced ‘Tarantine’ standard; 6.51g/9h References: Vlasto 712; Rutter 999; Ashmolean 307 Condition: Almost extremely fine, well centred and beautifully toned £500-£600 --- Provenance: Bt Spink, October 1941
Los 237
Greek Coinages, Magnesia on the Maeander: Tetradrachm, Struck c. 154-145, by the magistrate Pausanias son of Pausanias Obverse: diademed and draped bust of Artemis right, bow and quiver at shoulder Reverse: μαγνητων παyσανιασ παyσανιου: Apollo Delphios standing left, undraped, holding filleted branch and leaning left elbow on tall tripod behind; meander pattern below, all within laurel-wreath Metal: silver; Attic weight standard; 16.75g/12h References: Jones 13a.1-2 [listed twice in error], this coin = Lockett 2830, this coin; Ashmolean – Condition: Extremely fine, a few old scratches beneath beautiful grey toning; a wonderful piece of Hellenistic art with a truly distinguished pedigree £700-£900 --- Provenance: G. Sparkes Collection Sotheby Auction, 2 February 1880, lot 291 W.C. Neligan Collection Sotheby Auction, 11 October 1881, lot 271 Sir Edward Bunbury Collection Sotheby Auction, 7 December 1896, lot 186 F.S. Benson Collection Sotheby Auction, 3 February 1909, lot 684 Newall Collection R.C. Lockett Collection Glendining Auction, 21 February 1961, lot 2308
Los 63
Greek Coinages, Selinus: Tetradrachm, struck c. 435-417 Obverse: Apollo and Artemis carried in slow biga right, Apollo drawing bow, while his sister holds the reins; barley-grain in exergue Reverse: σελινοντιον: Selinus standing left, short horns sprouting from head, holding laurel-branch and pouring libation from phiale onto garlanded altar before which stands cockerel left; behind a selinon leaf and a bovine idol Metal: silver; Attic weight standard: 17.02g/8h References Schwabacher 32 [Q9/S25a]; Rizzo pl. XXXIII, 2/3; Ashmolean 1897 Condition: A little striking weakness, otherwise good very fine and grey toned; the young river-god well centred and rendered in excellent style £2,000-£2,600 --- Provenance: Glendining Auction, 7 July 1939, lot 66 Bt Spink, August 1941
Los 39
Greek Coinages, Kroton: Stater, struck c. 379-367 Obverse: head of Hera Lakinia canted slightly right, wearing pearled necklace and stephane with palmettes; b to right Reverse: κροτωναιτασ: Herakles reclining left on rock draped with lion’s skin, holding cup and resting club on ground beside bow Metal: silver; Achaean weight standard; 7.90g/7h References: Woodward 40, this coin; Rutter 2169; Ashmolean 1521 Condition: Extremely fine, beautifully toned and of the finest classical style; very rare and superb £12,000-£15,000 --- Provenance: F. Merkens Collection, Hirsch Auction XIV, Munich, 27 November 1905, lot 137 M. Collignon Collection, Feuardent Auction, Paris, 17 December 1919, lot 61 W.H. Woodward Collection Bt Spink, March 1942
Los 140
Greek Coinages, KINGDOM OF MACEDONIA Alexander III: Quarter-Stater, c. 330-323, uncertain mint in western Asia Minor Obverse: head of Athena right, wearing crested Corinthian helmet decorated with serpent and pendant earring, trace of drapery on far shoulder Reverse: αλεχανδρου: bow, club and eagle Metal: gold; Attic weight standard; 1.86g/2h References: Price 3127 corr. [obverse type]; Pozzi 1738, this coin = Lockett 1434, this coin; Ashmolean – Condition: About extremely fine and lustrous, trifling mark on reverse; the denomination very rare, particularly so in this condition £1,500-£1,800 --- Provenance: Prof. S. Pozzi Collection, Naville Auction I, Lucerne, 14 March 1921, lot 875 R.C. Lockett Collection, Glendining, 12 February 1958, lot 1344 CNG Triton XXIV, 19 January 2021, lot 469 [Bt A. Kosoff, August 1968]
Los 171
Greek Coinages, PERGAMENE KINGDOM, Eumenes I (263-241): Tetradrachm, struck at Pergamon, c. 250-240 Obverse: plump head of Philetairos right, wearing laurel wreath with diadem ties Reverse: φιλεταιρου: Athena enthroned left, holding wreath and leaning with left elbow on shield behind, spear resting beyond; a to inner left, ivy-leaf to outer left, bow in field behind Metal: silver; Attic weight standard; 17.26g/12h References: Westermark IVA, LIV; Lockett 2722; Ashmolean 753-4 Condition: Good very fine and well centred, beautiful grey tone with golden highlights £700-£900 --- Provenance: Bt Spink, July 1943
Los 61
Greek Coinages, Selinus: Tetradrachm, struck c. 467-445 Obverse: σελινοντιον (retrograde): Apollo and Artemis standing in quadriga stepping slowly left; Apollo drawing bow, his sister holding the reins Reverse: σελινον: youthful river god standing left, short horns sprouting from head, holding laurel-branch and pouring libation from phiale onto garlanded altar; behind a selinon leaf and a bovine idol Metal: silver; Attic weight standard; 17.39g/2h References: Schwabacher 1 [Q1/S1]; Rizzo pl. XXXI, 10; Ashmolean 1892 Condition: Extremely fine, prettily toned over fresh surfaces; a superb coin with a charming painterly quality £8,000-£10,000 --- Provenance: W.H. Carr Collection, Ars Classica Auction XVI, Lucerne, 3 July 1933, lot 632 Bt Spink, August 1941
Los 160
Greek Coinages, KINGDOM OF MACEDONIA, Antigonos Doson (229-221): Tetradrachm, struck at Amphipolis, c. 227-225 Obverse: head of Poseidon right, wreathed with seaweed Reverse: βασιλεωσ αντιγονου: Apollo seated left on galley prow, testing bow; monogram [ωμπ] by his feet Metal: silver; Attic weight standard; 16.83g/1h References: Panagopoulou Period 3, 244 [O37/R233]; Lockett 1527; Ashmolean 3266 Condition: Almost extremely fine, struck on a broad flan with light iridescent toning £1,500-£1,800 --- Provenance: Glendining Auction, 25 March 1947, lot 9 Bt Baldwin, July 1948
Los 2
Two Meissen figures of girls, probably late 19th century, both wearing richly patterned lace trimmed costume, one carrying a toy sheep incised C79, the other with a doll, incised C90, 15cm.Qty: 2Condition report:Girl with toy sheep; small area of restoration to the yellow scarf, damage and losses to the lace effect throughoutGirl with doll; possible restoration to the bow on top of girls head, probable restoration to girls right hand and rattle, loss to one end of yellow sash on girls back, damage and losses to lace effect throughout
Los 85
1644 Charles I silver Crown, Exeter mint, rose mintmark (S 3058, North 2557). Obverse: king riding left with bow-shaped sash behind, rose mintmark, 'CAROLVS: D: G: MAG: BRI: FRA: ET: HIB: REX:' around. Reverse: garnished oval shield of royal arms with a rose mintmark above and the date in the legend to the left, 'CHRISTO · AVSPICE · REGNO 1644' around. Weight: 28.38g. Diameter: 44mm. Grade: F - a mid-grey tone, edge slightly flattened, the central horse area a little flat, Fine, reverse better. Comes with an old clipping from a list.
Los 12
SPANISH SCHOOL (17TH CENTURY) PORTRAIT OF A LADY WITH SHACKLE OR CHAIN AT HER ARM Oil on canvas 102 x 73cm (40 x 28½ in.) Provenance: Sale, Dorotheum, 15 March 1990, lot 123, as School of Alonso Sanchez Coello The curious inclusion of handcuffs on the sitter's left arm is likely to indicate that this is a marriage portrait. Perhaps playing on the Spanish words esposa (wife) and esposas (handcuffs), deriving from the Latin spondere (to bind, pledge or promise), the symbol denotes the sitter's commitment to the indissoluble marital bond. The clothing and jewellery suggest the portrait was probably painted in the late 17th century. Prominent bow-knot (lazo) brooches worn in the centre of the chest, such as the one in the portrait, were in vogue on the Iberian peninsula from the mid seventeenth century. A close example is the gold and emerald encrusted pendant displayed at the V&A (M.138-1975). For a further study on jewels in Spain see: Muller, Priscilla E. 2012. Jewels in Spain, 1500-1800. [New York, N.Y.]: Hispanic Society of America: Centro de Estudios Europa Hispánica : Center for Spain in America, c2012 Condition Report: The canvas has been heavily relined and presents an uneven surface across. The painting is covered by a thick and yellowing varnish which renders the analysis of its condition difficult. Nevertheless, under the varnish there seems to be detailed infilling across the whole surface, which is most noticeable in the background area, where the canvas has suffered losses of superficial paint, as the surface does not appear smooth. UV light reveals a 4 cm scratch on the sitter's right sleeve, where there seems to be added white paint; a 4cm long retouching, always with white paint, at the centre of the handcuff; two lines of infilling of about 6 cm each in the bottom left corner; a small, dotted retouch on the sitter's left eye, and a few dotted, yet minor retouches in the background area. To conclude, a thin craquelure appears on the surface, most evident on the sitter's head, and a small hole is present in the lower section of the painting. Condition Report Disclaimer
Los 379
A collection of costume jewellery, comprising a single row French jet bead necklace, strung knotted, 350mm long, a Victorian French jet and silver insect drop pendant, suspended by a single row of later glass beads, strung plain, 400mm long, and a group of three pairs of earrings, together with a group of three vulcanite mourning brooches,a carved bow brooch, 36mm x 29mm, an abstract carved bead brooch, 44mm x 20mm, a floral carved bar brooch, 50mm x 10mm, 112.05g total (8)Condition ReportOne leg to silver insect deficient.One clip earring fitting broken.Tarnish.Marks, scratches and pitting to surfaces.As found.
Los 13
An antique paste necklace and earrings, 19th century, the necklace with panels of colourless paste, some in a floral design, with a bow design to the front, with a hanging bird, all stones foiled in a closed back setting, with one pair of silver paste set earrings, to screw backs, tested as silver, and a single silver and gilt metal screw back earring, unmarked (4)Condition ReportThe clasp has stones lacking, one earring has one stone lacking, the bird is detached from the necklace, some pastes discoloured. Overall worn condition.Tarnish.
Los 259
A sovereign holder and a pair of lorgnettes, a 9ct gold sovereign holder, with a circular 28mm diameter hinged case, engraved and with a push button and bow, hallmarked Birmingham, and a pair of gilt metal lorgnettes, 72mm long when folded, 12.76g (2)Condition ReportEngraving worn to sovereign holder case.Marks and scratches to surfaces.Wear to gilt metal surfaces.Tarnish.
Los 408
A collection of silver and costume jewellery, to include a silver marcasite, seed pearl and cultured pearl drop brooch, pearls untested, a silver mother of pearl and marcasite ring, stamped 925, both tested as silver, a gilt metal faux pearl drop brooch, by Grosse, a gilt metal paste drop tassel brooch, a gilt metal paste hinged bangle, a gilt metal paste bow brooch, two gilt metal green glass necklaces, by Trifari, a base metal ring, and a small group of faux pearl necklaces and bracelets, 754.02g total (qty)Condition ReportTrifari green glass necklaces both with some weak links.Some wear to gilt metal surfaces.Marks and scratches to surfaces.Tarnish.Total silver weight: 37.90g
Los 407
A group of silver jewellery and others, a mother of pearl drop pendant, with an open foliate mount suspending oval and pear shaped mother of pearl drops, both articulated and bezel set, 45mm long, stamped 'sterling silver', tested as silver, into a later box link chain, 430mm long, stamped 835,a Victorian silver collar necklace,the chain with pierced links and suspending pierced drops, 420mm long, a silver polychrome enamel floral brooch, by Bernard Instone,stamped 'silver B.I.', 57mm long,a silver moonstone bar brooch, by Charles Horner,maker's mark for Charles Horner, 39mm x 11mm, stamped 'sterling',and a group of brooches and stick pins,to include an enamel robin stick pin, 45mm long, a marcasite bow brooch, 32mm x 22mm, two monochrome enamel brooches, all tested as silver, a micromosaic brooch, 43mm x 19mm, and a small group of brooches and stick pinssilver 59.84g total (qty)Condition ReportVictorian silver necklace with a few vacant links. Six pierced drops with losses, one pierced drop vacant.One small hole to micro mosaic surface.Marks and scratches to surfaces.Tarnish.
Los 42
An early 20th century spray brooch, with scattered old cut, rose cut and eight cut diamonds, faced in white and grain set to a floral spray, gathered by a bow, to a lever safety catch and curved pin, 39mm x 24mm, tested as approximately 9ct gold, 6.14gCondition ReportOne old cut diamond chipped. One cavity to the table of another diamond.Settings appear secure.Clasp is later and secures.Minor tarnish.
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127918 Los(e)/Seite