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Continental School, 18th Century - head and shoulder portrait of a gentleman after Rubens, oil on canvas, 73cm x 63cm, framed

Rubens Southey MOORLAND STREAM Signed watercolour, 26 x 35.5cm.

After Rubens, copy portrait of the artist as a young man, indistinctly signed verso, oil on canvas, 85cm x 59cm, contained in a gilt Florentine frame

An S Hancock & Sons Rubens Ware vase with pomegranate decoration, together with a Royal Doulton ewer with marbled finish and flower head detail, with impressed mark to base and numbers 7239

An early 20th century watercolour and body colour study of a coastal scene with rugged cliffs, seagulls, distant lighthouse, etc, signed bottom left Rubens Southey, Plymouth framer's label verso, 52 x 74 cm in wide moulded gilt frame and gilt slip

ENGLISH SCHOOL 19TH CENTURY Portrait of Charles I, on ivory, 4.75 x 3.75 cms; Continental School 19th century after Rubens, portrait of Anne of Austria (1601-1666), Queen of France, on ivory, 10 x 8 cms; After Daniel Mytens, portrait of Henry Wriothesley, 3rd Earl of Southampton (1573-1624), wearing armour, half length on ivory (3)

*Both (Jan, 1615-1652). Sight (t'Gesicht), Smell (De Reuck) & Taste (De Smaek), from the series The Five Senses (De Vijf Zintuigen), circa 1642-1650, together 3 etchings on laid paper by Jan Both after his brother Andries, with foolscap watermark to each, numbered 1, 3 & 5 lower left or lower right, plate size 224 x 176 mm (8.8 x 6.9 ins) and similar, with margins, (the first plate with upper left corner repaired and extreme lower left corner with slight loss, just touching plate mark), early 19th century ink ownership initials WC to lower right corner of each plate, and inscription in brown ink to verso of the first plate with the Bartsch reference and '1829 WE Josi's sale 5 Pcs N 160' Barsch 11-15. Provenance: Christian Josi (died 1828), printmaker and art dealer, who inherited the collections of Cornelis Ploos van Amstel in 1800. Sold Christie's, March 1829. William Esdaile (1758-1837), banker and collector, who lived on Clapham Common, and whose picture collection included works by Durer, Ostade, Rubens, Ruisdael, Richard Wilson and Gainsborough. (3)

After Sir Peter Paul Rubens (1577-1640): Cherubs with fruit, oil on canvas, unsigned

[Emblemi]. Pietrasanta, Silvestro. De symbolis heroicis libri IX. Anversa, Officina Plantiniana, 1634. In 4° (207 x 155 mm); lxxx, 480, [36] pagine. Frontespizio allegorico inciso da Galle su disegno di Rubens, 8 tavole a piena pagina di stemmi ed alberi genealogici, numerosissimi emblemi a mezza pagina, il tutto finemente inciso in rame (manca il ritratto, esemplare composto, macchie e bruniture su alcune carte.) Legatura coeva in bazzana con grande stemma araldico in oro ai piatti, fregi e titolo in oro al dorso (taglio al piatto anteriore, abile restauro alle estremità del dorso). Famosa opera emblematica. Nel lotto anche un esemplare composto della prima ed unica edizione di Giulio Cesare Capaccio, Delle imprese nell’edizione napoletana del 1592. (2 volumi) € 250

After Rubens, self portrait, 19th century copy, oil-on-paper in an ornate leaf moulded gilded oval frame, size overall 43 x 34cm

‡ Duncan Grant (1885-1978) After Peter Paul Rubens Peace and War Signed with initials and inscribed Rubens, also inscribed on backing board verso For Anita and Bill from Paul R. gratefully, April 1979 Pencil and chalk 23 x 33cm Provenance: Given to the author Anita Lesley by Paul Roche By descent to the vendor ++Foxed and stained, paper rippled [additional dirt on reverse of glass may show in image]

A Pair of Hancock & Sons Rubens ware pomegranate tapering vases.

After Rubens/The Deposition of Christ/oil on canvas, 105cm x 81cm

A large Hancock and Sons Rubens Ware 'pomegranate' pattern printed and painted vase by F X Abraham, 32cm high CONDITION REPORT: The glaze is heavily crazed and cracked although this is only visible on close inspection, and whilst there are no chips or cracks the vase does not 'ring' when tapped and therefore there are one or more hairline cracks that I have not found.

Manner of Rubens, The Judgement of Solomon, oil on canvas, 45cm x 53cm.

Rubens Southey (1881-1932) watercolour. 'The Barbican Plymouth'.

Pietro Paolo Rubens (Siegen 1577 - Anversa 1640), copia da, Deposizione olio su tela, cm 58x68

Forty-seven reproduced images as used by the Victoria and Albert Museum of various studies to include figure studies by old masters, Sir Peter Paul Rubens (1577-1640), Sir Peter Lely (1617-1680), Bernardino Passeri, Claude Gilloi (1673-1722) and many others, also some 20th century reproductions of lithographs to include Louis Le Bracquy (b1916-), Pablo Picasso etc, each measures 38 x 21cm (47).

Rubens (Alfred) A Jewish Iconography, Nonpareil London 1981, 67/650, signed and inscribed by the author

Rubens Southern Darmore high tor. "Condition report: see terms and conditions"

After Peter Paul Rubens: self portrait, oil on canvas, unsigned, 73 by 62cm, in a gold over painted gilt wood frame. Provenance: Bought from Dibblington Hall, Buckden, on 20th of June 1956, lot 521, with copy of the catalogue. The original hangs in Windsor Castle.

Two signed photographs of Michael Schumacher, and Rubens Barrichello, both in Ferrari driving suits, together with a Nokia phone case with Michael Schumacher, two postcards for Barrichello and Schumacher, a 2001 Michael Schumacher Ferrari Hotwheels car and a letter from Ferrari to a fan.

PAIR OF HANCOCK RUBENS WARE EARTHENWARE VASES circa 1920-25, decorated with apple trees on a deep purple ground, each 32.5cm long

FRENCH SCHOOL (EARLY 19TH CENTURY) After Rubens and Muller, portrait of Albert, Archduke of Austria, pencil with crayon, 20cm x 15cm; four further similar portrait studies, to include Marie Antoinette and Charlemagne and a further pair of similar smaller portraits, Louis, Dauphin de France and Victor Amédée (7)

After Peter Paul Rubens and Rembrandt van Rijn/Self Portraits/a pair/pastel, 66cm x 51cm Provenance: Formerly the property of James Halliwell-Phillipps, an English Shakespearean Scholar and by descent to the present owner

After Peter Paul Rubens, 'The Presentation of the Portrait of Marie de' Medici', Circa 1900 Painted depicting Hymen and Amor present a portrait to Henry IV, unsigned, oil on canvas, 46cm x 36cm, framed. (illustrated)

Rubens Southern Darmore high tor. Condition report: see terms and conditions

A stunning 20th century Rubens Ware hand painted dish in the pomegranate pattern signed FX Abraham/ W25cm

After Peter Paul Rubens Queen Tomyris and the head of Cyrus Oil on panel 52 x 71.56cm; 21½ x 28in After the original in the Museum of Fine Arts, Boston

AFTER SIR PETER PAUL RUBENS (1577-1640)Self-Portrait of the Artistoil on canvas laid on board32 x 24 in (81.3 x 60.9cm) After the 1623 Self-Portrait in the Royal Collection, London

After Sir Peter Paul Rubens, , Self portrait, oil on canvas, 75cm x 63cm.

An autographed photograph of the 1920's B movie cowboy actor Buck Jones, three other similar photographs from the Fannie Rubens collection and one other similar framed photograph of The Keystone Cops.

Style of Peter Paul Rubens (1577-1640) Flemish. Portrait of a Bearded Man, Oil on Board, 18.5" x 13".

Peter Paul Rubens. Drawings, Julius S Held, Phaidon, 2 Volumes.

A Rubens Ware Pomegranate vase, chip to base, 25cm

Two German painted lacquer roundels, one a portrait of the painter Rubens, 8cm. diameter, the other a tavern scene, 6cm. diameter.

After Otto Octavius van Veen (1556-1629) - Portrait of the Roman Emperor Caligula; Galba; and Vitellius A group of three, oil on panel in painted ovals Inscribed C.C AE Caligula , Serg. Galba ., and A. Vitellius Each c.22.5 x 18 cm. (8 3/4 x 7 in), (3) Traditionally thought to relate to a lost series of Roman Emperors by Rubens, but now understood to derive from two partially complete sets by Van Veen and his workshop, one in the Staatsgalerie, Stuttgart, and another that sold at Christie s (see: Vervoordt sale, Kasteel van s-Gravenwezel, 10-12 May 2004, lot 143).

A Rubens Ware Pomegranate jug, height 17.5cm

A pair of cast iron figures of Rubens and Rembrandt, bronzed, 38cm.

Large circular cast metal wall plaque relief decorated with a portrait of Peter Paul Rubens, 22ins diameter

Style of Peter Paul Rubens (1577-1640) Flemish. Portrait of a Bearded Man, Oil on Board, 18.5" x 13".

A 1994 British Grand Prix large and small programs signed by Eddie Irvine and Rubens Barichello

ATTRIBUTED TO MILES EDMUND COTMAN (1810-1858) STUDY OF A LION, AFTER RUBENS Bears signature Cotman, washes and black crayon heightened with touches of white 29 x 44cm. * After an original drawing by Rubens, 28 x 43cm, c.1620 (British Museum, London). In 1842, John Sell Cotman died and was succeeded by his son Miles as the drawing master at King's College, London. This drawing may date from between 1836 (when he first assisted his father at King's College) and c.1852 when he returned to Norwich due to failing health. ++ Needs a clean; some discoloration; faint crease lower left corner

A large 19th century brass wall plaque with relief portrait of Rubens, 24"

Manner of Peter Paul Rubens- 'Agnus Dei', Cherub and Putti with Lamb:- oil on canvas 100 x 125cm, unframed

A cast iron circular portrait wall plaque of William Shakespeare 55cm and another of Peter Paul Rubens 58cm (NC)

A ladies .800 silver pocket watch, a/f, Telsir and Rubens watch heads (both a/f), and a stainless steel pocket knife in a leather case.

A quantity of pipes, 19th century, comprising a clay pipe carved with the Crystal Palace and leaves, 19.5cm long, further clay pipe commemorating the Coronation of King Edward VII and Queen Alexandra, 16cm long, Gambier pipe carved with the head of Rubens, pipe carved as a bird's claw and egg, engraved Eskis Ehir, 13cm long, meerschaum carved as a lady, 16cm long, cased, and plain briarwood and amber pipe, 16cm long, also cased. (6)

Bible [English]. The Holy Bible Containing the Old and New Testament. Newly translated out of the Originall tongues and with former translations diligently compared and revised by his Majesties speciall command..., [Amsterdam]: Printed in the Year 1672, additional engraved title (detached & frayed to edges), four double page engraved maps including double hemisphere map of the world showing California as an island (the map is sometimes attributed to Cornelius Danckerts or Jacob Savry and bears similarities to various maps issued by Visscher) and maps of the Holy Land, Extra Illustrated with 113 contemporary double-page engraved plates by Visscher after Bloemaert, d'Hondecoeter, de Vos, Rubens, van Heemskerck, de Brun, de Bruyn, van Winghe etc. (few torn mostly to central fold), engraved plate of Christ on the cross to upper pastedown (wormed & some manuscript inscription, each leaf of text neatly guarded to extended gutter margin, some closed tears and marginal fraying, some browning & spotting, few worm holes, near contemporary blind stamped calf, decorative brass corner pieces, lacking clasps, rebacked, boards rubbed and scuffed, folio Herbert 708 & Darlow & Moule 557, which calls for map of the World and two other maps (by Jacob Savry). (1)

After Sir Peter Paul Rubens (1577-1640) and Studio - Portrait of a lady, half length, in a blue dress with slashed sleeves and set with pearls Oil on canvas 97 x 74 cm. (38 1/8 x 29 1/8 in) After the painting in the Mauritshuis, the Hague, painted circa 1620-1630.

Francois Verdier (1651-1730) - Christ before Caiaphas; The Blinding of Elymas A pair, graphite with grey wash, on laid paper, both squared for transfer The former with pen and brown ink inscription lower edge 17 x 13.5 cm. (6 3/4 x 5 1/4 in), and 17 x 14.5 cm. (6 3/4 x 5 3/4 in) Together with a brush and grey ink drawing of Soldiers and Peasants at a table , after Sir Peter Paul Rubens, 14.5 x 20.5 cm. (5 3/4 x 8 in), all unframed (3). Provenance: Sale. Christie's, Old Master and British Drawings and Watercolours, 2 nd December 2014 , lot 30 (Part of lot)

BREVARIUM ROMANUMPlantin MDCXXI 1621, illustrated by Paul Rubens, Liam Miller’s copy bound in full leather with his Dolmen Press bookplate (given as a momento to TJBV by Liam Miller’s widow, Jo Miller).

After Peter Paul Rubens Queen Tomyris and the head of Cyrus Oil on panel 52 x 71.56cm; 21½ x 28in After the original in the Museum of Fine Arts, Boston

Pieter Paul Rubens (1577-1640) d'après Portrait d'un gentilhomme hollandais huile sur toile &nbsp XIXe s. &nbsp 51x37 cm

Pair of Spelter Figures on Wooden Plinths - Rembrandt and Rubens c. 1890

A 1993 British Grand Prix programme signed by Murray Walker, Rubens Barachello, Christian Fittapaldi, J.J Lehto and Fabrizio Babazza

A 1994 British Grand Prix large and small programs signed by Eddie Irvine and Rubens Barichello

After Rubens ¬hillies Armatus' Engraving 45.5cm x 46; And a mezzotint portrait of a lady (2)

UNATTRIBUTED; oil on canvas depicting a seascape with a sailing vessel with a smaller vessel by its side, with sea gulls and further sailing vessels in the background, indistinctly signed lower right, 29 x 39cm, UNATTRIBUTED; watercolour depicting two fishermen by a lake surrounded by trees with a dwelling in the background, unsigned, 27 x 37cm, framed and glazed, UNATTRIBUTED; watercolour depicting a bridge with dwellings in the background, 39 x 29cm, framed and glazed and After RUBENS SOUTHE; a coloured print entitled "The Incoming Tide Porth Near Newquay, Cornwall", 22 x 51cm, framed and glazed (4).

A pair of 19th Century leaded glazed panels, depicting Rubens and Bacon, 24cm dia.