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Playing cards - Rubicon Bezique, the "Shakespeare" theme cards by Chas Goodall & Son contained in leather covered box, with instructions and two markers; Waddingtons Lexicon (unused); two small "Elfin" packs of cards in leather case "To try your Patience" and a wooden card box the cover inlaid as a cribbage marker board, containing some card game instructions, some ivory pegs and two bezique markers
Southern Railway Playing Cards in original, pictorial box. A full set of 52 with one Joker all housed in the original box with a colour cover of art deco images of daytime and nightime ferries. This image is also on each card. The back cover advertising 8 routes to the Continent from Southampton. Quite delightful and in very good condition for age.
A Tunbridgeware coromandel glove box, with tesserae view of Eridge Castle, 26.5cm wide, 10.5cm deep, a Tunbridgeware coromandel playing card box, by Thomas Barton with paper label, some losses to tesserae mosaic and straight bandings 15.5cm wide, 11.5cm deep and a stickware stiletto (lacking cover). Visit www.dnfa.com for condition reports.
A Folder: approximately fifty+ Albumen and other Photographs, topographical and architectural views, including Sandsfoot Castle, Portland Beach, and various other views of Weymouth; + various snapshots of family groups, children playing, farm machinery at work etc, most photographs mounted on loose leaf photograph album card, various sizes, many 4" x 3" and 3" x 2 ¼"
A 19th century mahogany card table in the late 18th century style, the plain top with outset corners above a plain frieze, opening to reveal a baize playing surface and shallow mahogany counter wells, on straight aquare reeded and chamfered legs, 31.75in. (80.5cm.) wide x 15.75in. (40cm.) deep x 29.75in. (75.5cm.) high.
A Victorian mother of pearl fruit knife and fork. retailed by Goldsmiths Company Sheffield 1888 and 1892, with carved mother of pearl handles and silver blade with engraved trailing fruit decoration, and with simple two pronged fork, in original leather cases; together with a playing card box London 1898; a novelty bookmark with a foxes mask terminal, Chester 1907; a vinaigrette by Samuel Pemberton Birmingham 1817 and a small snuff mull (A/F) and a patch box (7)
A Continental porcelain figure of Harlequin, possibly Furstenberg, wearing a chequered and playing card coat, holding a bunch of black grapes in his left hand, and seated on a marble plinth, blue `F` mark to the plinth, mid 18th century, some damages, the plinth and figure possibly associated, 14cm.
A 20th Century gilt brass and hardstone games box, the hinge lid inset with a slate panel, inlaid with onyx or other hardstones with a design of playing cards and counters, the sides applied with roundels, inset with the card suits, flanked by a pair of drop handles, on a plinth base, length approx 33cm (faults).
ITALIAN SATINWOOD AND ROSEWOOD PARQUETRY CENTRE/CARD TABLE MANNER OF GIO PONTI, CIRCA 1950 the reversible top with an inlaid edge depicting a continuous silhouetted city skyline, centred by a night sky inlaid with a consellation of stars, the underside with an inset baize playing surface, the reeded frieze with four concealed drawers and ashtrays raised on turned tapered splayed legs 90cm diameter, 72cm high
A late Victorian rosewood, finished marquetry and ivorine, inlaid envelope card table, the flaps opening to reveal a green baize playing surface and counter wells, over a single frieze drawer on slender square tapering legs, united by a platform stretcher, raised on salt glazed castors, 55.5cm square, 74cm high
Two silver patience card boxes, one by Charles & George Asprey, London 1901, of plain rectangular form with hinged cover, inscribed with facsimile signature `Maud` 1902, 6.5 x 4.5 x 3.5cm, (lacking playing cards); the other by A Barrett & Sons, London 1899, of plain rectangular shape with hinged cover inscribed `Freda`, 2.74 x 2 x 1.5cm, (both packs incomplete) (2)
A fine George IV mahogany card table the hinged and swivelling rosewood crossbanded & line inlaid rectangular top with canted corners, opening to reveal a baize playing surface, over a line inlaid frieze, on four turned supports to a quatreform base, line inlaid to match the frieze above, standing on four outswept line inlaid legs with floral brass mounts to the scrolled shoulders, on brass paw cap casters, 35.75in (91cm) wide x 17.75in (45cm) deep x 28.25in (71.5cm) high.
A Regency gilt metal mounted mahogany card table, canted rectangular folding top enclosing a baize lined playing surface, above a deep frieze applied with anthemions, outlined throughout with box wood and ebony stringing and inlaid with roundels, tapered square legs, spade feet, 90cm wide, 72cm high, c.1820
A Regency rosewood and brass inlaid card table the foldover top enclosing a baize inset playing surface, the shallow breakfront frieze centred by a stylised foliate motif, raised on a splayed square column support, ending in sabre legs with hairy paw brass caps and castors 89cm wide, 71cm high, 44.5cm deep
VARGAS ALBERTO: (1896-1982) Peruvian Painter of pin-up girls and erotica. Signed 11 x 8 colour magazine page featuring an illustration of a Vargas Girl seated in a seductive full length pose, holding a playing card, with printed caption `Can anyone beat my pair?` Signed by Vargas in black ink to a clear area and dated 1982 in his hand. Very slight creasing and minor stain to one corner, not affecting image or signature, otherwise VG

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8559 item(s)/page