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Lot 1

JAMES DUFFIELD HARDING (1797-1863): Figures by a cottage in a landscapes, signed and inscribed, pencil and watercolour, 24 x 32.5cm (9.75 x 13in)

Lot 1

HENRY LAMB R.A. (1883-1960): Haystack in a Landscape, Ebble Valley c.1955, pencil, crayon and watercolour, 20 x 29cm (8 x 11.5in)

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HENRY LAMB R.A. (1887-1960): Coombe Bissett c.1935, pencil, crayon and watercolour, 20 x 26.5cm (8 x 10.5in)

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MARIA SPILSBURY (1777-1823): Two children with a lamb, brown wash over pencil, 16 x20.5cm (6.5 x 8in)

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[Stevenson, Robert Louis]. The History of Edinburgh, from the Earliest Accounts to the Present Time..by Alexander Kincaid, pub. Edinburgh, 1787, contains one folding map only (of two), contemp. half calf, heavily rubbed to extrems., 8vo, together with Hamilton (Clayton), On the Trail of Stevenson, New York, 1915, b & w illusts., pencil notes to endpapers, rough-trimmed, orig. qtr. cloth with paper labels, rubbed, large 8vo The former contains the ink signature of Robert Stevenson (1772-1850), the celebrated engineer, to the title page and the bookplate of his grandson the author Robert Louis Stevenson (1850-1894). A portrait plate of the senior Robert Stevenson has also been tipped-in onto the first blank. (2)

Lot 1

Miles (W.J.). Modern Practical Farriery. A Complete Guide to All that Relates to the Horse .., n.d., c. 1870, eng. plts., some hand-col., some minor scattered spotting, contemp. half-calf gilt, front inner hinge broken, 4to, together with Wood, Rev. J. G., The New Illustrated Natural History, pub. George Routledge, n.d., c.1880, num. wood eng. illusts., a.e.g., orig. gilt-dec. cloth, re-cased with orig. spine laid down, large thick 8vo., plus Moore (Thomas, and Ayres, William P.), The Gardener's Magazine of Botany, Horticulture, Floriculture, and Natural Science, pub William S. Orr & Co., 1855, b&w wood eng. illusts. to text, minor foxing to title, orig. cloth gilt, recased with orig. spine laid down, thick 4to, and four others of natural history interest, incl. The Insets, by Jules Michelet, illusts. Giacomelli, 1875, The Bird World described with pen and pencil, by W. H. Davenport Adams and H. Giacomelli, 1880, Birds of Town and Village, paintings by Basil Ede, text. by W. D. Campbell, pub. Country Life Books, 6th imp., 1975, etc. (7)

Lot 1

[Botany]. An Album containing forty-one carefully executed watercolour studies of British wild flowers, lichen and leaves, etc., c. 1877-79, mostly painted two per page (on one side of the page only), the specimens not identified but each captioned with the date and the name of the place where the specimen was found (Grasmere, summit of Helvellyn, Coniston Lake, Evesham, Bolton Abbey, Clevedon, Ross, Isle of Wight, etc.), page size approx. 18 x 25 cm., orig. quarter morocco gilt, spine repaired with sellotape, oblong 4to The artist was probably M. E. Brown, Cotswold House, Evesham, whose ownership inscription is written in pencil inside the front cover. (1)

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Cuneo (Terence). Modern colour print of a steam locomotive, signed in pencil to lower margin, approx. 530 x 705 mm, framed and glazed (1)

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Hartnoll (Norman, 1901-78). Three original pencil & watercolour designs for court gowns, designed for H. M. The Queen Mother, late 1930s, together three pencil costume designs, with watercolour and bodycolour, each signed, one with pencil caption 'specially designed for: Her Majesty The Queen', the others marked 'Sketch I. Phoebe', and 'Sketch II (Mollie)', sheet size approx. 360 x 250 mm, with swatch of silver fabric, formerly attached to the first design, also included Previously sold at Sotheby's Olympia, 27th November 2003, lot 76, for £700 (catalogue included). (3)

Lot 1

Original artwork. A collection of approx. sixty original pen & ink drawings, illustrations, and other artwork, mainly early 20th-c., including a pen & ink illustration by Gerald Waltho, titled Passing Show, with caption to lower margin, signed and dated 1922, approx. 300 x 195 mm, a pencil sketch of a workman, attributed to Francis Dodd R.A., sheet size approx. 275 x 175 mm, a pen & ink architectural view of a church tower and town buildings, possibly in Belgium, by A. E. Pearce, early 20th c., approx. 285 x 180 mm, a small watercolour view of a coastline, possibly North Africa, signed Geo, approx. 90 x 138 mm, and others similar, incl. book illustrations, advertising, small portrait sketches, a pen & ink design for the Savage Club House Dinner, January 1928, by Alfred Leese, etc. (approx. 60)

Lot 1

Prints & drawings. Topographical, numismatics, genre, etc., mostly 19th century, including an 18th century whaling engraving entitled 'A View of the Whale Fishery', pub. Universal Magazine and measuring approx. 170 x 280 mm, plus three topographical pencil drawings (approx. 80)

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De Morgan (Augustus, 1806-1871). Autograph Algebraic Equation Signed ('ADeMorgan'), [December 1864] , with a characteristic autograph note signed with initials ('Asked to put date, but will not, because the above is true at all dates'), 1 page, tipped onto an album leaf, pencil date in another contemporary hand, 8vo Autograph material by De Morgan is rare. He was the first person to define the name 'mathematical induction' and developed De Morgan's rule to determine the convergence of a mathematical series. (1)

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Elizabeth II (Queen of Great Britain). Full length portrait by James Gunn, pub. Vicars Brothers Ltd., 1953, col. print, signed in pencil by the artist to lower margin, image size approx. 24 x 18 in (61 x 46 cm), framed and glazed (1)

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Heseltine (Philip, "Peter Warlock"). Autograph Musical Fragment, c. 1918, three staves of music titled 'Lagan Love' in Heseltine's hand with a pencil note below [by writer Stephen MacKenna], 'Written for me from his Manx notes by Ph. Heseltine (i.e. Peter Warlock) in Dublin wartime', some spotting across the whole page, 1 page, folioStephen MacKenna was deeply interested in early music, notably the folk music of the British Isles. Heseltine was a collector of such folk music and would have written this for MacKenna while both were in Dublin for a year from August 1917. (1)

Lot 1

Irving (Henry & Terry, Ellen). Irving's personal working prompt copy of the play 'Charles IX' by J. Comyns Carr, c.1885, lacking title page, some preliminaries detached, with pencil annotations by Henry Irving in pencil and Ellen Terry in ink, also a contemp. tipped-in letter by J. Comyns Carr to the theatre critic William Winter, contemp. qtr. calf, worn to spine, 8vo Bookplate of William Winter to front pastedown. Some of the annotations by Ellen Terry are humourous and softly mocking of the play. After a line that reads 'Still the plot hangs' the answer in ink -'By jove it does!!' (1)

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Churchill (Right Hon. Winston S.). Head and shoulders portrait by Harold Bird, c. 1941, small original pencil drawing (approx. 8 x 7 cm) on an album leaf, signed lower right in capitals, a littel dusty, unrelated sketch (by Bird) to verso, signed and dated 1941, remains of mounting marks to corners, approx. 17 x 12 cm Harold Bird was born in Heywood, Rochdale, Lancashire on 20th June 1920. He was an artist, model maker and military historian who served in the Far EAst for part of WWII [from information supplied by the vendor]. (1)

Lot 1

Bible [Massachuset]. Single leaf from the 1st edition of John Eliot's Indian Old Testament, 1663, comprising leaf Tttt3 from the Book of Jeremiah, fraying to margins and trimmed to upper margin just into text, the leaf approx. 170 x 140 mm, together with four other leaves from the New and the Old Testament of the 2nd edition, dated 1680 and 1685 respec., all toned with some marks Each leaf has notes in pencil to the margin, in the hand of a former owner, regarding the edition. (5)

Lot 1

[Cox, David]. A Series of Progressive Lessons Intended to Elucidate the Art of Painting in Water Colours. With Introductory Illustrations on Perspective and Drawing with Pencil, pub. Ackermann & Co., 1845, eighteen plts. (inc. 3 eng., 4 litho, 1 aqua and 10 hand-col. aqua. plts., orig. green qtr. morocco, gilt title to upper board, slight wear to joints, repair at foot of upper joint, oblong 4to (1)

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Society of Antiquaries. Illustrated Catalogue of The Exhibition of English Medieval Alabaster Work held in the Rooms of the Society of Antiquaries, 26 May to 30 June, 1910, pub. 1913, b&w illusts. from photos., orig. cloth gilt, a little rubbed, 4to, together with Harding (J. D.), Elementary Art: Or, the Use of the Chalk and Lead Pencil, Advocated and Explained, 3rd ed., 1846, uncol. soft-ground lithos., orig. blindstamped cloth gilt, worn on spine, folio, plus Albrecht Durer Kupferftiche. In getreuen Nachbildungen mit einer Einleitung herausgegeben von Jaro Springer, Munich, 1920, 102 b&w mounted plts., some minor scattered spotting, orig. cloth gilt, a little rubbed, tall folio, and others, various (10)

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Uzelac (Milivoy, 1897-1977). A snooker hall, c.1950s, gouache on paper, signed in pencil, approx. 310 x 230 mm, mounted (1)

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Prints. Barraud (F.P.), 'Radley-"The Exterior"', pub. Dickinson & Foster, March 2nd, 1891, etching by F.Hunter after Barraud of boys practicing in the nets with Radley beyond, approx. 330 x 490 mm, signed in pencil by the artist and engraver to lower margin, laid onto card, mounted, together with a mid 19th century uncoloured litho. entitled 'International Cricket Match, at Kensington Oval', approx. 195 x 230 (2)

Lot 1

Album. An early 20th c. album of croquet sketches and player portraits, mainly in watercolour and pencil, dated 1904-07, mostly captioned with the names of the participants, and their location (Malvern, Windlesham, Reading, Eastbourne, Ascot, Folkstone, etc), mostly miniature humorous caricatures, etc., orig. cloth, a little rubbed, small oblong, 8vo (approx. 90 x 125 mm) (1)

Lot 1

Scorecard. All England Croquet Club Championship Meeting, June 27, 1876, and Following Days, folding card printed to both sides, with scores completed in pencil, approx. 130 x 90mm, together with Advertisement card, J. Buchanan, 215, Piccadilly.., Reduced Price List for Cash, n.d., c.1870, single folded card, printed to both sides with list of archery and croquet items, approx. 115 x 75mm (2)

Lot 1

Fougasse (pseud., really Cyril Kenneth Bird, 1887-1965). A collection of original artwork by Fougasse for the Rugby Football Union, c.1960, consisting of four watercolour and gouache designs on card, and eighteen b & w designs on card, (incl. some small-format), in total, the majority for the R.F.U.'s manual Training for Rugby Football, first published in 1962, but including two col. designs for The Basic Skills in Rugby Football, published 1961 (approx. 280 x 190mm), and a col. design for a poster advertising Official Rugby Union Publications (approx. 410 x 295mm), all with instructions for the printer in pencil, together with a similar pamphlet entitled Why The Whistle Went, pub. Rugby Football Union, revised July 1948, with illusts. by Fougasse, orig. printed wrappers, slim 8vo (18)

Lot 1

Burke (Robert O'Hara, & Wills, William James,). The Burke and Wills Exploring Expedition; An Account of the Crossing the Continent of Australia, from Cooper's Creek to Carpentaria. Reprinted from "The Argus", Melbourne: Wilson and Mackinnon, 1861, iv + 32pp., double-col. text with occasional pencil marks, orig. printed salmon wrappers, stitched as issued, some soiling and wear, slim 8vo. Ferguson 7702. (1)

Lot 1

A mixed lot comprising: an Edwardian facet cut Scent Bottle with hinged lid and ground in stopper, Birmingham 1902; Together with a cut glass and silver mounted Hair Tidy, Birmingham 1908 and gilt metal mounted and hard stone Box with side slide for a pencil to a hinged lid and vacant interior, (3)

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A Tray containing Scandinavian white metal Tea Strainer and small Coaster, pair of white metal Condiments formed as a Dutch boy and girl, a Continental white metal pierced oval Bonbon Dish and two Coasters and a small Propelling Pencil, (8)

Lot 1

A Box of various items including two hallmarked silver Cigarette Cases, hallmarked silver Dessert Spoon, Parker gold plated cased Fountain Pen, hallmarked silver Lipstick Holder and a cased Platignum Fountain Pen and Pencil Set

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Salvador Dali (1904-1989) SONG OF SONGS SERIES Five, pencil signed and each numbered 122/250, etching and aquatint 40 x 25cm

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Salvador Dali (1904-1989) BULLFIGHTER Pencil signed and numbered 36/300, coloured lithograph and THE TRIBES OF ISRAEL frontispiece, pencil signed and numbered 3/20 49 x 36cm

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Alexander Calder (1898-1976) SUN AND GRID Screenprint, signed in pencil, 78 x 58cm

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Joan Miro (1893-1983) UNTITLED Lithograph printed in colours, signed in pencil and numbered, 56 x 76cm

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Joan Miro (1893-1983) TWO STUDIES Lithograph, signed in pencil and numbered 77cm x 37cm and 90 x 60cm (2)

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Isaac Charles Ginner (1878-1952) AN ITALIAN TOWN WITH A CATHEDRAL Woodcut, signed in pencil and numbered 12/30, hand coloured, 30 x 25cm

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Richard Dighton (1796-1880) PORTRAIT OF A GENTLEMAN HOLDING A TOP HAT, FULL LENGTH Signed, pencil and watercolour, 28 x 21cm

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An Edwardian silver card case, S Blackensee & Son, Birmingham 1904, the cover decorated in relief with five cherub masks against a cloudy backdrop, 9cm long Another silver card case and aide memoire, decorated on both sides with vacant rocaille cartouche, surrounded by spiral fluting within a foliate border, probably H Matthews, Birmingham 1902, green silk lined with ivory aide memoire and propelling pencil 10cm long (2)

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Legends for Lionel in pen and pencil, by Walter Crane, published London, Paris, New York and Melbourne 1887

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CRAIG CAMPBELL Ten Football Caricatures Pen, ink and coloured pencil each signed by artist and the footballers approx 15" x 9 1/2" (38cm x 24cm)

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WOLFE Portrait of a young woman Blue wash Signed in pencil, lower left 8 1/4" x 9" (21cm x 23cm)

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WILLIAM STRANG R.A (1859-1921) Portrait of Mrs Edward Weir Schultz, head and shoulders pencil inscribed lower right 'To Mrs Schultz from Wm Strang, July 1913 11 1/2" x 8 1/4" (29cm x 21cm)

Lot 1

Midshipman's Log and subsequent journal, a mid 19th century manuscript log compiled by Midshipman (later Vice-Admiral) Martin J. Dunlop, Royal Navy, and covering the officers' lengthy training in H. M. Ships 'Victory', 'Ajax', 'Falcon', 'Styx', 'Devastation' and 'Royal Albert', October 1853 - August 1860, the entries mostly of a routine nature but also detailing Dunlop's experiences during the Baltic campaign of 1854-55, with hand drawn charts tipped in throughout and one pencil sketch of the paddle

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A collection of four coloured Lithographs, one signed in the margin in pencil with blind stamp, Portrait subjects

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A coloured Lithograph, 'Mosquito' After Robert Taylor, Signed in pencil to the margin by Leonard Cheshire, plate size 12.5" x 18"

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Sheaffer 'Targa' pen and pencil set; also blue enamelled silver propelling pendant pencil and 3 similar pens.

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Paul HOGARTH, watercolour pencil study 'French Civil Hall' 13" x 22 1/2

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Alice Leisenring: two framed series of comical pen and ink sketches of small dogs, one with eight pictures, one with seven, each with description in pencil below, one signed A, Leisenring, the other initialled A.L (2)

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F. Clayson: a pencil drawing of a tabby cat, head with bell around his neck, oval, framed, plus a coloured print of Prince charles and Princess Anne (2)

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AFTER A MURRAY "View of a stone bridge over river", black & white etching, signed in pencil

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AFTER JACK RUSSELL "A view from the tavern, Bristol", cricketing scene, black & white limited edition print no 12/750, signed in pencil

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AFTER JOY HAWKER "Sheep in a valley" and "Duck crossing", two limited edition colour prints, both signed in pencil

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AFTER MICHAEL N OXENHAM "Welsummer Cock and Hen", limited edition colour print no 244/850, signed in pencil

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AFTER LUCY DAWSON "Wee Scotties (Cairn Terriers)", black & white etching, signed in pencil

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AFTER SNAFFLES "Huntsmen jumping hedges" monochrome print of three pencil sketches with verse after M J Farrell

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AFTER SNAFFLES (Charles Johnson Payne) "The Staff Drag Hunt", the central colour print depicting huntsmen on horseback and hounds coming up to a stile, entitled in pencil, "Hold 'em Back Rammer", the border with seven cartouche scenes entitled in pencil, "Tom Newman", "Yoi over! - the master 1926 - 7", "Jack with the Smell", "That'll larn 'em," "Tiny hacking his way through", "The Arborfield Brook - asking the Government hairies the question", "The Pilot 1925 - 6", some cartouches heightened with pencil drawing, unsigned, and no studio stamp, 55 x 70.5 cm

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AFTER W RUSSELL FLINT "Spanish beauties in a landscape" colour print with studio stamp, signed in pencil

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AFTER W RUSSELL FLINT "A spanish interior scene with five young ladies", colour print with studio stamp, signed in pencil

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AFTER JOHN D SPALDING Collection of black & white photographic studies, signed in pencil, along with University of Cambridge School Certificate etc

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AFTER HENRI JOURDAIN "A French village street scene on a rainy day", coloured etching with studio stamp, signed in pencil

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AFTER HENRI JOURDAIN "A French watermill scene", coloured etching, signed in pencil

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George Soper "The Hay Cart", pencil and watercolour wash, signed, 18 x 29 cm, framed and glazed

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