We found 296963 price guide item(s) matching your search
There are 296963 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
296963 item(s)/page
Lot 335
* Charles Cooper Henderson (British 1803-1877): 'The Blacksmiths Forge', pencil, pen and brown ink and watercolour, signed with initials 19cm x 31cm Provenance: from the private family collection at Harewood House - Read more... Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Lot 1489
JOHN VARLEY (1778-1842) LANDSCAPE SCENE WITH FIGURES BY A POOL, CASTLES BEYOND Brown and grey washes 11.5 x 19.5cm.; with two signed pencil sketches by Varley, one dated 1825, 14 x 22cm approx.; and a watercolour of a wooded landscape scene attributed to Francis Oliver Finch, 17, x 25cm, this unframed (4) Provenance: London, Abbott & Holder (principal item), Alexandra Williams (drawings) ++ First item a little faded; drawings discoloured and foxed; `Finch` generally good
Lot 1490
THE REV. JAMES BOURNE (1773-1854) THE HOLMWOOD NEAR LEITH HILL Brown wash and pencil drawing 36.5 x 26.5cm.; with another grey wash and pencil drawing by Bourne, 11.5 x 17cm.; a historical costume subject by John Masey Wright, signed, 21 x 17cm.; and an ink and wash drawing of a figure by a timbered cottage by Henry Wiliam Burgess, 24.5 x 34cm. (4) Provenance : London, Abbott & Holder (first Bourne, Wright) ++ Mixed condition; generally satisfactory-good
Lot 1494
MARGARET LLOYD (Fl.c.1795) CASTLE STALKER, ARGYLL; LLANRWST BRIDGE; CONWAY CASTLE; LOCH LOMOND Four; each signed, inscribed with title and dated 1795 on backboard, watercolour and pencil, oval, in verre eglomise mounts and gilt frames (label of Jno. Marnoch of Edinburgh) Each 29 x 38cm approx. (4) ++ Each faded
Lot 1496
JOHN SMART (c.1740-1811) PORTRAIT OF SIR JOHN WILLIAM FLOYD, Bt. (1748-1818) Quarter length, wearing a military tunic and sash, signed with initials and inscribed: J S/ 1791/ Madras, pencil on paper, unframed Oval 13.5 x 12cm. * Floyd was put in command of the 23rd (19th) Light Dragoons in Madras in 1781 and distinguished himself against Tipu Sultan 1790-1794. He was promoted Major General in 1794 and led the covering army during the Siege of Seringapatam in 1799. He rose to General in 1812 and was awarded a baronetcy in 1816 ++ The paper foxed and mottled, notably in the margins; generally satisfactory within the image
Lot 1499
GIOVANNI BATTISTA CIPRIANI, RA (1727-1785) A CLASSICAL MAIDEN DANCING WITH A PUTTO Grey wash and pencil 11.5 x 7.5cm.; with two stipple engravings by Bartolozzi after Cipriani and Guercino; and a coloured engraving of Limbourg by Lodovico Guicciardini, this c.1613 (4) ++ Each with some staining and/or in need of a clean etc
Lot 1513
KEELEY HALSWELLE (1832-1891) THE SPHINX, EGYPT; ATHENS; VIGO Three, the last inscribed and dated Vigo/ 1888, watercolour and pencil studies 23.5 x 33cm approx.; with two small landscape subject by Thomas Collier, signed, 8.5 x 16cm approx; and a watercolour of a windmill, inscribed To Keeley Halsewelle [sic] from/ Mary Anne Keeley a coarse copy/ of a fine original, 12 x 23cm. (6) Provenance: By descent in the family of Keeley Halswelle via his son, the athlete Wyndham Halswelle ++ Each with some foxing; the three subsidiary items with fading/discoloration and more pronounced foxing
Lot 1520
JOSEPH WILLIAM CAREY (1859-1937) SHEEP AND A COUNTRY GIRL IN A SUMMER LANDSCAPE Signed and dated 1893, watercolour over traces of pencil 38.5 x 52cm.; with Slieve Gallion, near Lissan, Co. Derry, by Sir Robert Ponsonby Staples, Bt.; signed and dated 93, titled verso, 32 x 49.5cm. (2) ++ Carey with some mildew damage; Staples a little light-stained and discoloured
Lot 1598
WILLIAM WALCOT (1874-1943) COVENT GARDEN AND THE ROYAL OPERA HOUSE; ST PAUL'S FROM THE THAMES; TUFTON STREET, OLD WESTMINSTER Three, etchings with drypoint, the first with aquatint, 1915-1920, each signed in pencil, unframed 7.75 x 10cm; 13 x 12.5cm.; and 12 x 8.5cm. (3) ++ Each with light staining where formerly mounted; the second with brown spotting and paper/gum adhesions in the margins
Lot 1605
WILLIAM WALCOT (1874-1943) LOWER BROADWAY; BATTERY PARK; FORTY SECOND STREET; PARK AVENUE Four from the suite of five (`Brooklyn Bridge` missing), etching with drypoint, some with aquatint, 1923-1924, each signed in pencil, unframed The largest plate 12.5 x 18.5cm. (4) ++ Very slight handling creases; `Forty Second Street` and `Battery Park` with pale light stains at left edges
Lot 1609
•ALFRED CHARLES STANLEY ANDERSON, RA (1884-1966) NIGHT'S TRANQUILLITY Signed, also signed and inscribed on a label on the later backboard, watercolour and pencil 26.5 x 21.5cm. * The pub was at Ampney Crucis, near Cirencester Exhibited: London, The Royal Academy, 1947, no.858 ++ Good condition
Lot 1617
THOMAS TUDOR (1785-1855) VIEWS OF CLIFTON FROM LEIGH WOODS Two, one inscribed Clifton, July 1811, grey washes and pencil upon a pale pink-washed paper Each 30 x 40cm.; with a brown wash sketch of `Brockley Combe, Bristol` by another hand, c.1820, 21.5 x 21cm. (3) Provenance: (Tudors) Colection of Cornish Torbock; Painswick, Heather Newman Gallery ++ Tudors with some scuffs, some wear and tears at edges; the other needs a light clean
Lot 1619
DR THOMAS MONRO (1759-1833) AN OLD FENCE AND TREES Charcoal on brown paper 13 x 21cm; with four pencil and wash sketches by Sir George Howland Beaumont in three frames, 16 x 21cm and smaller (4) Provenance: (Monro) London, Martyn Gregory, Early English Watercolour and Drawings, 1986, catalogue 45, no.114; (Beaumonts) Heather Newman Gllery; Abbott & Holder; Alexandra Williams ++ Monro generally good; one Beaumont a little stained
Lot 1621
WILLIAM HENRY HUNT (1790-1864) STUDY OF A LADY'S HEAD, BELIEVED TO BE THE ARTIST'S WIFE Signed, pencil and red chalk, with the old backboard (separate) 8.5 x 7cm.; with `Study of a Seated Figure` (recto and verso), black and white chalks on grey paper, possibly 1806, 18 x 15cm.(3) Provenance: (head) London, Collection of A G B Russell; London, The Fine Art Society Ltd, January 1942; Collection of Jane, Lady Clark; London, Abbott & Holder, January 2004; (seated figure) London, Fry Gallery ++ Head a little stained, mainly at edges; Seated Figure apparently on two joined sheets
Lot 1626
ROBERT HILLS (1769-1844) and GEORGE FENNEL ROBSON , RWS (1788-1833) DONKEYS IN A MOUNTAINOUS LANDSCAPE BY A LAKE Watercolour and pencil, Hills's work applied as a later paper addition on top of Robson's work, unframed 19 x 27.5cm.; with a pencil sketch of a boat upon a lake attributed to Myles Birket Foster, 9 x 17cm. (2) Provenance: (Hills/Robson) London, Darnley Fine Art; (Foster), London, Covent Garden Gallery Ltd, December 1980 ++ Hills/Robson a little pale; Foster satisfactory
Lot 1627
ATTRIBUTED TO PAUL SANDBY, RA (1725-1809) A CAPRICCIO: MEN FISHING AT A ROCKY POOL BELOW A WATERFALL, A CASTLE ON A BLUFF BEYOND Bears signature and date 1796, watercolour and pencil 39 x 56cm. Provenance: Godalming, Messenger May Baverstock, March 18th 1976, lot 439 (as by Sandby) ++ Some fading and foxing
Lot 1628
DAVID COX (1783-1859) FIGURES ON A COUNTRY ROAD Watercolour and pencil 18 x 26.5cm.; with a brown wash drawing of `Warwick Castle from the Avon, Sunset` by Cox, 12 x 18cm. (2) Provenance: (Figures) London, Abbott & Holder; (Warwick) London, John F. C. Phillips, March 1992 ++ The former a little faded, some foxing; the latter good
Loading...-
296963 item(s)/page