Powers (Alan). The English Tivoli. Sixteen Lithographs by Alan Powers, Judd Street Gallery, London, 1988, sixteen single-sheet coloured lithos., each numbered, title and signed in pencil by the artist (sheet size 15 x 19.5cm), with title and 4 pp. letterpress, loosely contained in orig. red cloth fold-over book box, oblong 8vo, together with A Book of Jugs, by Alan Powers, The Whittingdon Press, November 1990, nine grey and blue tinted litho. illusts. (including centre spread), orig. printed wrappers, sewn on spine, small oblong 8vo (9 x 15cm), 950 copies printed. The lithographs for The English Tivoli were drawn and printed at the Curwen Studio, London, and hand-coloured by the artist. Seventy-five boxed sets were made, nos. A-Y for private distribution, nos. 1-50 for sale, this copy being no. 15. (2)
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Caird (Edward). The Critical Philosophy of Emmanuel Kant, 2 vols., 2nd ed., Glasgow, 1909, pencil marks to margins, f.e.p. in both vols. excised, orig. cloth gilt, a little rubbed, 8vo, together with Whitehead (A.N.), An Enquiry Concerning the Principles of Natural Knowledge, 1st ed., Cambridge, 1919, Process and Reality, An Essay in Cosmology, 1st ed., Cambridge, 1929, both orig. cloth gilt, a little rubbed, 8vo, with other philosophy and religion, mostly late 19th/early 20th-c. hardback publications, some in d.j. From the Library of Emeritus Professor David A. Pailin (University of Manchester). (3 shelves)
Tulloch (John). Rational Theology and Christian Philosophy in England in the Seventeenth Century, 2 vols., 1872, occasional underscoring in pencil, orig. cloth gilt, spines faded, some wear to head and foot, together with Robertson (J.M.), A History of Freethought in the Nineteenth Century, 2 vols., 1st ed., 1929, photogravure and half-tone portraits, minor pencil markings, orig. cloth, a little soiled, 8vo, plus Browne (Borden P.), Metaphysics. A Study in First Principles, 1st English ed., 1882, orig. cloth gilt, a little rubbed and some minor marks, 8vo, and other philosophy and religion, mostly late 19th/early 20th-c. hardback publications, some in d.j. From the Library of Emeritus Professor David A. Pailin (University of Manchester). (3 shelves)
Rashdall (Hastings). The Theory of Good and Evil. A Treatise on Moral Philosophy, 2nd ed., reprinted, Oxford & London, 1938, some underscoring and marginal notes in pencil, 8vo, together with Taylor (A.E.), The Faith of a Moralist. Gifford Lectures Delivered in the University of St. Andrews, 1926-1928, 2 vols. (Theological Implications of Morality/Natural Theology and the Positive Religions), reprinted, 1932, plus Robinson (Theodore H.), A History of Israel, 2 vols., reprinted, Oxford, 1955, all orig. cloth gilt in frayed d.j., with other philosophy and religion, mostly late 19th/early 20th-c. hardback publications, some in d.j. From the Library of Emeritus Professor David A. Pailin (University of Manchester). (3 shelves)
Hamilton (Sir William). Lectures on Metaphysics and Logic, Edited the Rev. H.L. Mansel and John Veitch, 4 vols., 1877, some minor scattered spotting and occ. pencil marks, orig. cloth gilt, a little frayed at head and foot of spines (vols. 2 & 3 ex-lib. copies with white classification number at foot of spines), 8vo, together with Mill (John Stuart), An Examination of Sir Hamilton’s Philosophy and of the Principal Philosophical Questions Discussed in His Writings, 2nd ed., 1865, orig. blind-stamped cloth gilt, some wear to spine, and Mill (W.H.), Observations on the Attempted Application of Pantheistic Principles to the Theory and Historic Criticism of the Gospel, 2nd ed., Cambridge, 1861, author’s manuscript presentation note pasted to flyleaf, orig. cloth, spine faded and a little frayed at head and foot, with other philosophy and religion, mostly late 19th/early 20th-c. hardback publications, some in d.j. From the Library of Emeritus Professor David A. Pailin (University of Manchester). (3 shelves)
Ward (James). Naturalism and Agnosticism. The Gifford Lectures Before the University of Aberdeen in the Years 1896-1898, 2 vols., 1899, underscoring and marginal notes in pen and pencil, orig. cloth gilt, spines a little frayed at head and foot, 8vo, together with Pfleiderer (Dr. Otto), The Philosophy of Religion on the Basis of its History, 4 vols., 1886 (Theological Translation Fund Library series), nos. 34-37, some underscoring and marginal notes in pencil, orig. cloth gilt, a little frayed at head and foot of spines, 8vo, plus Darwin (Charles), The Descent of Man, and Selection in Relation to Sex, 2nd ed., Revised and Augmented (21st thou.), 1887, The Origin of Species by Means of Natural Selection, 6th ed., with Additions and Corrections to 1872 (35th thou.), 1888, both orig. cloth gilt, a little rubbed, 8vo, and other philosophy and religion, mostly late 19th/early 20th-c. hardback publications, some in d.j. From the Library of Emeritus Professor David A. Pailin (University of Manchester). (3 shelves)
Martineau (James). Types of Ethical Theory, 2 vols., Oxford, 1885, A Study of Religion, Its Sources and Contents, 2 vols., Oxford, 1888, some underscoring and notes in pencil, orig. cloth gilt, a little frayed at head and foot of spines, 8vo, together with Renan (Ernest), The Life of Jesus, 1st ed., 1864, occ. underscoring in pencil, orig. cloth gilt, soiled and some wear, 8vo, and other philosophy and religion, mostly late 19th/early 20th-c. hardback publications, some in d.j. From the Library of Emeritus Professor David A. Pailin (University of Manchester). (3 shelves)
Oliphant (Thomas, 1799-1873). Views on the Continent &c from Sketches by Thomas Oliphant. A.D. 1821-1838 [so titled on upper cover], sixty-one full-page finished pencil drawings of topographical views, mostly oval format and depicting buildings with scenery and occasional small figures, drawn to album leaf rectos only with neat manuscript titles beneath, tissue-guards, signature of William S. Oliphant to front free endpaper, a.e.g., contemp. green half morocco gilt with leather title label to upper cover, rubbed, folio (365 x 260mm). A fine unpublished and unrecorded collection of drawings, possibly Oliphant’s earliest collection. Views include Paris, Brussels, Waterloo, Antwerp, The Hague, Hamburg, Edinburgh, Dublin, villages in Wiltshire, etc. ‘Between 1852 and 1860 Oliphant completed three (known) volumes of sketches. The first is a visual record of pencil sketches of landscapes and buildings as he journeyed through Orkney, Shetland, Caithness, Sutherland, Ross-shire, Inverness-shire and Perthshire, 1852. The second is a series of sketches of landscapes mainly around Strathearn and the Isle of Man and the last is a collection of sketches of Crystal Palace between 1855 and 1860’ (DNB). (1)
Walker (J. & Co. pubs.). Walker’s Universal Atlas for the use of Schools, 1816, engraved title, twenty-seven engraved folding maps with contemp. hand colouring (complete as list), contemp. half morocco gilt, pubs. printed label to upper board, rubbed and bumped at extrems., 8vo, together with Butler (Samuel),An Atlas of Modern Geography, pub. Longman & Co., c.1840, calligraphic title with later juvenile pencil ownership signature on verso, folding eng. map of the world and twenty double page eng. maps (of twenty-two), all with contemp. outline colouring, index bound in at rear, some toning, marginal staining and finger soiling throughout, upper joint and hinge weak, contemp. half morocco with pubs. printed label to upper board, 8vo, with Butler (Samuel),An Atlas of Ancient Geography, pub. Longman, Brown, Green & Longman, c.1845,calligraphic title and index, twenty-two eng. maps (complete), twenty-one with contemp. outline colouring, upper joint cracked, contemp. half morocco with pubs. label to upper board, 8vo (3)
Lady Diana Beauclerk (1734-1808). Boudica, Pencil, watercolour and grey wash, Signed lower right, 23.5 x 18.5cm (9 1/4 x 7 1/4in). Provenance: Sir Horace Walpole, Strawberry Hill. The Earls of Strathmore and Kinghorne. Miss Joy Marine Betty Lyon (1902-1956), Keltie Castle, Dunning, Perthshire, and Goring Hall, West Sussex. Elizabeth Carnegy-Arbuthnot (d. 1986), Hampton Court Lodge. Laura Nepean-Gubbins (d.1995), London, and thence by descent to the present owner
Hans Feibusch, Kneeling Male Nude, coloured limited edition print, No3/10, signed in pencil and dated 1939, 34 x 53cm, together with a coloured print of a guitarist by Waser, signed in pencil, 31 x 56cm, both in stained wood frames, and a painting by Ward, Nymph holding a flower, signed, 38 x 55cm
![Romain de Tirtoff Erte [1882-1990] Melisande, from the Theatre Suite signed in pencil and inscribed AP along the bottom margi](http://lot-images.atgmedia.com/SR/35518/2872698/352-20121220163317_468x382.jpg)
![Catherine Gray [19th century] Portrait of three sisters in a Summer landscape, one holding a doll, another a rose signed and](http://lot-images.atgmedia.com/SR/35518/2872698/364-20121220163337_468x382.jpg)
![T Robins [early 18th century] Portraits of a lady and a gentleman each half-length standing signed and dated T Robins Delin 1](http://lot-images.atgmedia.com/SR/35518/2872698/368-20121220163343_468x382.jpg)
![Colonel Edmund Gilling Hallewell [1822-1869] Gibraltar watercolour over pencil heightened with white 67.5 x 89cm.](http://lot-images.atgmedia.com/SR/35518/2872698/378-2012122016341_468x382.jpg)
![Colonel Edmund Gilling Hallewell [1822-1869] Niagara Falls with the old Terrapin Tower and Horseshoe Falls signed bottom righ](http://lot-images.atgmedia.com/SR/35518/2872698/379-2012122016343_468x382.jpg)
Colonel Edmund Gilling Hallewell [1822-1869] Niagara Falls with the old Terrapin Tower and Horseshoe Falls signed bottom right watercolour over pencil heightened with white 23.5 x 34cm, together with two other watercolours [3] Colonel Edmund Gilling Hallewell (1822-1869) was a career soldier, joining the 20th Regiment of Foot as a young ensign in 1839. He served with distinction in the Crimea, where he was Deputy Acting Quartermaster General of the Light Division at the battles of Alma, Inkerman and Sebastopol, and it was during the Crimean campaign that he became acquainted with the photographer, Roger Fenton, and is the subject of no less than four of Fenton’s tableaux of camp life. Hallewell was by this time a noted amateur artist, mainly of topographical subjects [see lots 378 and 379]. As Fenton’s early training was as an artist, the two were no doubt drawn together by their mutual interests, remaining in contact after the Crimean campaign, when Hallewell, by then a lieutenant colonel, was appointed Deputy Quartermaster General in Malta. That he maintained his interest in photography is manifest from the album offered here, and while on home leave in 1860, when he was confirmed as full colonel, he records in his diary (see lot 383) “I went to see the Fentons, he gave me some Photographs. He is also going to do the Photo from my mother’s portrait, which I left with him.” Fenton fulfilled his promise and Hallewell later records that on his return to Malta he sent him a case of oranges in gratitude. It is believed that the images of Bolton Abbey included in this album may have been the gift of Roger Fenton to Col. Hallewell.
Colonel Edmund Gilling Hallewell’s Photographic Album A mixed photographic album of the 1850s and 1860s, elephant folio, lacking front board and some leaves. Notable images include Colonel Hallewell DCMG, Malta, 1863. Portrait in full dress uniform. Titled in pencil below the image. Albumen print, 19.8 x 15.7cm (illustrated page 89). Sir George Brown and a portion of the Light Division Staff, a nine-man group portrait in civilian attire. (A soldier since 1806, Brown commanded the Light Division throughout the Crimean War). Albumen print, 24 x 29.5cm. (illustrated opposite). Bolton Abbey, the ruins of the cloister. An untitled large-scale salt print 26.5 x 37.5cm., from a paper negative (illustrated opposite). Near Bolton Abbey, Yorks. Titled in pencil below the image. Salt print, 18 x 25.5cm. The Strid, Bolton. Titled in pencil below the image. Salt print, 20.8 x 29cm. At Bolton Abbey, a woodland scene. Titled in pencil below the image. Salt print, 24 x 19cm. Gibraltar General view of town. Titled in pencil below the image. 2-plate panorama 20 x 45.5cm., Albumen prints. At Bolton Abbey, Yorks. Titled in pencil below the image. Salt print, 26 x 36.5cm (illustrated opposite). Bolton Abbey, Yorks, ruins of the priory. Titled in pencil below the image. Albumen print, 26.5 x 35.5cm. into rounded corners (illustrated opposite). Road at the back of the Hall, Bolton. Titled in pencil below the image. Albumen print, 29 x 36 cm., into arched corners (illustrated opposite). The album also contains over 120 other mainly albumen prints, but including a small number of salt prints (including further images of Bolton Abbey and its environs), varying sizes up to 30 x 24cm. Assorted images by amateur and commercial photographers, including Francis Bedford and James Robertson; subject matter being a variety of topographical, portrait and other subjects, (including Robertson: the Crimean war) and various locations in UK, Malta, Gibraltar and the Mediterranean. In addition, approximately 200 cartes de visite of British and European royalty, family, topographical, army officers various, Crimean war generals, etc., and a rare image of a white- bearded Roger Fenton c.1865. For a variant of this portrait by John Eastham of Manchester see All the Mighty World, The Photographs of Roger Fenton 1852-1860, Yale University Press, 2004, p.30.
![Attributed to Nicholas Matthew Condy [1816-1851] Looe; two views of the harbour both inscribed pencil drawings each 26 x 35cm](http://lot-images.atgmedia.com/SR/35518/2872698/407-20121220163459_468x382.jpg)
![Attributed to Nicholas Matthew Condy [1816-1851] Stonehouse Pool inscribed, pencil drawing 26 x 35cm, together with three oth](http://lot-images.atgmedia.com/SR/35518/2872698/409-2012122016353_468x382.jpg)
![Attributed to Nicholas Matthew Condy [1816-1851] Mount Edgcombe from the Hoe inscribed, pencil drawing 26 x 35cm, together wi](http://lot-images.atgmedia.com/SR/35518/2872698/412-2012122016357_468x382.jpg)
BERNARD GREEN (20TH CENTURY, BRITISH), Llansteffan Castle, Carmarthen, signed in pencil, limited edition print no 19 of 30, with backstamp. 13.25" x 17.5". And MICHAEL FAIRCLOUGH, ( BRITISH, BORN 1940), "Stackpole, Dyfed" signed in pencil, limited edition, coloured print no 205/350. 10.5" x 13.5". (2).
Harold Riley (b.1934) - 'The Square', pencil signed artists proof print, no.12/12, 37x37cm, inset in modern gilt frame. NB: The bronze statue of Abraham Lincoln was originally intended to stand outside the Houses of Parliament, a tribute from the USA to Britain to mark the 100 years unbroken peace existing between the two countries since 1814. Manchester argued that it was an appropriate city for such a statue because of its connection with Lincoln, this was reference to the cotton operatives and made in support of the Union and the prohibition of slavery during the American civil war.
Harold Riley (b.1934) - 'The Square', pencil signed artists proof print, no.18/AP, 37x37cm, inset in modern gilt frame. NB: The bronze statue of Abraham Lincoln was originally intended to stand outside the Houses of Parliament, a tribute from the USA to Britain to mark the 100 years unbroken peace existing between the two countries since 1814. Manchester argued that it was an appropriate city for such a statue because of its connection with Lincoln, this was reference to the cotton operatives and made in support of the Union and the prohibition of slavery during the American civil war.
A World War I Casualty Group awarded to 2343 Private Thomas Lax of the 7th Battalion Duke of Wellington's 'West Riding Regiment' comprising 1914/15 Star, British War Medal and War for Civilisation Medal, all with original cardboard boxes and ribbons, also the Death Plaque to Thomas Lax in original carton, Private Lax was killed on the 10th July 1916 and his grave reference is I.D.11 at Puschevillers British Cemetery, also in this lot is a scroll from Buckingham Palace and another all in original carton, Thomas Lax's identity disk, a Princess Mary Christmas box dated 1914, parts of shrapnel, a Trench Art bullet in the form of a pencil, various coins etc, also included in this lot is some research (illustrated)
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296952 item(s)/page