*Claude Francis Barry (1883-1970), 'THE CHATEAU GAILLARD' Etching and aquatint, signed and inscribed with the title in pencil 55 x 58cm Exhibited: United Society of Artists, Paris Salon, 1952. Barry studied art at St Ives and Newlyn in Cornwall with Stanhope Forbes between 1940 and 1945, and he was also a pupil of Sir Alfred East and Sir Frank Brangwyn. He lived at Val Plaisant in Jersey from 1945 until his death in 1970. *Artist's Resale Right may apply to this lot.
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*Orovida Pissarro (French 1893-1968), 'STAMPEDE' Etching, signed, inscribed with title, dated 1930, and numbered 3/50 in pencil 17.5 x 27.5cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Browning to the paper and mount. Vertical reppling to the paper. Not viewed out of frame.
A pair of mahogany washstands, first half of the 19th century, by Gillows of Lancaster, stamped with the maker's name in large letters, each with a pair of narrow end drawers, on gadrooned turned legs with brass castors, one top with pencil drawings by the cabinetmaker, 104cm wide 64cm deep 71cm high (2) CONDITION REPORT: No tops. One stand with poor surface. Deteriorated polish. Both a little worn - please view images. 1. Damage to handles and missing one handle. Waterstaining and discolouration. Loose moulding and chips to veneer. Generally more distressed than the second washstand. 2. Has small loss to one of the small drawers.
Unknown THE ABANDONMENT OF POST VICTORIA n.p.: Post Victoria, 1846 54 by 23cm A most unusual panoramic view of Post Victoria showing wagons, soldiers, gun batteries and levies etc on the occasion of its abandonment during the War of the Axe (7th Frontier [or Kaffir] War). This was the first post to be occupied within the Ceded Territory. Its construction began in October 1843, but was found to be strategically useless. It was abandoned in April 1846 in favour of a better position north of Block Drift across the Tyhume River. This was later to be where Fort Hare was erected. Unframed watercolour/pencil sketch in cut out ruled mount on white paper. Original art works of the period are extremely rare and seldom offered for sale as they reside in collections or Museums and Libraries. Dated and inscribed as follows: "The Evacuation of Post Victoria on the 17th May, 1846, Kafirland". 0 1
Lucas, Capt. T. J. PEN AND PENCIL REMINISCENCES OF A CAMPAIGN IN SOUTH AFRICA London: Day & Son, 1861 first edition 4to 21 coloured lithographs Blindstamped pictorial cloth with lettering and figure of Xhosa Warrior. Gilt edges. Initial foxing but otherwise a good copy. Bookplate of Morris J. Cohen. 0 1
Dikgwele Paul Molete JUSTIFIED ANGER OUGHT TO BE LEFT TO THOSE BETTER QUALIFIED TO HANDLE IT; SUBSTANCE ABUSE (MARTYR); TRAIN TO DUBLIN; CHASED AWAY...; THERE`S A MAN IN EVERY WOMAN AND A WOMAN IN EVERY MAN; EMOTIONAL INSECURITY, six in the lot etchings printed in colours with aquatint, each signed, dated 07, inscribed with the titles and numbered 9/15 in pencil in the margins 6 sheet size (each approximately): 45 by 34cm not laid down, good general condition
John Ndevasia Muafangejo JOHN MOTHER WAS DIED (sic) linocut, signed, dated 1980 and numbered 19/100 in pencil in the margin Levinson, O, I was Lonelyness - The complete graphic works of John Muafangejo, A catalogue Raisonne 1968 - 1987, 1992, Struik Publishers: Cape Town, illustrated on p 174 1 sheet size: 45 by 36cm not viewed out of the frame, fishmoth damage in areas, oxidisation to all margins, cockling, creasing in areas, otherwise good general condition
Irma Stern STILL LIFE WITH RED HOT POKERS IN A COPPER POT signed, dated 1910, and inscribed with a personal message from the artist watercolour over pencil on paper 0 1 41 by 37,5cm two small pinholes to each of the top corners, minor cockling, creasing in areas, otherwise good general condition
Walter Whall Battiss LIMPOPO BELOW BEIT BRIDGE; SAND RIVER, two in the lot both signed with the artist`s initials and inscribed with the title, dated Sunday 28 Sept 52 and dated 29.9.52 respectively watercolour over pencil on paper 1 each approximately: 18 by 21,5cm paper oxidisation throughout, two punch holes to the top margin of both, otherwise both are in good general condition
Cecil Edwin Frans Skotnes WHITE MONDAY DISASTER a portfolio of thirteen woodcuts by Cecil Skotnes with text by Stephen Gray, 1975, with titlepage and preface, edition limited to 125 copies and 25 artist proofs, this set numbered 27/125, each woodcut signed and dated 75 in pencil in the margin, the title-page signed by the artist and poet, in an original linen portfolio cover 1 sheet size (each approximately): 56 by 73,5cm surface dirt, otherwise good general condition
Jabulane Sam Nhlengethwa A HOTEL IN RANDFONTEIN; THE GREY DOOR; THE RED WALL; MY GRANDMOTHER`S KITCHEN IN THE `60s; THE BLUE FRAME, five in the lot lithographs printed in colours, all signed, dated `98, inscribed with the titles and numbered 34/50, 33/50, 12/50, 18/50, 20/50 respectively in pencil in the margins 5 sheet size (each approximately): 50 by 65cm all not laid down, minor cockling to all, otherwise all in good general condition
Jabulane Sam Nhlengethwa TEAM LEADERS I; MAINTENANCE, two in the lot lithographs printed in colours, both signed, dated `96, inscribed with the titles, numbered 26/30 and 19/30 respectively in pencil in the margins 0 2 sheet size (each approximately): 57 by 76cm both not laid down, both with minor cockling, otherwise both in good general condition
ANDREW WYETH, COLLOTYPE H 27" W 32" JACKLIGHT: no.183/300. pencil signed. Size is paper only. Andrew Wyeth was the Poet Laureate of the United States, the highest honor a living artist can receive. Wyeth was also honored twice by American presidents. Andrew Wyeth passed away on January 15, 2009

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