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Lot 1
Continental School Portrait of a lady wearing a double-row necklace Watercolour on ivory Oval 5.5 x 4.5cm In a gilt-metal brooch mount English School Portrait of a lady, half length, in profile, thought to be Margaret, daughter of Major Cook of Holthorpe Hall, Northamptonshire Pastel Oval 11 x 9cm and a pencil and watercolour portrait of Queen Mary
Lot 1
A collection of small silver and other items, comprising; a Victorian silver combined propelling pencil/four inch measure, the terminal with an intaglio crest, marked J. Bramah, London circa 1845 by William Jago, a silver pencil holder, Chester 1919 by S Mordan & Co, a posy holder with a leaf shaped clip, Birmingham 1979, a silver and mother of pearl mounted folding fruit knife, a silver mounted pocket knife, an American 'sterling' mounted scissors and a skewer, in a case with initials 'JD', a round pill box, and a tortoiseshell mounted lorgnette
Lot 1
Lund Bros. A gentleman's 18ct gold keyless lever hunting cased pocket chronometer, the white enamel dial with Roman numerals, subsidiary seconds dial, centre seconds with stop and reset button in the band, the dust cover with presentation inscription dated 1885, the movement with signed backplate numbered 4546, with attached curb-link chain and 18ct gold propelling pencil.
Lot 1
HATHERELL, W., illus. SHAKESPEARE, W. Romeo and Juliet. Hodder & Stoughton, n.d. Limited Edition de Luxe, No. 74 of 250 copies, signed by the artist in pencil. 4to., orig. vellum gilt, t.e.g. (lacks ties). 22 tipped in colour plates -- CLARKE, HARRY, illus. POE, EDGAR ALLAN. Tales of Mystery and Imagination, 1919. 4to., orig. cloth gilt, d.w. 24 black and white plates. With the Tempest, illus. by Dilac, n.d. (3)
Lot 1
BARRIE, Sir JAMES M. (1860-1937). 10 A.Ls.S. to Lucy Clifford, from Black Lake Cottage, Nr Farnham; Adelphi Terrace House, and Stanway, Glos. 15pp., 8 vo., (one in pencil), 1906-26, with 3 envelopes. The correspondence began after Lucy sent her Anyhow Stories to Barrie, "I kept coming across things that I shall never forget and that also made me sigh for not haveing thought of them myself". Thereafter, he commented on her plays, and in 1920 says she may quote his opinion to Frederic Harrison (10)
Lot 1
SHAW, GEORGE BERNARD. (1856-1950). Two A.Ls.S. to Lucy Clifford, from Oakwood Park Hotel, Conway, North Wales, 19th (in pencil) and 22nd April 1928. 1 ½ pp., 4to., and 1 1/2 pp. 8vo. With envelopes. He writes about her play A Woman Alone, “It is really a horrible play; for it represents a woman as relapsing abjectly into Victorianism after a struggle to extricate herself which consists of applying the ultra-Victorian rule for emancipation: quarrel with your husband…” He refers to her husband, “Of course W.K.C. was cleverer than you. But he was actually cleverer than ME – cleverer than anyone you know except Einstein”. Two splendidly forthright letters (2)
Lot 1
A VICTORIAN PENCIL The faceted octagonal sleeve with bright cut slide and terminal set with a seal, by Sampson Mordan and Co, Birmingham, 1897, 10cm., cased; with another, combined pen and pencil, the hexagonal body with bright cut decoration, apparently unmarked but probably by the same maker, 11cm., cased (2)
Lot 1
HERBERT THOMAS DICKSEE (1862-1942) HEAD OF A BLOODHOUND Etching, printed with tone, on cream wove, published by Frost and Reed, 1921, with blindstamp, signed in pencil Image 37.5cm. diam.; Plate 43 x 41cm. ++ A strong impression; generally very good condition; small repair in margin lower centre
Lot 1
AFTER LIONEL EDWARDS (1878-1966) HUNTING COUNTRIES: THE WARWICKSHIRE Colour reproduction, published by Eyre and Spootiswoode, with blindstamp, signed in pencil 32.5 x 49.5cm.; with "The Dauntsey Vale", after Edwards, with blindstamp, signed in pencil, 29.5 x 49cm. (2) ++ Each discoloured to yellow/grey/green.
Lot 1
A GROUP OF FOUR DRAWINGS to comprise a red chalk head study in the manner of Andrea del Sarto (ex.coll.J. Erxlebon); a pencil and brushpoint sketch of a coaching scene attributed to Charles Cooper Henderson; a drawing of a tomb in the circle of Louis Haghe; and a watercolour scene in Ohaus in the style of William Callow The largest 26.5 x 32.5cm. (4) ++ Each with some foxing; mixed condition
Lot 1
ATTRIBUTED TO THE ROYAL VICTORIA GALLERY, Circa 1840-1850 PORTRAIT GROUP OF SAMUEL & BENNET WHITAKER, WITH ALFRED & EMILY AGNES WHITAKER AND MRS ANN LORD Cut paper silhouette, bronzed, upon a pencil and grey wash background 35 x 46.5cm. See also lot 1513 ++ Some pale foxing and light staining in background; rosewood frame by G. Perfect of Derby
Lot 1
JOHN STANESBY (Fl.c.1850) PORTRAITS OF EMILY AGNES WHITAKER; and of ALFRED WHITAKER A pair, each depicted half length wearing dresses, initialled and dated (Oct 6) 1850, signed and inscribed on the backpaper, watercolour and pencil vignettes Each 22 x 16.5cm.; with a bronzed silhouette portrait of a lady, c.1840-1850; and an etching by T. Richardson of Derby. (4)++ Some foxing and paper discoloration
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296963 item(s)/page