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127915 Los(e)/Seite
A late Victorian rosewood and gilt metal mounted credenza with curved ends, the frieze inlaid with stylised leaf banding and with gilt bead mouldings, the centre enclosed by a single arched panelled door inlaid in boxwood with oval paterae flanked by twin turned columns with Corinthian capitols, and display cabinets each fitted two cloth lined shelves enclosed by a bow-fronted glazed door, on plinth base with gilt mouldings and six turned bun feet, 68ins wide x 17ins deep x 42.5ins high
A modern mahogany bow-front corner cupboard of Georgian design by Arthur Brett & Sons, inlaid with stringings and crossbandings, the upper part with broken swan neck pediment, with turned finial to centre, cloth lined interior fitted two shelves enclosed by a pair of glazed doors, the base fitted cupboard enclosed by a pair of doors with oval veneer panels, on shaped apron and bracket feet, 32ins wide x 89ins high, and a small bolt of the cream silk moire fabric
A fine late 18th Century gentleman's gilt brass cased "Memento Mori" pocket watch by George Flote of Islington, No 127, and dated 1791, the 52mm white enamel dial finely decorated in black with central shield pattern cartouche, decorated with a cockerel, an owl and a skull and crossbones, flanked by a standing figure of "Father Time" and a trumpeting classical female, the central circular dial with Arabic numerals and fine gold hands with central half second indicating sweep second hand, the movement with duplex escapement and finely pierced and engraved watch cock, the centre set with a rose diamond and the lower section decorated with oval profile of a gentleman, with fine chain fusee, plain turned pillars and fitted dust cap, contained in good quality gilt brass double opening case and central release button within bow, 65mm diameter overall, (case makers mark star above W.M) and with later ivory handled winding key for same Note: George Flote recorded working London 1805-1808, maker of beautiful clocks and unusual watches
Late 19th century Austro-Hungarian cold painted terracotta wall plaque of roundel form, modelled in high relief as a choral group, mounted within turned dished hardwood plaque CONDITION REPORT End of violin and violin bow are missing. Suggestion that the left adult figure held something (baton?) in his hand, now absent, general wear, discolouration and paint loss to the terracotta, deterioration to fabric backing. Wooden plaque has splits - possible replaced elements to left side. New screws to the reverse suggest the piece has been remounted or stabilised. Approx 64cm in diameter
18th century Bow porcelain leaf-shaped dish with Kakiemon palette 'two quail' pattern decoration, 25.5cm CONDITION REPORT Upon close inspection there is evidence of restoration and spray finishing possibly to a crack, restoration appears to cover an area starting roughly centrally above the quail - running diagonally to around 10 o'clock. Some surface scratches, some glaze loss and fritting to rim, larger area at base of stalk, otherwise appears to be OK
Set of four late Victorian silver salts of heart-shaped form, with scroll and bow decoration, on three ball feet, in a fitted case (Birmingham 1897), maker - W. D., together with four EPNS salt spoons and a late Victorian silver tray (London 1901) maker William Comyns, salts 5.7cm across, all at approx 13oz weighable silver (2) CONDITION REPORT Four salts - general overall condition good, some minor surface scratching and wear commensurate with age and use, rims slightly distorted, marks clear. Case is worn and interior soiled. Retailer's label possible addition. Silver plated spoons slightly worn. Tray is silver NOT plate as in catalogue. Late Victorian (London 1901). Maker William Comyns. Surface decoration slightly worn and with minor scratching, rim slightly distorted
Robert 'Mouseman' Thompson of Kilburn, oak desk chair with bow back, raised on carved woven slats and close button leather seat on octagonal supports united by an H-stretcher, signature mouse to the front left, inscribed and dated 1984 to frieze. Provenance: Commissioned from the company circa 1980s
An Edwardian white tulle tea dress,with scallop lace, 'V' shaped neckline, bodice and skirt, decorated with floral embroidered and layered tulle to sides and hemline, anda late 19th century cream crêpe bed jacket,with lace hem collar and sleeves, bow detail to sleeves and faded pleats to fabric (2)

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127915 Los(e)/Seite