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Lot 206

*Claude Francis Barry (1883-1970), 'THE CHATEAU GAILLARD' Etching and aquatint, signed and inscribed with the title in pencil 55 x 58cm Exhibited: United Society of Artists, Paris Salon, 1952. Barry studied art at St Ives and Newlyn in Cornwall with Stanhope Forbes between 1940 and 1945, and he was also a pupil of Sir Alfred East and Sir Frank Brangwyn. He lived at Val Plaisant in Jersey from 1945 until his death in 1970. *Artist's Resale Right may apply to this lot.

Lot 222

*Arthur Gerald Ackermann (1876-1960), 'MALDON' Signed l.r., watercolour 24 x 35cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Pencil marks visible in sky. Some light browning around edges. Not viewed out of frame.

Lot 241

*Leonard Russell Squirrell (1893-1979), A COUNTRY HOUSE WITH CHILDREN BY A POND Signed and dated 1949 l.l., watercolour over pencil 28 x 43cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: No visible problem to the image.

Lot 242

*Leonard Russell Squirrell (1893-1979), 'AUTUMN AFTERNOON, ORFORD' Signed and dated '58 l.l., watercolour over pencil 33 x 48.5cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Minor spots to the sky on the image. Frame is loose, titled to mount.

Lot 243

Cecil Aldin (1870-1935), THE GEORGE INN, SALISBURY Signed l.l., pencil and coloured chalk 37.5 x 31.5cm

Lot 244

Cecil Aldin (1870-1935), A COACHING INN Signed l.l., pencil and coloured chalk 37.5 x 31.5cm

Lot 245

William J Urquhart (fl.1870-1905), A SEATED WOMAN Signed with monogram, and dated May 98, pencil 41 x 26cm Provenance: with William Drummond, 1996. Apparently drawn in Chelsea before his departure for Switzerland where he lived in Davos.

Lot 248

James Lobley (1829-1888), A PROTECTIVE HAND Signed l.l., watercolour and bodycolour over pencil 64 x 43cm

Lot 371

*Orovida Pissarro (French 1893-1968), 'STAMPEDE' Etching, signed, inscribed with title, dated 1930, and numbered 3/50 in pencil 17.5 x 27.5cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Browning to the paper and mount. Vertical reppling to the paper. Not viewed out of frame.

Lot 372

*Orovida Pissarro (French 1893-1968), 'CAT AND MOUSE' Etching, signed, inscribed with title and dated 1948 in pencil 31 x 18.5cm *Artist's Resale Right may apply to this lot.

Lot 584

A pair of mahogany washstands, first half of the 19th century, by Gillows of Lancaster, stamped with the maker's name in large letters, each with a pair of narrow end drawers, on gadrooned turned legs with brass castors, one top with pencil drawings by the cabinetmaker, 104cm wide 64cm deep 71cm high (2) CONDITION REPORT: No tops. One stand with poor surface. Deteriorated polish. Both a little worn - please view images. 1. Damage to handles and missing one handle. Waterstaining and discolouration. Loose moulding and chips to veneer. Generally more distressed than the second washstand. 2. Has small loss to one of the small drawers.

Lot 10

Mempes, Mortimer CECIL RHODES: THREE VIEWS n.p.: n.p., 1900 30 by 25cm Portrait of Rhodes seated and two other studies of Rhodes (head and head and shoulders to the right of the portrait) Mounted black and white etching. Signed by Mempes in pencil in the border of the portrait. 0 1

Lot 11

Unknown THE ABANDONMENT OF POST VICTORIA n.p.: Post Victoria, 1846 54 by 23cm A most unusual panoramic view of Post Victoria showing wagons, soldiers, gun batteries and levies etc on the occasion of its abandonment during the War of the Axe (7th Frontier [or Kaffir] War). This was the first post to be occupied within the Ceded Territory. Its construction began in October 1843, but was found to be strategically useless. It was abandoned in April 1846 in favour of a better position north of Block Drift across the Tyhume River. This was later to be where Fort Hare was erected. Unframed watercolour/pencil sketch in cut out ruled mount on white paper. Original art works of the period are extremely rare and seldom offered for sale as they reside in collections or Museums and Libraries. Dated and inscribed as follows: "The Evacuation of Post Victoria on the 17th May, 1846, Kafirland". 0 1

Lot 69

Lucas, Capt. T. J. PEN AND PENCIL REMINISCENCES OF A CAMPAIGN IN SOUTH AFRICA London: Day & Son, 1861 first edition 4to 21 coloured lithographs Blindstamped pictorial cloth with lettering and figure of Xhosa Warrior. Gilt edges. Initial foxing but otherwise a good copy. Bookplate of Morris J. Cohen. 0 1

Lot 273

Dikgwele Paul Molete 4 WEEKS; MURDER III; MURDER IV; REUNION; CONSTITUTIONALISED MURDER, five in the lot linocuts, each signed, dated `08, and numbered 2/5 in pencil in the margins 5 sheet size (each approximately): 98 by 70cm not laid down, all in good general condition

Lot 274

Dikgwele Paul Molete JUSTIFIED ANGER OUGHT TO BE LEFT TO THOSE BETTER QUALIFIED TO HANDLE IT; SUBSTANCE ABUSE (MARTYR); TRAIN TO DUBLIN; CHASED AWAY...; THERE`S A MAN IN EVERY WOMAN AND A WOMAN IN EVERY MAN; EMOTIONAL INSECURITY, six in the lot etchings printed in colours with aquatint, each signed, dated 07, inscribed with the titles and numbered 9/15 in pencil in the margins 6 sheet size (each approximately): 45 by 34cm not laid down, good general condition

Lot 300

Robert Griffiths Hodgins LADY ON ARMCHAIR handcoloured etching, signed, dated 89/91, numbered AP and inscribed with the title in pencil in the margin 1 sheet size: 38 by 32cm not viewed out of the frame, minor cockling, otherwise good general condition

Lot 308

Pippa Ann Skotnes UNTITLED etching, signed, dated 1987 and numbered 4/12 in pencil in the margin 1 sheet size: 74 by 56cm not laid down, creasing to the bottom area, otherwise good general condition

Lot 309

Diane Victor WORLD WITHIN A WORLD etching, signed, dated 1986 and numbered 4/10 in pencil in the margin 1 sheet size: 42 by 25cm not viewed out of the frame, minor cockling, otherwise good general condition

Lot 310

Deborah Margaret Bell EVERY WORD IS A LIE etching, titled in the plate, signed, dated 91 and numbered 26/45 in pencil in the margin 1 sheet size: 30 by 39cm not viewed out of the frame, cockling, otherwise good general condition

Lot 312

Robert Griffiths Hodgins TWO FIGURES unsigned watercolour over pencil on paper 1 18 by 25cm not viewed out of the frame, good general condition

Lot 319

Conrad Botes UNTITLED etching, signed and numbered 7/10 in pencil in the margin 1 sheet size: 33 by 23cm not viewed out of the frame, good general condition

Lot 334

John Ndevasia Muafangejo JOHN MOTHER WAS DIED (sic) linocut, signed, dated 1980 and numbered 19/100 in pencil in the margin Levinson, O, I was Lonelyness - The complete graphic works of John Muafangejo, A catalogue Raisonne 1968 - 1987, 1992, Struik Publishers: Cape Town, illustrated on p 174 1 sheet size: 45 by 36cm not viewed out of the frame, fishmoth damage in areas, oxidisation to all margins, cockling, creasing in areas, otherwise good general condition

Lot 340

Paul Stopforth OPENING NIGHT screenprint in colours, signed, dated 87 and numbered 39/100 in pencil in the margin 1 sheet size: 40 by 60cm good general condition, not viewed out of frame

Lot 379

Diane Victor THE BOAT OF CHARON etching, signed, dated 1986 and numbered 2/10 in pencil in the margin From the collection of Graham Flax 1 sheet size: 48 by 97cm staining to bottom and right margins, cockling, otherwise good general condition, not viewed out of the frame

Lot 384

William Joseph Kentridge NINE TYPEWRITERS nine linocuts printed on non-archival pages from the Shorter Oxford English Dictionary, signed and numbered printer`s proof 2/2 in pencil in the margin 1 sheet size: 109 by 146cm not laid down, good general condition

Lot 446

Irma Stern STILL LIFE WITH RED HOT POKERS IN A COPPER POT signed, dated 1910, and inscribed with a personal message from the artist watercolour over pencil on paper 0 1 41 by 37,5cm two small pinholes to each of the top corners, minor cockling, creasing in areas, otherwise good general condition

Lot 451

Jacob Hendrik Pierneef PLAASHUIS signed and dated 19 watercolour over pencil on paper 0 1 14 by 19cm

Lot 470

Walter Whall Battiss LIMPOPO BELOW BEIT BRIDGE; SAND RIVER, two in the lot both signed with the artist`s initials and inscribed with the title, dated Sunday 28 Sept 52 and dated 29.9.52 respectively watercolour over pencil on paper 1 each approximately: 18 by 21,5cm paper oxidisation throughout, two punch holes to the top margin of both, otherwise both are in good general condition

Lot 471

Walter Whall Battiss INVENTION OF WALKING FEATHERS serigraph, signed, numbered 10/30 and inscribed with the title in pencil in the margin 1 sheet size: 43 by 67cm

Lot 496

Cecil Edwin Frans Skotnes STATIONS OF THE CROSS, fourteen in the lot woodcuts, each signed, dated 83, inscribed with the title and numbered 1/6 in pencil in the margins 14 sheet size (each approximately): 34 by 45cm good general condition, full report by Ekkehard Hans available on request

Lot 497

Cecil Edwin Frans Skotnes WHITE MONDAY DISASTER a portfolio of thirteen woodcuts by Cecil Skotnes with text by Stephen Gray, 1975, with titlepage and preface, edition limited to 125 copies and 25 artist proofs, this set numbered 27/125, each woodcut signed and dated 75 in pencil in the margin, the title-page signed by the artist and poet, in an original linen portfolio cover 1 sheet size (each approximately): 56 by 73,5cm surface dirt, otherwise good general condition

Lot 519

Cyprian Mpho Shilakoe VAGABONDS etching, signed and inscribed with the title in pencil in the margin 1 sheet size: 40 by 28cm, unframed not laid down, good general condition

Lot 520

Cyprian Mpho Shilakoe WE ARE LEAVING etching, signed, dated 1969, inscribed with the title and numbered 33/35 in pencil in the margin 1 sheet size: 51 by 34cm, unframed not laid down, good general condition

Lot 530

Jabulane Sam Nhlengethwa A HOTEL IN RANDFONTEIN; THE GREY DOOR; THE RED WALL; MY GRANDMOTHER`S KITCHEN IN THE `60s; THE BLUE FRAME, five in the lot lithographs printed in colours, all signed, dated `98, inscribed with the titles and numbered 34/50, 33/50, 12/50, 18/50, 20/50 respectively in pencil in the margins 5 sheet size (each approximately): 50 by 65cm all not laid down, minor cockling to all, otherwise all in good general condition

Lot 531

Jabulane Sam Nhlengethwa TEAM LEADERS I; MAINTENANCE, two in the lot lithographs printed in colours, both signed, dated `96, inscribed with the titles, numbered 26/30 and 19/30 respectively in pencil in the margins 0 2 sheet size (each approximately): 57 by 76cm both not laid down, both with minor cockling, otherwise both in good general condition

Lot 13

GEORGE ROBERTSON (Contemporary), 'Sofia Loren', print, signed lower right in pencil, numbered 18/250, 53cm x 53cm, framed.

Lot 53

HENRI MATISSE (French, 1869-1954), 'Emma L. Masque', original etching on China appliqué paper supported on velin arches paper, 28cm x 19cm, signed in pencil, numbered 12/15, framed. (Please Note Clause 6 of Buyer's Conditions)

Lot 125

GEORGE ROBERTSON (Contemporary), 'David Bowie', print, signed lower right in pencil, numbered 16/250, 53cm x 53cm, framed.

Lot 247

John Paige 'Welsh Black Bull' limited edition screen print no. 5/14, signed and inscribed in pencil, 55 x 38.5 cm CONDITION REPORT: some all over discolouration

Lot 267

Anthony Green, (b. 1939) 'Resurrection - The Creator', signed in pencil and dated '00, artist's proof, colour lithograph, 72 x 107 cm

Lot 268

Mary Batchelor (20th century) 'Spring Colours Islay', signed in pencil, Ltd. Edn. 26/195, and another after the same hand, unframed CONDITION REPORT: good condition

Lot 438

SILVER HIP FLASK SHEFFIELD 1901-2, NAPKIN RING BIRHM 1954-55 & SILVER PENCIL HOLDER INSCRIBED Q.Q.I.M.N.S. A/F

Lot 37

Manner of Joan Eardley, portrait of a girl, pencil and watercolour, framed

Lot 44

A. Margetson, pair of boat scenes, pencil and watercolour, framed

Lot 894

A Victorian silver pencil, Birmingham 1900, one other pencil, a/f, and a Victorian pocket knife

Lot 904

A silver and enamel pencil, a/f, a silver pencil holder and one other pencil

Lot 2014

TOM WESSELMANN [US 1936-2004], SILKSCREEN, 1993, H 49", W 47", "STILL LIFE WITH LIZ": no.58/90; pencil signed; published by International Images; framed.

Lot 2015

SAM FRANCIS [US 1923-1994], AQUATINT, H 12", W 36" IMAGE, "S.F.E. no.119": no.14/20; pencil signed; 12" x 35 3/4" image; 23" x 46" paper.

Lot 2016

KEITH HARING [US 1958-19990], COLOR LITHOGRAPH, 1988, H 37", W 37", "APOCALYPSE MONA LISA": no.36/90; pencil signed; c. 37 1/2" x 37 1/2" image and paper; floated in the frame.

Lot 2017

ALEX KATZ [US B. 1927], COLOR LITHOGRAPH, H 29", W 66", "FOREST": Size is image and paper; no.5/12; pencil signed; floated in the frame.

Lot 2018

JOAN MIRO [SPANISH 1893-1983], COLOR LITHOGRAPH, 1975, H 20", W 15", "SAN LAZARRO ET SES AMIS": Also known by the title, "Homage to the Founder"; 20" x 15 1/2"; pencil signed; no.28/60; framed.

Lot 2019

NANCY GRAVES [US 1940-1995], LITHOGRAPH WITH COLLAGE, 1990, H 38", W 78", "STUCK, THE FLIES BUZZED": no.13/68; pencil signed; 38 1/2"x 78 1/2" image; 47" x 90 1/2" paper; floated in the frame.

Lot 2021

DAVID HOCKNEY [BRITISH B. 1937], COLOR LITHOGRAPH, 1993, H 21", W 30" IMAGE, "PUSHING UP": From the suite, "Some More New Prints"; no.52/68; pencil signed; 25 1/2" x 34" Arches 88 paper; framed.

Lot 2023

CHARLES FAZZINO [US B. 1955], MULTILAYERED 3-DIMENSIONAL CONSTRUCTION, H 31", W 38", NEW YORK CITY: no.171/400; pencil signed; framed.

Lot 2024

FRANK STELLA [US B. 1936], ETCHING & AQUATINT, 1994, H 46", W 32" "IMAGINARY PLACES RIALLARO": In black & white; size is image and paper; no.13/20; pencil signed and dated inside the image; published by Tyler Graphics; floated in the frame.

Lot 2026

CLAES OLDENBURG [US B. 1929], LITHO & EMBOSSING, H 28" W 20", "PERFUME BOTTLE & ATOMIZER ON ANTIQUE: Size is image; no.24/37; pencil signed; 38 1/2" x 27" paper; 1998; floated in the frame.

Lot 2028

DAVID SALLE [US B. 1952], COLOR LITHOGRAPH & WOODCUT, 1990, H 51", W 41", "PINK LIFESAVER": Size is image and paper; no.24/30; pencil signed; floated in the frame.

Lot 2032

ANDREW WYETH, COLLOTYPE H 27" W 32" JACKLIGHT: no.183/300. pencil signed. Size is paper only. Andrew Wyeth was the Poet Laureate of the United States, the highest honor a living artist can receive. Wyeth was also honored twice by American presidents. Andrew Wyeth passed away on January 15, 2009

Lot 2233

AFTER NORMAN NORMAN ROCKWELL [AMERICAN 1894-1978], COLOR LITHOGRAPH, H 16", W 20" IMAGE, "SCHOOLWALK": Pencil signed; no.42/200; framed. From Princess Fine Arts.

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