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William Hogarth 1697-1764- "The Times", published Sep 7th 1762, plate 1; engraving, 29x38cm: Claude du Bosc, early 18th century- "Les Patins", after Jean Antonie Watteau, publ Charles Street, Covent Garden; engraving: together with eleven other 18/19th century mezzotint and engravings, mainly related to trade and industries by and after various hands to include examples after Peter Paul Rubens, John Bacon RA and two engraved copper printing plates after George Stephenson, mid 20th century, entitled "A Cobblers Work" and "A Cobblers Rest", (15)

RUBENS SOUTHEY, SIGNED, WATERCOLOUR, Dartmouth Castle, 5 ?" x 9" PLUS ONE FURTHER WATERCOLOUR BY A DIFFERENT HAND, (2)

Style of Rubens Bacchanalian Dinner oil on panel 41 x 64cm Provenance: Private collection, UK

Attributed to Sir John Baptist Medina (British, 1655-1711) Portrait of a Gentleman oil on canvas 65 x 59cm Provenance: The Walker Galleries Ltd., Harrogate Sir John Baptist Medina was born in Brussels in 1655 and studied at the Rubens School before moving to London in 1688, where he built up a very good circle of wealthy clients to paint to commission. He later moved to Edinburgh where he died at the age of 56.

S.Hancock & Son's 'Rubens Ware' pair of floral decorated vases marked for F.X.Abraham

2006 FIA Canadian GP marshal’s tabard signed by three World Champions, bearing the marker pen signatures of Fernando Alonso, Michael Schumacher and Jacques Villeneuve, along with those of Juan Pablo Montoya and Rubens Barrichello, the colour-coded green tabard marked CAN0194 Montreal MEDIA Formula 1 Grand Prix du Canada 2006, with FIA Formula 1 World Championship insignia, as issued by Formula One Administration Ltd 2005, framed and glazed, 85 by 62cm., 33 1/2 by 24 1/2in. Fernando Alonso beat Michael Schumacher into second place in this race, as he would do for the second year running in the World Championship.

Marcus Sadeler 1614- Figure by a ruin; plate 14; engraving, 16x24cm: together with three further plates from the same edition, each with extensive text, 16x26cm., ea: Jean Audran 1667-1756- "Le Roy part la guerre d'Allemagne"; engraving after Jean Baptiste Nattier 1685-1726 and Peter Paul Rubens 1577-1640: together with other 18/19th century engravings and etchings by and after various hands, (a lot) (part unframed)

RUBENS SOUTHEY (British, 1881-1933) Moorland Scene, signed bas droite, watercolour, 6 3/4" x 13 3/4"

Rubens ware bowl, 22cm diameter; and a parrot shaped flower holder by Hancock, both decorated in typical green, red and blue glazes, with printed marks to bases, 19cm high

Rubens Southey Sunset on Dartmoor watercolour, signed, 18cm x 37cm, and three others by the same hand (4)

* After Peter Paul Rubens 1577-1640- "Self Portrait, 1623"; oil on canvas, 33x24cm

Three: Stoker 1st Class J. Phillips, Royal Navy 1914-15 Star (S.S. 105045 Sto. 1, R.N.); British War and Victory Medals (SS. 105045 Sto. 1, R.N.), in their card boxes of issue, extremely fine (3) £80-100 Sold with a quantity of related items, including Great War period photographs (3), a pair of wrist watches, patriotic sewing kit and handkerchief, a locket and crucifix, and a Merchant Navy 1939-45 War lapel badge. joseph Phillips was born in Southampton in April 1889 and entered the Royal Navy as a Stoker 2nd Class in May 1907. Transferring to the Royal Fleet Reserve in May 1912, he was recalled on the outbreak of hostilities in the rank of Stoker 1st Class, and served in the Cape flagship H.M.S. Hyacinth until August 1917, in which period she intercepted the German merchantman Rubens in May 1915 and sank the S.S. Tabora off Dar-es-Salaam in March 1916. Phillips next removed to the cruiser Kent, came ashore again in June 1918, and ended the War at the Dover Auxiliary Patrol base Attentive II. He was demobilised in June 1921. £80-£100

Four 19th Century coloured prints; 'The Pitons, St. Lucia'; 'Strada St. Ursola, Valetta'; 'Strada Teatro, Valetta' and 'Statue de Rubens'

A PAIR OF MONOCHROME ENGRAVINGS AFTER P P RUBENS - Chasse aux Lyons et Aux Tigres and companion piece, sic Victoria Victis, unframed and an Oriental print of geese and a monochrome print of a landscape with figures crossing, framed (4).

RUBENS SEAGOR A pair of large oil studies, waves breaking against cliffs, oil on canvas, one signed, dated 1881, 51 1/2" x 21 1/2"

Manner of Peter Paul Rubens 1577-1640- Group figure study; pen and brown ink and wash, 28.2x38.5cm: Frank Kelsey act 1887-1923- Shipping scene; watercolour, signed, 20x29.5cm: B Walsh 19/20th century- Hayricks with woodland; watercolour, signed, 21.6x30cm: Elizabeth Fiddiman, mid 20th century- Cotswold village; watercolour, signed and dated 1941, 24x30cm., (4), (unframed)

Galerie de Rubens,25 col.pls,1809.

Petrasanta, Silvester De symbolis heroicis libri IX... Antwerp: Plantin, 1634, 4to, pp. lxxx, 480, xxxvi, engraved title page after Rubens, portrait of Cardinal Aloysius Carafa, 8 engraved plates, 268 engraved devices, 13 other illustrations, contemporary vellum, later label on backstrip, some slight staining to first few leaves Note: Praz p.455, Vinet n.867

After Peter Paul Rubens 1577-1640- The Presentation of the Head of Cyrus; oil on panel of scalloped oval shape, originally a table top, 109x80cm

After Peter Paul Rubens 1577-1640- Self Portrait 1623; oil on board, in a giltwood florentine style frame, 20.7x16cm

Henderson, after Rubens, Figures beside a river at dusk, coloured mezzotint, pencil signed on mount, inscribed verso, 38cms x 42cms, (15" x 16½").

*LUCAS 'Bosquet de la Salle du Bal dans les Jardins de Versailles', double page engraving, 17 1/4" x 23"; C. Grignion after Francis Hayman - figures seated around a table, engraving, 9 1/4" x 7"; and two others to include J. Summerfield 'Rubens and His Wife', 19 1/2" x 18 1/2"; and a figure beneath palm trees, lithograph (3)

A print of Rubens and two others of Sir Joseph Jeakle and Edward Hyde (3)

A heavy duty 2 3/8" Dutch firmer chisel by FERDIN RUBENS with ash handle G(25-40)

A pair of Victorian gilt metal busts, 'Van Dyke' and 'Rubens' in rosewood framed cases (2)

A Rubens ware footed octagonal bowl, the interior with a streaky glaze, the exterior decorated with fruit, cobalt blue ground, printed backstamp, width 23cm

After Peter Paul Rubens 1577-1640- "Self Portrait, 1623"; oil on panel, 24x17cm, (unframed) Note:The original painting by Rubens was purchased by the Australian National Gallery in March 1983

17TH CENTURY VENETIAN SCHOOL; DRAWING OF A SEATED CLERIC; TWO STUDIES OF CHERUBS, ONE BY OR AFTER RUBENS

After Rubens The Judgement of Paris, a coloured print

A. Ricordi, after Rubens - Portrait of the Artist, oil on canvas, signed, within a gilt frame, together with another similar oil on canvas.

Rubens Southey - Coastal View with Pier and Buildings, watercolour, signed, together with two other watercolours.

An S. Hancock & Sons 'Rubens Ware' pomegranate pattern vase, designed by Abraham, of waisted cylindrical shape, together with a similar smaller example, black printed marks to bases.

After Rubens Sampson and Delilah, on ivory, 10cm by 20cm

A S. Hancock & Sons 'Rubens Ware' 'Pomegranate' pattern vase of double gourd shaped form.

A pair of S. Hancock & Sons 'Rubens Ware' 'Pomegranate' pattern circular bowls designed by F. Abraham, black printed marks to bases, together with two other 'Rubens Ware' bowls (one restored).

Art - Bazin, Germaine Théodore Géricault. Paris, 1987-1990, 4to, 4 volumes, original cloth, dustwrappers, slipcases, a fine set; Tolnay, Charles de Corpus dei disegni di Michelangelo. Novara, 1975, folio, 3 [of 4] volumes, original quarter calf gilt, slipcases, a fine set; López-Rey, José Velázquez, catalogue raisonné. Taschen, 1996, 4to, 2 volumes, original cloth, dustwrappers, slipcase; Wiseman, Caroline Elisabeth Frink, original prints catalogue raisonné. London, 1998, 4to, dustwrapper, a fine copy; Gudiol, Jose Goya 1746-1828. Barcelona, 1985, 4to, 2 volumes, original cloth, dustwrapper, slipcase [worn at edges]; Tuchman, Maurice, et al. Chaim Soutine, catalogue raisonné. Cologne, 1997, 4to, 2 volumes, dustwrapper, slipcase, a fine pair; Rooses, Max Rubens. London, 1904, 4to, 2 volumes, later half morocco gilt, rubbed; Northcote, James The life of Titian. London, 1830, 8vo, 2 volumes, portrait frontispiece, contemporary half calf, crudely rebacked, inner hinges strengthened, bookplate of Lord Selborne and 20 other art reference works (39)

Dionysius, Saint, the Aeropagite Opera. Antwerp: Plantin, 1634, folio, 2 volumes, lij 893, [1]; xxiv 530 [50], engraved title by C. Galle after P. P. Rubens, volume II title in red and black, vignette, with woodcut printer's device on last printed page of each volume, 19th century half calf, boards detached, spines splitting and worn, first few leaves of volume I loose

Judaism and the Kabbalah--Franck, A. Die Kabbala oder die Religions-Philosophie der Hebraer. Leipzig, H. Hunger, 1844, engraved frontispiece, contemporary half calf; Tishby, I., editor. The wisdom of the zohar, 1991, volume 2-3 only, dust-jackets; Parkes, J. The Jew in the medieval community, 1938; Fluegel, M. Philosophy, Qabbala and Vedanta, 1902, presentation copy to Arthur Balfour; Dietz, A. The Jewish community of Frankfurt, 1988, 4to, limited edition, unnumbered copy, brown morocco gilt, g.e., slipcase; Greene, W.B. The blazing star, Boston, 1872, presentation copy from the author; [Rubens, A. A Jewish iconography], [c.1990], 4to, limited to 650 copies, presentation copy from the author, red morocco gilt, slipcase, lacking title page; Ancona, S.G. The substance of Adam, c.1934; Sola, D.A. de, translator Eighteen treatises from the Mishna, 1845, contemporary calf; Cohen, G.D., editor The Book of Tradition (Sefer Ha-Qabbalah), 1969; Idel, M. Kabbalah, new perspectives, 1988; Weiss, J. Studies in E. European Jewish mysticism, 1985; Popkin, R.H. Jewish Christians and Christian Jews, 1994; Luntz, M.L. Guillaume Postel, 1981; Ramban (Nachmanides) Commentary on the Torah, New York, 1973-76, 5 volumes, 8vo; Writings & discourses, 1978, 2 volumes; Scholem, G.G. Major trends in Jewish mysticism, 1941, half morocco; On the Kabbalah and its symbolism, 1965, black half morocco; Sola, D.A. de, translator. The festival prayers according to the ritual of German and Polish Jews, London: P. Vallentine, 1891, volumes 1-4 and 6, 8vo, Hebrew and English text, contemporary calf gilt, g.e.; Basnage, J. L'histoire et la religion des Juifs. Rotterdam: R. Leers, 1707, 5 volumes, 12mo, 2 folding tables, 2 folding plates, contemporary calf, spines worn and cracked, two sections loose, Library of The American Museum of Natural History blindstamp on titles; [Anon.] Modern history of the Jews. Glasgow, 1814, calf, upper cover detached; Spector, S.A. Jewish mysticism. An annotated bibliography on the Kabbalah in English, 1984, 4to, photocopy, black cloth; all original cloth except where noted; and others similiar, including books relating to Maimondes, Giordano Bruno, volumes of the Yale Judaica series and Sources and studies in the literature of Jewish mysticism (quantity)

Rubens A J N Southey 1881-1932- Dartmoor landscapes; a pair, watercolours, both signed, in matching decorative frames, 29x45cm., ea., (2)

Five Dutch Art Reference books, including Albrecht Durer, Tembrandt and Rubens. (5)

A Moorcroft vase, 'Finches' 7.5in. and a Rubens Ware milk jug, 4in.

After Sir Peter Paul Rubens SOLDIERS TAUNTING CHRIST ON THE ROAD TO CALVARY Watercolour 18 x 23cm

Harrewyn after J Van Croes, Maison Hilwerue a Anuers dit L'hostel Rubens 1684, engraving (rather browned) 29 x 36cm; and together with another engraving of the same subject, 33 x 43.5cm (2)

A Continental creamware model of Rubens's son, sitting in a nursery chair, the reverse inscribed 'Le fils de Paul Rubens' 19th century. Some restoration. 30cm.

English School (mid-19th century), A Set Of Six - portraits of Old Masters, Raphael, Michelangelo, Leonardo da Vinci, Van Dyck, Rembrandt and Rubens, Each oil on board, Ovals, 20cm x 16cm, Mounted as two in 19th century elaborately carved, giltwood fruiting, vine frames

After Rubens Portrait of a Young Girl Oil on Canvas, attatched to board Oval 47x56cm

After Sir Peter Paul Rubens (Flemish, 1577-1640), Self-Portrait, oil on board, 21 x 16cm, In an ornate Florentine frame, After the original in the Uffizi Gallery, Florence; and. After Sir Anthony Van Dyck (1599-1641), Self-Portrait, oil on board, 21 x 16cm, In an ornate Florentine frame; and. After Sir Peter Lely, (1618-1680), Portrait of Oliver Cromwell, oil on board, 20 x 16cm, In an ornate Florentine frame, From the original in the Pitti Palace (3) Provenance: Private collection, Ely, Cambridgeshire

MANNER OF RUBENS, PORTRAIT OF A LADY IN A FEATHERED HAT, oil on canvas, in a 17th century style frame. 59cm by 38cm

A good late 19th Century Berlin porcelain rectangular plaque finely decorated after Rubens with his two sons in early 17th Century dress standing before a classical column, the younger boy holding a bird stand and watching a small bird fly away from him on a length of string, the older brother with his arm around his younger brother and holding a book under his arm, 16.75ins x 9.75ins (impressed “K.P.M.” and sceptre mark to reverse, and painted in red “Brownie” and red anchor mark), contained in original gilt moulded and swept frame Illustrated £4000-6000 Provenance : Sold at Sotheby’s sale of “European Ceramics”, Tuesday, 16th March 1999, Lot 195

A Hancock & Sons Rubens ware cream and sugar strawberry set mounted to a silver plated stand.

A 1930’s F.X.Abraham, S. Hancock & Sons Rubens ware ewer of double gourd form with arched handle in the pomegranate pattern with printed and painted fruit over a deep blue ground, height 8.5”, together with a sugar sifter, lacking cover.

Veen (or Vaenius, Otto van). Quinti Horatii Flacci Emblemata: Imaginibus in aes Incisis, Notisque Illustrata, pub. Philippum Lisaert, Antwerp, 1612, lacking title page and final blank, 103 full page eng. illusts. on letterpress, two addn. mounted engs. bound in (one as frontis.), text in Latin, Spanish, Italian, Dutch and French, light finger soiling throughout, early 19th c. half calf, worn, with hinges cracked, and upper cover and frontis. near detached, sm. 4to Otto van Veen was teacher to Rubens. (1)

D'Hulst (R. A.). Jordaens Drawings, 4 vols., pub. Phaidon, 1974,. numerous b&w plts., all orig. cloth in d.j.s, in slipcase, small 4to, together with Held (Julius S.), Rubens Selected Drawings, 2 vols., Phaidon, 1959, tipped in col. plts., numerous b&w plts., orig. cloth gilt in glassine d.j.s, with slipcase, 4to, plus Stampfle (Felice), Netherlandish Drawings of the Fifteenth and Sixteenth Centuries and Flemish Drawings of the Seventeeth and Eighteenth Centuries in the Pierpont Morgan Library, 1991, numerous b&w illusts., orig. cloth in d.j., large thick 4to, VG, and Gerszi (Terez), Netherlandish Drawings in the Budapest Museum, Sixteenth Century Drawings, An Illustrated Catalogue, 2 vols., Amsterdam, 1971, numerous b&w plts., orig. purple cloth, 4to, VG, plus two others related Lugt, Maitres des Anciens, Pays Bas nés avant 1550 (Musée du Louvre, Inventaire Général des Dessins des Ecoles du Nord, & Puyvelde, The Sketches of Rubens, 1947), and Winkler, Durers Zeichnungen, vols. 1 & 2 only, 1936 37 (13)

Follower of Sir Peter Paul Rubens (Flemish 1577-1640)Portrait of a lady, head and shoulders, wearing a black dress with lace collar/ruffOil on panel58 x 46.5cmIn a carved giltwood frame

Follower of Peter Paul Rubens 1577-1640- The Madonna and Child; oil on panel, 34.5x29cm

Follower of Peter Paul Rubens 1577-1640- The Adoration of The Magi; oil on metal panel, 35x27cm

After Joseph Rubens Powell circa 1810-circa 1875- 'A Surrey Common'; chromlithograph, 48.5x67.7cm

*Engravings. Flores mei fructus honoris, et honestatis. Ego Mater Pulchrae dilectionis et timoris, et agnitionis, et sancte spei, pub. Jacobum Frey, Rome, late 18th century, uncol. eng. by R.V. Auden Aerd after Carolus Marrattus, plate size approx. 66 x 39 cm, mounted, together with Buytewech (Willem), St. Mary Magdalen after Rubens, 17th century (?), uncol. eng., approx. 14 x 10.5 cm, framed and glazed, plus Picart (Bernard), Pygmalion, a Moureux d'une Statue... Les Danaides Condamnees a Remplir d'eau un Tonneau Perce... Clytie Changee en Tournesol... , 1730's, together three uncol. engs., each approx. 36 x 25 cm, framed and glazed, with other old master engravings and similar (12)

RUBENS SOUTHEY The coast at Lynmouth. Watercolour. Signed. 10 1/2 x 14ins.

White (Christopher). Rembrandt as an Etcher, a study of the artist at work, 2 vols, pub. Zwemmer, 1969, numerous b&w illusts, orig. cloth in d.j.s, a few minor marks, 4to, together with Peter Paul Rubens, 1st ed, pub. Yale University Press, 1987, numerous col. illusts, orig. cloth in d.j, large 4to, plus Robinson (M. S.), Van de Velde, A Catalogue of the Paintings of the Elder and the Younger Willem van de Velde, 2 vols, pub. National Maritime Museum, 1990, numerous b&w illusts, orig. cloth in d.j, with slipcase, 4to, and Bredius (A.), Rembrandt, The Complete Edition of the Paintings, revised by H. Gerson, pub. Phaidon, 1969, numerous b&w plts, orig. cloth in d.j, rubbed, large 8vo, plus others on 17th c. Dutch art and related (approx. 70)