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A silver trinket box and a pill box. The first in the form of a tea caddy with hinged lid, engraved with vertical patterned bands, import hallmarks of lion and key possibly for the Netherlands, maker's mark H, H3.5cm; the second of flat round form, the lid engraved with blossoms and leaves, hallmarks for William Hutton & Sons Ltd, Birmingham 1899, D3.4cm. Gross weight 42.9g.
Jones (Owen). The Sermon on the Mount, 1st edition, London: Longman & Co., 1844, 32 stiff card pages with printed illumination in gold and colours, the text surrounded by chromolithograph borders in green, red, blue, black and gold, some light spotting to first and last few leaves and outer margins, all edges gilt, original blind-stamped plum full calf, with inset vellum panels to centre of each cover, rubbed and some marks, spine somewhat faded, 8vo, together with:Cundall (Joseph, publisher). A Booke of Christmas Carols, illuminated from ancient manuscripts in the British Museum, London: Joseph Cundall, [1846], 16 stiff card chromolithograph leaves drawn by John Brandard, heightened with gold, printed by M. & N. Hanhart, some light spotting, original publisher's decorative boards with panelled decoration and inset floral motif within a central lozenge to upper cover, rubbed and some wear, in later protected marbled card slipcase, plus five other 19th-century titles: The Plants of the Bible. Trees and Shrubs by John Hutton Balfour, London: T. Nelson & Sons, 1857, colour printed plates, some spotting, original blind- and gilt-decorated russet brown cloth, rubbed, William and Mary Howitt, Ruined Abbeys and Castles of Great Britain, 1st & 2nd series, 2 volumes, London: A. W. Bennett, 1862 & 1864, with mounted actual photograph illustrations by Bedford, Sedgfield, Wilson, Fenton, Tonson, Ogle and Hemphill, contemporary gift inscription to front endpaper and head of title respectively, some spotting, all edges gilt, both original gilt-decorated green cloth, lightly rubbed, Mr & Mrs S. C. Hall, The Book of the Thames, from its rise to its fall, London: Alfred W. Bennett, 1867, mounted actual photograph illustrations, wood engravings to text, all edges gilt, original publisher's elaborately gilt-decorated blue cloth, rubbed and some fraying to head and foot of spine, and Parlour Pastime for the Young: consisting of pantomime and dialogue charades, fire-side games, riddles, enigmas, charades, conundrums, arithmetical and mechanical puzzles, parlour magic, etc. etc., edited by Uncle George, 1st edition, London: James Blackwood, 1857, all edges gilt, original gilt-decorated publisher's red cloth, a little rubbed and slight fraying to head and foot of spine and outer corners, all 8voQTY: (7)NOTE:McLean, Victorian Book Design, pp.86 and 224.
Couch (Jonathan). A History of the Fishes of the British Islands, 4 volumes, Groombridge and Sons, 1867, title and contents list to each volume, 252 (complete) wood-engraved plates with contemporary hand-colouring, occasional spotting to text-block, occasional splits to the gutta, near-contemporary manuscript ownership signature to the front endpaper of volume 1, bookplate of William Hutton to the front pastedowns, publisher's blue pictorial cloth with gilt design to the upper sidings and spine, gilt, fraying to spine-ends and slight wear to corners, some white marks to the upper board of volume 1, large 8voQTY: (4)
An Edwardian Hallmarked Silver Mustard Pot, William Hutton & Sons, Birmingham 1902, of pierced scrolling design; A hallmarked silver pepperette, Birmingham 1931, raised on three hoof feet, a hallmarked silver salt, bead and reel rim raised on four scroll cap feet (blue glass liner damaged), a hallmarked silver salt spoon modelled as a novelty shovel. (4)
A George V silver tazza / bonbon dish, having circular pierced top upon a tapered stem leading to a circular base, hallmarked by William Hutton & Sons, Birmingham, 1911, approx. 11.8cm high, along with a George VI silver small twin handled bowl, circular shape with pierced border and handles, hallmarked by Henry Clifford Davis, Birmingham, 1942. (2) Weight approx. 156.5 grams (5.03ozt) Further details: tarnishing; surface scratching, wear, smaller dish slightly misshapen.
Circle of Thomas Hudson, 18th century portrait of a Gentleman, believed to be Joseph Hall Esq. of Lilling Hall, near, Sherriff Hutton, Yorkshire, half length in blue coat, inscribed on re-lining verso, painted oval, oil on canvas, 76cm x 63cm, unsigned. Condition: re-lined with extensive re-touching overall.
The Love Letters Of an Irish Poet & Patriot Davis (Thomas) A unique and highly important Archive of original m/ss Letters and other Documents, from family sources including: * A collection of circa 7, A L s (pagination not entirely clear) from Annie Hutton to Thomas Davis, undated but circa 1845, about 30pp in a clear and legible hand, mentions his illness, Dr. Stokes' advice, her own desire (before she met him) to do something for her country, etc. Annie Hutton was to have married Davis, before his unexpected death from fever in September 1845; * Three manuscript Letters from Charles Gavan Duffy to Davis' sister and niece, one probably in a secretarial hand, one undated from Nice, two from Kensington 1893; a manuscript Poem to The Memory of Thomas Davis, composed by William Smith O'Brien and copied by him 1862 for W.J. Crofts Atkins Davis, signed; * A printed invitation dated 17 September 1845 to Davis' funeral, issued by George Smith on behalf of a group of 'private friends and admirers', addressed to Eugene Curry Esq.; a manuscript Address to Davis' mother from the Repeal Wardens of London, 18 September 1845, with covering letter from Patrick O'Malley and manuscript draft reply from Mary Davis;also a printed sheet showing the inscription agreed by the Davis Testimonial Committee. Together also with a copy of "The Love Story of Thomas Davis told in the Letters of Annie Hutton," ed. by Joseph Hone. Printed at Cuala Press Dublin 1945. No. 20 of a Limited Edition of 280 Copies. As an Archive, w.a.f. A Collection of The First Importance, concerning the man of whom it was written, "A soul came into Ireland': the chief inspirer and motivator of the Young Ireland generation, a distinguished writer who was later a source of inspiration for Yeats, Arthur Griffith and many others, cut off in his prime by fever at the height of the Great Famine. Provenance: By descent through the Davis family.
Fishing: Mallock (P.D.) Life-History and Habits of the Salmon, Sea-Trout, Trout and other Freshwater Fish, 4to Lond. 1910. First Edn., illus. thro.-out, orig. pict. cloth; Hutton (J.A.) The Life History of The Salmon, 4to Aberdeen 1924, illus.; West (Leonard) The Natural Trout Fly and its Imitations, 8vo St. Helen's n.d. [Privately Printed] cold. plts. etc., also Second Edn., of same work, Liverpool 1921, cold. plts., buckram. (4)
Fishing: Nall (G. Herbert) The Life of the Sea Trout, especially in Scottish Waters, Lond. 1930; Falkus (H.) Sea Trout Fishing, roy 8vo 1982; Hutton (J.E.) Trout and Salmon Fishing, L. 1950, cold. frontis, d.w.; Scott (Jock) Sea Trout Fishing, Lond. 1969; Tod (E.M.) Wet-Fly Fishing, Lond. 1918. (a lot). (5)
An unusual lady's Bisely shooting trophy napkin ring by Elkington & Co Ltd, Birmingham 1911, decorated with applied NRA emblem engraved Surrey Ladies Bisley 1912, Won by E. Woodrow, with a cased pair of cast horse shoe (racing plates) napkin rings by William Hutton & Sons Ltd, Sheffield 1939, 92gms. (2.9ozs.),gross, (2)
A mixed group of silver ball sports napkin rings including; a cased pair of cast tennis rings by William Hutton & Sons Ltd, Sheffield 1901, a S.A Lawn Tennis Union Semi Finalist 1948, marks rubbed, a crossed cricket bats by William Adams Ltd, Birmingham, a Chester silver golfing ring and a triangular shaped ring stamped Sterling, 259.2gms. (8.3ozs), gross, (6)
A late Victorian silver mounted cut glass claret jug, by Edward Hutton, with angular handle and hobnail cut decoration, London, 1882, 26.3cm. Some tarnishing, otherwise in good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
T. BEWICK; A History of British Birds, two volumes Vol I, 1797, Vol II, 1804, together with a miscellaneous collection of books to two Piere Castor's Wild Animsl Books, No. 1, Mischief the Squirrel and No. 3, Ploof the Wild Duck, J. A. PICTON; Memorials of Liverpool, Historical and Topographical including A History of the Dock Estate, two volumes, JEREMY TAYLOR; Contemplations of the State of Man in this Life, 1699, GEORGE F. WARNER; Illuminated Manuscripts in this British Museum, 1903, lacking boards, ex library, REV. W HUTTON; The Wonders of Nature and Art, containing an account of the most remarkable and curious animals, and mineral and vegetable productions of the world, 1824, rebound, JOHN MILTON; A Paradise Lost, in twelve books, 1790, and a quantity of other books
HUTTON, ALFRED: COLD STEEL: PRACTICAL TREATISE ON THE SABER William Clowes, London, 1889, 245 pages, 55 plates, Original publisher's illustrated boards, Some sunning and staining to the boards; together with Baldick, Robert, The Duel, a history of Duelling, Chapman & Hall, London, 1965, 212 pages, black and white illustrations throughout; Castles, Egerton, Schools and Masters of Fence from the Middle Ages to the Eighteenth Century, Arms and Armour Press, London, 1969, 254 pages, black and white illustrations; and Sargeaunt, B.E, Weapons: a brief discourse on hand-weapons other than fire-arms, Hugh Rees Limited, London, 1908, 54 pages, 11 black and white plates, spine cover missing, soiling of the covers. Inside pages clean (4 volumes) Provenance From the library of William 'Bill' Reid, CBE (1926-2014)
CAPWELL, TOBIAS: THE NOBLE ART OF THE SWORD Wallace Collection, London, 2012, 256 pages, colour illustrations throughout; together with Hutton, Alfred, The Sword and the Centuries, G. Richards, London, 1901, 367 pages, b&w illustrations, some soiling and shelfwear; and two further books on edged weapons (4 volumes) Provenance From the library of William 'Bill' Reid, CBE (1926-2014)
Sean Scully 1945 Dublin - lebt und arbeitet in Königsdorf und Berlin, Barcelona und New York Untitled (5.22.87). 1987. Aquarell über Bleistift. Rechts unten signiert und datiert bzw. betitelt '5.22.87'. Auf festem Aquarellpapier. 30,5 x 45,7 cm (12 x 17,9 in), Blattgröße. [CH]. • Lebendige Komposition aus kräftiger Farbigkeit und zart lavierender, nahezu transluzenter Aquarellierung. • Scullys ausdrucksstarke Aquarelle entstehen als eigenständige Werkgruppe parallel zu seinen großformatigen Gemälden. • Zwischen den Zeilen: Hier und da blitzt zwischen den roten und schwarzen Farbstreifen ein kräftiges Sonnengelb hervor. • Nach seinem Umzug in die Vereinigten Staaten 1975 findet Scully in den 1980er Jahren zu seiner ganz eigenen, unverwechselbaren Bildsprache. • Weitere Aquarelle aus den 1980er Jahren befinden sich u. a. in den Sammlungen der National Gallery of Art in Washington, D. C., und der Albertina in Wien. • Allein in diesem Jahr waren Scullys Werke bereits in musealen Einzelausstellungen im Passerelle Centre d'art contemporain in Brest, im Ludwig Museum in Koblenz, in der Nationalgalerie in Budapest und im The He Museum in Shunde (China) zu sehen. PROVENIENZ: David McKee Gallery, New York (auf der Rahmenrückpappe mit dem Galerieetikett). Sammlung Hannelore und Rudolph Schulhof, New York (1989 vom Vorgenannten erworben). Privatsammlung New York (durch Erbschaft vom Vorgenannten). Meredith Harper Fine Art, New York. Sammlung Chara Schreyer (2015 vom Vorgenannten erworben). LITERATUR: Alisa Carroll, Art House. The Collaboration of Chara Schreyer & Gary Hutton, New York 2016, S. 36 u. 218 (m. Farbabb.). Aufrufzeit: 07.12.2024 - ca. 16.34 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONSean Scully 1945 Dublin - lebt und arbeitet in Königsdorf und Berlin, Barcelona und New York Untitled (5.22.87). 1987. Watercolor over pencil. Signed, dated and titled '5.22.87' lower right. On firm watercolor paper. 30.5 x 45.7 cm (12 x 17.9 in), size of sheet. [CH]. • A lively composition of bold colors and delicate, almost translucent watercolor wash. • Scully's expressive watercolors were created as a separate group of works parallel to his large-format paintings. Between the lines: here and there, a bright, sunny yellow shimmers between the red and black stripes. • After relocating to the United States in 1975, Scully finally found his unique visual language in the 1980s. Other watercolors from the 1980s are in the collections of the National Gallery of Art in Washington, D.C., and the Albertina in Vienna. • This year alone, Scully's works have been shown in solo museum shows at the Passerelle Centre d'art contemporain in Brest, the Ludwig Museum in Koblenz, the Hungarian National Gallery in Budapest, and The He Museum in Shunde, China. PROVENANCE: David McKee Gallery, New York (on the frame with the gallery label). Hannelore and Rudolph Schulhof Collection, New York (acquired from the above in 1989). Private collection, New York (inherited from the above). Meredith Harper Fine Art, New York. Chara Schreyer Collection (acquired from the above in 2015). LITERATURE: Alisa Carroll, Art House. The Collaboration of Chara Schreyer & Gary Hutton, New York 2016, pp. 36 and 218 (illustrated in color). Called up: December 7, 2024 - ca. 16.34 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Sugar bowl William Hutton and Sons & Sugar tongs Adolph Barsach Davis silver. Beautiful sugar bowl with cannelures and silver sugar tongs. United Kingdom, Sheffield & London, William Hutton and Sons & Adolph Barsach Davis, 1926 & 1927, hallmarks: lion, city hallmarks, maker's marks, year letters. 124 grams, 925/1000. Dimensions L 14 cm, W 7 cm, H 7.5 cm.
A collection of Angling related books mainly Salmon and Trout to include Hutton, J.E.: Fishing Ways And Fishing Days, Mottram, J.C.: Sea Trout Studies, Menzies, W.J.M.: Sea Trout And Trout, Radcliffe, William: Fishing From The Earliest Times and Spencer, Sidney: Game Fishing Tactics etc. (24)

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14769 item(s)/page