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After Peter Paul Rubens, large late 18th / early 19th century oil on canvas - The Elevation of The Cross, in gilt frame. 165cm x 315cmN.B. This work is almost certainly taken from the etching carried out by Jan Witdoeck, being a mirror image of the original Rubens altarpiece triptych which is housed in Antwerp Cathedral CONDITION REPORT Significant areas of repair and probably more than one scheme of repair - includes repairs to tears and holes, some fragmentary paint losses, retouching, bitumisation and crackerlure, basically an imposing painting but with significant schemes of repair and faults. Total canvas size approximately 162cm x 315cm. Label is unrelated to painting storage depository label

HM Queen Elizabeth II and HRH The Duke of Edinburgh - signed 1961 Christmas card with twin gilt ciphers to cover, colour print of The Holy Family by Rubens to the interior, signed in ink 'Elizabeth R 1961 Philip', with envelope

HM Queen Elizabeth II and HRH The Duke of Edinburgh - signed 1961 Christmas card with twin gilt embossed Royal ciphers to covers, colour print of 'The Holy Family' by Rubens, to the interior, signed 'Elizabeth R. 1961 Philip'

A mixed quantity of gentleman's wrist watches including Rubens Super Diver and Roamer.

An early 20th century large circular embossed copper charger, depicting a portrait of 'Peter Paul Rubens', 66cm diameter.

Painting After Rubens, Descent from the Cross, Antwerp Cathedral, 48" x 30" and a painting of a river and ruined arches in a woodland setting, 36" x 24"

CIRCLE OF PETER PAUL RUBENS (1577 - 1640). Flemish school, portrait of the artist unsigned, oil on canvas laid on panel, in an arched period gold decorative frame, 31 x 24 cm

‡ Henryk Gotlib (Polish 1890-1966) Portrait of a girl with a blue bow in her hair, possibly Joanna Rubens Signed Oil on canvas 60 x 47cm Provenance: Lots 1 to 111 from a collection of paintings and sculpture inspired by L’école de Paris by a collector in St Johns Wood ++Unlined, slightly loose on stretcher, slight push near upper margin

§ TSELKOV, OLEG(B. 1934)§Portrait of Maya Lugovskaya, signed, titled in Cyrillic and dated 1974 on the reverse, further variously inscribed on the stretcher.Oil on canvas, 110 by 70 cm.Provenance: Collection of the sitter. Important private collection, Europe. Exhibited: Venere Russa. Fascino femminile nell’arte del novecento, Foundazione Terruzzi Villa Regina Margherita, Bordighera, 9 July–28 September 2014. Literature: V. Perelmuter, “Svoboda odinochestva”, Toronto Slavic Quarterly, No. 13, Summer 2005, online source, mentioned in the text. Exhibition catalogue, X. Muratova, Venere Russa. Fascino femminile nell’arte del novecento, Milan, Silvana Editoriale, 2014, p. 163, illustrated. The Portrait of Maya Lugovskaya, which is now offered for auction, is one of the most dramatic portraits by the Russian nonconformist artist Oleg Tselkov. Mikhail Chemiakin has described Tselkov’s style as a “heady mix of Rembrandt’s chiaroscuro and the voluptuous flesh of Rubens, multiplied by Russian madness and the vigour of a barbarous soul”. The work presented is a brilliant example of this. The extravagant, “dusky beauty”, painted with strokes of red, maroon and gold colours, is a wife of the celebrated poet Vladimir Lugovskoy. One can recognise the enormous rings with semi-precious stones on her fingers, which she was so fond of wearing. The portrait reflected the enigmatic, mystical and beguiling essence of Maya Lugovskaya (1914–1993), who inspired both artists and poets. She was the muse of the artist Anatoly Zverev, among others. Maya would fire the imagination of anyone who was fortunate enough to meet her. She was a writer herself and a true connoisseur of poetry and literature. She was also fond of making prophecies and interpreting dreams. Outside literary and artistic circles, however, she was known as the geochemist Elena Bykova, who spent much of her time on geological expeditions. According to the recollections of the prominent Russian poet and literary historian Vadim Perelmuter, the portrait now on offer hung in the model’s living room, “in a dim section of wall”, surrounded by “books interspersed with marvellous porcelain and wonderful trinkets”, in full view of members of Moscow’s bohemian society who regularly gathered at Maya’s home.

Pair of Rubens Ware Pomegranate Vases, Army Medics Corps Belt, Goodyear Tyre Ashtray, Tea Pot, etc.

After P P Rubens - Bolswert (Schelte Adams, 1576-1659)Two landscapesEtchings29 x 42cmTogether with further similar works (6)

Rubens Santaro (1859-1942). Lady with water jugs, watercolour, signed, 26.5cm x 21cm

A single owner collection of 10 x F1 Grand Prix steering wheels comprising, an original 1994 Lotus 109, as raced by Johnny Herbert and Alessandro Zanardi, personally signed by Johnny Herbert. An original 1997 Benetton B197 as raced by Gerhard Berger and Jean Alesi, signed by Gerhard Berger. An Amalgam 2000 Ferrari F1-2000 as used by Rubens Barrichello and Michael Schumacher. An Amalgam 2009 Ferrari F60 as used by Kimi Raikkonen and Felipe Massa. An Amalgam 2008 Red Bull Renault RB24 as used by David Coulthard and Mark Webber. An Amalgam 2007 Mclaren Mercedes as used by Lewis Hamilton and Fernando Alonso. An Amalgam 2001 Williams BMW FW23 as used by Juan Pablo Montoya and Ralph Schumacher. An Amalgam 2003 BAR-Honda 005 as used by Jensen Button and Jaques Villeneuve. An Amalgam 2006 Ferrari 248 F1 as used by Michael Schumacher and Felipe Massa. An Amalgam 2006 BMW Sauber F1-06 as used by Jaques Villeneuve and Robert Kubica. Complete with shelves, mounting brackets, and associated name plaques.

Rubens Barrichello. A signed Ferrari peaked cap for the year 2000 within glazed presentation case, complete with certificate.

MuDu, Mondaine, Jowissa, Systema, Rubens Alarm and other vintage wristwatches (two not ticking) Condition Report Click here for further images, condition, auction times & delivery costs

Rubens ware bowl, vase, four jugs, etc (8)

After Peter Paul Rubens, self portrait, oil on canvas, inscribed verso G.W Parsons and dated 1817, 36.5cm by 31.5cm (a/f)

Rubens Super antimagnetic Swiss made stainless steel wristwatch and a collection of wristwatches Condition Report Click here for further images, condition, auction times & delivery costs

Three sepia prints of classical scenes plus an oleograph of Rubens Toilette de Venus

Rubens Ware pomegranate jug, and a finely modelled and painted lady with crocodile figurine marked with a gold anchor (A/F)

CARLTON WARE LUSTRE 'SKETCHING BIRD' BOWLwith backstamp and partial paper label, circular shaped, deep bowl raised on circular foot, powder blue ground with gilt detailing, 9.5cm high, 20cm diameter; along with Rubens Ware 'Pomegranate' octagonal bowl, raised on octagonal foot (2)

Rubens SOUTHEYRough seas crashing against cliffs Watercolour Signed 36 x 27.5cm

EIGHT ROYAL WORCESTER FLORALLY PAINTED DESSERT PLATES, diameters approximately 23cm, a Royal China Works Worcester part teaset (13), three Rubens Ware hand painted plates, for Hancock & Sons and a Corona Ware 'Kensington' plate

PETER PAUL RUBENS BEATEN COPPER WALL PLAQUEalong with another circular wall plaque

FOUR BOXED HOTWHEELS 1:18 SCALE FERRARI F1 CARS, to include Michael Schumacher, 2001 King of the rain, 2002 Test drive, Limited Edition 2000 World Champions and Rubens Barrichello F2001.

A FRAMED AND GLAZED ENGRAVING TITLED 'ACHILLES IN STYGEM MERSUS' engraved by B.Baron after the paintings by Rubens. Frame size approx 45cm x 53cm

A pair of Shancock & Sons Rubens Ware Pomegranate pattern vases, 14 cm high, five other matching pieces, a silver mounted scent bottle with associated stopper, and another (box)

After Sir Peter Paul Rubens, Henry IV Receiving The Portrait of Marie De Medici, oil on board, 58 x 39cm.

A vintage fruit bowl by Rubens Ware hand painted decoration

RUBENS ARTHUR MOORE (1860-1943), DEVONSHIRE COTTAGES, SIGNED, SIGNED AGAIN AND INSCRIBED VERSO, OIL ON CANVAS, 16 X 21.5CM++Unrestored, fine light paint shrinkage, undisturbed beneath glass in the original late 19ths/early 20th c gilt cavetto frame

A Newhall Bourmier ware octagonal pottery bowl, decorated with peacocks against a black ground and blue lustre band, Hancock & Sons Rubens Ware oval bowl decorated in the Pomegranate pattern, and a Grimwade vase decorated with birds and flowers against a powder blue ground, 27.5cm high, (3).

After Rubens [17/18th Century]-The Judgement of Solomon:-oils on copper38 x 50cm.* Notes There is an attribution to Theodoor Van Thulden [1606-1669] in Danish on a label on the reverse

A beaten copper plaque depicting Rubens, 50cm dia.

Boxes and Objects - a mother of pearl pilgrim shell, carved with Christ; a copper portrait roundel, embossed with Rubens; a silver brooch; a military pin dish, Army Ordnance Corps; coins; etc

Porcelain figure of a goddess with a crocodile (A/F) and marked with a gold anchor, a Rubens ware "pomegranate" jug (A/F) and a pottery water jug in the form of a pig

Manner of Peter Paul Rubens (1577-1640) Flemish. Portrait of a Bearded Man, Pastel, 15.25" x 11".

A French patinated bronze model of the Faun with Clappers, late19th century, cast after the Antique, the figure portrayed in dance, a cymbal held in each hand, his right foot atop a scabellum, the oval base inscribed Louvre in the maquette, 59cm high The marble original of the Faun with Clappers resides in the Uffizi Galleries, Florence, and indeed was first recorded in that city by Albert Rubens (son of the Dutch master) in 1665, having seen the piece in the collection of the Grand Duke of Tuscany. It had been moved to the Tribuna of the Uffizi by 1688. The model was always a popular one, being light hearted and playful, and was therefore much reproduced from the Renaissance onwards. A full-scale bronze version was made by Soldani for Prince Liechtenstein in 1695 and again for the Duke of Marlborough at Blenheim Palace, and small versions were produced by Zoffoli and Righetti, -and indeed by many others ever since

Rubens Southey (1881 -1933) Watercolour of moorland scene at Tavy Cleaxy, Dartmoor

Boxes and Objects - a mother of pearl pilgrim shell, carved with Christ; a copper portrait roundel, embossed with Rubens; a silver brooch; a military pin dish, Army Ordnance Corps; coins; etc

TRISHA HARDWICK (b.1949), "Just a Bowl of Cherries", oil on canvas, signed, Rubens Gallery Leeds label verso, and original invoice dated 2000, 8" x 10", gilt frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

17 Pauls Model Art Helmet Collection racing driver’s helmets. 2x Rubens Barrichello 1995 & 1996. 3x Michael Schumacher 2x 1996 (variations) and 1997. Christian Fittipaldi 1996. 2x H.H. Frentzen 1995 & 1998. Martin Brundle 1995 Damon Hill 1995, 2x Johnny Herbert 1996 & 1998. Jean Alesi 1996, Eddie Irvine 1996, Ralf Schumacher 1997, Jacques Villeneuve 1996 and Jos Verstappen 1996. All in square plastic display boxes, some with outer sleeve, one cracked. Contents VGC-Mint.

A small quantity of Ferrari diecast. 3x 1:18 scale; 2x Hotwheels – an F333SP in red and yellow Mo Mo livery, RN30. An F1 F2003-GA, Rubens Barrichello, RN2 and a Paul’s Model Art F310B 1997, M. Schumacher, RN5. A Jouef Evolution 1:24 scale Ferrari 330 P4. 2x 1:43 scale Iveco Ferrari Team support vehicles. A Paul’s Model Art 1:87 scale team support vehicle. A Verem 1:43 scale set of 3 Ferraris. All boxed/display boxed, minor/some wear. Contents VGC-Mint. (8 items)

A quantity or assorted costume jewellery, watches and coins, to include a tortoiseshell and horn mounted snuff box, a George III coin dated 1816, a malachite carving, a Rubens wristwatch and a Premex example, two pairs of Trifari clip earrings, a Ronson cased lighter and cigarette case, an EPNS belt, a kukri type knife etc (Qty) CONDITION REPORT: Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding.

Vintage Hancocks "Rubens Ware" mantle vase hand painted fruit decoration on blue ground, stamped to base and "F.H. Abraham decorated." Height 17cm approx.

Follower of Bernardo Strozzi (1582-1644, Italian) The Madonna and Child, oil on board, framed, 25 x 20cmStrozzi was born in Genoa. He was probably not related to the other Strozzi family. In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest).Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630), Saint Lawrence distributing Alms at San Nicolò da Tolentino and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30). After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.

Bernard Baron (1696-1792, French) After Peter Paul Rubens, Two plates from 'The History of Achilles', engraving, framed, 35 x 44cm (2)

Art History - British, French and Italian - Badt (Kurt), Die Kunst des Nicolas Poussin, two-volume set, Dumont, Cologne 1969, h/b, d/j, 4to; Wright (Christopher), Poussin Paintings: A Catalogue Raisonné, Harlequin Books Limited, London 1985, h/b, d/j, square 4to; Schröder (Klaus Albrecht) and Widauer (Heinz), Peter Paul Rubens, [Hatje Cantz Verlag, Berlin 2007], paper covers, large square 4to; Rowlands (John), Rubens: Drawings and Sketches, Catalogue of an exhibition at the Department of Prints and Drawings in the British Museum, London 1977, h/b, d/j, 4to; further Rubens publications; Van Dyck; Cunningham (Allan), The Lives of the Most Eminent British Painters, Annotated and Continued to the Present Time by Mrs. Charles Heaton, three-volume set, George Bell and Sons, London 1879, oxblood buckram, 12mo; Gilchrist (Alexander), The Life of William Blake [...], second edition, John Lane, London 1906, gilt-embossed red cloth as issued, 8vo; Roberts (W.), Sir William Beechey, R.A., Duckworth and Co., London 1907, red buckram, 12mo; Phaidon: Hogarth, Gainsborough, Reynolds and Rowlandson, h/b, d/j; Rump (Gerhard Charles), George Romney (1734 - 1802), two-volume set, Georg Olms Verlag, Hildesheim 1974, h/b, d/j, 8vo; Sir Thomas Lawrence; George Stubbs, various; Royal Academy of Arts Bicentenary Exhibition, 1768 - 1968, two-volume set; Goldscheider (Ludwig), Roman Portraits, Phaidon Press Ltd, Oxford & London 1945, h/b, d/j (faults), folio; further Roman art; Classicism, Neoclassicism, Romanticism; further Italian and French Baroque, including Caravaggio; etc

A Vienna porcelain charger, painted with 'The rape of the Sabine Women' after Peter Paul Rubens, by E. Coller, circa 1880The rounded plaque, with central reserve finely painted with scene, set within burnished gilt stippled ground and vibrant claret red borders, picked out with scrolling acanthus foliage, marked and titled verso, 46cm diameter. CONDITION REPORT: Metal hanger still in place, rubbing to the edges where the metal supports are in place.Extensive yellowing and wear to the back.Free from chips/cracks or restoration.

*Boys (Thomas Shotter, 1803-1874). Het Steen, Rubens' House, near Antwerp, watercolour over pencil, with scratching out and touches of bodycolour, signed 'T. Boys' lower right, 172 x 249 mm (6.75 x 9.8 ins), framed and glazed, with inscription in white chalk to verso 'Lot 119 20-11-86 to verso Provenance: Sotheby's, Eighteenth & Nineteenth Century British Drawings & Watercolours, 20th November 1986, lot 119; Collection of D.A. Hall, Camberley, Surrey. A signed letter from Henry Wemyss of Sotheby's to D.A. Hall, dated December 1, 1986, enclosing a photograph of the present work, accompanies this lot. (1)

After Sir Peter Paul Rubens (Flemish, 1577-1640) Portrait of Michael Ophovius (1570-1637), standing, half-length, in Dominican robes, gesturing with his right hand oil on panel 116 x 84cm (45 x 33in) Literature: Prince Frederick Duleep Singh, Portraits in Norfolk Houses, Westacre High House, Norwich: Jarrold and Sons, 1928, Volume II, p. 380, No. 34 Other Notes: Born in Hertogenbosch, also historically known in French as Bois-le-Duc, Michael Ophovius was a prominent figure of the age, having published two treatises in 1603 and negotiated the handing over of the town of Neusden in 1623. He was notably employed by Archduchess Isabel Clara Eugenia for Dutch affairs and was protected by her husband, Albert VII, Archduke of Austria. He went on to become the Bishop of his hometown in 1626, and later of Antwerp. Ophovius was a close friend and confessor of Peter Paul Rubens. The present portrait is after Rubens' famous original in the Mauritshuis in the Hague (No.252). Unlike the original, the sitter in this version wears a cross. A well-known studio copy is in the Rubenshuis in Antwerp. A 17th century panel. Cleaned in 1958. Oil on a large wooden panel which is formed from three boards in vertical alignment. The panel is in a good condition with little sign of movement along the panel joins. The paint layer is in a good, stable condition. Below the sitter's right hand is an area of raised paint. The varnish is yellowed and matte but even. There is a thick layer of thick surface dirt. The frame is in a good condition.

Follower of Sir Peter Paul Rubens, Dutch (1577 - 1640)"On the Road," depicting an elderly Gentleman with turban and beard in elaborate and colourful attire with sword in hand walking alongside a young gentleman semi-nude with blue drapes seated upon a donkey and with two other figures in a romantic landscape, O.O.P., approx. 74cms x 58cms (29" x 23"), in a later frame. (1)Provenance: Important Private Irish Collection.

RUBENS ARTHUR MOORE (1860-1943) SCHLOSS STOLZENFELS KOBLENZ signed, oil on canvas, 14 x 19cm++In untouched good condition be neath glass in the original late 19th/early 20th c gilt frame

FOLOWER OF RUBENS THE VIRGIN AND CHILD WITH THE INFANT ST JOHN oil on copper, 16.5 x 20cm, unframed++Medium chipped and scratched with consequent overpainting. The old varnish very dirty, pigments darkened in places

Sampson Towgood Roche (Irish 1759-1847) after Sir Peter Paul Rubens The Peasant Dance Signed Watercolour 20 x 30cm; 8 x 12in Roche was a portrait miniature painter, born in Carrick-on-Suir, Waterford. Born deaf and dumb he showed an aptitude for art at an early age so was sent to Dublin to study the masters and do copies. This work is possibly from that period. He later established a thriving portrait miniature practice in Bath.

λ After Peter Paul Rubens Self portrait; Portrait of Susanna Lunden, Le Chapeau de Paille A pair, both watercolour with gum arabic, in gilt frames with deep sections 115 x 75mm (2)

Motorsport - Large framed display of Spirit of Brooklands First Day Covers - 1/100, Produced by The Formula One Club for The Brooklands Museum Trust. Complete set of 23 signed by Tony Brooks, Stirling Moss - signed by both Stirling Moss and John Saunders, Eddie Irvine, Martin Brundle, Mark Blundell, Jackie Stewart, Brian Henton, Michael Schumacher, Derek Warwick, Jean Alesi, Clive Windsor-Richards, Rubens Barrichello, Roy Salvadori, Ayrton Senna - signed by Ron Dennis, Baron von Graffenried, Jonathan Palmer, Derek Daly, Ricardo Patrese, Tiff Needell, Ken Tyrrell, David Coulthard, Karl Wendlinger, Julian Bailey, framed & glazed, 25 x 39 inches.Provenance: The vendor worked in the motor sport industry..

Motorsport - Large collection of items including photographs taken by the vendor, autographs and programmes including David Coulthard, Eddie Irvine, Mark Blundell, Rubens Barricello, Peter McLaren, John Clelland, Alain Menu, David Brabham, Andrea Montermini, & others, large quanity of race programmes including Silverstone (list available) & a vintage Leica motorsport framed print..

Follower of Sir Peter Paul Rubens (Flemish, 1577-1640):Portrait of a lady, said to be Susanna Fourment, oil on panel, H 65.5 x W 50.5 cm, contained within an impressive giltwood frame. Note: Susanna Lunden, born Susanna Fourment, was the third daughter of Daniel Fourment, an Antwerp tapestry & silk merchant. Her younger sister Helena became Rubens' second wife in 1630.

After David Roberts (1776 - 1864), lithograph - Jerusalem from the mount of Olives, signed and dated 1839 to the plate, 33cm x 48cm, together with collection of unframed etchings, prints and engravings, 17th - 20th century by various hands - including Hendricx after Rubens and others - all housed within folio folder for David Robert's Holy Land series of lithographs with gilt tooled cloth

Peter Paul Rubens Engraving Landscape 17th century Antwerp, S. A. Bolswert - Gillis Hendriex, 17 1/2'' x 11 3/4''