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Burmese Costumes. A folding panoramic manuscript consisting of 39 double page leaves, each approximate 16in by 14in depicting the costumes and accoutrements of five ranks of officers. The first on 8 leaves, the remainder on 6 leaves each, with 2 blank leaves at the start, on between each section and one at the end. Watercolour and gouache over Indian ink and traces of pencil, the lower edge with a green border and some descriptive text. A note in pencil on the last leaf "Pictures of Dresses &c of Mendoor King ...... & Thibaw ...... Mandalay (18)88". The contents generally slightly grubby with some alterations and erasing in Chinese white.
Eugene Bejot. Le Quai de Bourgogne, Bordeaux. Etching, 5.25in x 9.5in. Together with; La Bastide, Bordeaux. Both mounted but unframed. Together with; Alfred Bentley. Hills of the Auvergne. Etching, Signed and titled by the artist in pencil; and an etching of Quimper Cathedral. Both mounted, framed and glazed. (5).
English School, early 19th century - 'The C** Tower, Pockthorpe, Norwich'; pencil, inscribed and bears signature 'T.B. Hardy' in a different hand, 27.8x37.4cm: Charles Rashleigh- 'Rock upon the land at Duporth in Cornwall 2 miles from St. Austel'; pencil and brown ink wash, signed and inscribed verso, 28.6x36.7cm., (2), (unframed)
Circle of Sir William Calcott - 'Villas on the Banks of the Regent's Canal'; pencil, inscribed and dated April 29th, 1830, 15.6x21.5cm: together with five other pencil drawings of harbours scenes, landscapes, etc., by the same or related hand(s), and four other pencil and pen and ink studies possibly by J. G. P. Fischer, various sizes, (10), (unframed)
Salvador Dali - Three horses and riders in a landscape with mountains; hand-coloured etching, signed and numbered 250/400 in pencil, 56.3x44.8cm: Ronald Brooks Kitaj- Albyn or Scotland and the Future; lithograph, signed with initials and numbered 62/150 in pencil: together with a reproduction print after Helen Bradley, signed in pen, titled 'Hollinwood Market', 1972, (3), (unframed)
Lewis Baumer - 'I Say, I've just swam at least two miles out and back again without turning a hair, next year I mean to do the Channel'; pen and black ink, original artwork for illustration, singed and inscribed in pencil, 20.7x30.3cm: together with ten other similar cartoons by the same hand, all signed and inscribed, various sizes, (11), (unframed)
F. Gordon Cumming, English Colonial School, New Zealand, 19th century - 'Oolanakanda Bungalow on Allegalla Peak'; pencil and watercolour, signed, dated July 1873 and inscribed, 34.1x48.8cm: together with one other watercolour by the same hand titled: 'Kandy Railway, the Incline from Allegalla Peak' and dated July 1873, 34x49cm., (2)
J. Slater - Portrait of a lady seated half-length with a child by a table; pencil black chalk and touches of coloured chalk, signed, inscribed and dated 1810, 27x22.8cm: together with a companion portrait by the same hand of a gentleman seated half-length holding a letter, 27x22.8cm., a pair, (2)
GREENAWAY, Kate (illustrator) - Little Ann and Other Poems, London [Circa 1880's], original printed boards, owners name in pencil, boards grubby etc., MURRAY, C.O (illustrator) - Mustard and Cress, London, circa 1890, original printed boards, grubby, spine partly detached, and one other children's book (3).
A Victorian morocco-bound album of photographs by S. Victor White of Reading, documenting a photographic journey through the Coquet Valley beginning at Amble Harbour and taking in significant sights, locations and personalities until ultimately reaching the river source in Thirlmoor; 108 albumen prints, 4.5in. x 7in., individually annotated in pencil. s

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