We found 2831 price guide item(s) matching your search

Charles Meigh Large' Bacchanalian Dance' Jug, the typical Meigh, smear glazed stoneware jug, showing crisply moulded classical figures indulging in Bacchanalian revelry, in two panels around the body of the jug, with grape and vine decoration to the neck, spout, handle and base; the trunk of the vine separates the two panels, one after a Poussin, the other a Rubens; the design, registered in 1844, was award winning and very popular with Meigh's 19thC buyers; 10.5 inches high; unmarked

After Sir Peter Paul Rubens (1577 - 1640) A 20th century oil on board painting of Rubes The Lion Hunt being signed Rubenheimer 1947. Measures 41 cm high and 31.5 cm wide.

After Sir Peter Paul Rubens, The Berlin Madonna, oil on canvas, 59cm x 47cm. Illustrated

After Peter Paul Rubens (1577-1640) Flemish. "St Martin dividing his Cloak", Engraving, 20.5" x 17", together with engravings after Jordaens and Boydell, three (3).

Montagu (Jennifer). Alessandro Algardi, volumes 1 & 2, 1985, numerous colour and black and white illustrations, original brown cloth in dust jackets, 4to, together with Pignatti (Terisio), Pietro Longhi, Paintings and Drawings, 1969, numerous colour and black and white illustrations, original green cloth in dust jacket, covers slightly rubbed to head and foot, 4to, plus Held (Julius S.), Rubens, Selected Drawings, volumes 1 & 2, 1959, numerous tipped in colour plates and black and white illustrations, uniform original red cloth, spines slightly faded, large 8vo, plus other modern 18th and 19th century art reference and related, mostly original cloth in dust jackets, G/VG, 8vo/folio (3 shelves)

FOLEY INTARSIO MINIATURE JUG, FOLEY FAIENCE FLORAL GILDED POT, RUBENS WARE CYLINDRICAL FLARED VASE, SHELLEY DRIP GLAZED OCTAGONAL SMALL BOWL AND A FOLEY CHINA MINIATURE TWIN HANDLED VASE

Tray of assorted china, various, to include: pottery Art Deco design dishes and chargers; pair of pottery two handled vases; Rubens ware dish etc.(B.P. 24% incl. VAT)

Lot of 11 Art VolumesThe lot contains:  Vitali Lamberto [a cura di]. Il tesoro del Duomo di Monza. Milano: Amilcare Pizzi, 1966. Cloth with illustrated dust jacket, cardboard box. texts by Angelo Paredi, David Talbot Rice, Angela ottino dalla Chiesa, Mercedes Viale Ferrero. Castelfranchi Vegas Liana. La leggenda di Teodolinda negli affreschi degli Zavattari. Milano: Sidera, 1964. Cloth within cloth box, on strong paper of the Rotary Club di Monza. Group of 8 chapters of the collection I grandi maestri del colore, Bergamo: Istituto italiano d'arti grafiche [Anni '30-'40], each one with original illustrated wrappers, bound in one half-leather volume with cloth covers. Contains: n. 18 Andrea del Sarto, text by Arturo Jahn Rusconi; n. 41 Musaicisti ravennati, text by Santi Muratori; n. 38 Millet, text by Giovanni Vollmer; n. 15 Rubens, text by G. Edoardo Mottini; n. 9 Holbein, text by Arturo Seemann; n. 10 Van Dick, text by Arturo Seemann; n. 5 Goya, Introduction by Augusto L. Mayer; n. 4 Rembrandt, Text by Adolfo Philippi. Lieure Jules. La gravure en France au XVIe siècle. La gravure dans le livre et l'ornement. Paris et Bruxelles: G. Vanoest, 1927. Editorial wrappers with dust jacket. Aubusson et la Renaissance de la tapisserie. XXXII Mars 1946. Le point. Revue artistique et litteraire paraissant tous le deux mois. Sixième annéè. Regards sur Ben Nicholson. Views on Ben Nicholson. Bristish Council Paris, 1955. Volume edited for the exhibition of Ben Nicholson in Paris by the British Council and the Musée National d'Art Moderne.  Exposition Charles Walch. Peinture, gouaches, dessins, sculpture. 1932-1948. Jeudi 5 février au Dimanche 15 mars 1953. Paris, Maison de la pensée francaise. Paris: Les éditions Barune & Cie. Collection Initier. Edouard Vuillard. Ottobre-Novembre 1959. Milano, Palazzo Reale. Milano: Edizioni dell'ente manifestazioni milanesi, 1959. Catalog by Franco Russoli. Les Gobelins. Trois Sièclesde Tapisserie. Mobilier National Juin - Octobre 1966. Paris: [1966]. Versailles à Stockholm. Dessins du Nationalmuseum Peintures, Meubles et Arts Décoratifs des Collections Suédoises et Danoises. Exposition Organisée à l'Occasion du Colloque Versailles. Institu Cultirel Suédois, Hotel de Marle, Paris Septembre - Octobre 1985. Publiè avec le concours du J. Paul Getty Trust.  Brigadier Kenneth Mears. I gioielli della corona. La torre di Londra. 1990. Lotto di 11 volumi d'arte Il lotto comprende: Vitali Lamberto [a cura di]. Il tesoro del Duomo di Monza. Milano: Amilcare Pizzi, 1966. Legatura in tela con sovraccoperta illustrata, cofanetto in cartone. Testi di Angelo Paredi, David Talbot Rice, Angela ottino dalla Chiesa, Mercedes Viale Ferrero. Castelfranchi Vegas Liana. La leggenda di Teodolinda negli affreschi degli Zavattari. Milano: Sidera, 1964. Legatura in tela entro confanetto cartonato rivestito in tela. Pubblicazione impressa su carta forte patrocinata dal Rotary Club di Monza. Gruppo di 8 fascicoli della collana I grandi maestri del colore, Bergamo: Istituto italiano d'arti grafiche [Anni '30-'40], ognuno con brossura originale illustrata, legati in un volume in mezza pelle con punte e tela grezza ai piatti. Comprende: n. 18 Andrea del Sarto, testo di Arturo Jahn Rusconi; n. 41 Musaicisti ravennati, testo di Santi Muratori; n. 38 Millet, testo di Giovanni Vollmer; n. 15 Rubens, testo di G. Edoardo Mottini; n. 9 Holbein, testo di Arturo Seemann; n. 10 Van Dick, testo di Arturo Seemann; n. 5 Goya, Introduzione di Augusto L. Mayer; n. 4 Rembrandt, Testo di Adolfo Philippi. Lieure Jules. La gravure en France au XVIe siècle. La gravure dans le livre et l'ornement. Paris et Bruxelles: G. Vanoest, 1927. Brossura editoriale con sovraccoperta. Aubusson et la Renaissance de la tapisserie. XXXII Mars 1946. Le point. Revue artistique et litteraire paraissant tous le deux mois. Sixième annéè. Regards sur Ben Nicholson. Views on Ben Nicholson. Bristish Council Paris, 1955. Volume edito in occasione della mostra di Ben Nicholson organizzata a Parigi dal British Council e dal Musée National d'Art Moderne. Exposition Charles Walch. Peinture, gouaches, dessins, sculpture. 1932-1948. Jeudi 5 février au Dimanche 15 mars 1953. Paris, Maison de la pensée francaise. Paris: Les éditions Barune & Cie. Collection Initier. Edouard Vuillard. Ottobre-Novembre 1959. Milano, Palazzo Reale. Milano: Edizioni dell'ente manifestazioni milanesi, 1959. Catalogo a cura di Franco Russoli. Les Gobelins. Trois Sièclesde Tapisserie. Mobilier National Juin - Octobre 1966. Paris: [1966]. Versailles à Stockholm. Dessins du Nationalmuseum Peintures, Meubles et Arts Décoratifs des Collections Suédoises et Danoises. Exposition Organisée à l'Occasion du Colloque Versailles. Institu Cultirel Suédois, Hotel de Marle, Paris Septembre - Octobre 1985. Publiè avec le concours du J. Paul Getty Trust. Brigadier Kenneth Mears. I gioielli della corona. La torre di Londra. 1990.

Manner of Sir Peter Paul Rubens (1577-1640) Flemish Portrait of a man, possibly a self portrait Oil on panel, 34.5cm by 27.5cm, unframed

Charles Meigh Large' Bacchanalian Dance' Jug, the typical Meigh, smear glazed stoneware jug, showing crisply moulded classical figures indulging in Bacchanalian revelry, in two panels around the body of the jug, with grape and vine decoration to the neck, spout, handle and base; the trunk of the vine separates the two panels, one after a Poussin, the other a Rubens; the design, registered in 1844, was award winning and very popular with Meigh's 19thC buyers; 10.5 inches high; unmarked

JOHN HOPKINS AFTER RUBENS "Candlelight", on ivory; 15.5 x 12 cms

Three Hot Wheels Racing 1:18 scale diecast models: F2003-GA Rubens Barrichello; F2003-GA Michael Schumacher; Jaguar R4 Mark Webber. Boxed and E. (3)

A SET OF 12 MISCELLANEOUS ENGRAVINGS, including after Rubens, Leonardo, Cesar Helleu and portraits of gentlemen, various sizes, framed. (12) (with faults)

A late Georgian portrait miniature of a gentleman with white neck tie, watercolour on paper, in oval format, facing dexter, in a black ebonised frame with thistle, rose and shamrock hanger, 8 by 6cm, framed, 14 by 11cm, together with an engraving of Rubens, from the Encyclopaedia Londinensis 1826, with label verso, 11 by 8cm, in an oval ebonised frame, 15 by 13cm. (2)

Charles Meigh Large' Bacchanalian Dance' Jug, the typical Meigh, smear glazed stoneware jug, showing crisply moulded classical figures indulging in Bacchanalian revelry, in two panels around the body of the jug, with grape and vine decoration to the neck, spout, handle and base; the trunk of the vine separates the two panels, one after a Poussin, the other a Rubens; the design, registered in 1844, was award winning and very popular with Meigh's 19thC buyers; 10.5 inches high; unmarked

AFTER RUBENS 'The descent form the cross', engraving, 70cm x 46cm, framed and glazed.

E. Hardenne 'Rubens' Embossed copper plaque, signed in an oak frame, 22 x 18cm

A collection of twelve illuminated vellum bindings, Gowan's Art Books, a broken run from No 1 Rubens to No 22 Tintoretto, the full vellum bindings illuminated on the front and spine, with pattered end papers and label in each for Giuseppe Giannini Florence, 1904-1908, most with a cardboard box (12)

After Rubens: watercolours on ivory, a portrait miniature of the artist, 4 1/2" x 3 3/4", in gilt frame

Boyvin (Jean). Le Siege de la ville de Dole, Capitale de la Franche-Comt‚, et son heureuse deliverance, Antwerp: Imprimerie Plantinienne de Balthasar Moretus, 1638, engraved decorative title depicting King Philip IV seated on a throne after Rubens, and folding plan, printer's woodcut device to verso of final leaf, bound with appendix, Relation de tout ce qui s'est pass‚ au siŠge et prise de Breme, par les armes du roy Catholique Philippe IV..., Antwerp: L'Imprimerie Plantinienne de Balthasar Moretus, 1638, engraved armorial to title, one folding plan, woodcut printer's devices to verso of final leaf, closed tear to B1, bookplate of Leonard Holgate Almond Memorial LIbrary, contemporary speckled calf, manuscript paper title label at head of spine, a little rubbed to extremities, 4to, together with Baskerville Press, C. Crispus Sallustius; et L. Annaeus Florus, Birmingham: John Baskerville, 1773, half-title, initial leaves dampstained at gutter margin, later marbled endpapers, armorial bookplate of W.H. Battie-Wrightson of Cusworth, Yorkshire, contemporary tree calf, rebacked preserving original gilt decorated spine, 4to (Gaskell 51), with Orsini (Fulvio), Virgilius collatione Scriptorum Graecorvm illustratus..., Antwerp: Christopher Plantin, 1567, printer's woodcut device to title, some light toning, bookplate of Leonard Holgate Almond Memorial LIbrary, 19th century marbled boards, 8vo, and Elezevir Press, D. Justiniani. Sacratissimi Principis Institutionum sive Elementorum, libri quatuor, notis perpetuis multo... diligentius illustrati, cura & studio Arnoldi Vinnii..., Amsterdam, 1669, additional engraved title with imprint dated 1663 (slightly shaved at fore-edge), printer's woodcut device to letterpress title, late 18th/early 19th century vellum, gilt crest to upper board, later manuscript to spine, 12mo, plus other 17th-early 19th century antiquarian volumes, including two Elzevir Press titles and an English Bible, published 1682, near contemporary morocco, lacking upper board, 12mo (9)

CONTINENTAL SCHOOL 19th/20th century, A miniature study of Peter Paul Rubens, indistinctly signed, in a gilt metal slip, 10.5cm high Provenance: A Noble European family.

Coloured Drawing – Portrait of a Tudor Lady, after Rubens, 14” x 11” white frame

Manner of Sir Peter Paul Rubens, Portrait of a lady, oil on canvas, unframed, 66cm x 51.5cm.

Four illustrated Catalogues from the Jubilee Exhibition 1935: 'Nineteenth Century Masterpieces', 'Rubens' by The Medici Society, 'The Raphael Cartoons 1959 and 'Portraits by Walter R. Sickert' 1990

A Dutch painted pine bowfront hanging corner cupboard decorated with Feast of Herod after Rubens, 100cm high

Charles Meigh Large' Bacchanalian Dance' Jug, the typical Meigh, smear glazed stoneware jug, showing crisply moulded classical figures indulging in Bacchanalian revelry, in two panels around the body of the jug, with grape and vine decoration to the neck, spout, handle and base; the trunk of the vine separates the two panels, one after a Poussin, the other a Rubens; the design, registered in 1844, was award winning and very popular with Meigh's 19thC buyers; 10.5 inches high; unmarked

Gevaerts Jean Gaspard - Hubertus Goltzius. Icones imperatorum Romanorum, ex priscis numismatibus ad viuum delineatæ, & breui narratione historica illustratæ... Antverpiae: ex Officina Plantiniana Balthasaris Moreti, 1645.In-folio (mm 360x235). Pagine xiv (contenenti occhietto e frontespizio inciso da un disegno di Rubens) , [2], 423, [5]. Con 144 ritratti di imperatori romani in medaglione incisi in chiaroscuro; marca tipografica al verso dell'ultima carta. Minime bruniture e tracce di controstampa dei chiaroscuri - presenti in tutte le copie - ma ottimo esemplare. Legatura olandese coeva in pergamena allumata con unghie, titolo manoscritto al dorso, macchie ai piatti. Fra la carta di guardia e l'occhietto è legata una carta con grande stemma inciso in rame a piena pagina; al contropiatto anteriore applicato ritratto inciso in rame di Alessandro VII ed ex libris araldico; al verso della carta di guardia posteriore applicata altra marca plantiniana; al contropiatto posteriore ex libris coronato con stemma sorretto da aquila bicefala.Folio (360x235 mm). xiv (including half-title and engraved title-page after Rubens), [2], 423, [5] pages. 144 medallion portraits of Roman imperors engraved in chiaroscuro technique; primter's device on the verso of the last leaf. An excellent copy, slightly browned; light offsetting, as usual. Contemporary Dutch vellum with yapp edges. Spine with inked title. Some stains to covers. Full-page engraved coat of arms bound between the front flyleaf and half-title. Engraved portrait of pope Alexander VII and armorial ex libris both pasted on the front pastedown; Plantin device pasted on the verso of the rear flyleaf; armorial ex libris with double-head eagle on the rear pastedown.Handsome Plantiniana edition of one of the finest books on numismatics ever printed, and the first book on this topic to be published in Low Countries. The Icones imperatorum Romanorum had an enduring influence, and is still appreciated for its magnificent illustrative apparatus in chiaroscuro, the careful selction of ochre and brown tones, as well as the accurate historical observations accompanying the engravings. For the chiaroscuro woodcuts included in the 1645 edition the woodblocks were entirely re-cut. These new chiaroscuro are "plus belles and plus nettes" (Funck).Voet II, 225.

Early 19thC English School. Portrait miniature of a boy quarter profile, oil on card, 17cm x 12cm, in an elaborate gilt wood frame, headed by cherubic mask, flanked by fruits and a tortoise shell finished frame set with over painted print, classical figures in the manner of Rubens (2)

After Peter Paul Rubens. Head and shoulders portrait, oil on canvas, 49.5cm x 38cm

Group of five art exhibition posters: 1. Original vintage advertising poster for Olivetti Forms and Research Exhibition held in Museum des Arts Decoratifs Paris. Excellent condition. Country: France. Year: 1969. Designer: Olivetti. Size: 70.5 x 49.5. 2. Original vintage advertising poster for Oskar Kokoschka Palazzo Venezia Rome. Good condition, creases and few unnoticeable tears on margins. Country: Italy. Year: 1981. Designer: Unknown. Size: 98.5 x 68. 3. Original vintage adverising poster for Primo Conti Exhibition held in Palazzo Delle Esposizioni Rome. Good condition, creases on margins, paper loss in the lower right corner. Country: Italy. Year: 1974. Designer: Primo Conti. Size: 100 x 70. 4. Original vintage advertising poster for Rubens And His Engraves Palais Rohan. Excellent condition. Country: France. Year: 1977. Designer: Rubens. Size: 70 x 45.5. 5. Original vintage adverising poster for Advertising Poster Metaphysics Painting Venice. Very good condition, small creases on margins. Country: Italy. Year: 1979. Designer: J. de Chirico. Size: 100 x 69.

Workshop of Peter Paul Rubens (1577-1640) Flemish Portrait of a lady, three-quarter length, standing to the left, looking towards the spectator, hands folded, wearing a black satin dress, a pearl necklace and earrings, jewelled chain and pendant with pearl drop to her dress and a curtain and sky background Inscribed ''Virgo Brabantina'', oil on canvas, 108cm by 78cm Provenance: ''A Complete catalogue of the paintings, watercolour drawings and prints in the collection of the Late Hugh Andrew Johnstone Munro Esq, of Novar, at the time of his death deposited in his house, No. 6 Hamilton Place, London, with some additional paintings at Novar,'' (1865) No. 218 Exhibited : ''Exhibition of Pictures by Masters of the Flemish and British Schools, including a selection from the works of Sir Peter Paul Rubens, the New Gallery, London (1899-1900) No. 130 Literature: Rooses, (Circa 1890) Max, L' Oeuvre de P.P. Rubens, Histoire et Description de ses tableaux et dessins, Volume 4, page 298, no. 1103 Rooses, Max, Rubens, (1904), no. 386 Verhaeren, Emile, Rubens, (1913), no.55 and dated as 1625-1628 A related portrait can be found at the following link : http://www.dhm.de/datenbank/goering/dhm_goering.php?seite=5&fld_0=RMG01421 See illustration

Manner of Peter Paul Rubens - Flemish School - 17th century,Oil on oak panel, Adoration of the Shepherds - with saints, angels and cherubs attending, the cherubs holding a banner 'Gloria in Excelsis Duo' (Glory to God in the Highest), With framers label verso for James Bourlet & Sons, dated 1/9/31 82cm x 59cm (panel split)In later gilt wood and gesso frame with painted detailing, Provenance: Purchased Colin Gray & Co Chislehurst 15th January 1948, Lot 64 for £20. PROVENANCE: Private collection, from a Thames riverside house, Windsor.

Manner of Peter Paul Rubens - Flemish School, Oil on panel,The Descent From The Cross, 58cm x 40cm,Framed. PROVENANCE: Private collection, from a Thames riverside house, Windsor. Provenance: Purchased Colin Gray & Co Chislehurst 15th January 1948, Lot 63 for £10. It was attributed to Rubens and the catalogue description stated 'declared by Dr Paul Ganz to be Rubens first study of the famous picture of that subject'.FOOT NOTE: The original painting is the central panel from a triptych at The Cathedral of Our Lady in Antwerp

After Sir Peter Paul Rubens (Siegen, Antwerp, 1577 - 1640), a large 17th/18th century oil on canvas 'The Tribute Money', held in a carved gilt frame (canvas and frame reduced in size), 85 x 116cm, frame 137cm x 106cm. N.B. original etching of the same scene can be found in the Legion de Honour Museum, San Francisco and labelled after: Peter Paul Rubens.

Michael Schumacher, Rubens Barrichello, Jean Todt signed 2005 Ferrari yearbook, the profusely illustrated, full colour, large format, annual publication featuring their marker pen signatures, plus another, on the frontispiece, Italian and English text, 260 pages, 33 by 24cm.

Senna's drive to victory at the European Grand Prix, Donington Park in 1993 is regarded as one of his finest and his first lap exploits are particularly celebrated, in which he passed four driversmdash;Michael Schumacher, Karl Wendlinger, Damon Hill and Alain Prostmdash;to take the lead in a single lap in torrential rain conditions. This photograph of the pack on the first lap is signed by Michael Schumacher, Damon Hill, Alain Prost, Jean Alesi and Rubens Barrichello, with a COA.

Blunt (Anthony). Nicholas Poussin, 2 volumes (plates and text), 1967, numerous black and white plates and illustrations, plate volume original green cloth in slipcase, text volume original green cloth in dust jacket, spine lightly faded and rubbed to head and foot, oblong 4to/folio, together with Held (Julius S.), Rubens, Selected Drawings, volumes 1 & 2, 1959, colour tipped in plates and numerous black and white illustrations, uniform original red cloth in glassine wrappers, spines lightly faded, large 8vo, and Bray (Xavier), The Sacred Made Real, Spanish Painting and Sculpture 1600-1700, reprint edition, 2009, numerous black and white illustrations, original grey cloth in dust jacket, large 8vo, plus other modern Renaissance art reference and related, mostly original cloth, many in dust jackets, 8vo/folio (2 shelves)

A 19thC portrait miniature on panel of a lady in period dress, after Rubens of Susanna Fourment 10 x 8cm

Early 20th Century Rubens Ware vase hand decorated with pomegranates, H29cm Condition Report Click here for further images, condition, auction times & delivery costs

After Sir Peter Paul Rubens (19th Century)'Self Portrait'Oil on copper panel, unsigned, 27 x 22cm, in gilt frame

'Decoro' Vase, Rubens 'Pomegranate' jug (cracks), Worcester plates, Belleek clock, model animals:- One Tray

Cormack Brown (British fl. 1879 - 1887), after Rubens, Mother and child, oil on panel, inscribed to verso, 24 x 29cm

RUBENS SOUTHEYOn The Teign, DartoorWatercolourSigned25 x 35 cmPlus 4 other works from various artists

BARAGWANATH KINGSt Michael's Mount, Evening Watercolour Signed and inscribed 24 x 37cmTogether with a watercolour by Rubens SoutheyAnd one other watercolour initialled WH?

CONTINENTAL SCHOOL (19th CENTURY) A PAIR OF OIL PAINTINGS ON CARD Oval portraits, one of Peter Paul Rubens, the other of Anthony van Dyck 8" x 6" (20 x 15cm)

ROBERT VAN AUDENAERDE AFTER CARLO MARATTI Rebecca at the well, engraving, 47 x 33cm; and five further after Rubens; Salvator Rosa etc., all unframed

JOHN SPEED 'The Countie Pallatine of Lancaster Described and Divided into Hundreds', double-page engraving, with inset engraved aerial plan of Lancaster, hand-coloured outlines, Bassett & Chiswell, 38 x 52cm; together with three further maps and a pair of engravings after Rubens (6)

A collection of good quality art related books including The Drawings of L S Lowry by Mervin Levy, Rodin, Drawings and Watercolours, Rubens Selected Drawings, etc (12 volumes).

^ P V Gunst after Anthony Van Dyke ''Charles the First King of Great Britain'', together with ''Henrietta Maria Queen of Great Britain'', a Portrait engraving of Hyacinth Rigaud, two engraved battle scenes after Le Brun, Landscape engraving after Thomas Hearne, I M Nattier after Van Dyke ''Pierre Paul Rubens'', two coloured engravings after Boilly, Profile half-length pencil drawings of young ladies and miscellaneous prints, 46cm by 29.5cm and various other sizes (a collection)

AFTER SIR PETER PAUL RUBENS (1577-1640) ATALANTA AND MELEAGER Oil on canvas 125 x 96cm. *An 18th Century copy after Rubens' original of c.1616 (New York, Metropolitan Museum) ++ Old, poor lining now detaching; loose on stretcher; mould damage upper left; much paint loss and in need of renovation, clean etc

Bartolozzi (Francesco, 1727-1815) A good group of 27 works, including the artists own designs and others after old masters, such as Reynolds, Guercino, Balestra, Amigoni, Kauffman, da Cortona, Benjamin West, Poussin et al., stipple engravings, printed in red, sepia, and black inks, various papers, various sizes, largest 520 x 660 mm. (20 1/2 x 26 in), most with good margins, minor surface dirt and light browning, some nicks, tears, and handling creases, [late 18th, early 19th century]; together with a group of 35 others prints, mainly after old masters, including four putti after Domenichino, Rosa, three landscapes by Bolswert after Rubens, Flaxman, Joseph Vernet, Zurbaran, and others, engravings and etchings, various sizes, largest 610 x 430 mm. (24 x 16 7/8 in), occasional spotting and browning, minor surface dirt, all unframed, [18th and 19th century], (62).

Rubens.- Bolswert (Schelte Adamsz., 1586-1659) Small Landscapes, after Rubens, an album, the set of 20, engravings, on thick wove paper, various sizes, each sheet approx. 670 x 480 mm. (26 1/2 x 18 7/8 in), wide margins, spotting throughout, some surface dirt, bound in half calf, marbled boards, lacking spine, upper cover detached, rubbed and worn, folio, [circa 1640, but later 18th, possibly early 19th century impressions]. Literature: Hollstein 305-325

Ward (William, 1766-1826) Christ in the Garden, after Correggio, plate 26 from the series 'Gems of Art', lettered state, mezzotint and etching, a rich velvet-like impression, on wove paper without watermark, plate mark 215 x 215 mm. (8 1/2 x 8 1/2 in), sheet 445 x 310 mm. (17 1/2 x 12 1/4 in), minor surface dirt and spotting, unframed, published by Cooke, 1825; together with Ward's Daniel in the Lion's Den, after Rubens, mezzotint, on thick cream laid paper, without watermark, trimmed to image, sheet 480 x 610 mm. (18 7/8 x 24 in), some nicks and tears and curling to lower edge, several light handling creases, published by Thomas Simpson, circa 1789 § Turner (Charles, 1774-1857) Rembrandt's Mill, and Maecenas' Villa, Tivoli, two works, the first after Rembrandt, the latter Richard Wilson, both from 'Gems of Art', mezzotints, on wove paper, one with Whatman watermark and dated '1820', each plate mark approx. 175 x 200 mm. (6 7/8 x 7 7/8 in), both with wide margins, minor spotting and browning, 1823 § Reynolds I (Samuel William, 1773-1835) Georgius Quartus, portrait of George IV after a bust by Sir Francis Chantrey, mezzotint and etching, plate mark 230 x 150 mm. (9 x 5 7/8 in), sheet 435 x 290 mm. (17 1/8 x 11 1/2 in), some spotting and surface dirt, 1825; together with David Lucas's etching and mezzotint after Constable's 'Spring', and John Young's mezzotint after Zoffany's 'Flower Girl', all unframed, (7).

After Peter Paul Rubens (1577-1640) Flemish. 'A Bacchanalian', Engraving, Unframed, 13.5" x 12", and thirteen other engravings by various hands, fourteen (14).

Regina Rubens Paris designer ladies striped jacket, size 10/12

Colour prints, by George Baxter after Rubens - "The Decent From The Cross". (2)

Portfolio: Old Master Engravings, Etchings, Prints etc., some after Ribera, B. Rode, Bonnat, Rubens, Caraccus, and including Etching by S. Hanriot of Sarah Bernhart, portraits etc. As a coll., w.a.f. (1)

A Hancock Rubens Ware Pomegranate bowl and a Burleigh Ware bowl

Rubens Barrichello signed 12 x 8 colour Honda Lucky Strike action photo. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

Paintings in the Palais-Royal.- Liste des tableaux du Palais Royal, manuscript in French, title and 33pp., title in and headings in red, text in red and black, ruled in red, original green stained vellum, slightly soiled, sm. 4to, [early 19th century]. ⁂ The manuscript lists some of the greatest painters in the Western World, including: Raphael, Vasari, Poussin, Leonardo da Vinci, Rubens, Veronese, van Dyck, Carracci, Rembrandt, Rubens, Holbein, Watteau etc. One of the paintings by Raphael listed is Ezekiel's Vision which was removed by Napoleon from the Palazzo Pitti in Florence in 1799, and returned in 1816.