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![THEODORE GERICAULT [FR 1791-1824], PENCIL, PEN & BROWN INK & BROWN WASH, DRAWING ON 2 SIDES: 13.5 x 21.5 cm [5 1/4&qu](http://lot-images.atgmedia.com/SR/33875/2890132/2034-2013822101830_468x382.jpg)
Lot 2034
THEODORE GERICAULT [FR 1791-1824], PENCIL, PEN & BROWN INK & BROWN WASH, DRAWING ON 2 SIDES: 13.5 x 21.5 cm [5 1/4" x 8 1/2"] total size; "La Mort de Paris" on recto; "Le Christ en Croix" [in pencil] on verso; P.O.D. in a circle stamp in far lower right corner; framed. Drawing done for the early stages of the "prix de Rome" contest in 1816 with the subject being "Oenone Refusant de Secourir Paris" [although he was not one of the finalists]. Provenance: sold by Hazlitt, Gooden & Fox Ltd., London England, 7-9-1986, catalogue No. 8, plate 8 in the Hazlitt, Gooden & Fox exhibition, "French Drawings, 19 June - 18 July 1986" - photocopies of the bill of sale and exhibition listing [also seen in the last photo detail] both in customer file. Collections: Brame, Saint Remy, 1878; Pierre Dubaut [Lugt 2103b]; Hans E. Buhler, Winterthur. Exhibited: Paris, Hotel Jean Charpentier, "Exposition Gericault", April May 1924, no. 76; New York, Marie Sterner Galleries, "First Exhibition in America of Gericault", 1936, no. 25; Paris, Galerie Bernheim-Jeune, "Exposition Gericault", May 1937, no 86; Paris, Galerie Bignou, "Gericault---cet inconnu", May June 1950, no. 2; Winterthur, Kunstmuseum, "Theodore Gericault", 1953, no. 119; Paris, Galerie Bernheim-Jeune, "Gros, Gericault, Delacroix", Paris 1954, no. 34. Literature: C. Clement, "Gericault, etude biographique et critique", 3rd edition, Paris 1879, p. 430, no. 92 bis; "Revue de l `art ancien et moderne, XI.VI, 1924, p. 53; L. Eitner, "Two Re-discovered Landscapes by Gericault and the Chronology of his Early Work" in "Art Bulletin", June 1954, p. 136, note 25; P. Dubaut and P. Nathan [eds.], "Sammlung Hans E. Buhler, Winterthur 1956, no. 44; L. Eitner, "Gericault`s `Dying Paris` and the Meaning of his Romantic Classicism" in "Master Drawings", Spring 1963, p. 26 [illustrated plate 21]; L. Eitner, "Reversals of Direction in Gericault`s Compositional Projects" in "Stil und Uberlieferung in der Kunst des Abendlandes, III, Berlin 1967, p. 129 [illustrated plate 21, 3]; C. Clement, "Gericault, etude biographique et critique", 3rd [1879] edition, New York 1974 preface and catalogue supplement by L. Eitner], p. 472, no. 92 bis; L. Eitner, "Gericault/His Life and Work", London 1983, pp. 87, 89 [illustrated fig. 69]; New York, San Diego and Houston, "Master Drawings by Gericault", June 1985 January 1986 [catalogue by P. Grunchee], p.59 [illustrated plate 17b]. All references as per the Hazlitt, Gooden & Fox catalogue listing [see photo detail].
![MARIE LAURENCIN [FR 1885-1956], PENCIL, WASH, COLORED CRAYONS, H 5 3/4", W 5 1/2``, "LA DAME EN BLEU: 20.6 x 15.6 c](http://lot-images.atgmedia.com/SR/33875/2890132/2038-2013822101840_468x382.jpg)
Lot 2038
MARIE LAURENCIN [FR 1885-1956], PENCIL, WASH, COLORED CRAYONS, H 5 3/4", W 5 1/2``, "LA DAME EN BLEU: 20.6 x 15.6 cm paper; signed under the mount; inscribed in another hand, "La Dame en Bleu" and stamped, "Me Guy Loudmer/Cahier/Marie Laurencin/Commissaire Priseur. Provenance: purchased from Hazlitt, Gooden & Fox Ltd., London, July 12, 1985, catalogue no. 39 in the exhibition, "Nineteenth Century French Drawings, 13 June - 12 July 1985" [photocopy of bill of sale in customer file, also label on verso of frame].
![A.R. PENCK [GERMAN B. 1939], PARTIAL SUITE OF GRAPHICS, 13, H 30" X W 42" SHEET: From "Expedition to the Holyl](http://lot-images.atgmedia.com/SR/33875/2890132/2047-201382210195_468x382.jpg)
Lot 2047
A.R. PENCK [GERMAN B. 1939], PARTIAL SUITE OF GRAPHICS, 13, H 30" X W 42" SHEET: From "Expedition to the Holyland"; graphics in silkscreen, engraving/etching, aquatint and lithography; 1983; printed at the Burston Graphic Center, Jerusalem on Arches Velin paper; this edition pencil signed and numbered in Hebrew letters [corresponding to I-XIV]; Private edition - Joshua Gessel; includes the contents and justification page and the text page. Two graphics are framed with the rest of the lot being unframed and contained in a non-original large, black cloth covered hard shell portfolio case.
![CHARLES CULVER [US 1908-1967], WATERCOLOR & GOUACHE, 1946, H 10 3/4", W 7 1/4", MICHIGAN STATE UNIVE: Pencil si](http://lot-images.atgmedia.com/SR/33875/2890132/2217-201382210272_468x382.jpg)
Lot 162
Mary Fedden (1915-2012) British. A Lady in a Bath Chair, with a blowing veil, in a coastal scene, a figure in the distance stand on a sand bank, Watercolour on Japanese Paper, Signed and Dated 1978 in Pencil, numbered on reverse ‘23’, 6.25” 7.25”. Provenance; Midland Group Gallery, Dorothie Field, Richard Miller, then by family descent.
Lot 306
John McKirdy Duncan (Scottish, 1866-1945), Mousehole, signed and titled, watercolour and pencil, unframed, 35.5 x 45cm.; 14 x 17.75in. * Studied at the Dundee School of Art and then spent three years in London before leaving for Antwerp and Dusseldorf. As an illustrator of literary works and in his drawings for newspapers and magazines Duncan was influenced by the 18th century Japanese decorative style (korin) and by the work of 19th century engravers. Duncan also painted genre scenes inspired by Scottish legends. He received many commissions for church decorations, both paintings and stained-glass windows. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 343
Roger Hilton (1911-1975), Untitled, initialled and dated `74 in pencil in the margin, numbered 7/12, printed by Reg Watkiss at St. Ives and published by the artist, coloured lithograph, 35.5 x 48.5cm.; 14 x 19in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 344
David Hockney (b.1937), Figure with still life, from The Blue Guitar (S.A.C. 208) etching and drypoint in colours, 1976-77, on wove paper, signed in pencil, numbered 38/200 (there were also 37 artist`s proofs), published by Petersburg Press, New York and London, plate size 42.5 x 34.5cm.; 16.75 x 13.5in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 345
After Beryl Cook (1926-2008), "Clubbing in the Rain", signed and numbered 442/650 in pencil in the margin, published by Alexander Gallery Publications Ltd, colour reproduction print, image size 50.5 x 36cm.; 20 x 14.25in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 348
After Laurence Stephen Lowry R.A. (1887-1976), "The Harbour", signed in pencil in the margin, with Fine Art Trade Guild blindstamp, published in 1972 by Venture Prints Limited of Bristol, colour reproduction print, image size 40.5 x 55.5cm.; 16 x 22in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 270
A small mixed lot of collector's items, including hat pins, a silver and turquoise enamel mounted bath salt jar, a green glass vase with silver collar, mother of pear handled fruit knives, a pair of bone glove stretchers, propelling pencil, telescope and a military riding crop with leather handle and badge for the Dettingen Peninsular Waterloo.
Lot 405
Cust, Lionel Albrecht Durer - A Study of his Life and Work, first edition published by Seeley and Co. 38 Great Russell Street, bound in buckram with gilt title above a foliate cartouche bearing a portrait of Durer, pencil dedication to first page. * Bears a pictorial bookplate for Athelstan Riley who was Seigneur of Trinity, Jersey.
Lot 430
Peter Markham Scott (British, 1909-1989) `Barnacks coming off the Merse at Caerlaverlock`, lithograph signed in pencil, artist`s proof, 14 x 23¾in. (35.5 x 60.5cm.); together with a limited edition print by John Morland, `A Pair of Wrens with Primroses`, numbered 8/250, signed in pencil, published by Glastonbury 1974. (2)
Lot 570
William Henry Bartlett (British, 1809-1854) seven topographical views - St Madonna del Sasso, Mont Blanc, Alpine view, Lake Lucerne, The Rhine, The French Alps and Chateau Vufflens, watercolours, in unframed mounts, all inscribed in pencil to denote the main topographical landmarks, sketches from his book `Waldenses` the smallest 6¼ x 11in. 16 x 28cm.), the largest 8½ x 11½in. (21.5 x 29.25cm.). (7)
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296952 item(s)/page