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AFTER P P RUBENS, ENGRAVED BY C HESS, ANTIQUE BLACK AND WHITE ENGRAVING, DATED 1797, 'Rubens and his first wife', 22" x 16", unframed

UNSIGNED OIL, 'Rubens and Friends', (stretcher inscribed 'James Fletcher, United States Consul with compliments of Larkin G Mend'), 8" x 7"

AFTER SIR PETER PAUL RUBENS The Queen of Sheba before King Solomon 40 x 58cm An 18th c copy, slightly cut down and re-lined early in the 20th c, with some minor restoration in modern gilt cavetto frame

* Old Master prints and drawings, incl. engravings after Rubens, Northcote, Raphael, etc. some fraying and torn, various sizes. (approx. 18)

* Rubens (Peter Paul, 1577-1640). Hunting wild boar, pub. John Boydell, Jan 1st, 1781, hand-col. mezzotint eng. by R. Earlom after Rubens, (untitled) showing classical figures and dogs hunting a wild boar, loosely lined on canvas, approx. 470 X 860mm. (1)

After Sir Peter Paul Rubens The Judgement of Solomon oil on canvas 45 x 78? in. (104.3 x 199.4 cm.) "Derives from the engraving by Schelte ? Bolswert after the picture by Rubens of circa 1615-17, which hung in the Town Hall, Brussels until destroyed during the French bombardment of 1695. There is another version of the picture, painted circa 1616, in the Statens Museum for Kunst, Copenhagen.

Follower of Sir Peter Paul Rubens The Feast of Herod oil on canvas 32? x 68? in. (82.5 x 174.5 cm.)

Studio of Sir Peter Paul Rubens (Siegen 1577-1640 Antwerp) The Birth of the Rose: Venus pulling a thorn from her foot, attended by Putti oil on paper, in a tortoiseshell frame 23? x 17? in. (603 x 451 mm.) "Rubens' painting of this subject is in the Armand Hammer Collection, Los Angeles (D. Jaff?, Rubens, Catalogo Completo , Milan, 1989, no. 72). Jaff? notes that Richard Cosway, in his catalogue of his own collection published in 1791, describes a 'Venus taking a thorn out of her foot, with Cupids, whose various appropriate occupations are most happily conceived and expressed. This beautiful sketch was left by Mr Taverner, at his decease, to Athenian Stuart' (D.Jaff?, loc. cit .) which may perhaps be identified with the present work.

Attributed to Theodor van Thulden ('s Hertogenbosch 1606-1669) Neptune commanding the Winds, attended by tritons and nereids, a fleet beyond, after Rubens black and red chalk on light brown paper, watermark Strasburg lily, the lower left corner made-up 11 x 14 5/8 in. (287 x 379 mm.) "After Rubens' Quos Ego or The Felicitous Sea-Crossing of the Cardinal-Infante , a composition designed on the occasion of the Cardinal-Infante Ferdinando's Triumphal Entry into Antwerp.

Four etchings; portraits after Rubens; and two others

Pair of Rubens Ware Vases, "Pomegranate" pattern, 9in, one A/F

After Sir Peter Paul Rubens the death of hippolytus oil on canvas 51 by 72 cm.; 20 by 28.25 in. A 19th century copy after Rubens' original, painted circa 1610-11, now in the Fitzwilliam Museum, Cambridge (see M. Jaffe, Rubens, Milan 1990, pp. 175-76, cat. no. 144, reproduced).

Circle of Sir Peter Paul Rubens (1577-1640) Flemish, oil on canvas, The Assumption of the Virgin, 41 x 26 ins.

H Scott Bridgewater; a framed and glazed mezzotint engraving of Helen Fourment after Rubens, 38 x 30cm, also an Arthur Hogg mezzotint of Maria Luigia De Tassis after Van Dyck, 38 x 30cm, both signed in pencil, framed and glazed

Follower of Sir Peter Paul Rubens The adoration of the magi oil on panel, unframed 91.3 by 125 cm.; 36 by 49.25 in. The pose of the Madonna and Child are derived from an autograph picture by Rubens depicting The Mystic Marriage of St. Catherine, listed by Jaffe as with Ira Spanierman, New York. (see M. Jaffe, Rubens, Milan 1990, p. 181 cat. no. 177, reproduced)...

After Sir Peter Paul Rubens Hero and Leander oil on canvas 84 by 109.5 cm.; 33 .125by 43 in. A 18th century copy after Rubens's original in the Yale University Art Gallery, New Haven (see M. Jaffe, Rubens, Milan 1990, pp. 156-7, cat. no. 51 reproduced)..

AFTER RUBENS. Self-Portrait of the artist, oil on board, oval, 10 1/4 x 8 1/4 in. within a gilded florentine frame

Two Charles Meigh Bacchanalian Dance mugs: a large two-handled mug or loving cup in white parian with a blue ground, height 16.2cm (restored); and a smaller mug in plain white stoneware, height 12.9cm; both with brown-printed facsimile medal marks with inscription 'The Society of Arts' medal presented to Charles Meigh for the best model of a mug ornamented in relief', circa 1847-50. See Henrywood 1/111-5 for a mug in this design together with the printed mark and the two source paintings by Poussin and Rubens

Rubens Southey Church in a landscape Watercolour Signed 27cm x 34cm and another Moorland landscape Watercolour (apparently unsigned) 26cm x 34cm

Late 18th/early 19th century Continental School Portrait of Rubens Oil on panel/board Unsigned 27cm x 24cm

Spelter figure of Rubens seated, 10cm.

A Royal Doulton series ware plate, further plate, and a Hancock Rubens ware plate.

After Peter Paul Rubens, (1577-1640) THE ELEVATION OF THE CROSS, A GOOD 19TH-CENTURY COPY (oil on canvas) of the triptych, painted by Rubens in 1610 (for the high altar of St. Walburga's Church, now located in the northern transept of Antwerp Cathedral), canvas size 47cm x 75.5cm, (18.5in x 29.7in), in gilt frame with gilt divisions simulating the original triptych

After Sir Peter Paul Rubens (Flemish, 1577-1640) The Incredulity of Saint Thomas, oil on canvas, 129 x 110cm. The original painting is in the Koninklijk Museum voor Schone Kunsten, Antwerp, and in the present painting the composition differs slightly from the original

AFTER P P RUBENS, OIL, The descent from the Cross, 29" x 21"

RUBENS SOUTHEY, SIGNED WATERCOLOUR, Village street scene with shepherd and sheep by cottages and church, 8" x 10"

GEORGE BAXTER The Ascension after Rubens, coloured oil print, 6 3/4" x 4 3/4", and three similar smaller items, Circassian Lady at the Bath, So Tired, Princess Royal and Cornfield, all gilt frames (4)

S * CALISTRI (19th century), Portraits after Rembrandt and Rubens, a pair, signed on ivory, 4 1/2" x 3 1/2". (2)

Rubens (Sir Peter Paul, 1577 - 1640 ). Adoration of the Magi, by Hedwig Marquardt, after Rubens, late 20th c., oil on panel, approx. 380 x 490mm Pencil note written to verso "copy of Ruben, lost in salt mine in 2 W. War". (1)

Rubens (Peter Paul, 1577 - 1640). The Adoration, early 18th c. uncol. engraving by N. Lauwers, after Rubens, approx. 220 x 460 mm, framed and glazed (1)

Prints & engravings. 18th/19th century, including topographical litho. views after Eugene Ciceri, allegorical and genre engravings, large 18th century engravings of portraits and historical scenes, some after Rubens, Rembrandt, etc. (approx. 80)

After Peter Paul Rubens. The garden of love, oil on panel, 55 by 70.6 cm.; 21.625 by 27.75 in.

After Sir Peter Paul Rubens. Susanna and the elders, oil on canvas, 85 by 65.5 cm.; 33.5 by 25.75 in.

Follower of Peter Paul Rubens. portraits of Philip III of Spain and of his wife Margaret of Austria, a pair, both oil on panel, each: 36.7 by 20.6 cm.; 10.625 by 8.125 in. (2)

A Charles Meigh Bacchanalian Dance mug, relief-moulded in stoneware with scenes after Poussin and Rubens picked out with an unusual pink background, the inside rim with a broad band of gilding, height 13.7cm, brown-printed pseudo-medallion mark surrounded by inscription "The Society of Arts' medal presented to Charles Meigh for the best model of a mug ornamented in relief", circa 1847-50.

Bolswert after Sir Peter Paul Rubens (1577-1640) Julius Caeser Engraving P. 28.5cm x 21cm

A RUBENS WARE LUSTRE CIRCULAR BOWL, decorated with fruit by S X Abraham, 9".

Paulus Pontius 1603 - 1658 after Head of Christ, copper engraving, 15" x 11.5", Peter Paul Rubens (1577 - 1640) title partially trimmed and stuck to frame verso.

"Pomegranate" a Hancock Rubens Ware bowl printed mark 20.5cm. diam.

After Rubens- Self portrait; over painted print, 31.2x25.2cm., (unframed)

AFTER P P RUBENS, OIL, Classical figures with looted treasures, 20" x 25", (unframed)

Rubens (Albert, 1614-1657). Alberti Rubeni Petri Pauli F. De re Vestiaria Veterum, Praecipue de Lato Clavo Libri Duo, et Alia Eiusdem Opuscula Posthuma, Quorum Seriem Adversa Pagina Exhibet, Ex Officina Plantiniana Balthasaris Moreti, Antwerp, 1665, wood eng. device to title, three folding eng. plts. and eng. illusts. to text, small strip of upper margin of title excised, near contemp. vellum, 4to (1).

FRENCH FOLLOWER OF SIR PETER PAUL RUBENS (1577-1640), LATE 17th CENTURY WINGED CHERUBS IN PROCESSION Oil on canvas 50.5 x 40cm. ++ Old relining; some associated retouching, particularly at the edges; craquelure; needs a clean; good gilt frame.

A large folio of assorted 18th and 19th Century unframed monochrome engravings including portraits and works after renowned artists such as Rembrandt, Sir Joshua Reynolds, Godfrey Kneller, Rubens, Sir Thomas Lawrence, Thomas Phillips etc., over 200 examples, some with margins, some cropped, almost all with titles

Crown Ducal vase decorated a writhing dragon c.1930, pair of 'Rubens' ware vases by Hancock, one (af) and an Art Deco wooden wall plaque

L..Pompignoli after Sir Peter Paul Rubens (19th century) A PORTRAIT OF SIR PETER PAUL RUBENS, HEAD AND SHOULDERS WEARING PERIOD COSTUME Inscribed with the artist's name verso together with a further inscription "Firenze, 1873", oil on panel, {66cm by 55.5cm (26in by 22in)}.

DE VOS, Dirk - Hans Memling Das Gesamtwerk, 1994, dust jacket, together with; HELD, Julius - Rubens: Selected Drawings, 2 volumes, London 1959, red cloth and glassine wrappers, and a quantity of other monographs on Northern European Artists and Art. (21).

After Rubens, 'La Divination par les entrailles.' an engraving 18.5 x 26in (47 x 66cm)

RUBENS SOUTHEY West Country coast. Watercolour. Signed. 13 x 19ins.

AFTER SIR PETER PAUL RUBENS:+ The Adoration of the Shepherds, oil on canvas, 107 x 73.5cm (42 x 29in)

Paulus Pontius- The Massacre of the Innocents, after Peter Paul Rubens, 1643; engraving, 61x88.2cm

After Peter Paul Rubens. 39.75in. x 27.5in. (101 x 70cm). The Deposition of Christ.

RUBENS BARRICHELLO, a colour racing action photograph, signed in black ink, 25 cms x 20cms, including margins.

French School, 19th century after Peter Paul Rubens, Toilette de Venus, circular, oil on papier mache, 9cm diameter, titled on the reverse, in a decorative frame

A PAIR OF LATE 19TH CENTURY SPELTER FIGURES, DEPICTING REMBRANDT AND RUBENS, raised on circular ebonised bases, each 17ins high.

**** Kendrick. 3.75in. x 2.75in. (9.5 x 7cm). Miniature portraits of Rembrandt and Rubens. Signed on labels on the reverse. (a pair)

A maple framed Rubens print

MARCHANT, JOHN. An Exposition on the books of the New Testament, Extracted from The Writings of the Best Authors . . ., Printed for the Author, 1743. Folio, cont. calf (rather worn). Engraved portrait frontispiece, two folding maps (one with two short tears), and 12 plates after Rubens and others (two frayed and detached). With another volume.(2)

E. Jacob: Copy of a Rubens self portrait, pencil and chalk, 14" x 10", signed and dated 1872

After Peter Paul Rubens, (1577-1640), Scenes from the La Vie de Marie de Medici Cycle, coloured mezzotints, each 21 x 16.5 cm each framed in tortoishell and gilt metal mounted frames