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STANLEY DOBBIN (1932-2021); limited edition woodcut, Penhale Farm, signed, numbered 1/12 and titled in pencil, 42cm x 58cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodblock, “Fishing Boat”, signed and titled in pencil, 40cm x 40cm, glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Falmouth Dockyard”, signed and titled in pencil, 58cm x 48cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021): artist proof woodcut, "Nude with Two Flags", signed and titled in pencil 50cm x 60cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Apple Tree and House”, signed and titled in pencil, 40cm x 40cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Glyndyfrwdwy Station” (Glyndyfdwy), signed and titled in pencil, 58cm x 45cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Clay Tips Pen Gale”, signed and titled in pencil, 48cm x 58cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Seated Nude with Mirror”, signed and dated in pencil, 45cm x 40cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “St George Reform, Portland”, signed and titled in pencil, 59cm x 45cm, framed and glazed (Perspex cracked). (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Green Bank Terrace Falmouth”, signed and titled in pencil, 47cm x 57cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Girls Head I”, signed and titled in pencil, 45cm x 40cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Bridge and Fishing Vessel”, signed and titled in pencil, 45cm x 71cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Harbour Instillations Garlieston”, signed and titled in pencil, 42cm x 40xm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Maggie’s View”, signed and titled in pencil, 45cm x 70cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “HMS Warrior”, signed and titled in pencil, 50cm x 63cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Fowey Docks”, signed and titled in pencil, 28cm x 48cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Reclining Nude on the Sofa”, signed and titled in pencil, 60cm x 53cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Steam Crane and Dredger, Gloucester Docks”, signed and titled in pencil, 47cm x 57cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodblock, “Starry Night”, signed and titled in pencil, 39cm x 56cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, “Portrait (L.W.)”, signed and titled in pencil, 50cm x 48cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof etching, "Station", signed and titled in pencil, 23cm x 29cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof etching, "Buildwas Station", signed and titled in pencil, 50cm x 74cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); screen print, unique print, 'Destruction of Job's Sons', titled and signed in pencil, 54.5 x 41.5cm, with five unsigned versions of the same screen print (6). (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); a collection of thirteen wood block illustrations from Clay Cuts, comprising 'Clay Workings St Austell', 'Crane and Harbour Entrance, Charlestown', 'Loading China Clay, Charlestown', 'Harbour Derrick, Charlestown' and 'Cottages and Harbour, Charlestown', each titled and signed in pencil and numbered A/P, with seven other illustrations, titled in pencil to the edge of the paper only, and a further illustration from the book, unsigned, largest overall size 59 x 48cm. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.orgFive of the images are signed artists proofs and seven are not signed but have the title at the edge of the paper.
STANLEY DOBBIN (1932-2021); limited edition woodblock print, 'Lady with a Big Hat 2', 6/12, signed and titled in pencil, 54 x 40cm, with seven artist proof woodblock prints, 'Kirkbeam I', 'Near Portling', 'Sea & Clouds Glenthorne', 'Pine Trees and Terrace Glenthorne', 'House and Sugar Glenthorne', 'Kitchen Garden Glenthorne' and 'The Kitchen' (8). (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof print, 'Strangeways', signed and titled in pencil, 42 x 41.5cm, with a further artist proof print, 'Fishing Boats I', and two signed artist proof prints of views in Florence (4). (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); a collection of nine artist proof prints comprising 'Greenhouses Glenthorne', The Moat of Mark II', 'The Moat of Mark III', 'Water Garden II Glenthorne', 'Water Garden I Glenthorne', 'Trees in the Avenue', 'Cliff I Glenthorne', 'Window Kippford and 'Kitchen Garden Glenthorne', all signed and titled in pencil, the largest 45 x 39.5cm, all unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); screen print, 'Household Goods II', 1/2, 41 x 56cm, signed and titled in pencil, unframed, with another limited edition silk screen print, 'Rebecca at the Well', 1/3, a further silk screen, 'The Sacrifice of Abraham', 1/3, with three further signed prints by the artist and a design for one of the prints (7). (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof etching, "Rail Motor No.36 at Halesowen", signed and titled in pencil, 30cm x 45cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof etching, "GWR Diesel Rail-Car", signed and titled in pencil, 30cm x 45cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof etching, 'Bristol to Plymouth', signed and titled in pencil, 45 x 49cm, with two further Stanley Dobbin prints, one of the vertical boiler, the other of an engine, unframed (3). (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodblock, 'Marple Viaduct', signed and titled in pencil, 44 x 44cm, with a further Stanley Dobbin etching of a water tank, 30 x 30cm, both unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); limited edition woodcut, “Falmouth Dockyard III”, signed, numbered 3/12 and titled in pencil, 57cm x 47cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, "Crosses S.Marco", signed and titled in pencil, glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof etching, "61 At Bray", signed and titled in pencil. 30cm x 35cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, "Portrait R", signed and titled in pencil, 46cm x 57cm, framed and glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, "City Gate Florence", signed and titled in pencil, 15.5cm x 13cm, glazed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
STANLEY DOBBIN (1932-2021); artist proof woodcut, "Harbour Port Patrick", signed and titled in pencil, 48cm x 58cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
SAM RABIN (1903-1991); pencil drawing, figure study, signed, 28 x 11.5cm, framed and glazed and two further unsigned works by the same artist (3). (D)PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
SAM RABIN (1903-1991); pencil drawing, female figure seated, signed, 16.5 x 13cm, and three further works by the same artist, all framed and glazed (4). (D)PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
ATTRIBUTED TO ADOLPHE VALETTE; pencil drawing on buff paper, female nude, bears monogrammed initials lower right, 40.5 x 25.5cm, and a further drawing attributed to the same artist, both mounted but unframed (2).PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional Information
WALTER RICHARD SICKERT RA RBA (1860-1942); pencil study, female figure kneeling, signed 28 x 22cm, framed and glazed.PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThe Brian Morley collection is a deceased estate and the art collection has been offered to us by a local solicitor. The paper is stained and there are creases/folds. There are losses/large area of damage to the top right, foxing. We cannot tell if the tear is taped at the back as it is framed.
ATTRIBUTED TO IVOR ROBERTS-JONES (1913-1996); pencil drawing, study of a young man, unsigned 21.5 x 26cm, framed and glazed. (D)PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
POLLYANNA PICKERING; gouache, stork and chick upon a nest, signed, further signed and dated 7 July 1991 with artist biographical detail verso, 60.5 x 33cm, framed and glazed. (D)Additional InformationThe mount should perhaps be larger than it is because there are pencil notes with an arrow from the top and a mark from the right indicating that the mount should cover the top two inches and the right half inch of the image. General surface wear to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
CELIA WARD; pencil sketch with some colour, study of a young lady wearing a dress, signed and dated Oct '84 and inscribed on J.S. Maas & Co Ltd of London label verso, 29 x 20cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
IN THE MANNER ADOLPHE VALETTE; pencil study, female nude, unsigned, inscribed verso, 25 x 21cm, framed and glazed.PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.
KITAJ; pencil study, female nude, signed, 42.5 x 22.5cm, framed, also Hall Thorpe; coloured wood cut, study of flowers, signed 16.5 x 15cm, framed and glazed (2).PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationStaining to the paper, rips, there is a large rip to the mid right hand side which goes up the image approx. 7cm long, numerous folds, creases, staining, the glass is missing from the frame and the image size is approx. 43 x 23cm.

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296952 item(s)/page