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EUROPEAN ART. 9 vols., including: Hubert, J., J. Porcher and W.F. Volbach. Carolingian Art, 1970; Europe in the Dark Ages, 1969 -- Lassaigne, Jacques. Flemish Painting, The Century of Van Eyck, 1978; ...From Bosch to Rubens, 1978. Folio and 4 to., mostly cloth, some in d.ws. Illustrated. (9)

AFTER SIR PETER PAUL RUBENS Portrait of Helena Fourment oil over a printed base, panel, 33 x 22.5cm After the picture of 1630-32 in the Gulkbenkian Museum, Lisbon. ++ On request

A Vienna style tray, painted with putti after Rubens in a raised gilt frame reserved on a claret ground, in light blue and gilt border, 35cm diam, painted shield in blue and title in black script, c1900 (see illustration) ++ The gilt border of urns around the panel very slightly rubbed, no restoration

After Sir Peter Paul Rubens - Head and Shoulders Portrait of the Artist's Son, 20th Century colour print, together with a collection of colour prints and 18th Century engravings.

Borba de Moraes (Rubens) Bibliographia Brasiliana 2 vol. original cloth dust-jackets slightly rubbed Rio de Janeiro 1958; and 10 others travel 8vo & 4to

Manner of Rubens, Figures and cherub, Oil on canvas, 59cm x 59cm.

AFTER PETER PAUL RUBENS, ENGRAVED BY S A BOLSWERT AND N LANSVERS, ‘The Triumph of the Sacrament - Victory over Paganism’ and ‘The Triumph of Religion’, 25” x 34”, folded, margins trimmed, laid down, gilt framed, (2)

Rubens Arthur Moore, (fl)1881-1920- 'Northern Spain'; oil on canvas, signed and dated, 37x50cm.

NATTIER AFTER RUBENS - La Gallerie du Palais du Luxembourg, ....Gravee par les Plus Illustres Gravures..., Paris 1710, 23 fine engraved plates including three doubles (lacks portrait and one plate), folio, later half-calf, binding broken, some dust soiling.

Hancocks & Sons Rubens Ware Vase and Dish (2).

A collection of Hancock "Pomegranate" Rubens ware, English early 20th century, comprising; a hexagonal shaped fruit bowl, a pair of shoulder form vases and a pair of cylindrical vases with averted rims. Bowls diameter 23cm.

AFTER RUBENS Self Portrait 44in x 33in (112 x 84cms) ++ 19th Century Canvas, good condition, small repair in sky above sitter's hat

*Elizabeth II (Queen of Great Britain & Philip, Duke of Edinburgh). Christmas Card [sent to Percy Benham], 1961 , signed by both under the printed message and dated, col. reprod. of "The Holy Family with Saint Francis" by Rubens facing, folded grey card with gilt Royal crests on the front, 22 x 22cm (1)

A Hancock & Sons Rubens Ware vase printed and painted with pomegranates and two H & K Tunstall vases printed marks main repaired damages 36cm. high

A pair of S Hancock Rubens Ware pomegranate pattern vases, the compressed bulbous bodies rising to gently swelling necks and everted rims, printed and painted with red and yellow fruit on a cobalt and purple ground, 14’ high, restored.

*Thomas Cheesman 1760-1834- cherubs heads, after Peter Paul Rubens, publ. by Thomas Cheesman, April 6th 1800, london; stipple engraving printed in colours, 34x46cm

Josiah Boydell, 1752-1817- ‘A bacchanalian’, after Sir Peter Paul Rubens, publ. according to act of parliament, by J. boydell engraver, in Cheapside London; 1768; engraving, 38x30cm

Aguilon Francis d'. Opticorum libri sex philosophis iuxta ac mathematicis utilis. Antwerp: Plantin 1613. First edition folio pp. [48] 684 [42] half title engraved title and 6 engraved headpieces by Theodor Galle after Peter Paul Rubens illustrations in text later calf brown label gilt worn hinges cracked occasional spotting damp staining from pp 604 onwards final leaf absent. Provenance: W. Mackenzie M.D. bookplate. Ink inscription of John Leslie 1820. Note: Aguilon provides a synthesis of classical and modern works on optics and outlines his original theory of binocular vision and his invention of the horopter. Provenance: W. Mackenzie M.D. bookplate. Ink inscription of John Leslie 1820. Note:Aguilon provides a synthesis of classical and modern works on optics and outlines his original theory of binocular vision and his invention of the horopter.

A Royal Doulton 'Rubens' ware vase decorated with children, printed mark.

MANNER OF RUBENS (1577-1640), 18th CENTURY PUTTO CARRIED ON A SHIELD: AN ALLEGORY OF WAR Oil on panel 30 x 33.5cm. ++ Recently renovated; craquelure; dabs of retouching

Rubens Santoro, Italian 1859-1942, Canal Grande e Salute, signed; bears title on an old label attached to the reverse, oil on canvas, 49x36cm.; 19x14in.

Rubens Santoro, Italian 1859-1942, fantasia, signed, titled, dated 1890 and inscribed, oil on artist's palette, 26x38cm.; 10.25x15in.

Rubens Santoro, Italian 1859-1942, Portrait of a Lady, signed, oil on canvas, 28.5x19cm.; 11.25x7.5in.

VORSTERNAN LUCAS (SENIOR) 1595-1675, the dercent from the cross, after Rubens, copper line engraveing 1620, 58cm x 43cm, dedicated to Sir Dudley Carleton

VORSTERNAN LUCAS (SENIOR) 1595-1675, the Adoration of the Magi, copper line engraving, after Rubens 1620, 57cm x 43cm, dedicated to Albert Arch Duke of Austria, with the Adoration of the Shepherds 1620, 57cm x 43cm, dedicated to The Chancellor of Brabant (2)

PONTIUS PAUL, (entered the studio after departure of Vorterman) On the Road to Calvary, after Rubens 1632, copper line engraving, 60cm x 45cm

LAWERS NICHOLAS, The Exaltation of the Cross, copper line engraving, after Rubens, two sheets 64cm x 90cm, (dedicated to Leopold Archduke of Austria) (2)

DE BALLIU, P, The Marriage of Hippodamia mock battle between Lapiths and Centaurs (ovid 'Metamorphoses' book XII) copper line engraving, after Rubens, c.1630, 40cm x 60cm (cover)

*Rubens (Peter Paul, 1577-1640). Four rustic views with figures and animals to foreground, uncoloured 18th century engravings by Caspar Huberti, approx. 315 x 420 mm (4)

*Rubens (Peter Paul, 1577-1640). The Crucifixion, 18th century engraving by Michiel Bunel, contemp. ink writing to lower margin, approx. 450 x 325 mm, together with 'Christi Funus', 18th century engraving after Rubens, approx. 490 x 380 mm, and other old master engravings after Durer, Visscher, Raphael, Van Dyck, etc., various sizes (12)

Manner of Rubens, oil on canvas, death of a warrior, 90 x 70cms

GASPAR HUBERTI AFTER RUBENS, A country dance, monochrome engraving, 12 1/2"x 17"; and one other 17th Century engraving "Diana" (2).

Rubens Santoro, Italian 1859-1942, Still Life of Poppies, signed, inscribed Napoli and dated 1890, oil on canvas, 53x33cm.; 21x13in.

Follower of Sir Peter Paul Rubens The crucifixion oil on canvas unframed 334.5 by 167 cm.; 131.625 by 65.75 in. W

N. Tardieu after Peter Paul Rubens Maxenth Clades et Interitus Defaitte et Mort du Tyran Maxence Etching s. 36cm x 53.5cm and four portrait lithographs

After Rubens - a steel engraving, 'L'Esté' (trimmed margins); and five other prints, various, 43cm x 59.5cm (steel engraving);

TYPI SANCTORUM SEPTEM SACRAMENTORUM NOVAE..., Rome 1619, title and seven numbered plates only, later boards, folio, RUBENS, Peter Paul-La Gallerie du Palais..., circa 1710, text only within engraved borders, contents loose, worn etc. (2).

A Vivienne Westwood Rubens print velvet shirt and trousers, English Anglomania, 1993 collection, Gold label, size 40, printed overall with the 'Rape of the daughters of Leucippus' the jeans-cut trousers size 30 (2).

RUBENS SOUTHEY, SIGNED, WATERCOLOUR, misty moorland scene with cattle, 13" x 19"

Graduated set of four Hancocks Rubens Ware 'Pomegranate' octagonal jugs by Abraham, tallest jug 7" high (4)

Hancocks Rubens Ware 'Pomegranate' cylindrical vase, 9.25" high; also another similar vase (2)

Pair of Hancocks Rubens Ware 'Pomegranate' ginger jars and covers signed Abraham, 8.5" high

Three Hancocks Rubens Ware vases and a similar Titian Ware small octagonal jug (4)

Rubens A.J.N. Southey (1881 - 1933), "Dartmoor, High Tor", signed, watercolour, 35 x 45. 5cm.; 13. 75 x 18in.

Christian Rugendas (German, 1708-1781), after Georg Philipp Rugendas, Horses being shod; A battle scene, two mezzotints, 17 x 29cm (6 1/2 x 11 1/2in) and slightly smaller, together with 'Chevaux Frises', coloured aquatint after Johann Georg Pforr (1745-1798), 25 x 20cm (10 x 8in) and 'Rubens 2d wife', mezzotint by James McArdell after Sir Anthony van Dyck (4)

An extremely fine needlework picture depicting The Judgement of Solomon, worked in silk, wool and raised metal brocade on a part painted silk ground. Probably English, first quarter 18th century, 14 ? in. x 20in. 37cm. x 51cm. Very slight shattering to silk ground lower edge left, upper edge centre, right edge centre. Inscription along base: FEMINEAS DIRIMIT REGIS PRUDENTIA LITES JUSTICIA. Framed and glazed. This fine needlework is closely based on the engraving by Boetius A. van Bolswert after the painting by Sir Peter Paul Rubens now in Copenhagen, the only significant difference being the courtyard scene in the background; the engraving was published by Visscher, Amsterdam, in 1660 in a collection of biblical engravings after paintings which, like the earlier and better known set by Gerard de Jode, Thesaurus Sacrarum Historiarum Veteris Testamenti, was subsequently widely used in a variety of applied arts but most particularly in tapestry and needlework, both professional and domestic.

Rubens Santoro, Italian 19th/20th century - Venetian canal scene; oil on canvas, signed, 49.7 x 37cm., (unframed)

English School folio of prints and watercolours, Including engraving of Charles Dickens after Frith and Hippolitus after Rubens.

A collection of Carltonware, including a bowl decorated with a sponge blue ground transfer printed and over decorated with a flowering jardiniere and floriate motifs, 30cm diameter; a pair of hexagonal vase and covers, bearing 'Rock and Pheasant' pattern; a smaller vase; and a Rubens Ware bowl (5)

J. Pool- River landscape with fishing vessels; oils on canvas, signed, 49.5x70cm: British School c1920- Still life with a Chinese figurine; black and coloured chalk: together with a print of athletes by Newcombe, a reproduction print of the Duomo, Florence, and a steel engraving after Rubens,

Bolswert after Rubens, engraving, The Virgin and St.Anne, unframed, 42 x 31cms, an etching of Holyrood castle by E.Slocombe, a French fashion plate, and 6 more prints (9, all unframed)

Bazin (Germain). Théodore Géricault, Etude Critique, Documents et Catalogue Raisonné, vols. IV-VI only, Paris, Bibliothèque des Arts, 1990-94, numerous col. and b & w plts. and illusts., all orig. cloth in d.j.s., 4to, VG, together with Wildenstein (Georges), The Paintings of Fragonard, Complete Edition, Phaidon, 1960, num. tipped-in col. plts., b&w illusts., orig. cloth gilt in glassine d.j., with printed slipcase, 4to, VG, plus Held (Julius S.), Rubens, Selected Drawings, 2 vols., Phaidon, 1959, tipped-in col. frontis. to each vol., b&w plts., orig. cloth gilt in glassine d.j.s, with slipcase, 4to, VG, and Melot (Michel), L'Oeuvre Gravé de Boudin, Corot, Daubigny, Dupré, Jongkind, Millet, Théodore Rousseau, Paris, Arts et Métiers Graphiques, 1978, num. b&w illusts., orig. cloth in d.j., 4to, VG, plus other various art reference, similar, including Italian High Renaissance and Baroque Sculpture, by John Pope-Hennessy, 3 vols., 1963, many in d.j.s, mostly 4to, G/VG (43)

"Pomegranate" a Hancock Rubens Ware vase and cover and a vase similar printed marks 22cm. high.

A Sampson Hancock "Rubens Ware" comport printed and painted with pomegranates within stylised borders and washed in a palette of dark red, blue, green and purple, the petal edged shallow bowl raised on slender spreading circular base, 5" high, printed mark with Abraham title.

Four Sampson Hancock "Rubens Ware" petal edged plates printed and painted with pomegranates within stylised borders and washed in a palette of dark red, blue, green and purple, printed mark, two with sponging to reverse and bearing name Abraham, 9" diameter, S/D.(4).

A Sampson Hancock "Rubens Ware" vase, the tapering ovoid body printed and painted with pomegranates within stylised borders and washed in a palette of dark red, blue, green and purple, turquoise sponged interior, printed mark bearing Abraham name, 13" high, hairlined.

A Sampson Hancock "Rubens Ware" shallow planter printed and painted with pomegranates in a palette of dark red, blue, green and purple, the compressed oval body raised on four scroll bracket feet, printed marks, 14" long, hairline crack.

Two Sampson Hancock "Rubens Ware" petal edged plate printed and painted with pomegranates in a palette of dark blue, green, red and purple within stylised borders, sponge decorated reverse, printed black marks and named Abraham, 9" diameter.(2).

A Sampson Hancock "Rubens Ware" petal edged bowl printed and painted with pomegranates in a palette of dark blue, green, red and purple within stylised borders, sponge decorated reverse, black backstamp and marked Abraham, 9.75" diameter.

Follower of Sir Peter Paul Rubens (1577-1640) The Three Graces With Basket Of Roses, in a wooded landscape Cradled oak panel 122cm x 91cm