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Sector of Peter Paul Rubens Holy family with Parrot oil on board 46 x 38 cm second half of th eighteenth century

A late 17th/early 18th century silk embroidery, after an engraving by Sir Peter Paul Rubens, the Cyrus brought before Queen Thomyris, 44 x 55 cm See illustration Condition report Report by NG Several threadbare/fraying holes in silk backing (many of these have been held together with long stitches). Overall faded. Some small losses to thread work but on the whole good. Some discolouration and staining especially to top right quarter. Currently framed.

Mascardi, Agostino. Silvarum libri IV. Anversa, Officina Plantinana e Balthasar Moretus, 1622. In 4° (220 x 165 mm); [16], 202, [6] pagine con l?ultima carta bianca presente. Frontespizio figurato, disegnato da Peter Paul Rubens e inciso da Theodor Galle (qualche brunitura.) Legatura in piena pergamena antica (sguardie nuove). Prima edizione in bella stampa plantiniana. Starting price: 150

SP A Royal Christmas Card for 1961 signed by Her Majesty Queen Elizabeth II SP A Royal Christmas Card for 1961 signed by Her Majesty Queen Elizabeth II. Gilt-bordered crowned ciphers of the Queen and the Duke of Edinburgh surrounded by the Order of the Garter`s motto to front cover. With printed greetings ""With Best Wishes For Christmas And The New Year"" and the Queen `s signature ""Elizabeth R"" in blue pen ink. Opposite the signed page is a mounted colour photograph of Peter Paul Rubens` painting ""The Holy Family with Saint Francis"", from the Royal Collections. Overall size 21.5 x 44.3cm when opened. Light wear to margins, and a few glue residues stains to front cover, but otherwise in good condition.

A Royal Doulton floral footed bowl and matching shaped oval dish together with a large S. Hancock & Sons Rubens ware shallow bowl, a Royal Worcester Celebration 2001 plate and a Maling ware dish.

After Peter Paul Rubens, Flemish 1577-1640- Lions pulling a chariot; oil on canvas, in a carved and parcel gilt Kentian style frame, 24x32cm

Hancock & Sons Rubens ware Pomegranate pattern squat planter, 36cm long.

After Sir Peter Paul Rubens (Flemish 1577-1640) "QUEEN TOMYRIS BEFORE THE HEAD OF CYRUS" oil on panel 52 x 73cms; 20 1/2 x 28 3/4in. See illustration

AFTER RUBENS Study of a Child ""Nicolaas Rubens"" wearing a coral necklace, a Print, 25 x 19.5cm, mounted, in canvas lined cream glazed frame

AFTER RUBENS Study of a Child ""Nicolaas Rubens"" wearing a coral necklace, a Print, 25 x 19.5cm, mounted, in canvas lined cream glazed frame

Over sixty unframed 17th Century and later engraved plates, after Kneller, Closterman, Van Dyke, Lely, Rubens, etc, predominantly portraits of royalty, aristocracy and celebrities, various sizes

DON McKINLAY (B.1929) OIL ON BOARD ""TRANSCRIPTION OF PART OF RUBENS"" AFTER ""ARRIVAL OF MARIA DE MEDICI AT MARSEILLE"" Signed 18"" x 12"" (45.7cm x 30.5cm)

Formula One Multi signed 2003 Silverstone Grand Prix official race Programme, 128 pages. 20+ autographs of Drivers mainly on Portrait pages inside, Includes Michael Schumacher, Olivier Panis, Kimi Raikkonen, Rubens Barichello, Gerhard Berger, J P Montoya, Ralf Schumacher, Adrian Newey, David Coultard, Jarno Trulli, Fernando Alonso, Fisichella, Ralph Firman, C De Matta. Good condition

Boëtius Adam Bolswert um 1580 Bolsward - 1633 AntwerpenDiana und die Nymphen von der Jagd heimkehrend. Um 1625/1630.Radierung. Hollstein 288 II (von II). In der Platte signiert und bezeichnet. Detailreicher feiner Druck auf Bütten (mit Wasserzeichen `bekrönter Doppeladler`), mit kleinem Rand um die Plattenkante. 31,2 x 35,4 cm (12,2 x 13,9 in). Papier: 32,8 x 37,2 cm (12,9 x 14,6 in).Bislang konnte kein Exemplar des bei Dutuit aufgeführten I. Zustands `vor der Schrift` nachgewiesen werden.Radierung nach dem Gemälde `Dianas Heimkehr von der Jagd` von Peter Paul Rubens, das sich heute in der Gemäldegalerie Alte Meister in Dresden befindet (Gal.Nr. 962 A). [CB].ca. 14.15 h +/- 20 Min.ENGLISH VERSIONBoëtius Adam Bolswert um 1580 Bolsward - 1633 AntwerpenDiana und die Nymphen von der Jagd heimkehrend. Um 1625/1630.Etching. Hollstein 288 II (of II). Inscribed and signed in plate. 31,2 x 35,4 cm (12,2 x 13,9 in). Sheet: 32,8 x 37,2 cm (12,9 x 14,6 in).So far no proof of a copy of 1st state `before letters` as mentioned in Dutuit.Etching after the painting `Dianas Heimkehr von der Jagd` by Peter Paul Rubens, today in possession of the Gemäldegalerie Alte Meister in Dresden (gal. no. 962 A). [CB]. ca. 14.15 h +/- 20 min.

Stoddard (John L) Portfolio of Photographs of Famous Scenes, Cities and paintings, containing a rare and elaborate collection of photographic views of the entire world of nature and art, published by the Werner Company of Chicago, gilt and leather bound, together with Witt (R.C) One Hundred Masterpieces of Painting, Methuen & Co Ltd, London, 1910, one hundred illustrations, cloth cover, Klingender (F.D) Goya, In the Democratic Tradition, Sidgwick and Jackson Limited, London, 1948, cloth cover, Rubens (Peter Paul) The Battle of The Amazons, with an introduction by Leo Van Puyvelde, Hon. Director of the Royal Museums of Fine Art of Beligum, Longmans, Green & Co, full page colour illustrations, decorative board cover, Maclise (D) Story of the Norman conquest, Art Union of London, 1866 and two volumes of Cassell`s Dore Gallery containing two hundred and fifty beautiful engravings, full page illustrations, leather bound covers

Cigarette Cards - MIXED, large, mainly complete (12), Cope Toy Models, UTC Arms & Crests, Hill Who`s Who in British Films, Players Film Stars, Ardath (2) Raphael & Rubens; Wills (3), Auction Bridge, Authors, Arms of Public Schools etc., loose-mounted in large brown LCC slide-in album, G to EX, 575*

An oil on board portrait after Rubens, in an oval Florentine gilt frame carved with leaves and branches

Miniature copy of Rubens portrait of the Earl of Arundel d. .

Galle Cornelis . Vita beati p. Ignatij Loiolae Societatis Iesu fundatoris. Romae: 1609. In-4° (mm 204x131). Frontespizio inciso in rame, ritratto calcografico del Loyola e 79 carte di tavole incise in rame. Buon esemplare. Legatura coeva in pergamena rimontata. Nota di possesso di difficile lettura al frontespizio e timbro di collezione al verso del ritratto `A.B. - P. S.`. Prima rara edizione. Questo libro pensato a lungo dalla Compagnia di Gesù fu edito in occasione della beatificazione del Fondatore della Compagnia. Le 79 tavole contengono il primo elaborato ciclo di immagini che illustra la vita del Santo, a partire dalla nascita nel 1491, la sua conversione, il suo viaggio in Terra Santa etc. Il fatto che un libro così complesso da realizzare sia uscito in contemporanea alla data della sua beatificazione fa pensare che la Compagnia avesse preparato il tutto da lungo tempo come parte di una strategia tesa a pubblicizzare la santità di Ignazio e propagandarne le idee. Ciò è avvalorato dal fatto che - benché il libro sia stato pubblicato a Roma - le incisioni sono frutto del lavoro della bottega dei Galle di Anversa fra i cui artisti si può citare Pieter Paul Rubens che senz`altro idea e disegna la tavola n°64 (Sant`Ignazio presenta gli studenti del Collegio Germanico a Papa Giulio III) e probabilmente anche altre tavole. Le immagini di questo libro furono usate come modelli per le stampe e i libri che videro la luce in Europa e fuori da essa: dal Perù alla Cina. Choix, 256: ""Les excellentes figures represent la vie et les miracles du Saint, gravees d`un grande finesse et elegance, avec quelques lignes de text latin egalement gravées""; Brunet V, 1317; Vinciana, n°4324; non in Sommervogel; cfr. Cat. Quaritch, n° 1226/1996, n°100.

An early 19th century watercolour in sepia tones of a country house with outbuildings, etc, inscribed verso Painted by Bishop Henry Edward Blandford, 21 x 28 cm, a pair of grisaille studies of moonlit coastal scenes with sailing vessels, 12 x 16 cm, together with an interesting collection of 18th century and other 18th century black and white engravings including examples showing Julius Caesar after Rubens and engraved by John H Lips, an interesting engraving inscribed Vierge de Raphael, engraved by Desmaretz and dated 1810, an 18th century engraving after Angelica Kauffman showing nymphs sacrificing true love, etc (all unframed)

An early 19th century watercolour in sepia tones of a country house with outbuildings, etc, inscribed verso Painted by Bishop Henry Edward Blandford, 21 x 28 cm, a pair of grisaille studies of moonlit coastal scenes with sailing vessels, 12 x 16 cm, together with an interesting collection of 18th century and other 18th century black and white engravings including examples showing Julius Caesar after Rubens and engraved by John H Lips, an interesting engraving inscribed Vierge de Raphael, engraved by Desmaretz and dated 1810, an 18th century engraving after Angelica Kauffman showing nymphs sacrificing true love, etc (all unframed)

Michael Schumacher signed 2001 Tommy Hilfiger Ferrari team cap, the peak also bearing the marker pen signatures of team-mates Rubens Barrichello and Luca Badoer, with tobacco branding and Ferrari escutcheon patches, a Tommy Hilfiger logo stitched to the rear

École française du XIXe?siècle Portrait d’enfant d’après Rubens Pastel 23,5 x 17?cm

After Peter Paul Rubens (1577-1640) Flemish. Figure Subjects, Engraving, Unframed, 23” x 14.5”.

A set of four Arts & Crafts stained glass panels of rectangular form, each with circle portraits of classical figures, to include Michael Anglo, Rubens, Shakespeare and Mozart, length 33cm (illustrated)

20th Century Belgian tapestry - image after Rubens (156 x 116 cm)

Two framed and two unframed works including Valerie Armstrong coloured etching, Zoe Rubens collage, Kim Baker collage and a John O' Conner woodblock (4)

Claes Jansz Visscher, Dutch 1587-1652- "The Judgement of Solomon", after Peter Paul Rubens, from the Royal-Size Bible, publ by Nicolaes and Claes Jansz Visscher, Amsterdam, c.1652; engraving on laid, with centrefold, red hand drawn margins and gilt edged sheet, 40.4x51.9cm: together with eleven further engravings on laid from same publication (the first three listed after Peter Paul Rubens) entitled "Landscape with Elisha mocked", "The flight of Lot and his family from Sodom", "Moses and the brazen serpent", "Abraham's sacrifice of Isaac", "Abraham and the three angels", "Landscape with Naaman washing himself in the Jordan", "Joshua and Caleb", "Eliezer and Rebekah", "Jacob wrestling with the angel", "Judah and Tamar", "League between David and Jonathan" ea. with centrefolds, red hand drawn margins and gilt edged sheets, ea. approx. 40.5x51cm, (12), (unframed)

Two framed and two unframed works including Valerie Armstrong coloured etching, Zoe Rubens collage, Kim Baker collage and a John O' Conner woodblock (4)

A c.1900 German porcelain rectangular plaque painted with the sons of Rubens standing beside a column, wearing rich 17th century costume, one holding a book the other with a bird on a string, stamped "3 888" to reverse, 22.5 X 13cm. framed. The original is in the Dresden Gallery depicting the boys in fashionable Spanish style costume. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.

A Pair of Kyowa Co Japanese Bulbous Thin Necked Vases on red ground having raised gilt building and river landscape decoration, 14cm high, also a Rubens Ware round trumpet shaped vase on multicoloured ground having fruit decoration (3)

Pair of oval oils on card, portraits after Rubens and Van Dyke, gilt framed

Royal Academy of Arts, London - Tickets for two with bookWith the Rubens exhibition opening at the Royal Academy in January 2015, these tickets will give two people free access to the gallery and exhibition as well as the opportunity to `jump the queue` as part of a corporate membership scheme. Also included with this prize is a copy of the Bronze Exhibition brochure (2012), consisting of coloured photos of all the exhibits with a fascinating insight into Bronze sculture through the centuries. Tickets must be used by 30 June 2015. Kindly donated by Ann Monks (EACH Trustee) To post this item to you (ParcelForce 48) a charge of £20 will need to added to this item. This item is also available to collect from an EACH hospice or fundraising office. Please state `post` or `collection` at time of payment.

A pair of Hancock & Sons Rubens ware Pomegranate vases, hand painted, height 28cm

AFTER PETER PAUL RUBENS "Battle of Anghiari", oil on canvas, unsigned

Four 18th century engravings Duret after Vernet `L`Arrivee des Pecheurs`, 33 x 44cm G.Henderickx after Rubens, pastoral landscape with sheep, 32 x 45cm two others - Caesar`s triumphal entry and The Last Supper (4)

L.Sailliar after Van Dyke Helena Forman, Rubens`s Second Wife stipple engraving published 1783 by John Boydell, 58 x 39.5cm including margins, gilt framed

A black and white etching after Sir Peter Paul Rubens showing a bust length study of Helene Fourment, inscribed Louis Senaum and Rubens, with further blind embossed stamp from the Louvre Museum, 18 x 13 cm in wooden frame

A large blue ground Maling two handled fruit bowl with painted and gilded apples and cherries on a sponged blue ground, with printed mark to base 3016, 26 cm diameter approx together with an S Hancock & Sons Rubens ware pomegranate pattern vase of waisted cylindrical form with printed marks to base, 25 cm tall approx

A black and white etching after Sir Peter Paul Rubens showing a bust length study of Helene Fourment, inscribed Louis Senaum and Rubens, with further blind embossed stamp from the Louvre Museum, 18 x 13 cm in wooden frame

Manner of Rubens, A young girl, oil on canvas, unframed, 40cm x 35cm.

RUBENS ARTHUR MOORE (1860-1933) SCENE ON THE NOTTINGHAM CANAL signed and dated `98, signed again (incised) verso, copper, 8 x 12cm, unframed ++In well preserved original condition. The varnish in need of cleaning, executed on prepared plate for etching stamped on the reverse HUGHES & KIMBER LIMITED MANUFACTURERS LONDON EC

A miscellaneous collection of ceramics including a large 19th century oval blue and white meat plate with well, with botanical spray decoration and mark to base Opaque China, a Sylvac comport in the form of a yellow dish of oval form with fruiting vine moulded decoration supported by a green glazed cherub with impressed number to base 2465, a large Sylvac white glazed vase modelled as a shell, with moulded number to base 756, an S Hancock & Sons Rubens ware Pomegranate pattern bowl of oval form raised on four supports, a large money bank in the form of a pig with painted floral decoration and impressed mark to base Malta, etc

IN THE MANNER OF RUBENS, CONTINENTAL SCHOOL, portrait of a woman, possibly Mary, wearing blue and red robes and carrying a branch or reed, her right hand raised, oval, gouache on ivory, 8cm x 7cm, gilt metal within ebonised oblong wood frame with oak leaf cluster cresting

QUEEN ELIZABETH II (B.1926) A Christmas card, with a mounted colour reproduction within of `The Holy Family with Saint Francis`, after Sir Peter Paul Rubens, signed in black ink `Elizabeth R` and dated `1961`. Provenance: Miss Violet Wellesley, Chief Driving Instructor at the Auxiliary Territorial Service No.1 Motor Transport Training Centre, Camberley, who taught Princess Elizabeth to drive in early 1945; thence by gift and descent.

After Murillo, coloured reproduction print; together with a collection of prints including prints after Goya, Rubens, framed, and a carved oak shield inscribed `Persevere`.

A framed black and white mid-19th century lithograph of oval form showing an elderly seated woman, half length, inscribed Drawn On Stone by Henry Hainsselin and further inscribed Mary Bond, 22 cm max size in oak and gilt frame together with an interesting 19th century album containing a comprehensive collection of engravings, drawings, etc, subjects including Saturday Night In The Nursery, a bust of Homer and Cicero after Rubens, views of a cascade on the White River in Jamaica and a waterfall at Tivoli, Italy, a caricature relating to the memorable battle off Cape Trafalgar 1805, etc, also together with a large portfolio containing a variety of 19th century and other engravings, postcards, etc

AFTER RUBENS "The Disembarkation at Marseille", (lower section only), oil on canvas, unsigned, 315 cm x 170 cm approx

AFTER RUBENS "A Tiger Hunt", oil on canvas, 230 cm x 173 cm approx

AFTER RUBENS "The Rape of the Daughters of Leucippus", oil on canvas, 175 cm x 178 cm approx CONDITION REPORTS Modern 20th century copy. Has areas of mould on the lower quarter, some vanish drips, marks from generals storage and age. There is an area of black speckled paint to the top of the grey horse head. There is some cracking in area throughout to the paint work.

Rubens Southey MOORLAND STREAM WITH TOR IN BACKGROUND Signed watercolour, 24.5 x 36cm.

AFTER PETER PAUL RUBENS "The Descent from the Cross", oil on canvas, unsigned (from the original in the Cathedral of Our Lady Antwerp, commissioned in 1611 by the Confraternity of the Arquebusiers, executed circa 1612-14) CONDITION REPORTS Modern 20th century copy of the Old Master, canvas is loose, paint appears to be fairly fresh, has drip marks where the varnish has run, suggest viewing in person.

William Walker, British 1729-1793- "Lions at Play";, after Peter Paul Rubens, publ June 1st 1782 by John Boydell, Cheapside, London; etching with engraving, 41.5x50.5cm

Four Hot Wheels 1:18 scale diecast model racing cars: #54627 F-2002 Rubens Barrichello; #26741 R1 Eddie Irvine; #26744 Jarno Trulli; Jordan Mugen Honda 199 Launch Version Damon Hill. Overall appear E in G+ boxes. (4)

A collection of ivory to include a nautical group of fisherman and monkey, a carved figure group of Paul Rubens medallion horse drawer carriage, fragment etc. together with a snuff box and two pipes

A Rubens ware vase in the `Pomegranate` pattern, a 19th Century ceramic jug and a late 19th Century model ship in a glass bottle depicting a three masted schooner moored on a quay side.

A.H. PAYNE, After Paul Rubens (Circa mid-19th Century) The Garland of Fruit (Der Fruchtenkranz) Hand colored engraving Signed in plate lower right H 4¾ x W 7¼ inches

Automobilia & Sporting/Celebrity Ephemera: Ferrari Bridgestone pit board signed by Michael Schumacher and Rubens Barrichello, with certificate of authenticity reg. no. 3107, framed and glazed, height 26cm x width 39cm. Together with a set of three framed 2001 Ferrari Constructors Champions enamels, LE 253 from a limited period of 22 firing days, with certificate of authenticity.

A Hancock & Sons Rubens Ware Pomegranate pattern bowl, printed marks. 8" diameter.

After Sir Peter Paul Rubens 'Portrait of Isabella Brandt' Oil on canvas, 69 x 55cm