* English royalty and military playing cards. Coronation 1911 twin deck, Goodall, 1911, the complete pair of two colour printed decks of 52 cards each (French suits), standard double-ended courts, 2 indices, lightly dusty, rounded corners, gilt edges, versos: one pack red with King George V, the other blue with Queen Mary each card 89 x 63 mm, in a red cloth-covered double slipcase-type box, outer cover with gilt lettering, title and crown, together with: Death of Queen Victoria, Goodall & Son, 1901, the complete deck of 52 chromolithographed playing cards (French suits), 'Historic Playing Cards series A' courts portraying named English monarchs, their consorts and princes, decorative aces with coats of arms and crowns, AS with maker's name, 2 indices, rounded corners, gilt edges, versos with Queen Victoria against a grey background, with her life dates below, each card 91 x 64 mm, plus: Unity playing cards, Goodall & Son, circa 1917, the complete deck of 52 plus joker colour printed playing cards (French suits), standard double-ended courts, Goodall AS, 2 indices, linen surface, rounded corners, versos British coats of arms and flags of the World War I allied nations, each card 89 x 58 mm, in original titled slipcase-type box, with approximately 92 other English Royalty and Military decks, makers include: De la Rue, Goodall, Reynolds, Dondorf, USPCC, James English, Universal, etc, themes include: various Jubilees, coronations, mourning/deaths, marriages, Irish Guards, 20th hussars, British Empire, Prince of Wales National Relief Fund, To Victory, Free French Forces, Royal Tank Corps, Give Women the Vote, etc, some packs incomplete, also with 26 single cards, mostly military, including 2 De La Rue single Royal Flying Corps cards (one circa 1917 with pneumatic verso, the other circa 1920), and an apparently rare 1887 Golden Jubilee card by Goodall, verso with central image of the Queen, surrounded by events in her reign, designed by John Leighton, all single cards plus an example card from most decks inserted into album sleeves, in a ring-binder album, 17 cards from second listed pack mounted with photo corners onto a display board (54 x 40 cm), encapsulated in clear plastic, the remainder in plastic bags (various conditions), most with original boxQTY: (approx. 121)NOTE:Provenance: Collection of Dudley Ollis.
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* German playing cards. XP5 pattern, unknown maker, circa 1860, a complete deck of 52 stencil coloured lithographed playing cards (French suits), double-ended courts, scenic aces (German scenes), dusty, some light finger-soiling (mainly affecting edges), few minor marks, 9C and 2D with some staining (2D some surface loss), square corners, versos red dotted tortoiseshell pattern, each card 89 x 60 mm, together with: Crimean War pack, Frankfurt: C.L. Wüst, circa 1856, the complete deck of 52 stencil coloured lithographed playing cards (French suits), double-ended courts are named Royalty and military figures, 1st edition with both Alexander and Nicholas on KC, each ace shows two battle scenes, dusty, KH with pale mark, KS with brown marks to one edge, square corners, gilt edges, versos gold floral ornamental pattern on pale blue, each card 91 x 62 mm, plus: Non-standard XP-type deck, possibly Nurnberg: Johann Conrad Jegel, circa 1855, a complete deck of 52 stencil coloured lithographed playing cards (French suits), double-ended courts with Paris pattern names, aces with ladies portraying the continents, dusty, some finger-soiling, rubbing and marks, 2 pip cards with small loss to one pip sign, pip cards lightly bowed, square corners, versos red blotches pattern, each card 92 x 61 mm, with 16 other German decks, including: Bavarian pattern, C.L. Wüst (circa 1850, 36 complete); Vues et Caracteres Suisses, B. Dondorf no.22, (circa 1870, 51 of 52, without AD, with original box, worn), the others all 20th century, plus another 21 20th century East German decks, a quantity of cards from most decks mounted with photo corners onto 37 display boards (54.5 x 40 cm and similar), some encapsulated in clear plastic (none examined out of boards), the remainder in plastic bagsQTY: (40)NOTE:Provenance: Collection of Dudley Ollis.Second item: Shaw & Symons (Playing Cards from the Factory C.L. Wüst ...) Set 30.
* Heilmeier (Siegfried). The World Music Festival playing cards, Germany: Munich, limited edition, 2015, a complete deck of 34 hand-coloured printed playing cards (French suits), including key card and title card, from a limited edition of 6/9, comprising 4 suits of 8, depicting world politicians playing various instruments including: Barak Obama playing a banjo, David Cameron playing the bagpipes, Hollande playing a harp, Putin with a balalaika, Netanjahu playing a Mandolin, etc., square corners, versos plain white, each card 100 x 72 mm, with original box, together with: Transformations-Spielkarte, limited edition, 2001, a complete set of 54 colour printed playing cards (French suits), from a limited edition of 39/165, comprising 4 suits of 13, plus 2 jokers, each card depicting humerous scenes, 3 cards showing the names of the sponsors of the pack including D. Ollis, rounded corners, versos plain white, each card 107 x 66 mm, all cards mounted with photo corners onto 3 display boards (encapsulated in clear plastic), each board 54.5 x 40 cm, with original box, plus Skat Eskapade, limited edition, 2005, a complete deck of 34 hand-coloured printed skat playing cards (French suits), including joker and title card, from a limited edition of 4/10, comprising 4 suits of 8, each card with an illustration depicting a nude female figure (some partially dressed), square corners, versos plain white, each card 99 x 68 mm, with original box, plus 33 other decks by Siegfried Heilmeier, mainly depicting illustrations of nude females, including: Pretty Women, Kokett, Enthüllung, Venus, Blue Angel, Passion, Lulu, Illusion, Nabelschau, Augenweide, Girls Girls Girls, Luxus Ladies etc., some cards from each deck housed in clear plastic album sleeves (with reference number), contained together in a binder, (35 x 36.5 cm), remainder in plastic bags, each with corresponding number, all with original boxes, mostly in good condition, (not checked for completeness)QTY: (36)NOTE:Provenance: Collection of Dudley Ollis.
* Worldwide playing cards. The House of Cashmere pack, Vienna, Austria: Ferd. Piatnik & Sons, for USA: Bernhard Altmann of New York, 1950, a complete deck of 52 plus 2 jokers colour printed playing cards (French suits), designed by Hans Lang, suits representing Indians (hearts), Mongols (diamonds), Persians (spades), and Chinese (clubs), double-ended courts representing their rulers, warriors and women who were involved in the cashmere trade, imprint on AS, designer's details and date on AH, rounded corners, versos with the Seal of Khans in ancient Mongol script and the name of the pack, each card 92 x 62 mm, contained in original (double) box, with explanatory leaflet and glassine wrapper with USA stamp, box lid with image of cashmere goats, together with: Circus Transformation Playing Card Deck, Belgium: Carta Mundi, 1988, the complete deck of 52 plus 2 jokers colour printed playing cards (French suits), limited edition (353/1000), fully transformed cards designed by F. Robert Schick, single-figure courts, gilt edges, rounded corners, versos double-ended clowns in red & white on black, with imprint, each card 100 x 65 mm, with limitation card, gilt-edged explanatory booklet, and commemorative golden medal, contained together in original wooden box with sliding lid, box underside with ink stamp of Florin Box and Lumber Co., Sacramento, California, the lid with image from card versos, plus another 62 20th century decks, all in either double or large-size packs, countries include England, Austria, Germany, France, Spain, etc., all apparently in original box (some defective), none checked for condition or completeness (most presumed complete)QTY: (64)NOTE:Provenance: Collection of Dudley Ollis.First item: apparently John Berry had the second of the double packs from this box.
* French advertising playing cards. Jeu de l'Athlete de la Securite, for the OPPBTP, circa 1980, the complete deck of 32 plus joker colour printed playing cards (French suits), double-ended courts representing construction industry workers, pictorial aces, rounded corners, versos red with the organisation's name and logo, each card 84 x 55 mm, original box, together with another 50 French advertising decks, mid-late 20th century and early 21st century, including: 1970 publicity pack for Barnier, and 1973 pack for Carrousel wine merchants, both designed by James Hodges and made by Grimaud; also packs for Louis Vuitton (2012), Paco Rabanne (circa 2000?), Cartier, Paris (circa 2000), Createures de Paris (1986), Hermes (1969), Lanvin (1970 etc), Heidsieck dry Monopole Champagne (circa 1950), etc, some of these metallic or with gold foil, a quantity of cards from each deck inserted into album sleeves, contained in two ring-binder albums, the remainder in plastic bags, most with original box (not checked for completeness)QTY: (51)NOTE:Provenance: Collection of Dudley Ollis.
* Swiss playing cards. Dauphiné Geneva pattern, Geneva: Gassmann [Johann Georg], circa 1800, a complete deck of 52 stencil coloured woodcut playing cards (French suits), single figure courts, JS and JC with maker's details (no Swiss cross), each ace with tax stamp: Geneva coat of arms, occasional (generally faint) brown staining or marks, otherwise apparently unused, square corners, versos plain pink, each card 82 x 53 mm, together with: Dauphiné Geneva pattern, Geneva: Gassmann [François?], circa 1865, a complete deck of 32 stencil coloured wood engraved playing cards (French suits), single-figure courts, JS with maker's details, JC with Swiss cross on shield, no tax stamp, some light toning, occasional very faint spotting, otherwise apparently unused, square corners, versos plain white, each card 85 x 55 mm, with original tax wrapper (defective)QTY: (2)NOTE:Provenance: Collection of Dudley Ollis.Schweizer Spielkarten (1978) #70 & #72 respectively.
* Italian playing cards. Torino: Giavanni Montaudo, 17 May 1882, a complete set of 52 stencil-coloured lithographed playing cards (French suits), full-length court cards, ace of hearts with maker's stamp and 30 centesimi Italian tax stamp, 9 diamonds with small corner loss (not affecting pip signs), decorative blue flower pattern to verso, each card 85 x 52 mm, 16 cards corner mounted onto a display board (54.5 x 41 cm), encapsulated in clear plastic (not examined out of board), the remainder contained in a clear bag, together with 10 other Italian 1970s packs, including: 4 decks from the Siaca artists series (1977); Politicards (1976, designed by Massimo Vallese); Junior Dental (A.Viassone, 1979); Panorama (1979); Florentine Football (Arti Grafiche Alinari Baglioni, 1978), and two copies of La Cour Galante (Editions du Soleil-Lion, 1979); plus 14 decks of playing cards by Modiano in Trieste, with various patterns comprising: Bresciane, Venetian, Bolognese, Neapolitan, Piacentine, Romagnole, Sardinian, Sicilian, Florentine, Genoese, Triestine (2 copies), Bergamasche, Trentine, various sizes, 21 decks partly corner mounted onto 21 display boards (54.5 x 41 cm), (not examined out of boards), the remainder contained in clear bags, all but 7 with original boxes QTY: (25)
* Transformation playing cards. Nursery Rhymes, England, Manchester: Maclure, Macdonald & Macgregor, circa 1865, the complete deck of 52 colour lithographed playing cards (French suits), kings and queens heightened with gold, three pence duty ace of spades with smiling face and without 'Entered at Stationers' Hall', single figure courts, all pip cards transformed, all cards toned, with (generally pale) spotting, square corners, versos pale blue with trellis pattern of green stars, each card 94 x 64 mm, with contemporary two-part card box, together with: Nursery Rhymes, as above, circa 1866, the complete deck of 52 colour lithographed cards, kings and queens heightened with gold, duty ace with added 'Entered at Stationers' [sic] Hall', many cards with some toning or spotting, versos as above, each card 92 x 65 mm, plus: Nursery Rhymes, Manchester: John Galloway, circa 1867, the complete deck of 52 colour lithographed cards, kings and queens heightened with gold, three pence duty ace for John Galloway, cards toned, occasional minor spotting or edge staining, ace and 9 of spades somewhat stained, versos pink with blue stars trellis pattern, each card 90 x 64 mm, all cards from all 3 decks mounted with photo corners onto 8 display boards (encapsulated in clear plastic), each board 40 x 54.4 cm, (none examined out of boards)QTY: (3)NOTE:Provenance: Collection of Dudley Ollis.Field # 45 & 46.In each of these three editions the cards have been redrawn. Generally with minor changes in detail, but some more obviously altered. Field suggests that the Galloway pack was the 1st edition of this design. However, in his notes Dudley Ollis states that the "3 M's" (Maclure, Macdonald & Macgregor) pack first listed above is the actually the 2nd edition (apparently the 1st edition has a single spade suit sign on the ace of spades) of circa 1865, with the second "3 M's" pack listed above being the 3rd edition, circa 1866. He then gives the Galloway pack last place, describing it as the 4th edition circa 1867, with John Galloway apparently taking over the business from the 3 M's. The nursery rhyme connection only applies to the red court cards: hearts portray 'The Queen of Hearts she made some tarts ...', and diamonds 'The King was in his counting house ...': but only Galloway's version shows the maid (or in this case, manservant) having his nose pecked off by a blackbird.
* Worldwide playing cards. Pre-1701 Paris pattern deck, Germany?, circa 1811, a complete deck of 52 stencil coloured woodcut playing cards (French suits), double-ended courts of [PV-2] pattern, printed from worn blocks, jack of clubs with indecipherable maker's name? centrally, many fleur de lis, ace of clubs with unusual red octagonal tax stamp, dated 1811, cards made using laid paper (just 2 layers?), few faint creases, 7H somewhat stained, otherwise apparently unused, versos pale red feathery foliage and dots pattern, square corners, each card 89 x 60 mm, together with: Crimean War pack, Frankfurt: C.L. Wüst, circa 1856, the complete deck of 52 stencil coloured lithographed playing cards (French suits), double-ended courts are named Royalty and military figures, 1st edition with both Alexander and Nicholas on KC, each ace shows two battle scenes, 7 of clubs with Roma ink stamp (showing Romulus and Remus being suckled by the she-wolf), ace of clubs with same stamp and also with a larger indecipherable tax? stamp, few faint spots or marks, 8D with edge stain, 2C with short edge tear, versos blue dotted hexagons, square corners, each card 92 x 64 mm, plus: The Allied Armies, Canada: Montreal Lithographing Co. Ltd., 5th edition, 1917, a complete deck of 52 plus joker colour lithographed playing cards (French suits), double-ended courts portraying royalty and soldiers of the Allies Great Britain, Russia, Italy, and Belgium, 3 pictorial aces show the French President and his wife, and the Serbian King, joker depicts 'The British Lion', dusty, KD with tiny surface loss to one corner, rounded corners, versos flags of the 7 allies, each card 87 x 63 mm, with original khaki cloth wallet case, and: Russian pattern pack, Sweden?, circa 1875, a complete deck of 52 stencil coloured woodcut playing cards (French suits), double-ended courts printed in blue outline, king of diamonds without a turban, some red suits signs darkened, king of spades lightly marked, one pip card with small corner crease, otherwise apparently unused, versos plain white, square corners, each card 85 x 56 mm, with another 81 decks, the vast majority 20th century (3 late 19th century), comprising: Austria 7 packs; USA 5 packs; Switzerland 4; Netherlands 10; France 6; Spain 17; Germany 6; Isle of Man 12; Italy, Canada & Sweden 3 each; Australia, Poland, Scotland, Israel 1 each, India 1 mixed pack, (conditions and completeness not checked), a quantity of cards from most decks mounted with photo corners onto display boards (54.5 x 40.5 cm and similar), some boards encapsulated in clear plastic (none examined out of boards), some cards inserted in plastic album sleeves, contained in a ring binder album, the remaining cards in plastic bags, many with original boxQTY: (85)NOTE:Provenance: Collection of Dudley Ollis.First item: The unusual red octagonal tax stamp we have not been able to trace. Dudley Ollis believed that it was a Russian stamp, and mentions wrapper seals with similar wording (which we have not seen): although the cards were almost certainly not made in Russia, whatever the origin of the stamp. The central image could be a double-headed eagle. Second item: Cary, GER 374: Shaw & Symons (Playing Cards from the Factory C.L. Wüst ...) Set 30.Third item: Mann collection #140. Dudley Ollis remarks that the card stock and blue outline printing closely resembles those of Sweden at that period. However, the cards could also have been made in one of several other European countries.
* Persian playing cards. As Nas cards, 19th century, a mixed collection of 27 hand-painted and laquered rectangular playing cards, comprising 8 erotic As Nas cards (all single cards), and 19 other As Nas cards (all probably single cards), incorporating a variety of As, Shah, Bibi, Lakkat, and Sarbaz cards, all except one with full-length figures, generally darkened, most with surface cracking, some discolouration and rubbing, few cards with small surface loss or corner chips, 3 cards worn, each card 64 x 44 mm and smaller, all mounted in two glazed frames (31.5 x 44.5 cm and smaller), only two cards not adhered (the rest apparently adhered to either backing board or unfortunately to glazing), together with a complete set of 25 As Nas cards, circa 1900?, comprising 5 sets of 5 hand-painted and lacquered rectangular cards (but 2 cards slightly different, so probably added from a very similar deck), As cards with a central lion holding a curved sword, the other cards each with a head & shoulders figure, all cards except Sarbaz with a wreath surrounding the figure and a crown above, the Shahs in military uniform, some darkening, surface cracking and rubbing, several cards with surface losses and corner chips, each card 58 x 40 mm, all cards mounted (adhered to backboard), glazed and framed (44.5 x 33 cm, not examined out of frame)QTY: (3)NOTE:Provenance: Collection of Dudley Ollis.The 19 'other' As Nas cards seem to comprise: 3 As cards, 3 Shah, 2 Bibi, 4 Lakkat, and 6 Sarbaz cards. The game of As Nas was popular in Persia during the Qajar Dynasty (1785-1925) and was played with suits of 5 cards repeated usually 4 or 5 times, giving packs of 20 or 25 cards.
* Attributed to John Bewick (1760-1795). Interior Scene, late 18th-century, original woodcut printing block showing a furnished interior with a man entering carrying a child, while a woman and a seated man look on in shock with their arms raised, the room decorated with pictures including one depicting the tale of Tam O'Shanter, surface size 94 x 68 mm, together with Austin (Richard Turner, 1781-1842). Interior Scene, original woodcut printing block of a cottage or farmhouse interior with a man entering through a doorway with a child in his outstretched arms, presenting it to a couple standing at a table, with a small dog in the foreground, (later circa 1880s) dark brown ink label to side reading 'Austin, J. Bewick Pupil. Fllr. of G. Cruikshank (Very Clever), OnB', surface size 87 x 61 mm, plus Attributed to George Cruikshank (1792-1878) & Richard Turner Austin (1781-1842). The Card Players, original woodcut printing block showing two ladies and two gentlemen in fine regency dress playing a game of cards at a candle-lit table, with a spectacled man watching, later handwritten label in pencil to side reads 'G. Cruikshank & Austin, Hoyles Games, O&B', surface size 88 x 56 mm, each accompanied with an impression taken from the blocks printed on modern good quality handmade paperQTY: (3)NOTE:Richard Turner Austin (1781-1842), commercial wood engraver, and son of the type-cutter Richard Austin (1756-1832), who learned his trade by copying the work of Thomas and John Bewick, producing blocks for numerous works in the first three decades of the 19th century. In 1819 he relocated to Edinburgh where he illustrated children's books for the publishing house Oliver & Boyd.
* Worldwide playing cards. Russian 'Historical' pack, 2nd edition, Imperial Playing Card Factory, 1898, the complete deck of 52 chromolithographed playing cards (French suits), designed by Nikolay Karazin, double-ended courts, printed tax stamp to AD, apparently unused, rounded corners, versos pelican feeding young within gilt circle, pink & gilt patterned background with foliage and crown, each card 92 x 61 mm, original tax wrapper, original (double) slipcase box, outer sleeve with gilt lettering and gilt Russian crest, together with: Russian 'New Style' pack, also called Literary cards, Imperial Playing Card Factory, 1911?, a complete deck of 52 chromolithographed playing cards (French suits), possibly 1st edition (but without joker), double-ended Art Nouveau style courts, representing literary characters, eg. QD is Scheherazade, QC a mermaid, JC Ivan Tsarevich, AD with Imperial Factory printed tax stamp/brand mark, Russian indices, variable toning and spotting, some (mostly minor) marks and stains, few creases, slightly rounded corners, versos red and black pattern, each card 89 x 58 mm, plus: Spanish playing cards, New Bullfighting deck, Gonzalez, circa 1885, the complete ombre deck of 40 chromolithographed playing cards (Spanish suits), depicting bullfighters and related subjects, single-figure courts, 5 of swords with designer's name (Pedro Maldonado), ace of coins with printer's name, and lithographer's name (Julio Garcia), with pintas, lightly toned and dusty, some pale staining, two cards with surface loss to upper corner, (affecting border and one index mark), square corners, versos white dots on blue, each card 94 x 62 mm, with another approximately 232 decks, mostly 20th century, from countries including Spain, Germany, Egypt, Italy, England, France, South Africa, etc, many with original box, some incomplete (not checked for completeness or condition)QTY: (approx. 235)NOTE:Provenance: Collection of Dudley Ollis.
Gene Krupa signed card 2.5x4 inches with A4 printed black and white photo of him playing the drums in the 1940's. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Bryn Parry Studios handcrafted wooden frame clock featuring a unique playing card dial design with Roman numerals. The clock measures 6.25"L x 1.5"W x 6.25"H and includes a high-quality quartz movement powered by a single AA battery (not included). The back displays the Bryn Parry Studios logo, with "Made in England" proudly marked, confirming its origin. This elegant timepiece blends craftsmanship and playful design, making it a charming addition to any collection or decor.Dimensions: See DescriptionCondition: Age related wear. Functionality not guaranteed.
A marquetry playing card box, fashioned as a book, decorated with the Queen of Hearts to one side, containing two packs of playing cards in original wrapping to divisioned interior, height 12.2cm, together with an early 20th century Jerusalem olive wood bound pressed flower book, two Tunbridge ware rectangular boxes and a wooden case. (condition varies). (5)
Eccentrics.- Life of John Metcalf (The), Commonly Called Blind Jack of Knaresborough. With Many Entertaining Anecdotes of his Exploits in Hunting, Card-Playing, &c..., frontispiece lightly offset, E2 short tear into text without loss and vertical printing flaw, few small marginal defects, some light foxing, light browning, contemporary calf-backed boards, some wear to extremities, spotted and rubbed, York, E. & R. Peck, 1795 § [Roscoe (William)] Memoir of Richard Roberts Jones of Aberdaron, in the County of Carnarvon, in North Wales; Exhibiting a Remarkable Instance of a Partial Power and Cultivation of Intellect, half-title, bookplate of Charles Arthur Wynne Finch, related newspaper clipping laid down to browned front free endpaper, frontispiece damp-stained at head, some light spotting or foxing, later half cloth, slight fraying to spine head, some faint discolouration along upper joint, for T. Cadell, 1822, first editions, engraved portrait frontispieces; and 2 others, including the life of "Converted Clown and Man Monkey" Harvey Teasdale, 8vo (4) *** Despite his blindness, Metcalf was an accomplished rider, swimmer, card player and professional road builder. He attributed his success to his excellent memory for detail, developed as a result of his condition. A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
MAREES, Adolf von "Entwurf zur Sage" - Lorelei MotivÖl/Malkarton. Links oben signiert mit Zusatz Hannover. 1910. 70 x 48 cm. Gerahmt : 82,5 x 60,5 cm (Goldstuckrahmen); 3,7 kg. Die Harfe spielende Lorelei auf der Klippe bei einer Ruine. Aufrufzeit 01. | März 2025 | voraussichtlich 15:41 Uhr (CET) MAREES, Adolf von "Entwurf zur Sage" - Lorelei MotivOil/painting card. Signed upper left with the addition Hannover. 1910. 70 x 48 cm. Framed : 82.5 x 60.5 cm (gold stucco frame); 3.7 kg. The harp playing Lorelei on the cliff near a ruin. Aufrufzeit 01. | März 2025 | voraussichtlich 15:41 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WACHTER, Albert Bäuerliches Interieur mit spielender KatzeÖl/Malkarton. Links unten signiert mit Zusatz München. 36 x 40,5 cm. Gerahmt : 47,5 x 54 cm (beige-goldener Rahmen); 1,6 kg. Bäuerin bei der Küchenarbeit nebst einer Katze auf dem Boden. Maler im 19. und 20. Jahrhundert. Aufrufzeit 01. | März 2025 | voraussichtlich 15:48 Uhr (CET) WACHTER, Albert Rural interior with a playing catOil/painting card. Signed lower left with the addition Munich. 36 x 40.5 cm. Framed : 47.5 x 54 cm (beige-gold frame); 1.6 kg. Peasant woman working in the kitchen with a cat on the floor. Painter in the 19th and 20th century. Call time 01 | March 2025 | probably 15:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BOYLEY, Errol Stephen(1918 Südafrika - 2007) FlusslandschaftÖl/Malkarton. Rechts unten signiert. 40 x 50 cm. Gerahmt : 49 x 59 cm (Goldrahmen); 1,6 kg. Helles Sonnenlicht über der Flussbiegung mit den spielenden Kindern am Ufer vor dem Waldrand. Aufrufzeit 01. | März 2025 | voraussichtlich 16:22 Uhr (CET) BOYLEY, Errol Stephen(1918 South Africa - 2007) River landscapeOil/painting card. Signed lower right. 40 x 50 cm. Framed : 49 x 59 cm (gold frame); 1.6 kg. Bright sunlight over the bend in the river with the children playing on the bank before the edge of the forest. Call time 01 | March 2025 | probably 16:22 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
RECORDS - THE BEATLES, 'LET IT BE' BOX SET comprising long-playing record (PCS 7096, 2U/2U matrix), with 'red apple' sleeve, and card inner packing piece; and booklet, complete with card book-holder inner packing piece. Condition Report : Record generally good, with clean, bright labels; record sleeve generally good; record packing piece generally good, with creased wings and rubbing to edges; book generally good; book packing piece creased; outer box sleeve generally goood. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
TWO BOXES OF PLAYING CARDS, to include a pack of Playing Politics with caricatures by Trog, Marc, Gerald Scarfe and John Sprigs, Naval Spotter playing cards, Dartex card game, Eagle Five Suit Bridge, American Patriotic Coast Guard, Double Nine domino cards, Hollywood Great Movie Stars etc approximately 130 packs
PAIR OF GEORGE III MAHOGANY, SATINWOOD AND BRASS INLAID CARD TABLES LATE 18TH CENTURY in the Sheraton style, the D shaped tops outlined with satinwood banding opening on double gatelegs to green baize lined playing surfaces, above friezes with brass line inlay, raised on square tapered legs with further brass line inlay and ending in block feet (2) 91cm wide, 75cm high, 44cm deep [closed]
REGENCY MAHOGANY, ZEBRA WOOD, EBONY AND BRASS CARD TABLE EARLY 19TH CENTURY the D shaped fold-over top crossbanded and outlined with brass line inlay, opening to a green baize playing surface above a frieze centred with an ebony tablet with inlaid brass anthemion, raised on four spiral carved supports on a platform with hipped sabre legs with brass roundels and ending in brass hairy paw caps and castors 91cm wide, 75cm high, 45.5cm deep
A box and contents of various vintage toys and games including board games, Parker "Peg'ity", magnetic fishing, "The Victory Set Table Tennis", Chad Valley "Up and Over or Walkaway Derby", boxed "Sheridan set", Abydos puzzle, "Captain Burnaby" by Tissot, Cunard White Star jigsaw puzzle "RMS Queen Mary", Serpent label set, Peter Cheyney "The crime club card game", five various sets of playing cards, Conyingham Cup race game with horse figures and cards, box containing blue, green, clear and red glass bean counters, vintage gold plush bear in Homeguard uniform, box of vintage tortoiseshell and faux tortoiseshell hair combs and clips, a Malcolm Campbell Blue Bird pencil case, a wooden and wirework painted model of swimmer escaping a crocodile, rag doll of a pony etc
[mid-18th c. OXFORD PAMPHLETS] collection of 13 pamphlets, contemporary quarter calf (binding worn; contents untrimmed). Including: 1) SMITH (Gyles) pseud., Serious Reflections on the Dangerous Tendency of the Common Practice of Card-Playing; Especially of the Game of All-Fours, as It Hath Been Publickly play'd at Oxford, . . . In a Letter from Mr. Gyles Smith, to His Friend Abraham Nixon, pp. 24, 1st Edn., London, Printed for J. Raymond, [1754]; 2) A Letter from a Member of the University of Oxford, to a Gentleman in the Country: Containing a Particular Account of a Watch-Plot Lately Discovered There; Together with some serious Reflections upon the present Circumstances of that University, and the Conduct of its Enemies, half-title, title, pp. iv, 16, L., 1755; 3) [BUCKLER (Benjamin)] A Proper Explanation for the Oxford Almanack for this Present Year M. DCC. LV. Wherein the malicious and factious Insinuations, of that Emblematical Performance, are thoroughly detected and expos'd to the View of the World, half-title, pp. 30, sole edition, L., [1755]; 4) Informations and Other Papers Relating to the Treasonable Verses Found at Oxford, July 17, 1754, pp. 45 (1), 1st Edn., Oxford, Printed and Sold by Daniel Prince, 1755; 5) [BRAY (Thomas) Mr. Boot's Apology for the Conduct of the late H--h Sh---ff; In Answer to a late infamous Libel, intituled, The Blackest of all Black Jokes, pp.24, London, Printed for S. Crowder, [1755]; & 8 other pamphlets.
Complete deck of 12 early Karl Gerich 'The Four Elements' playing cards, published 1983. Signed to rear of King of Hearts and numbered 3. Mr Rayner notes ' "Four Elements" comes from the Tregear reference. Suits represent Earth, Wind, Fire and Water. This pack is from the early part of Karl Gerich's work, and each copy is 'individual' in that the colouring and allocation of suit signs is different in each recorded example.' References: Tregear, Karl Gerich: Card Designer and Maker. WOPC - https://www.wopc.co.uk/uk/karl-gerich/3-four-elements. Cartorama 73, no 147.Provenance: The Christopher Rayner Collection
Worshipful Company 1888 'Special' deck of Heraldic playing do the year 1684, an 1888 facsimile of the Armorial card of Richard Blone, made for the Lady Guests at the Summer Meeting on 30th June 1888, see Thorpe, John - The Worshipful Company of Makers of Playing Cards of the City of London - 36-37, Berry (Playing cards of the world) - 1I 31, https://www.wopc.co.uk/uk/heraldic-playing-cards - WOPC referenceProvenance: The Christopher Rayner Collection
Rare deck of 32 Paris Pattern 'Revolutionary' 'Corrected' playing cards, circa 1790, Referred to as the "Portrait de Paris" corrigé. See Seguin, 'Le Je de Carte': p.105. The Revolution released French card makers from the shackles of conformity imposed upon them until then. Even with their newfound freedom, the card makers dare not innovate greatly. Until 1793 they continued to make the Pars Pattern, removing those elements that might relate to the 'Ancient Regieme' i.e. Crowns, symbols and sceptres. However, they did not know how to decorate the heads of the sovereigns, or what to put in their hands. The kings fare particularly badly - their headgear and accoutrements are a little ridiculous, but the queens do rather better with new headgear. The valets did not change, but took the name 'cultivators', to distance them from their previous servility.In Cartorama 49, item 94 is a 'Revolutionary Paris Pattern' by Ledien, Amies. In that example, the head-dresses of the kings and queens are more plainly 'caps', rather than regal decoration. Darquenne explains this is as a result of the decree of October 1793, so that is probably a slightly later pack. See Seguin and Cartorama in the description above. Millon auction catalogue, 5 November 2011, item 125. Cartorama 49, item 94.Provenance: The Christopher Rayner Collection
Deck of circ 1835 playing cards, De La Rue's second SE design, 51 of 52 cards (ace of spades missing).Provenance: Dudley Ollis collection, Dominic Winter 11/10/23 lot 310. 'type D2, circa 1834-40, 51 of 52, without ace of spades letterpress playing cards 51 (French suits, pip cards lightly bowed, square corners, versos terracotta small scroll diagonal pattern, each card 94 x 64 mm) Displayed with DO's accompanying descriptions and filed in his original plastic case.Provenance: The Christopher Rayner Collection

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