‡ George Young (born 1981)A Sudden Gust of Wind, 2021reduction woodcut print on Saunders Waterford papertitled, numbered 6/9 indistinct signature in pencil55 x 51cm (sheet) ProvenanceThe Estate of Richard Batterham.Inscribed to the reverse in pencil Dearest Richard lots of love George Jenna Theo & Audrey
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‡ Richard Bawden RWS NEAC RE (born 1936)Floodsaquatint on paper, framedsigned in pencil Richard Bawden, 1/4060 x 41cm (image)80 x 59.5cm (frame) ProvenancePrivate collection, Dorset. Catalogue notesIt is believed this aquatint was created in 1964-65 and might be The Stour or Blackwater.Woolley and Wallis would like to thank Hattie Bawden for her help cataloguing this lot.
‡ Richard Bawden RWS NEAC RE (born 1936)Baby and Jug, aquatint on paper, framedsigned Richard Bawden, Artists Proof in pencil, 34.5 x 32cm. (image) ProvenanceThe Estate of Richard Batterham Catalogue notesThis early print features Richard Bawden's son Philip who was born in March 1964, dating this print to late 1964 or early 1965.
Brian Willsher (1930-2010)Sculpture, 1984TeakSigned in pencil to underside 'Brian Willsher, 1984'98cm high(ARR)Condition Report: Overall general surface wear to include light marks and small scuffs throughout, some fading to finish and small areas of discolouration, would benefit from oiling. one edge with minor losses
Theodor Eduard Scharf (1899-1987) A Folio containing unframed etchings, a full set of the 'Night in the City' series and a near set (17/20) titles include Saturday Evening; Prize Fight; Dusk; Promenade; Railway Station; Restaurant; Cinema; Music Lovers; Theatre; all signed, and inscribed, some numbered, varying plate sizes, a number c,12 x 17cm; and smaller; and one other unframed etching by the artist titled 'Rainy Day'; thirty eight (38 total )Theo Scharf was born in Melbourne, Australia in 1899, the son of a concert pianist. From an early age he was encouraged to become an artist.In 1914 he travelled with his mother to Munich where he enrolled in the Academy of Fine Arts. After the end of The Great War, in the following years Scharf eked out a precarious existence living in Schwabing, the city's lively artistic and intellectual quarter. It was at this time that he produced some of his most interesting work, including his 'Night in the City' series of prints, which depicted City Llfe in the early 1920s. The prints are etchings on paper, unframed within a folio. They have full sheets and margins, with pencil signatures and hand-written titles and numbers. They are in generally good condition, with visible plate marks and no losses or major evidence for deterioration to the plates. There is some general ageing/yellowing to the sheets, including some around the edges from handling. A few sheets have creasing to the edges, two examples have some minor faint foxing which does not extend into the plates. One example of the Street Girl has a tear to the left edge, one has a stain to the upper-right margin. some of the plates have some cockling including Closing time, restaurant 1 x1, restaurant 2 x1, Cabaret x1, after the concert x 1, restaurant III x 1Titles of the prints are as follows: no 1 - Dusk (1), no 2 - Saturday Evening (2), no 3- Promenade (2), no 4 - Closing Time (1), no 5 - Railway station (2), no 6 - Restaurant 1 (2), no 7 Restaurant 2 (2), no 8 - Cinema (2), no 9 - Music lovers (2), no 10 (1), no 11 Prize Fight (2), no 12 - Theatre (2), no 13 - Burglars (2), no 14 - Cabaret (2), no 15 - After the Concert (2), no 16 - Restaurant III (2), no 17 - Street Girl (2), No 18 - Lovers (2), No 19 - Revellers (2), No 20 - Dawn (2). Plus Rainy Day (1) (total 38)
COLUM ROBERT GORE-BOOTH (1913-1959) Still Life with Flowers, watercolour and pencil, unsigned, inscribed to reverse "on the reverse of this watercolour is an Irish landscape", 21" x 14", blond wood frame (subject to Artists Resale Right) Provenance: Purchased from the sale of the contents of Sandhall near Goole, the home of the artist's second wife (Est. plus 21% premium inc. VAT)Very good
CARL FREDERICK HEINRICH WERNER (1808-1894) Neapolitan Woman in Traditional Costume, watercolour and pencil, signed and dated 1861, Abbott & Holder Gallery, London, label to reverse, 16 1/4" x 11 1/2", gilt frame (Est. plus 21% premium inc. VAT)Minor foxing, some fading and slight brown staining to sky especially top left corner
WILLIAM LIONEL WYLLIE RA (1851-1931) "Liverpool from Cammell Lairds", first state drypoint etching, signed in pencil, Robert Dunthorne label to reverse inscribed and dated April 1941, 9 1/2" x 15 1/4", oak frame (Est. plus 21% premium inc. VAT)Very minor foxing otherwise very good with probably its original frame

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