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Norman Perryman (British, born 1933)/Elgar's Dream/signed in pencil and numbered 23/150/lithograph, 44cm x 56cm Condition Report: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Please contact the office if you require further information about this.
Patricia Preece (British 1984-1966)/Life Study III/circa 1920/pencil sketches, 41cm x 23cm/ and three others similar/Note: Preece was associated with the Bloomsbury Group and second wife to Stanley Spencer. Her lifelong lover Dorothy Hepworth would often allow Preece to take credit for her work and sell it as her own. Condition Report: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Please contact the office if you require further information about this.
A selection of letters of historical interest, many of them from America (ALsS unless otherwise stated) Charles Buller (to Morel, n.d., with portrait), William Wilberforce (in pencil - possibly a draft, 1816), Millicent Fawcett (to Miss Courtenay, n.d.), John Pye Smith (to'My ever dear children', 1845), Mowbray Morris (to Charles Stephenson, 1871), Charles Dilke (signed ticket of admission to the House of Commons, 1874), Richard 'Conversation' Sharp (3, 1821-1834), Earl of Derby (3,to Baskin, 1865, Abdy, 1852 and Ellis, 1859), 12 letters to Sir John Puleston from various including Balfour (2), Curzon (3), & Francis Knollys), Philip Schaff (on a postcard to Ernst, 1887), Theodore Ledyard Cuyler (fragment signed), Shaftesbury (3, to various, 1853-1863), Jean Arles Dufour (in French, 1855), George Bethune English (to Col. Aspinsall, n.d.), Dalhousie (to a Duchess, 1851), Max Muller (1883), Rufus Isaacs (1880), Salisbury (PM, to Miller, 1889), Louis d'Orleans (to 'cher comte', 1838), George Canning (PM, 1812), Jean Batten (TLS to Robertson, 1935), John Britton (to 'My dear Doctor, 1853), Jeremy Bentham (cut signature), a collection of Irish interest (to include a printed copy of the Ulster's Solemn League and Covenant resolution of 1912, 4 ALsS of Justin McCarthy & 1 AL in the 3rd psn, and letters of Nicholas Vansittart, Baron Plunket, Mary Monckton, Sir Joseph Napier and others), together with other related material.
Stanley McMurty 'Mac' (born 1936) original pen and ink illustration 'The Everlasting Angler' from the book Hook, Line and Laughter by Peter Haining, signed in pencil, 23cm x 33cm, unframed but mounted, together with a collection of Mac's year books running 1984-2006, many of which are signed and dedicated by the author, 1997 with printed dedication in the annual and accompanying letter to Peter Haining
David Small (1846 - 1927), watercolour - Broughly Castle, Edward Gurden Dalziel (1849 - 1889), gouache - forest view, two other English School watercolours, Robert Page (fl. 1880 - 1890), pair of pencil sketches - Continental views, pen and ink study 'Camping Out' by W. R. Thomas and three 1860s botanical watercolours by W. G. Smith, each framed and glazed (10)
*Augustus Edwin John (1878 - 1961), pencil sketch - study of a young nude girl, signed, in glazed gilt frame. Exhibited: Mercury Gallery 1967, label verso, together with a 1968 exhibition catalogue and a book 'Augustus John Finishing Touches' CONDITION REPORT Area inside mount is 38cm x 21cm, a little staining where mount meets paper, a few very minor surface marks, otherwise OK
Howard Somerville (1873 - 1952), signed etching - portrait of a seated lady, Miss Norah Baring, dated 1932, in glazed frame, 34cm x 22cm CONDITION REPORT Condition generally good, overall some discolouration - ghost of a previous scheme of mounting below pencil to border. Possibly one or two minor fox marks, basically good
William Hogarth (1697-1764) engraving 'The Enraged Musician' plate 36cm x 41cm, accompanying receipt states 'lifetime impression, from a folio sold in the late 1750s with unidentified 18th century pencil initials on recto.Provenance: Purchased Andrew Edmunds, London 27th April 2004, gallery label verso and offered with original receipt
William Hogarth (1697-1764) - Carrying O' the roast beef of Old England', 38cm x 46cm, accompanying receipt states 'lifetime impression from the folio sold in the late 1750s with unidentified 18th century pencil initials recto, in glazed frame.Provenance: Purchased from Andrew Edmunds, London 27th April 2004 with gallery label verso and offered together with copy of receipt
Camille Pissarro (1830-1903), watercolour and black lead on paper -' Palmiers, Galipan', inscribed, painted in Venezuela, circa 1854, a pencil landscape verso, 26.5cm x 20.3cm, glazed double sided frame. Provenance: Purchased from Stern Pissarro Gallery, 46 Ledbury Rd, London W11 2AB, 7th February 2007 and sold together with receipt. Further accompanied by a letter from Joachim Pissarro confirming the attribution and the inclusion of the lot in the Catalogue Resumé. He comments:'Palmiers, Galipan (Venezuela) is an extremely beautiful watercolour executed in Venezuela, as indicated by the inscription, the location and style is similar to that of Nos 82 and 84 in Pissarro in Venezuela where Pissarro's use of light, quick under-drawing is overwhelmed by the strong, colourful brushwork of the watercolours'
HRH Edward Prince of Wales (later The Duke of Windsor) Royal Presentation silver bridge pencil of flattened form, with release-button to top and original Faber pencil inside, engraved Prince of Wales feather and motto above E one side and on the other - Presented to C. F. Gibbons by HRH Prince of Wales 1914 - hallmark EB.925, 8cm long. Provenance: Given by The Prince of Wales to Mr C. F. Gibbons who was a college servant at Magdalen College, Oxford where The Prince was studying. Mr Gibbons assisted The Prince by spiriting away a girl he was entertaining in his rooms which was strictly against the College rules just before the College Proctor who had been tipped off did an inspection. To show his gratitude The Prince took his own silver pencil out of his pocket and told Gibbons he would have it engraved for him. Sold with letter of Provenance from his son
After Cecil Aldin (1870-1935) - two 'Fallowfield' colour prints - 'The Hunt Supper', signed and dated in plate 1900, signed in pencil to the margin lower left, and 'The Hunt Breakfast', signed and dated in plate 1900, signed in pencil to the margin lower left, each published by Lawrence & Bullen Ltd (42cm x 65cm) glazed and in oak frames

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297141 item(s)/page