127915 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
127915 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
127915 Los(e)/Seite
Clear crystal leaning figural with amber, black eyes wearing a holiday bow tie. Swarovski backstamp. 7637 000 001. This item has its original box: 2.5"H x 3.25"dia. Certificate of Authenticity included. Artist: Martin ZendronIssued: 1993 - 2001Dimensions: 1.75"L x 1"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
A set of six Adderleys 18th century 'Bow' Quail pattern octagonal plates - 1920s-30s reproductions of the 18th century originals by the Bow factory, red printed and impressed factory marks, 23 cm diameter, one with chip to corner, one with chip to underside.* Condition: Four in good condition, with just light gilt wear. One with small chip to one corner and one with larger chip to underside on one corner.
Bogenschützen-Automat Karakuri Ningyo "Yumi-Hiki Doji", um 2002Gakken Otona no Kagaku, Japan. Kunststofffigur mit beweglichem Kopf, linkem Arm mit Bogen, rechtem Ellbogen und Daumen mit Köcher, Federmotor im Sockel, Schlüssel, sechs Pfeile und verstellbarer Zielscheibe, Höhe einschließlich Bogen in aufrechter Position 28 cm, in dazugehörender Holzschachtel, Maße 23,5 x 18,5 x 31,5 cm, funktionstüchtig, aber justierungsbedürftig, eine Schließe fehlt. - Nach einem Entwurf von Hisashige Tanaka aus der Edo-Periode hebt der Bogenschütze einen Pfeil aus dem Köcher und fixiert ihn mit dem Daumen, er spannt den Bogen in der linken Hand, dreht den Kopf, richtet den Pfeil aus, zielt und schießt. Die Bewegungen des Bogenschützen werden von einer zweiten, kleineren Automatenfigur im Sockel begleitet, die das Geschehen zu steuern scheint. - Referenzen: https://museum.seiko.co.jp/en/knowledge/inventors_04/, Seiko Museum Ginza. Start Price: EUR 1000 Zustand: (2/3)Karakuri Ningyo "Yumi-Hiki Doji" (Archer Boy) Automaton, c. 2002Gakken Otona no Kagaku, Japan. Plastic figure with articulated head, left arm with bow, right elbow and thumb with quiver, with spring motor in the base, key, six arrows and adjustable target, automaton 11 in. (28 cm) including bow in upright position, in fitted wood presentation box, wd. 9 ¼ x dp. 7 ¼ x ht. 12 ¼ in. (23.5 x 18.5 x ht. 31.5 cm), working but in need of adjustment, box missing one clasp. - Note: Based on an Edo period design by Hisashige Tanaka, the archer lifts an arrow from the moving sheaf and locks it in place with his thumb, he flexes the bow in his left hand, turns his head, aligns the arrow, takes aim and fires. The archer’s movements are accompanied by a second, smaller automaton figure in the base who appears to be driving the action. - References: Seiko Museum Ginza: https://museum.seiko.co.jp/en/knowledge/inventors_04/ Start Price: EUR 1000 Condition: (2/3)
Automatenteile, darunter Gegenstände aus der Werkstatt von David SecrettBogensehne eines Bogenschützenautomaten, montiert auf Holzblock mit Inschrift und Signatur "Bow-string gauge - Handmade from the finest materials. Only genuine when bearing personal signature. David Secrett" (Bogensehnenlehre - Handgefertigt aus den besten Materialien. Nur echt, wenn mit persönlicher Signatur versehen. David Secrett), eine Notiz von David Secrett (1994), ein Clownskopf von Roullet et Decamps, ein Paar Glasaugen, ein winziges Paar Hände aus Blei, eine Miniaturlaute, der Schornstein einer Miniatur-Öllampe, eine Gipsform mit Monogramm "MB" (Michel Bertrand?) und andere verschiedene Kleinteile. - Eine nützliche Zusammenstellung für Restauratoren und Historiker. Start Price: EUR 140 Zustand: (-/-)Automata Parts, Including Items from the Workshop of David SecrettA bow-string from an archer automaton, mounted on wood block with inscription and signature "Bow-string gauge - Handmade from the finest materials. Only genuine when bearing personal signature. David Secrett", a note from David Secrett (1994), a Roullet et Decamps clown's head, a pair of glass eyes, a tiny pair of lead hands, a miniature lute, the chimney from a miniature oil lamp, a plaster mold with monogram "MB" (Michel Bertrand?) and other assorted small items. - A useful resource for restorers and historians. Start Price: EUR 140 Condition: (-/-)
LUDWIGSBURG 3-tlg. Figurenkonvolut, 20./21. Jh.: 2 große Musiksoli, 'Spinettspielerin' und 'Geigenspieler', Entwürfe von Johann Christian Beyer um 1763, H. ca. 20,5 cm, Geigenbogenspitze beschädigt, Band an der Hose des rechten Beines wohl leicht bestoßen; Figurengruppe 'Winzerpaar', H. ca. 13,5, L. ca. 19,5. | LUDWIGSBURG 3-piece convolute of figures, 20th/21st cent: 2 large music solos, 'Spinet player' and 'Violin player', designs by Johann Christian Beyer c. 1763, h. approx. 20.5 cm, violin bow tip damaged, band on the trousers of the right leg probably slightly chipped; figure group 'Winzerpaar', h. approx. 13.5, l. approx. 19.5.
3-tlg. Figurenkonvolut, 20. Jh.: Weißporzellan farbig staffiert, ein Geiger auf einem Fauteuil, sein Instrument spielend, mit Notenständer und am Boden liegenden Notenbüchern und Gehstock, H. ca. 20 cm, ohne Bogen, Wirbelkasten fehlt; auf Ovalsockel 2 Bedienstete, die eine Dame in einer Sänfte tragen, H. ca. 14,5, Fehlstelle an ihrer linken Hand; Bisquitporzellan, Szene mit 3 Frauen und einem Mann an einem Brunnen, L. ca. 24,5, leicht bestoßen. Marken nicht aufgelöst.| Convolute of 3 figurines, 20th cent: White porcelain, colourfully painted, a violinist on an armchair, playing his instrument, with music stand and music books lying on the floor and walking stick, h. approx. 20 cm, without bow, peg box missing; on an oval base 2 servants carrying a lady in a sedan chair, h. approx. 14.5, missing part on her left hand; bisque porcelain, scene with 3 women and a man at a fountain, l. approx. 24.5, slightly chipped. Marks not identified.
The Cotswold Bear Company - two teddy bears from ‘The Flower Collection’ comprising ‘Mayflower’ no.99/100, blonde mohair with dark pink flower crown and bow, H33cm; ‘Phoenix’ no. 99/100, blonde mohair with white and red rose flower crown and bow, H28cm; both with original labels and purchase receipt (2)Condition Report:Both bears in good condition. Bows and flower crowns are slightly worn, somw flowers loose. Bow on Phoenix has some minor stains and tears.
Pelham Puppet - three puppets comprising a painted wooden duck with felt mouth and wings with metal joints H12cm, in original box and instructions; and two further examples Type A cat with a hollow body H12cm, and a boy H23cm (3) Condition Report:Puppets appear to be in a fair condition. Some scratches, stains and scuffs to the paintwork and bodies on all the puppets. Cat is missing its original red bow and has a green one instead. Duck is missing its felt tongue and tail.
A Swiss 18 ct gold open-faced pocket, watch having a crown-wound and pin-set 19-ruby remontoir movement, its white enamel face having fancy gilt hands, Arabic numerals, outer 24-hour chapter with red numerals, and subsidiary seconds dial, case marked "K 18", 52 mm excluding stem, crown and bow, 90.6 g overall (running when catalogued, accuracy and reliability untested)
A Vacheron and Constantin 18 K yellow metal pocket watch, having a Swiss 18 jewel crown wound movement numbered 579455, the brushed gold face having pencil hands and baton markers, in a slim brushed 18 ct yellow metal case, marked 483010 verso and '18K 0.750' internally, late 1960s, 44 g, 41 x 7.5 mm excluding stem and bow, [running when catalogued, accuracy and reliability un-tested]
A GEORGE III 18CT POCKET WATCH a yellow metal dial with three colour gold details, Roman numerals and blued steel hands. The case with ridged bezel and case edge, crown & bow all with detailed floral and shell design. Diameter 4.8cm, with London hallmarks for 1819-20, the movement signed John Cutmore, London. The flywheel capped with a diamond and the wheel cover engraved with a grotesque. Weight without the mechanism 45.8gms Condition Report:Lovely & clean the back panel has a screw missing, winds and is ticking. Has plexiglass 'Glass'. Very clean, has been looked after. Movement hinge pin snapped, movement loose in the case. Impossible to tell you if any thing has been replaced, but as a watch of its age it will almost certainly have had a main spring replaced at least. It has been serviced and looked after, as i say it is very clean, all watches are sold as seen.
** FRANCIS CAMPBELL BOILEAU CADELL RSA RSW (SCOTTISH 1883-1937) DAHLIAS (c1929) Oil on panel, signed lower left, signed, inscribed with title and 'Absorbent ground NEVER varnish' verso, 44 x 36cm (17.3 x 14.17") Provenance: Dr Arthur H H Sinclair, 6 Charlotte Square, Edinburgh (now Bute House) c1930. Sinclair (1868-1962) had a fine art collection and was President of the Royal College of Surgeons, Edinburgh, and the Hon Surgeon Oculist to the King in Scotland. His brother, Alexander Garden Sinclair ARSA, was an artist and member of the Society of Eight with FCB Cadell. Thence by family descent. Sale; Bonhams London, 9.6.99 (lot 23) Private Collection Jersey Private Collection Jersey Note: FCB Cadell, the youngest of the Scottish Colourists, came into his own as an artist in Venice in 1910. The salon paintings he composed before the War were his most original contribution to date, featuring elegant 'fashion plate' women as motifs within his meticulously-arranged studio, but the style remained post-impressionist and his palette largely subdued. However the works from the 1920s, as with the present picture, perhaps reveal the true nature of the artist and the man. Particularly in the still life genre, we see his adherence to 'rigid line' and delight in pure colour. Many still lifes feature favoured studio props/motifs, such as the blue jug, small green Chinese bowl and silhouette, composed against the lilac wall he had first used c1915. Here we see his interest in pattern, geometry, simplified form and interior design, with his paintings reflecting the age of Art Deco and Jazz. The dahlia blooms themselves seem almost stylised, such is their visual impact.Buyer's Premium 24% + VAT. Also subject to Import VAT @ 5% on hammer.PLEASE NOTE THAT THIS LOT CAN ONLY BE VIEWED BY APPOINTMENT OUTWITH ADVERTISED SALE VIEWING TIMES. Condition Report:Presents in good condition. Very slight bow to panel. Minor abrasions/chips/rubbing to edges of panel. There appears to have been some sort of coating applied to the rear of the panel, rendering it slightly yellowed and shiny. However there is no apparent evidence that it has had any effect on painting itself. PLEASE NOTE that this report has been prepared by an experienced picture specialist. If you wish to have the picture examined by a restorer you are welcome to do so strictly by appointment
A COLLECTION OF CZECHOSLOVAKIAN ART DECO WALL MASKS all of girls' heads, including two terracotta examples, a Royal Dux example of a girl smelling a flower, some with incised and printed marks, others unmarked, ranging in size from 15.5cm high to 20cm high (6) Condition Report:girl and dog - no number, some glaze losses to hair and bow, 15.5cm highgirl red rose - 19.5cm high, large chip to back of mask at top of head, crazed, chips to rose, no numberblack beret - bloom to black, no number, 15cm high,partially glazed head - chip to end of neck bow, no cm highwhite beret - paint flake to scarf, no 153**, firing crack art back, cm highgirl and flower - no 15516, restored
George III Mahogany Twin Pillar Dining Table, with one additional leaf, with clips, raised on turned supports to three splayed outswept legs, claw castors, 177cm long, 75cm high, 107cm wide, together with a George III bow-fronted sideboard, central drawer flanked by twin cellarette drawers, raised on turned legs, 138cm wide, by 88cm high by 59 deep (2)
dating: Period (1603-1867) provenance: Japan, Menhari-gata type (opening fan). Frame with two outer staves made of iron, the inner ones of wood. The membrane made of two layers of paper. One face decorated with Tomoe-mon within Sakura (cherry blossom) all surmounted by a crossed bow and arrow; the opposite face with ideograms. Stains, signs of time and a broken part in the membrane. Period: probably late Edo, mid-19th century. The tessen were used to parry sword blows. length 30,3 cm.
dating: Period (1603-1867) provenance: Japan, Bow with counter-curved wooden frame, of parallelepiped section. Dyed red, provided with bundles of gilded ropes and with a brown rope grip. The cusp of a fukuro-yari is mounted at both ends and held by a mekugi. Both cusps provided with saya. Period: probably late Edo period, mid-19th century. height circa 150 cm.
dating: 18th/19th Century provenance: Japan, Iron, 24-plate suji bachi kabuto in black lacquer with Tehen Kanamono consisting of embossed and finished copper sectors. Mabezashi covered in light leather with embossed vine-shoots, beautiful, disc-shaped, gilded Maedate engraved with the Mon of the Tokugawa clan. Five-plate Shikoro in rippled black lacquer, laced with partly faded ribbons, smooth Fukigaeshi. Menpo of beautiful shape with removable nose-piece and mustachios only partly preserved, four-plate Yodarekake. Conspicuous red Do with riveted sides and back-piece consisting of vertical plates finished in black lacquer, gilded Agemaki no Kan and Gyoyo with Mon. Large, five-plate Sode with gilded and chiselled copper Kanamono decorations. Kote with mail and black lacquered iron plates with red cloth support. Kusazuri with five black-lacquered plate featuring Kon ito Sugake odoshi lacing like all the other parts of the armour. Haidate with plates, inside a small pocket which usually contained a spare string for the yumi (bow), black-lacquered iron Tsubo Suneate. Stand non included. A visually striking and captivating armor. height as shown circa 155 cm.
dating: provenance: Japan, Shinogi-zukuri blade, Iori-mune. Nagasa: 76.6 cm. Clearly visible hamon and hada. Minimal kizu of non-serious type. Nakago-jiri: Kurijiri. With inscription: Mitsutada. Two Mekugi-ana. Habaki in gilded metal. In Koshirae with Tsuba Maru-gata of Edo period decorated with fretwork. Fuchi and Kashira in silver finely worked in waves. Menuki depicting bow and quiver. Same and Tsuka-ito probably later. Restored, brown laquer Saya decorated with a gilded band. length 102 cm.
dating: 1666 provenance: Germany, Octagonal, rifled, 14 mm cal. barrel, signed and dated 'Balthas Rentsch 1666', the base engraved with a flower, the ends framed with geometric motifs, with rear sight at the center featuring a carved and pierced flower, brass foresight, nozzle engraved with a flower; short tang decorated en suite. Beautiful, long lock with internal wheel, flat lock plate marked 'C. W. ', finely engraved with two hunters, deer, hound and flower motifs. Pan with sliding pan cover worked with a stylised whale, large cock carved and engraved with Diana holding a bow and arrow, the two ring openings formed by snakes. Engravings also on the inside. Walnut wood full stock richly inlaid with bone and mother-of-pearl plates, partially carved with small bas-relief scenes, the counterplate with a dragon fighting with an octopus, the right side with a hunter offering a boar's head to a woman, on the left side two deer, below a hunter with hound and boar spit, most of the other inlays engraved with floral motifs. Small restorations in the wood, some replacement inlays, small missing parts. Patchbox. Iron, anatomical trigger guard. Trigger and set trigger. Bone-tipped wooden ramrod. For Balthasar Rentsch see 'Der Neue Stöckel', vol. II, page 1030. It is presumed that the gunsmith worked in Stuttgart, south-west Germany. length 112 cm.
A Masonic ball charm, A Masonic ball charm, suspended from a bow brooch stamped 9ct, gross weight 17.8g.Overall condition good to fairScratches, discolouration and tarnishing in keeping with age and wearCloses to and flush, hinges in good working order, areas of wear and patches of discolouration to interior gilt finish, visible with the unaided eye, dark tarnishing around the edges of some panels, engravings crisp and clearBow brooch - later addition, pin in working order, with safety chain, marks clearSolder marks to hoop surmount attaching fob to bow brooch
Collection of 11 dolls to include 4 x Norah Wellings cloth doll examples featuring a native American, girl with green bow tie, doll with waist sash and brown coat and a sailor doll, doll in red dress with lace dress on top and moving eyes, girl with green and pink stripey shirt and chequered trousers, cloth doll with chequered dress, etc, all showing signs of wear, but overall in gd condition
An Edwardian diamond and pearl set brooch/pendant, comprising a rose gold diamond set tiered circular frame, set to the centre with an old European diamond, diamond weight approx 0.80ct, assessed clarity I1, assessed colour L/M, within a diamond set border or small collet set rose cut diamonds and further border of claw set old cut diamonds and rose cut diamonds, outer border of alternate pearls (assumed to be natural) and fleur de lis diamond set motifs, width approx 37mm, later hinged scroll clasp and pin fittings, with bow shaped bale to top set with a central old European diamond weighing approx 0.40ct, assessed clarity SI, assessed colour H, the brooch with detachable diamond and pearl set drop, suspending graduated diamond and pearl set swag bars, remaining old European cut and rose cut diamond weight approx 3.2carats, total brooch length approx 90mm, unmarked possibly 15ct gold, total gross weight approx 34gms Further details: good- some abrasions to stone commensurate with age, minor wear and tear

-
127915 Los(e)/Seite