William John Wainwright (British, 1855-1931) RBSA, watercolour, 'Three Ladies in Period Costume', signed and dated 1913, 56cm x 39cm, Provenance, R.L Fine Arts, Solihull, circa 1984, Wainwright trained in the school founded by Rubens and became an authority on costume from Florence of the 15th century onwards, he exhibited 67 pictures at the RWS and was President of the Royal Birmingham Society of Artists with over 230 works shown there during his lifetime.
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William John Wainwright (British, 1855-1931) RBSA, watercolour, 'In the Times of Charles 1st', signed 25cm x 17cm, Provenance, purchased from Roger Widdas Fine Paintings, R.L Fine Arts, Solihull, circa 1984, Wainwright trained in the school founded by Rubens and became an authority on costume from Florence of the 15th century onwards, he exhibited 67 pictures at the RWS and was President of the Royal Birmingham Society of Artists with over 230 works shown there during his lifetime.
2011 German GP programme signed by Michael Schumacher, Lewis Hamilton & seven others,their marker pen signatures upon the front cover of the FIA official souvenir programme, the additional signatures including Sebastian Vettel, Fernando Alonso, Jenson Button, Nico Rosberg, Felipe Massa, Rubens Barrichello and Mark Webber, German and English text, page size 30x21cm.
FICTION (SIGNED COPIES, unless otherwise stated): 1. Cartland, Barbara: Love in the Moon; Love at the Helm; 2. Burke, James Lee: Tin Roof Blowdown; Heartwood (Doubleday, N. Y, 1999); the next 3 not signed: In the Moon of Red Ponies; Crusader's Cross; Pegasus Descending; 3. Allende, Isabel: Daughter of Fortune; 4. Baldwin, Michael: The Cellar; 5. Chaston C R: Heaven's Door; 6. Parsons, Tony: Man and Wife; 7. Rushdie, Salman: Enchantress of Florence; Moor's Last Sigh; The next 2 not signed: Satanic Verses; Shalimar the Clown; 8. Rubens, Bernice: Milwaukee; 9. Shriver, Lionel: Post-Birthday World; 10. VICKERS, Salley: Instances of the Number 3; 11. Williams, Nigel: Scenes from a Poisoner's Life; 12. Wright, Glover: Whitefire; 13. Robinson, Peter: Piece of My Heart; not si 15. Auel, J M: Shelters of Stone; not signed 16. Bondoux, Anne-Laure: Princess and the Captain. not signed (24)
1. Rooses, Max: Vijftig meesterwerken van Antoon Van Dijck. Antwerpen, De Nederlandsche Boekhandel, 1900. three-quarter morocco with gilt decoration to spine and teg. Occasional foxing; o/w VG; 2. Michel, Emile: Rubens. Paris, Hachette, 1900. 4to. Full leather, embossed and with gilt decoration, aeg. VG; Plus: The Life of Cicero. Vol. 2 only. In cont. leather binding. (3)
Rubens Santoro (Italian, 1859-1942), Two Figures by a Brazier, signed lower right, oil sketch on canvas, framed. 41cm by 15.5cm. Note: Santoro was born in southern Italy, the son and brother of painters. After the family moved to Naples he enrolled at the Institute of Fine Arts there. He pursued further studies with Edouardo Dalbone, a painter of genre scenes and views and then went on to specialise in street scenes, genre but, above all, topographical views of Venice which brought him considerable acclaim and success. He exhibited widely in Paris, London, Turin, The Chicago World Fair of 1893, The Venice Biennale and many other places. The subject work is in sharp stylistic contrast to his highly finished Venetian views with their use of bright sunlight and glimmering water.
1. Rooses, Max: Vijftig meesterwerken van Antoon Van Dijck. Antwerpen, De Nederlandsche Boekhandel, 1900. three-quarter morocco with gilt decoration to spine and teg. Occasional foxing; o/w VG;2. Michel, Emile: Rubens. Paris, Hachette, 1900. 4to. Full leather, embossed and with gilt decoration, aeg. VG;Plus: The Life of Cicero. Vol. 2 only. In cont. leather binding. (3)
FICTION (SIGNED COPIES, unless otherwise stated): 1. Cartland, Barbara: Love in the Moon; Love at the Helm;2. Burke, James Lee: Tin Roof Blowdown; Heartwood (Doubleday, N. Y, 1999); the next 3 not signed: In the Moon of Red Ponies; Crusader's Cross; Pegasus Descending;3. Allende, Isabel: Daughter of Fortune;4. Baldwin, Michael: The Cellar;5. Chaston C R: Heaven's Door;6. Parsons, Tony: Man and Wife;7. Rushdie, Salman: Enchantress of Florence; Moor's Last Sigh;The next 2 not signed: Satanic Verses; Shalimar the Clown;8. Rubens, Bernice: Milwaukee;9. Shriver, Lionel: Post-Birthday World;10. VICKERS, Salley: Instances of the Number 3;11. Williams, Nigel: Scenes from a Poisoner's Life;12. Wright, Glover: Whitefire;13. Robinson, Peter: Piece of My Heart; not signed14. Ashley, M: Camelot Chronicles (NY, Wings 1-8); not signed15. Auel, J M: Shelters of Stone; not signed16. Bondoux, Anne-Laure: Princess and the Captain. not signed (24)
Art Postcards (10) - Der Eremil (Art). Artist Koninck, Printer Stengel, Cottage at Hambledon Artist Foster, Printer P.Co, Musical Party Teniers, Printer Misch, A Parting Stokes, Printer P.Co, Girl and blossoms Printer C.W.Faulkner, Cupid Printer Misch, The Wanderer's Return Printer Philco, The Dance of Apollo with the Muses Artist Romano, Printer Misch and Children carrying a garland of fruit Artist Rubens, Printer Misch.
Art Postcards (6) - The Sword of the Lord and of Gideon, Leinweber, Printer Misch, Absalom's End Artist Leinweber, Printer Misch, Jesus, St. John and two children, Rubens, Printer Misch, Nathan Rebuking David, Leinweber, Printer Misch, David dancing before The Ark, Printer Misch and Dante's dream (Art). Artist Rossetti, Printer Misch
'The Vasari Society for the Reproduction of Drawings by Old and Modern Masters', Second Series, Part VIII, 1927. Plates and Letterpress Printed at the University Press, Oxford, by John Johnson. Tied folio, containing 16 collotype prints after the likes of Durer, Rubens, Rembrandt. Contents generally good and bright, title page has a little wear. Together with 'Palast-Architektur', XV - XVII, Genua, Robert Reinhardt, Berlin. Large folio, containing 27 architectural prints (incomplete, should be 100), covers detached, creasing/wear to contents. (2)
AFTER SIR THOMAS LANDSEER, A COLLECTION OF SIX 19TH CENTURY BLACK AND WHITE ENGRAVINGS Exotic animals, 'Lions after Rubens', 'Leopard after Leydinger', 'Panther after Stubbs', 'Elephants Returning from The Hunt', 'Senegal Lion' and Lioness after Reydinger' etc, published by E. Spilsbury, London, 1854, framed and glazed. (approx 22cm x 17cm)
Bellori Giovanni Pietro. Le vite de' pittori, scultori, ed architetti moderni, co' loro ritratti al naturale.. . In Roma: per il successore al Mascardi, a spese di Francesco Ricciardo, e Giuseppe Buono, 1728. In-4° (mm 238x175). Pagine 16, 394 [i.e. 384], [2] (di 4, manca l'ultima carta bianca), con 13 ritratti e 2 tavole incise in rame fuori testo. Lieve alone a pagina 293 e lievi bruniture su alcune carte, ma nel complesso ottimo esemplare. Legatura in piena pergamena coeva, con tassello e titolo in oro al dorso. Seconda edizione, accresciuta con la vita di Luca Giordano, del più importante lavoro del Bellori. L'opera, inizialmente concepita come una naturale prosecuzione delle Vite del Vasari, assunse progressivamente un taglio piu' semplificato, ma non per questo privo di un'indagine critica di prim'ordine. I ritratti incisi mostrano tra gli altri Caravaggio, Rubens, Poussin, Carracci e statue dell'epoca classica.
"The Consignment of the Regency". A carved ivory triptych depicting King Henry IV of France and his wife Marie de' Medici - France, 19th Century ; ; taken from "The Marie de' Medici Cycle", a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens completed the project in 1622; Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents.The paintings now hang in the Louvre in Paris. 16.6 x 26.1 x 1.5 cm, 6 17/32 x 10 9/32 x 0 19/32 in, weight 340 gr. Item condition grading: **** good. Ce.S.Ar. Certificate of Antiquity"La consegna della Reggenza". Trittico in avorio scolpito raffigurante Enrico IV di Francia e la moglie Maria de' Medici - Francia, XIX secolo; ; tratto da "Il ciclo di Maria de' Medici" di Peter Paul Rubens. Alla fine del 1621, Rubens riceve da Maria de' Medici, vedova di Enrico IVI, l'incarico di dipingere una serie di 24 dipinti per il Palazzo del Luxembourg con un ciclo allegorico-encomiastico che illustrava la vita e la concezione politica della committente. I dipinti, ultimati da Rubens nel 1622, si trovano attualmente presso il Louvre di Parigi. 16,6 x 26,1 x 1,5 cm, peso 340 gr. Stato di conservazione: **** buono. Certificato Ce.S.Ar.
"The Consignment of the Regency". A carved ivory triptych depicting King Henry IV of France and his wife Marie de' Medici - Ozias Humphry, England, 18th Century ; ; taken from "The Marie de' Medici Cycle", a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens completed the project in 1622; Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents.The paintings now hang in the Louvre in Paris. Signed by Ozias Humphry. 41 x 63 x 1.5 cm, 16 9/64 x 24 51/64 x 0 19/32 in, weight 2478 gr. Item condition grading: **** good (minor defects). Ce.S.Ar. Certificate of Antiquity. BiographyOzias Humphry (or Humphrey) (Honizon 8 September 1742 – Hampstead 9 March 1810) was a leading English painter of portrait miniatures, later oils and pastels, of the 18th century. He was elected to the Royal Academy in 1791, and in 1792 he was appointed Portrait Painter in Crayons to the King (i.e. pastels)"La consegna della Reggenza". Trittico in avorio scolpito raffigurante Enrico IV di Francia e la moglie Maria de' Medici - Ozias Humphry, Inghilterra, XVIII secolo; ; tratto da "Il ciclo di Maria de' Medici" di Peter Paul Rubens. Alla fine del 1621, Rubens riceve da Maria de' Medici, vedova di Enrico IVI, l'incarico di dipingere una serie di 24 dipinti per il Palazzo del Luxembourg con un ciclo allegorico-encomiastico che illustrava la vita e la concezione politica della committente. I dipinti, ultimati da Rubens nel 1622, si trovano attualmente presso il Louvre di Parigi. Firmato Ozias Humphry (Honizon 1742 - Hampstead 1810). 41 x 63 x 1.5 cm, peso 2478 gr. Stato di conservazione: **** buono (minori difetti). Certificato Ce.S.Ar.
18ct gold open faced pocket watch, case London 1886, white enamel Roman dial, subsidiary seconds, hands set on band, case 50mm, gold cuvette, ¾ plate stem wind movement signed R Rubens, Liverpool, No. 85093 (ticks, winds, sets time, bow missing), gross weight 103.2g. *See clocks and watches proviso. All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no-longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness. Condition report: crystal scratched, several harlines on dial; bow missing; minor abrasion, nicks, blade cuts and dents to case; hallmarks legible;
*Flemish School. Head of a bearded male figure in profile, looking right, circa 1650-1675, oil on heavy paper, impressed with the imprint of canvas from a previous relining on canvas (now removed), with extensive contemporary manuscript list of accounts and instructions for payments in brown ink to verso, apparently dated at head 1651, with numerous recipients' names, some discolouration and staining, strip to head of the sheet detached, some chips and minor loss to edges, 45 x 32.5 cm (17.75 x 12.8 ins) Provenance: Private Collection, Oxfordshire. On the reverse are 51 lines of detailed accounts for payments, written in brown ink by a contemporary hand in French and apparently dated Paris 1651. These accounts relate to a number of different people in Antwerp, Amsterdam, Ostend, Rotterdam, Middelbourgh, Rouen, Liege, London and elsewhere. Amongst those named are Jean Baptiste Lunden (1636-1703), the husband of Rubens' granddaughter Helene Francoise Rubens, Cornelis Goedjdbroeck (possibly Cornelis Gysbrechts, 1630-1683), Martin Bisthoven d'Anvers (probably Martin Janssens de Bisthoven of the Antwerp Mint), Jacob de Bie, Gouvaert Lammers, John Robben of London, Philippe de Surmont, and many others. Despite its fragile condition, this intriguing oil sketch and conjoined manuscript document may shed important light on the commercial activities of artists and merchants working in Flanders after the deaths of Rubens and Van Dyck in 1640 and 1641 respectively. (1)
Jean Audran (1667-1756) after Sir Peter Paul Rubens (1577-1640), Henri IV délibére sur son futur marriage [...], drawn and published by Jean-Marc Nattier (1685-1766), Paris [c.1740], 55cm x 39cm, the margins with collector's pencil inscriptions; Catherine Elizabeth Lempereur (1726-1780) after Claude-Joseph Vernet (1714-1789), Le Calme, Dédié Monsieur Watelet de Valogny, Maréchal des Camps [...] Armées du Roy, [Paris c.1770], engraving, 32.5cm x 47cm; Jean-Baptise Patas (1741-18178) after Paolo Veronese (1528-1588), La Mort D'Adonis, [from] De la Galerie S.A.S. Monseigneur le Duc de Orléans, [Paris c.1770], engraving, 22.5cm x 16.5cm, MS numbered collector's mount; after William Hogarth (1697-1764), The Company of Undertakers, restrike, etching, 30cm x 21.5cm; after George Cruikshank (1792-1878), The Examination, of a Young Surgeon, restrike, etching, 23cm x 42cm; other restrikes; 18th century View of Chelsea, hand-coloured engraving; etc (folio)
A FRAMED MEZZOTINT BEHIND GLASS - PORTRAIT MRS FITZHERBERT FROM THE ORIGINAL PICTURE IN THE POSSESSION IF EARL FORTESCUE TOGETHER WITH A FRAMED ENGRAVING PORTRAIT OF PIERE PAUL RUBENS AFTER VAN DYCK ENGRAVED I M NATTIER 1710 PLUS A FRAMED ENGRAVING BEHIND GLASS 'THE MOSQUE OF SOULTON HASSAN CAIRO DRAWN BY O R CARTER FROM SKETCH C LAVER ENGRAVED BY C BOURNE TOGETHER WITH A FRAMED ENGRAVING BEHIND GLASS 'THE CUT FINGER' AFTER DAVID WILKIE ENGRAVED ABRAHAM RAIMBACH 1810 (4)
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2831 item(s)/page