We found 296963 price guide item(s) matching your search
There are 296963 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
296963 item(s)/page
Lot 228
THREE PRINTS, comprising THIRZA COTZEN (South African, b. 1953) limited edition (7/50) etching with colour - Room of My Own VII, titled, signed and dated 76, 35 x 25cm; JOHN HENCHER, lithograph - Do All Your Work..., signed in pencil, 28 x 78cm; and another abstract screenprint by another hand, signed & dated with initials 'SM93', 41 x 41cm (3)
Lot 239
JEAN-LOUIS FORAIN (French, 1852-1931) pencil drawing - entitled verso 'Sketch for Courtroom Scene', with pencil annotation to back 'Ex Stanhope Shelton Estate (1984)', unsigned, 18 x 33cmsProvenance: label verso 'sketch for courtroom scene. Ex Stanhope Shelton Coll. Sotheby's sale 1989. Portobello Road.'Comments: framed and glazed, some foxing
Lot 315
JOE TILSON RA (British, b. 1928) limited edition (25/70) screen print - 'Jan Palach', African figures superimposed with tanks on the streets of an Eastern European city, with printed portrait of Palach on card (loose), signed and dated 1970 in pencil, 102 x 70cmsComments: unframed, slight discolouration to edges, strip of hardened sellotape adhesive to top margin behind portrait and on print.
Lot 131
The Connor Brothers (born 1968)I Can Resist Everything Except Temptation, 2017 signed and numbered 19/50 in pencilgiclée print in colours with screenprint varnish75 x 50cm (29 1/2 x 19 11/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 139
Nick Smith (born 1984)Salvator Mundi, 2017 signed and numbered 45/45 in pencilgiclée print in colours with screenprinted varnish over colour blocks83.8 x 61.8cm (33 x 24 5/16in).published by the artist, with his blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 140
Nick Smith (born 1984)Van Gogh, 2020 signed and numbered 37/50 in pencilgiclée print in colours with screenprinted varnish over colour blocks70.4 x 50.3cm (27 11/16 x 19 13/16in).published by Art Republic, London, with the artist's blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 141
Nick Smith (born 1984)Whaam!, 2021 signed, dated and numbered 'AP' in pencil, an artist's proof aside from the edition of 77screenprint in colours64 x 128cm (25 3/16 x 50 3/8in).published by Rhodes Contemporary, London, with their blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 142
Nick Smith (born 1984)'Fame' and 'Beauty', 2022 each signed and numbered 4/66 in penciltwo screenprints in colours62 x 60cm (24 7/16 x 23 5/8in).(2)published by Rhodes Contemporary, London, with their blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 143
FAKE (born 1980)Super Nurse (Super-Size Gold), 2020 signed and numbered 11/20 in pencilscreenprint in colours139.8 x 99.6cm (55 1/16 x 39 3/16in).published by the artistThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 28
Dieter Roth (1930-1998)Katzen-Island, 1962-1970 signed, inscribed 'HARPA', numbered 1/25 and wrongly dated 1926 in pencil (as issued)mixed-media on card43 x 43cm (16 15/16 x 16 15/16in).Footnotes:ProvenanceAcquired from the artist by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 38
Andy Warhol (1928-1987)Herself, from 'Ingrid Bergman', 1983 signed and numbered 62/250 in pencilscreenprint in colours96.5 x 96.5cm (38 x 38in).printed by Rupert Jasen Smith, with his blindstamp, published by Galerie Börjeson, Malmö, with their and the artist's copyright stamp on the reverseFootnotes:LiteratureFeldman & Schellmann, Andy Warhol Prints 1962-1987, Fourth Edition, 2003, no.II. 313For further information on this lot please visit Bonhams.com
Lot 4
James Rosenquist (1933-2017)Elbow Lake, 1977 signed, titled, dated and numbered 38/100 in pencillithograph printed in colours93 x 188cm (36 5/8 x 74in).printed by Aripeko Ltd. Editions, with their inkstamp, published by Sidney Singer, New YorkFootnotes:LiteratureConstance W. Glenn, James Rosenquist: Time Dust, Complete Graphics 1962-1992, Rizzoli, New York, 1993, no.126For further information on this lot please visit Bonhams.com
Lot 66
Banksy (born 1974)Jack & Jill (Police Kids), 2005 signed, dated and numbered 342/350 in pencilscreenprint in colours50 x 70cm (19 11/16 x 27 9/16in).published by Pictures on Walls, London, with their blindstampFootnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 67
Jamie Reid (born 1947)Learn from the past, Live in the present, Look to the future (Blue), 2011unique work, with inkjet base print on 310 gsm Hahnemuhle 'German Etching' paper with acrylic screen print additions and mixed media on board, signed in pencil by the artist 111.5 x 82 x 2cm (43.9 x 32.3 x 0.8in).This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 69
Jamie Reid (born 1947)Sex Pistols: Fuck Forever (Fuchsia Colourway), 1997 signed, dated and numbered 53/350 in pencilscreenprint in colours101.7 x 74cm (40 1/16 x 29 1/8in).published by Artificial Gallery, New York, with their blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 70
Parra (born 1976)Nipple Twister, 2008 signed and numbered 18/20 in pencilscreenprint in colours70 x 50cm (27 9/16 x 19 11/16in).published by Pictures on Walls, London, with their blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 71
Nick Walker (born 1969)Mona Simpson, 2006 signed and numbered 560/750 in pencilscreenprint in colours70 x 50cm (27 9/16 x 19 11/16in).published by Pictures on Walls, London, with their blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 73
Banksy (born 1974)Have A Nice Day, 2003 numbered 293/500 in pencil screenprint in colours34.2 x 98.4cm (13 7/16 x 38 3/4in).published by Pictures on Walls, LondonFootnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 74
Banksy (born 1974)Golf Sale, 2003 numbered 550/750 in pencilscreenprint34.7 x 49.7cm (13 11/16 x 19 9/16in).published by Pictures on Walls, LondonFootnotes:This work has been authenticated by Pest Control Office and will be issued with the new certificate of authenticity in due course.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 75
Banksy (born 1974)Girl with Balloon, 2004 numbered 165/600 in pencilscreenprint in colours70 x 50cm (27 9/16 x 19 11/16in).published by Pictures on Walls, London, with their blindstampFootnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 76
Banksy (born 1974)Flying Copper, 2004 numbered 520/600 in pencilscreenprint in colours100 x 70cm (39 3/8 x 27 9/16in).published by Pictures on Walls, London, with their blindstampFootnotes:This work has been authenticated by Pest Control Office and will be issued with the new certificate of authenticity in due course.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 77
Banksy (born 1974)Happy Chopper, 2003 numbered 318/750 in pencilscreenprint in colours70 x 49.8cm (27 9/16 x 19 5/8in).published by Pictures on Walls, LondonFootnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 99
Harland Miller (born 1964)You Can Rely On Me I'll Always Let You Down, 2011 signed and numbered 4/35 in pencilinkjet print in colours42 x 33.5cm (16 9/16 x 13 3/16in).published by Other Criteria, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 122
House of Commons. Proceedings...on the Liverpool and Manchester Railroad Bill. Sessions 1825, 12 hand-coloured lithographed plans, most folding, folding lithographed view of Black Brook House (a villa endangered by the railway), 2 folding warehouse plans, errata slip, lithographed view water-stained, folding plan of part of Manchester at p.593 torn and repaired, contemporary half green morocco, rubbed, folio, 1825.⁂ The Liverpool & Manchester railway was the first intended for passenger as well as goods traffic. The establishment forces of peers and vested turnpike interests combined to defeat this bill, and in so doing George Stephenson was to some extent damaged by the severe grilling he received under cross examination. Issues of access, denied to him by dissenting landowners, led to the submission of inaccurate surveys; these and other matters led to the bill's downfall. The Company reassigned the survey to George Rennie and his brother, and the bill, with a few changes mollifying the noble landlords, achieved Royal Assent in 1826. The company then took no time, to Rennie's chagrin, in reappointing Stephenson as the engineer to build the line.A pencil note at beginning states that this was from the library of Sir George Armytage, chairman of the Lancashire & Yorkshire Railway Co. 1887-1918.
Lot 138
Langley (Batty) The Builder's Director, or Bench-Mate: being a Pocket-Treasury...of Architecture, 184 engraved plates on 92 sheets (printed on both sides), modern bookplate of P. & L.Waterhouse, I. & J.Taylor, [c.1792] § Langley (Batty & Thomas)The Builder's Jewel: or, the Youth's Instructor, and Workman's Remembrancer, tenth edition, engraved frontispiece and 99 plates, contemporary ink inscription "Thos. Morton's Book 1789" to head of title, plates 30 & 66 lacking lower portion where poorly trimmed, old pencil or ink sketches to verso of a few plates and endpapers, rather soiled, for C. & R.Ware, 1763 § Neve (Richard) The City and Country Purchaser's and Builder's Dictionary..., third edition, engraved frontispiece of Chiswick House, for B.Sprint, 1736 § Salmon (William) The London and Country Builder's Vade Mecum: Or, The Complete and Universal Estimator, fifth edition, engraved frontispiece, a little soiled and damp-stained, contemporary ink inscription to front free endpaper, modern calf, S. Crowder and B. Collins, 1773 § Building Act (The)...shewing the proper thickness of party-walls, external-walls, and chimnies, 3 engraved plates, 16pp. publisher's catalogue at end, spotted, modern calf-backed boards, Cambridge, J.Archdeacon for Taylor's Architectural Library, 1791, the first three all contemporary calf or sheep, rubbed, rebacked, [Harris 430, 436, 597, 792 & 92]; and 4 others, similar, including a defective first edition of The Builder's Price-Book of 1776, 8vo (9)
Lot 155
Lugar (Robert) Villa Architecture: A Collection of Views, with Plans..., first edition, presentation copy inscribed "John Piper from Anthony West 1939" in pencil on front free endpaper, half-title, 41 fine engraved plates and plans only (of 42, lacking plate 39 of Markgate Cell nr. St.Albans), 26 hand-coloured aquatints, staining to plates 12-14 (particularly 14) and mark to plate 17, otherwise very clean, last few leaves and plates loose, contemporary half green straight-grain morocco, uncut, rubbed, [Abbey Life 33], folio (c.440 x 280mm.), 1828.⁂ A good tall copy of this most handsome of all architectural pattern books.Anthony West (1914-87), writer and literary critic, son of H.G.Wells and Rebecca West, author of John Piper, 1979.
![Marot (Daniel) [Oeuvres], engraved portrait by J.Gole after Parmantier (trimmed to edge of image and laid down), 238 engravin](https://cdn.globalauctionplatform.com/7cebb886-88e1-48ab-996d-af1f010038fc/4a4c6713-763b-4348-9621-af1f011a3bec/468x382.jpg)
Lot 165
Marot (Daniel) [Oeuvres], engraved portrait by J.Gole after Parmantier (trimmed to edge of image and laid down), 238 engravings from various suites mounted on stubs, plus one pencil tracing tipped in, one or two engravings trimmed and mounted, some light marginal spotting or soiling, later crushed brown morocco, by Champs, inner gilt dentelles, uncut, slightly rubbed at edges, [cf.Berlin Kat. 355-357], small folio, [?Amsterdam], [18th century]; sold as a collection of plates, not subject to return⁂ Splendid collection of engravings by Daniel Marot, architect, furniture designer and engraver, son of Jean Marot and pupil of Jean Le Pautre. The plates depict a wide selection of designs in the late Baroque or Louis XIV style for classical scenes and landscapes, triumphal arches, doorways, gates & ironwork, theatre set designs, tombs, painted rooms & staircases, ceilings, panelling & windows, chimneypieces, ornaments, gold & silverwork, clocks, furnishings, bed, embroidery, parterres, garden ornaments, vases etc.
Lot 248
Soane (Sir John, 1753-1837), Attributed to. Study of an architectural detail from a door in the Temple of the Sun, Campus Agrippae, Rome, pen and brown ink with brown wash over traces of pencil, inscribed 'Frieze of a Door in a Temple of ye Sun', on 18th century cream laid paper with Pro Patria watermark with lion shown within two concentric circles, with text 'libertate pro patria eiusque', surmounted by a crown, sheet 130 x 310 mm (5 1/8 x 12 1/4 in), inset at edges onto window mount, some handling creases, browning and surface dirt, unframed, [c.1779-1782]; together with an elevation study of a unidentified public building, by an artist working in the circle of Sir John Soane and his Office, pencil, brush and ink, on laid paper with partial text-based watermark '[?]LL', pencil and ink studies for architectural decoration verso, sheet 115 x 410 mm (4 1/2 x 16 1/8 in), minor exposure lines and light browning, unframed, [probably late 18th century] (2)⁂ This architectural detail appears to relate to the group of drawings that Soane and Henry Holland produced during their tour of Italy in 1779-1782. However, the present sheet seems more worked up and finished than the examples found in the sketchbooks held in the Soane Museum [see for instance 'Miscellaneous Sketches', 1780-2 (SM volume 40), and 'Miscellaneous Sketches 1777', largely by Henry Holland (SM volume 38)].
![Vitruvius Pollio (Marcus) [Architettura], fragment only, lacking all before A4 (f.4) and all after M8 (f.96), with 11ff. of I](https://cdn.globalauctionplatform.com/7cebb886-88e1-48ab-996d-af1f010038fc/d4626350-b6d6-4e85-b5d1-af1f011a7e06/468x382.jpg)
Lot 279
Vitruvius Pollio (Marcus) [Architettura], fragment only, lacking all before A4 (f.4) and all after M8 (f.96), with 11ff. of Index (Aa3-Bb5; Anatoni- Pariete) bound at end, numerous woodcut illustrations and initials, soiled and stained, tears to C1 & E8, leaves towards end of text frayed by damp with some loss, modern boards, [?Perugia, G.Bigazzini], [?1536]; The Civil Architecture..., translated by William Wilkins, 41 engraved plates, with final otherwise blank imprint leaf, some foxing, bookplate of James O'Byrne, contemporary half calf, rubbed, rebacked & recornered preserving old gilt spine, new label, [Fowler 429], 1812-[17]; and another later edition of Vitruvius, folio & 4to (3)⁂ A pencil note by Gibson on front pastedown of the first identifies the fragment as being from the 1536 Perugia edition but reference to Fowler 400 & Millard Italian 159 suggests that this is incorrect.
![[Wolley (Richard, editor)] The Compleat Library: or, News for the Ingenious, vol.1 only (of 3), 7 parts in 1 vol., titles wit](https://cdn.globalauctionplatform.com/7cebb886-88e1-48ab-996d-af1f010038fc/09237c3c-d6e1-4230-8d80-af1f011ad5ee/468x382.jpg)
Lot 293
[Wolley (Richard, editor)] The Compleat Library: or, News for the Ingenious, vol.1 only (of 3), 7 parts in 1 vol., titles with woodcut (first part with small flower, the rest with larger woodcut of a divine with skep of bees and a gentleman writing in his study), June with half-title, Index at end of volume, first title lightly soiled and creased, final leaf of May shaved at foot with slight loss, stain to Eee3 of October, contemporary ink inscription to front free endpapers, pencil notes to rear, contemporary mottled calf, rubbed, one or two small worn patches, 4to, for John Dunton, May-November 1692.
Lot 36
Brettingham (Matthew) The Plans, Elevations and Sections, of Holkham in Norfolk, the seat of the Earl of Leicester, to which are added, the Ceilings and Chimney-pieces..., second edition, 66 engraved plates & plans on 65 sheets, 7 folding and/or double-page, without the 4 additional plates sometimes found at end (as in the Millard copy), old ink signature of John P.Boileau to head of title and another later pencil inscription "James Fletcher Watson 18 April 1957", a few plates lightly browned or with marginal soiling but generally clean, some lightly water-stained at upper edge, contemporary half calf, uncut, rubbed, spine worn at foot, [Berlin Kat. 2336; Harris 48; Millard British 8], folio, T.Spilsbury for B.White and S.Leacroft, 1773.⁂ Greatly enlarged second edition of this architectural record of Holkham Hall, Norfolk, the seat of Thomas Coke, 1st Earl of Leicester, built by Brettingham to designs by William Kent under Lord Burlington's supervision. It was first published in 1761 in a similar format to Isaac Ware's work on Houghton Hall (see lot 285), but omitted to mention Kent as the architect. After Brettingham's death in 1769 his son Matthew issued this second edition in which he admits that Holkham was designed by William Kent, and not his father as had been claimed in the first edition. It includes many more plates, mostly of ceilings and chimney-pieces.Sir John Peter Boileau, Bt., FRS, DL, JP (1794-1869), of Norfolk, archaeologist.James Fletcher-Watson (1913-2004), watercolourist and architect.
Lot 4
Adam (Robert, 1728-1792), Attributed to. Three sheets of vaulted interiors, architectural facades and capriccio, pen and brown & grey inks over pencil, with grey wash, on laid paper without visible watermarks, sheets between 210 x 190 mm (8 1/4 x 7 1/2 in) and 200 x 250 mm (7 7/8 x 9 7/8 in), affixed at corners onto mount support, some damp-stains and browning, minor handling creases, unframed, [c.1754-1757] (3)⁂ Traditionally thought to be by an Italian artist active in the early 18th century working in the circle of Ferdinando Galli-Bibiena (1657-1743). However, the distinctly British penmanship and character suggests an attribution to the Adam brothers, and the drawings closely relate to work by Robert Adam found in the travel albums from his Grand Tour of 1754 to 1757. [For close comparative studies held in the Soane Museum, see "http://collections.soane.org/OBJECT1093", "http://collections.soane.org/OBJECT758", and "http://collections.soane.org/OBJECT776"].
![Augustinus (Aurelius, Saint) De civitate dei, collation: [a b8 c-z A-H10], 306ff., including blanks a1, b8 and H9&10, dou](https://cdn.globalauctionplatform.com/7cebb886-88e1-48ab-996d-af1f010038fc/719d5a94-3115-47a7-be47-af1f01192e08/468x382.jpg)
Lot 8
Augustinus (Aurelius, Saint) De civitate dei, collation: [a b8 c-z A-H10], 306ff., including blanks a1, b8 and H9&10, double column, 46 lines and headline, Gothic letter, major initials in blue (one red) with red penwork decoration, other initials and paragraph-marks alternately in red and blue, occasional later ink marginalia and underlining, later still occasional pencil markings, water-stained at head to varying degrees, some marginal foxing, occasional spotting or staining, vellum endpapers, the rear being a German document Freiburg, 1434, contemporary panelled calf over wooden boards, ornately blind-stamped with bands of filets, floral sprays and cable-work, upper cover with brass clasps (lacking those of lower cover), professionally rebacked, preserving original backstrip in compartments, repaired, rubbed and marked, preserved in modern cloth drop-back box with morocco label to spine and "B-P-H" in gilt to lid (a little rubbed at edges), [BMC V, 175; Goff A-1235; HC *2051; GW 2879; Bod-Inc A-522; BSB-Ink A-858; ISTC ia01235000; cf. PMM 3], folio (285 x 201mm.), Venice, Nicolaus Jenson, 2 October, 1475.⁂ The Bibliotheca Philosophica Hermetica (J.R. Ritman) copy of the second Venetian edition of Augustine's magnum opus. "...both Luther and Calvin took Augustine as the foundation of Protestantism next to the Bible itself." (PMM).Provenance: Bibliotheca Philosophica Hermetica, acquired from Bernard Quaritch, 1989 (bookplate to front inner board).
Lot 84
Fournier (Daniel) A Treatise of the Theory and Practice of Perspective, first edition, list of subscribers, 39 engraved plates, 2 double-page mounted on stubs, 3 with movable flaps, worming to inner margin affecting some text and plates, old ink inscription "Willoughby J.E.Rooke B.N.C. Oxford" with pencil note "From this book I learned perspective - it beats all other books on the subject for clearness & simplicity. W.J.E.Rooke" to front pastedown, contemporary half sheep, rather worn, spine wormed and defective, 4to, for the Author, 1761.⁂ The list of subscribers features several architects, engravers, miniature painters, engineers and surveyors.
![Gibbs (James) A Book of Architecture containing Designs of Buildings and Ornaments, first edition, [one of 550 copies], list](https://cdn.globalauctionplatform.com/7cebb886-88e1-48ab-996d-af1f010038fc/eba79e23-2531-49b2-ac1e-af1f011ada53/468x382.jpg)
Lot 95
Gibbs (James) A Book of Architecture containing Designs of Buildings and Ornaments, first edition, [one of 550 copies], list of subscribers, 150 engraved plates by H. Hulsbergh and others after Gibbs, 4 double-page, title a little soiled and creased, paper flaw creases to plate 53, a few with pencil sketches to margins, marginal water-staining to a few plates (mainly to last couple just touching corner of final plate), slight worming to fore-margin of plates 130 to end, old ink inscription "Thomas Rasell Chichester" to front free endpaper, modern bookplate, modern half vellum, tan morocco label, [Berlin Kat 2334; Fowler 138; Harris 257; Millard British 22], folio, [William Bowyer], 1728.⁂ "The first book by a British architect consisting entirely of his own designs, executed and projected". (Harris). An enormously influential pattern book, reaching far beyond the country gentlemen at whom it was aimed, to India, South Africa, the West Indies, and America, where it was a primary source for the builders of the White House. There was also a copy in Thomas Jefferson's library.
Loading...-
296963 item(s)/page