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Stanford Auctioneers
Lot 764

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Washing Machine". Medium: Original color silkscreen. Date: Composed 1991. Dimensions: Overall size: 24 1/8 x 27 in. (613 x 686 mm). Image size: 19 3/8 x 23 1/2 in. (492 x 597 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed very small. Smooth white wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Comment(s): A rare poster. Only one auction record in the past 28 years located (an unsigned impression). Printed by Springdale Graphics, Springdale, CT. Image © Estate of Roy Lichtenstein. [28314-6-800]

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Stanford Auctioneers
Lot 778

Artist: Jaled Muyaes (Chilean/Mexican, 1921 - 2007). Title: "Untitled". Medium: Pencil drawing. Date: Composed 1948. Dimensions: Overall size: 14 7/8 x 11 7/8 in. (378 x 302 mm). Image size: 14 3/4 x 11 5/8 in. (375 x 295 mm).Lot Note(s): Signed and dated in pencil. Sr. Muyaes always signed his work "Kena" or "S. Kena," or, if initialed, "K." or "S.K.". Condition: minor soiling and creasing throughout; small tears on lower edge. From the collection of Estela Ogazon. Comment(s): Muyaes signed his work "Kena," "S. Kena," "Silvestre Kena," "Silvestre," or, if initialed, "K." or "S.K." Works by Muyaes, a noted Mexican painter and sculptor, rarely appear on the market. Born in Chile, he moved to Mexico City as a young man and became an integral part of the intellectual circle there (e.g., he was intimately acquainted with the great poet Pablo Neruda during Neruda's Mexico years). From the estate of Estela Ogazon Sanchez. Image copyright © The Estate of Jaled Muyaes. [19590-0-150]

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Stanford Auctioneers
Lot 790

Artist: Francis Newton Souza (Indian/American, 1924-2002). Title: "Untitled". Medium: Pencil drawing on paper. Date: Composed 1961. Dimensions: Overall size: 10 x 7 1/16 in. (254 x 179 mm). Image size: 9 1/2 x 6 11/16 in. (241 x 170 mm).Lot Note(s): Signed lower right. Cream wove textured paper. Very fresh, fine condition. Comment(s): Francis Newton Souza, commonly referred to as F. N. Souza, was an Indian artist. He was a founding member of the Progressive Artists' Group of Bombay and was the first post-independence Indian artist to achieve high recognition in the West. Image copyright © The Estate of Francis Newton Souza. [28148-2-2400]

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Stanford Auctioneers
Lot 798

Artist: Lucian Freud (German/English, 1922-2011). Title: "Two Men in the Studio". Medium: Color offset lithograph. Date: Composed 1987-89. Printed 1993. Dimensions: Overall size: 11 1/2 x 7 9/16 in. (292 x 192 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at The Metropolitan Museum of Art, New York. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 16th 1993 to March 13th 1994. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29186-2-800]

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Stanford Auctioneers
Lot 810

Artist: Norman Rockwell (American, 1894 - 1978). Title: "Triple Self-Portrait [large version]". Medium: Color offset lithograph. Date: Composed 1960. Printed 1972. Dimensions: Overall size: 30 x 24 in. (762 x 610 mm). Image size: 25 x 19 in. (635 x 483 mm).Lot Note(s): Signed in pencil, lower right. Off-white wove paper. The full sheet. Fine impression. Fine condition. Comment(s): Norman Percevel Rockwell was a 20th-century American painter and illustrator. His works enjoy a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life scenarios he created for "The Saturday Evening Post" magazine for more than four decades. Image copyright © The Norman Rockwell Estate / © SEPS: Licensed by Curtis Publishing, Indianapolis, Indiana. [27977-6-400]

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Stanford Auctioneers
Lot 813

Artist: Robert Motherwell (American, 1915 - 1991). Title: "Tricolor". Medium: Original color lithograph. Date: Composed 1973. Dimensions: Overall size: 14 1/2 x 10 5/8 in. (368 x 270 mm). Image size: 12 1/4 x 9 3/16 in. (311 x 233 mm).Lot Note(s): Signed in pencil with the initials, lower left; signed and dated in the plate, upper right. A proof aside from the edition of 125. White wove paper. Wide (full?) margins. Fine impression. Very good to fine condition. Literature/catalogue raisonne: B24. Comment(s): Another impression of this print sold for £822 (US$1,368) at Christie's, London (Old Master, Modern & Contemporary Prints, Sale #6740), 07/02/2003, lot #297). Image copyright © Licensed by VAGA, New York, NY. [21817-3-600]

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Stanford Auctioneers
Lot 821

Artist: E(rnest) H(oward) Shepard (British, 1879 - 1976). Title: "Tigger and Roo Are Stuck on a Limb". Medium: Original color offset lithograph. Date: Printed 1957. Dimensions: Overall size: 14 1/4 x 11 1/16 in. (362 x 281 mm).Lot Note(s): Signed with the initials in pencil, lower left; signed in the plate, lower right. Edition unknown, presumed small. Light cream textured laid paper. Wide margins. Fine impression. Good to very good condition; a few dimples in the sheet; a few soft creases upper center and right; very minor staining in the lower right margin, nowhere near the image; else very good. Comment(s): The lithograph illustrates a scene from “The World of Pooh.” Image copyright © The Disney Corporation and Dutton Children's Books. [30097-3-400]

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Stanford Auctioneers
Lot 828

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Thinking of Him". Medium: Original color silkscreen. Date: Composed 1991. Dimensions: Overall size: 27 x 26 in. (686 x 660 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed very small. White smooth wove paper. Full margins. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Comment(s): A rare poster. No auction records, other than Stanford Auctioneers, located. Printed by Springdale Graphics, Springdale, CT. Image © Estate of Roy Lichtenstein. [28892-6-400]

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Stanford Auctioneers
Lot 830

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Thinking Nude". Medium: Color relief print. Date: Composed 1994. Printed in 1994. Dimensions: Overall size: 6 3/8 x 9 3/8 in. (162 x 238 mm).Lot Note(s): Signed in pencil, lower right. Edition of 500. Very light cream smooth sturdy wove paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: See Corlett 289 for the full-size limited edition relief print. Comment(s): Published in 1994 by Tyler Graphics, who printed and distributed the full-size limited edition relief print. Image copyright © Estate of Roy Lichtenstein. [27655-1-800]

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Stanford Auctioneers
Lot 850

Artist: Andrew Wyeth (American, 1917-2009). Title: "The Corner". Medium: Color offset lithograph. Date: Composed 1953. Printed 1963. Dimensions: Overall size: 11 1/4 x 17 in. (286 x 432 mm). Image size: 8 11/16 x 13 1/4 in. (221 x 337 mm).Lot Note(s): Signed in pencil, lower right; annotated lower left; signed in the plate, lower right. A proof from the edition of unknown size (c300?). Cream wove paper. Wide margins. Fine impression. Very good condition. Provenance: Private collection, Santa Barbara, California. Comment(s): Andrew Newell Wyeth was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He is one of the best-known U.S. artists of the middle 20th century. In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. One of the best-known images in 20th-century American art is his painting, "Christina's World," currently in the collection of the Museum of Modern Art in New York City. [27976-3-300]

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Stanford Auctioneers
Lot 856

Artist: Andrew Wyeth (American, 1917-2009). Title: "Teel's Island". Medium: Color offset lithograph. Date: Composed 1954. Printed 1963. Dimensions: Overall size: 10 15/16 x 17 in. (278 x 432 mm). Image size: 5 1/2 x 13 3/16 in. (140 x 335 mm).Lot Note(s): Signed in pencil, lower right; annotated lower left; signed in the plate, lower left. A proof from the edition of unknown size (c300?). Cream wove paper. Wide margins. Fine impression. Fine condition. Provenance: Private collection, Santa Barbara, California. Comment(s): Andrew Newell Wyeth was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He is one of the best-known U.S. artists of the middle 20th century. In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. One of the best-known images in 20th-century American art is his painting, "Christina's World," currently in the collection of the Museum of Modern Art in New York City. [27974-3-400]

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Stanford Auctioneers
Lot 869

Artist: Andrew Wyeth (American, 1917-2009). Title: "Study for Easter Sunday [Helga]". Medium: Color offset lithograph. Date: Composed 1975. Printed 1987. Dimensions: Overall size: 11 3/8 x 15 5/16 in. (289 x 389 mm). Image size: 9 7/16 x 13 3/16 in. (240 x 335 mm).Lot Note(s): Signed in pencil, lower right; signed in the plate, upper left. Edition unknown. Cream wove paper. Wide margins. Fine impression. Very good to fine condition. Provenance: Private collection, Santa Barbara, California. Comment(s): Andrew Newell Wyeth was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He is one of the best-known U.S. artists of the middle 20th century. In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. One of the best-known images in 20th-century American art is his painting, "Christina's World," currently in the collection of the Museum of Modern Art in New York City. [28308-3-300]

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Stanford Auctioneers
Lot 873

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Stretcher Frame [Irving Blum Gallery]". Medium: Original color silkscreen. Date: Composed 1968. Dimensions: Overall size: 12 5/16 x 9 1/8 in. (313 x 232 mm). Image size: 8 3/16 x 8 in. (208 x 203 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed very small. Light cream wove paper. Full margins. Fine impression. Overall condition good to very good; unobtrusive centerfold as issued (for mailing?); some marginal creasing in right margin; a few light spots verso, not visible recto. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Provenance: Estate of a private collector, Venice, California. Comment(s): This very rare and virtually unobtainable poster was issued for the Lichtenstein exhibition which opened at the storied Irving Blum (formerly Ferus) Gallery in Los Angeles, California on April 9, 1968. This poster is not in any of the standard catalogues raisonnes of Lichtenstein's work. Although the Archives of American Art at the Smithsonian has a total of 32 different Irving Blum and Ferus Gallery posters, it does not possess this poster. We were unable to locate any auction records of this poster in the past 25 years. Image copyright © Estate of Roy Lichtenstein. [26556-2-4000]

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Stanford Auctioneers
Lot 877

Artist: Al Hirschfield (American, 1903 - 2003). Title: "Stompin' at the Savoy [from the suite 'Harlem As Seen by Hirschfeld']". Medium: Original color lithograph. Date: Composed 1930s. Printed 1941. Dimensions: Overall size: 9 x 11 15/16 in. (229 x 303 mm).Lot Note(s): Signed in pencil, lower left; annotated "PP" in pencil, lower left; signed in the plate, lower righft. A printer's proof aside from the edition of 1,000. Cream laid handmade Canson & Montgolfier (Annonay, France) watermarked paper. Margins as issued. Fine impression. Fine condition. Provenance: Through Daniel W. Triggs, the executor of the estate of Frederick Triggs, Sr., the printer of the edition. Comment(s): Another signed impression of this lithograph sold for $920 at Swann Auction Galleries, New York City, 2/26/2004, lot #70. Many of the Hirschfeld's images in the Harlem suite have become iconic representations of the African-American experience in the 1930's and are often considered to be the artist's best work. Printed by the Triggs Color Printing Corporation, New York; published by The Hyperion Press, New York. Image copyright © The Al Hirschfeld Foundation, New York. [30059-2-600]

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Stanford Auctioneers
Lot 879

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Stepping Out [small version]". Medium: Color lithograph. Date: Composed c1987. Dimensions: Overall size: 22 1/2 x 16 1/4 in. (571 x 413 mm). Image size: 17 1/8 x 14 in. (435 x 356 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed small. Wove paper. Full margins. Fine impression. Very good condition. Literature/catalogue raisonne: cf. Doering/Von der Osten 33. Comment(s): Very rare in this small format. No auction records located. The medium format sold at auction at $7,138 (Millon & Associes, Paris, March 22, 2013, lot #252). This image was used for three posters, the large and medium versions being printed for the Castelli exhibition, the smaller for the Metropolitan Museum, the owner of the painting (the Lila Acheson Wallace Wing of the Metropolitan Museum of Art, permanently and exclusively devoted to 20th-century art, was inaugurated in 1987). Doering/Von der Osten states that "the poster was also printed in smaller format" by which he means the medium version, identical to the large version but smaller. In the left-hand section of the poster Lichtenstein interprets a figure by Fernand Leger. Image copyright © Estate of Roy Lichtenstein. [28313-4-1600]

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Stanford Auctioneers
Lot 883

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Statue of Liberty". Medium: Original offset lithograph. Date: Composed 1970. Dimensions: Overall size: 10 1/2 x 10 1/2 in. (267 x 267 mm).Lot Note(s): Signed in pencil, lower right. Edition unknown, presumed very small. Thin light cream wove paper. Full margins. Fine impression. Good condition. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Comment(s): A rare poster, very rare signed. No auction records located. For the exhibition "Roy Lichtenstein: Graphics, Reliefs & Sculpture 1969-1970" at the Art Gallery, University of California Irvine, October 27 to December 6, 1970. This exhibition commemorated the opening of the permanent Art Gallery at the UCI and included Lichtenstein's interpretations of Monet's serial Haystack and Cathedral images. It also included images that draw somewhat from the 1930's style "heads" by artists such as Alexi Jawlensky, of which Lichtenstein's 'Statue of Liberty' is one. Image © Estate of Roy Lichtenstein. [28799-2-1600]

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Stanford Auctioneers
Lot 890

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Sixieme Biennale de Peinture [Menton]". Medium: Color lithograph and collotype. Date: Composed 1966. Dimensions: Overall size: 27 x 18 1/8 in. (686 x 460 mm).Lot Note(s): Signed in pencil, lower right. From the edition of 2,000 with letters. Light cream wove paper. Wide margins. Fine impression. Very good to fine condition; traces of printer's ink, lower margin. Literature/catalogue raisonne: Czwiklitzer 243 (1970 ed.); Czwiklitzer 284 (1981 ed.); Rodrigo 156. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Image copyright © Artists Rights Society (ARS), New York. [26993-5-800]

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Stanford Auctioneers
Lot 894

Artist: Alberto Magnelli (Italian, 1888 - 1971). Title: "Signora con Ombrello". Medium: Watercolor and pencil drawing. Date: Composed c1952. Dimensions: Overall size: 13 3/4 x 9 1/4 in. (349 x 235 mm). Image size: 13 3/8 x 8 1/16 in. (340 x 205 mm).Lot Note(s): Signed in pencil, lower right. Light cream wove paper. Good condition; a few creases lower part of sheet. Provenance: Estate of a private collector, Grasse, France. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [27000-2-800]

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Stanford Auctioneers
Lot 935

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Roommates ["Nudes" series]". Medium: Color relief print. Date: Composed 1994. Printed 1994. Dimensions: Overall size: 8 3/4 x 7 in. (222 x 178 mm).Lot Note(s): Signed in pencil, lower right. Edition of 500. Very light cream smooth sturdy wove paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: See Corlett 282 for the full-size limited edition relief print. Comment(s): Published in 1994 by Tyler Graphics, who printed and distributed the full-size limited edition relief print. Image copyright © Estate of Roy Lichtenstein. [26201-1-600]

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Stanford Auctioneers
Lot 961

Artist: Joseph Beuys (German, 1921 - 1986). Title: "Radfahrer". Medium: Oil pencil drawing. Date: Composed 1972. Dimensions: Overall size: 9 7/8 x 13 3/4 in. (251 x 349 mm). Image size: 4 x 8 5/8 in. (102 x 219 mm).Lot Note(s): Signed lower right. Grey laid watermarked Ingres Fabriano paper. Very good condition; a few soft folds left side, well away from image; very minor paper abrasion left margin. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [26996-2-1600]

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Stanford Auctioneers
Lot 974

Artist: E(rnest) H(oward) Shepard (British, 1879 - 1976). Title: "Pooh and Piglet Look on …". Medium: Original color offset lithograph. Date: Printed 1957. Dimensions: Overall size: 14 1/4 x 11 1/16 in. (362 x 281 mm).Lot Note(s): Signed with the initials in pencil, lower right; signed in the plate, lower left. Edition unknown, presumed small. Light cream textured laid paper. Wide margins. Fine impression. Good to very good condition; a few dimples in the sheet; a few soft creases upper center and right; else very good. Comment(s): The lithograph illustrates a scene from “The World of Pooh.” The full title is : "Pooh and Piglet Look on As Eeyore Tries to Put the Balloon into the Pot." Image copyright © The Disney Corporation and Dutton Children's Books. [30098-3-400]

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Stanford Auctioneers
Lot 986

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Picasso: 156 Gravures Recentes [Galerie Louise Leiris]". Medium: Color offset lithograph. Date: Composed 1973. Dimensions: Overall size: 27 13/16 x 18 5/8 in. (706 x 473 mm). Image size: 19 5/8 x 14 1/8 in. (498 x 359 mm).Lot Note(s): Signed in pencil, lower right. Edition of 4,100. White wove paper. The full sheet. Fine impression. Good condition. Literature/catalogue raisonne: Czwiklitzer 450 (1981 ed.); Rodrigo 243. Comment(s): This is the last poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Printed by Mourlot, Paris. Image copyright © Artists Rights Society (ARS), New York. [26985-5-800]

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David Duggleby Auctioneers & Valuers
Lot 1028

Terrence Macklin (20th/21st Century): 'Hillside Hounds', limited edition coloured lithograph signed and numbered 156/850 in pencil 42cm x 59cm and two other foxhound prints (3) - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1037

Douglas Anderson (British 1934-): Female Nude Studies, three (one verso) pencil and coloured chalk drawings signed and dated 1965, 56cm x 37cm (2) - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1050

Charlie Downes (British Contemporary): 'Jugs and a Bowl with Daffodils', coloured etching with aquatint signed, titled and numbered 32/50 in pencil 22cm x 27cm - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1051

English School (Mid 20th century): Still Life Jug of Flowers, watercolour and pencil unsigned 36cm x 42cm in quality swept frame - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1056

After Neil Simone (British 1947-): 'Transformation' and 'Tree Route', pair limited edition colour prints signed, titled and numbered in pencil 57cm x 43cm (2) - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1057

Henry Wilkinson (British 1921-2011): Shooting Snipe, coloured drypoint etching signed and numbered 56/200 in pencil 27cm x 36cm - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1068

Gillian McDonald (British Contemporary): 'Western Isles I & II', pair limited edition prints signed, titled and numbered in pencil, inscribed verso 9cm x 41cm (2) - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1069A

D H (Mid 20th century): 'A collection of watercolours, pencil and brown wash sketches of Whitby, the harbour, coastal scenes and it's environs', 40 page album titled monogrammed and dated 1954 on frontispiece 22cm x 27cm overall - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1087

Henry Barlow Carter (British 1804-1868): The Artist's Cabin whilst serving in the Navy, pencil sketch unsigned 9cm x 12cm Provenance: with Abbey Galleries Whitby, attributed by the artist's son Henry Vandyke Carter, label verso - Condition Report

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David Duggleby Auctioneers & Valuers
Lot 1095

Douglas Ian Smart (British 1879-1970): 'Limoges', drypoint etching signed in pencil, titled verso on gallery label, and another coastal etching signed Walter Towers, max (2) - Condition Report

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Ryedale Auctioneers
Lot 111

Robert Hardie Condie (1898-1981) 'Kirk in The Glen & Winter Glen' woodcut engravings as Christmas Cards inscribed 'Robert & Margaret Condie to you all' another 'Winter Garden', all signed and titled in pencil (14cm x 16cm) (3)

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Ryedale Auctioneers
Lot 459

Gold plated bracelet, propelling pencil in gift box, Acme Girl Guide whistle and a Hudson & Co "The Metropolitan" whistle (5)

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Ryedale Auctioneers
Lot 473

Robert E Fuller, "Just Checking" and "Leopard On The Lookout", limited edition photographs 150/850 and 89/850 signed in pencil (30cm x 45cm) (2)

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Ryedale Auctioneers
Lot 59

Sheaffer fountain pen with 14ct gold nib, school desktop pencil sharpener, a quantity of microscopic glass circles in boxes, cutters for graphics and other nibs in boxes, bottle of Pelikan ink in original box, other items of interest in one box

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Arthur Johnson & Sons Auctioneers
Lot 22

Two Tribal studies, pencil, signed, 19 X 26cms

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Willingham Auctions
Lot 305

Sir Charles D'Oyly (1781-1845) attributed, 'Jalpaiguri, India, river scene with fishermen in a boat', watercolour 24cm x 32cm, inscribed in pencil, frame size 40cm x 47cm, picture in good condition with some restoration to frame

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Willingham Auctions
Lot 306

Sir David Young Cameron R.A, R.S.A (Scottish 1865-1945) Lithograph 'Stirling Castle', 29cm x 45cm, frame size 44cm x 59cm, pencil signed to margin in generally good condition

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Willingham Auctions
Lot 308

Henry Thomas Alken (1785-1851), pencil and watercolour drawing 'Coursing with two hounds chasing a rabbit with huntsmen on horseback', 15cm x 24cm, frame size 36cm x 45cm, in good condition

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Willingham Auctions
Lot 747

A yellow gold watch chain tests to approx 18ct, 25cm long, approx 21.3 grams, and a yellow gold bar pencil, approx 9ct and approx 7 grams, wear to all with no hallmarks

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Willingham Auctions
Lot 757

A French 18ct yellow gold propelling fob pencil, 4cm closed, approx 6.3 grams in generally good condition

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John Nicholson's
Lot 394

Three Rusell Flint colour prints, two signed in pencil.

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John Nicholson's
Lot 465

Carel Weight, Royal Academy of Arts Summer Exhibition 1990 poster, homage to Claude Monet, pencil signed.

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Trevanion & Dean
Lot 394

Stanley Anderson C.B.E., R.A. (1884-1966), Etching on paper, Boaters by a riverside ruin, Signed in pencil lower right margin, FATG blind stamp lower left margin, 30cm x 38.54cm, Framed, With after Mose Bianchi (Italian 1840-1904), Etching on paper, 'Pifferaio', Unsigned, titled and numbered '9/80' to lower margin, 17cm x 12.5cm, Framed and glazed (2)

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Trevanion & Dean
Lot 41

A selection of silver tableware and accessories, to include a small Victorian silver bon-bon dish by G E Walton & Co Ltd, Birmingham 1896, 12cm x 8.5cm, a silver 'Little Miss Muffet' child's spoon by Levi & Salaman, Birmingham 1918, 9cm long, a white metal nurses belt buckle, 8.2cm wide, a silver posy vase, a Celtic design silver pendant, a Victorian silver mechanical pencil by Sampson Mordan & Co, a further silver mechanical pencil, a silver toothpick, five silver handled mother of pearl fruit knives, and thirteen mother-of-pearl gaming counters in the form of fish (26)

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Trevanion & Dean
Lot 419

English school (19th century), Watercolour on paper, A collection of landscape, portrait, interior and architectural studies, with further pencil sketches and pen and ink sketches, One portrait signed 'A.H. Searle' and dated '1892', the rest unsigned, Various sizes (the largest 34.5cm x 48.5cm), All unframed (25)

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Trevanion & Dean
Lot 423

An album containing a collection of forty eight watercolour, ink and pencil sketches, early 20th century, comprising portraits and caricatures of people and animals apparently relating to 'Old Lea Hall' and Aberdovey in Gwynedd, Wales (Qty)

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Trevanion & Dean
Lot 432

Attributed to Joshua Ward (English school, late 19th/early 20th century), Pencil on paper, Portrait of Sir John Martin-Harvey as Sydney Carton in 'The Only Way', Unsigned, inscribed verso with artist's name and sitter, and dated 'c1910', 23cm diameter tondeau mount, Framed and glazed

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Trevanion & Dean
Lot 629

A mid 20th century leather attached case, opening to a fitted interior with a hallmarked silver catch, circa 1937, and a removable notepad on board, fitted with brass clasp locks and initials 'A.I.J' to exterior, 36cm W, along with a cased pair of 'Carl Zeiss Jena Deltrintem 8x30' binoculars, a silver propelling pencil and two pocket knives (5)

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Stanford Auctioneers
Lot 339

Artist: Lucian Freud (German/English, 1922-2011). Title: "Naked Girl Asleep II". Medium: Color offset lithograph. Date: Composed 1968. Printed 1996. Dimensions: Overall size: 9 5/16 x 9 1/8 in. (237 x 232 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29445-2-800]

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Stanford Auctioneers
Lot 344

Artist: Mary Cassatt (American, 1845 - 1926). Title: "Mother Nursing Her Child". Medium: Pencil drawing on paper. Date: Composed c1899. Dimensions: Overall size: 10 1/2 x 7 5/8 in. (267 x 194 mm).Lot Note(s): Signed lower right. Drawn on cream laid paper. Good to very good condition; deckle edges top and left edges; uneven lower edge; a few subtle fox marks recto; presents very well. Comment(s): Our example is a (the?) study for the drypoint print of the same name, published in 1899. The present drawing being offered in our auction is no longer under copyright and the image is in the public domain. [29938-2-6000]

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Stanford Auctioneers
Lot 366

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #02 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 II, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 13/16 x 9 11/16 in. (325 x 246 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper left. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30026-2-1600]

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Stanford Auctioneers
Lot 418

Artist: Georges Braque (French, 1882 - 1963). Title: "Le canard". Medium: Original hand-colored gouache pochoir on collotype. Date: Composed 1956. Printed 1959. Dimensions: Overall size: 7 1/4 x 9 5/16 in. (184 x 237 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated "H.C." in pencil, lower left. From the edition of 60 Hors Commerce impressions. Cream wove Arches paper. Full margins as issued. Fine impression with vivid colors. Fine condition. Provenance: From the library of the London gallerist and bookseller Anton Zwemmer (1892–1979), a publisher of the work. Comment(s): Authorized by and printed under the supervision and participation of Braque, four years before his death. Braque applied a complimentary signature to a number of H.C. impressions of this print. The auction record for a pochoir (“Nature morte”) of approximately the same size as our example is SF8,400 ($6,737) realized at Galerie Koller, Zurich, 6/23/2006, lot #Z20/3. A more recent sale (“Nature morte au citron”) at Swann Auction Galleries, New York City, 3/13/2018, lot #367, realized $4,250. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [30042-1-600]

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Stanford Auctioneers
Lot 440

Artist: James Rizzi (American, 1950-2011). Title: "Kiss - Kiss - Bang - Bang". Medium: Color silkscreen and lithograph. Date: Composed 1997. Dimensions: Overall size: 6 5/8 x 14 in. (168 x 356 mm). Image size: 4 x 11 5/8 in. (102 x 295 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27817-3-400]

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Stanford Auctioneers
Lot 445

Artist: James Rizzi (American, 1950-2011). Title: "Junk Yard". Medium: Color lithograph. Date: Composed 1995. Dimensions: Overall size: 14 3/4 x 9 5/8 in. (375 x 244 mm). Image size: 10 x 6 1/2 in. (254 x 165 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27802-3-400]

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Stanford Auctioneers
Lot 452

Artist: James Rizzi (American, 1950-2011). Title: "It Ain't Over Till It's Over". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 11 11/16 x 12 in. (297 x 305 mm). Image size: 8 1/2 x 9 in. (216 x 229 mm).Lot Note(s): Bears signature in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27791-3-400]

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Stanford Auctioneers
Lot 477

Artist: Karima Muyaes (Mexican, b.1960). Title: "Historia del Quijote". Medium: Etching with aquatint. Date: Composed c1980s. Dimensions: Overall size: 15 x 11 1/16 in. (381 x 281 mm). Image size: 13 3/4 x 9 5/8 in. (349 x 244 mm).Lot Note(s): Signed in pencil, lower right; titled in pencil, lower center; editioned in pencil, lower left. Very good to fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [19251-0-250]

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Stanford Auctioneers
Lot 497

Artist: Lucian Freud (German/English, 1922-2011). Title: "Girl in a Green Dress". Medium: Color offset lithograph. Date: Composed 1953. Printed 1996. Dimensions: Overall size: 10 1/16 x 9 1/16 in. (256 x 230 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29444-2-600]

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Stanford Auctioneers
Lot 514

Artist: Georges Braque (French, 1882 - 1963). Title: "Forme". Medium: Original hand-colored gouache pochoir on collotype. Date: Composed 1957. Printed 1959. Dimensions: Overall size: 7 1/4 x 9 5/16 in. (184 x 237 mm).Lot Note(s): Signed in pencil with the initials, lower right; annotated "H.C." in pencil, lower left. From the edition of 60 Hors Commerce impressions. Cream wove Arches paper. Full margins, as issued. Fine impression with vivid colors. Fine condition. Provenance: From the library of the London gallerist and bookseller Anton Zwemmer (1892–1979), a publisher of the work. Comment(s): Authorized by and printed under the supervision and participation of Braque, four years before his death. Braque applied a complimentary signature to a number of H.C. impressions of this print. The auction record for a pochoir (“Nature morte”) of approximately the same size as our example is SF8,400 ($6,737) realized at Galerie Koller, Zurich, 6/23/2006, lot #Z20/3. A more recent sale (“Nature morte au citron”) at Swann Auction Galleries, New York City, 3/13/2018, lot #367, realized $4,250. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [30038-1-700]

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