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A group of four comprising the Order of St John, 2nd type, War Medal and Victory Medals named to 44231 Pte J. W. Hutton S. Wales. Bord, and Service Medal of the Order of St John with four second type five year clasps for service, named to 1794 Pte J. Hutton (Socl. Setnt) Div Ipswich CPs No10 Dst 1920. Mounted as worn. Also A Second World War Defence Medal, unnamed as issued. With a collection of other items including ribbon bars with the first three and last with Defence Medal ribbon, Foresters Orders and sashes, silver watch chain with Order of St John fob and other items. Private James Hutton is recorded as being 33 years old in 1917, whilst serving with the 2nd Battalion, B Company 29th Division of the South Wales Borderers. On the 27th January 1917 he suffered a gun shot wound to the right groin. He was transferred to the sick convoy, No. 9 Ambulance Train, on the 28th. The South Wales Borderers were fighting at Le Transloy on the Somme on the 27th January 1917, presumably as part of the small but successful action by the 29th Division intended to lead the Germans to believe that the Battles of 1916 would continue. Sergeant E. Mott was awarded the Victoria Cross for his part in this attack. Private Hutton had served for seven months, one month with the field force at the time of his wound *Condition: As worn condition with light scuffs and marks.
A PAIR OF GEORGE V SILVER ASPARAGUS TONGS, WILLIAM HUTTON & SONS LTD., SHEFFIELD, 1911 shaped handles with gadroon edges, the pierced pincers bright-cut engraved to the top, 22cm long; together with a George III silver gravy spoon, Old English pattern, initialled CES, William Sumner, London, 1804; and a pair of Scottish silver small ladles, bead and rail stems, small oval bowls, Brook & Son, Edinburgh, 1896; 327g (4)
A VICTORIAN SILVER BACHELOR'S THREE-PIECE TEA SET WITH TONGS, WILLIAM HUTTON & SONS OF SHEFFIELD, LONDON, 1886 chased all over in Indian style with matted ground bands of scroll foliage and other motifs, the milk jug and sugar bowl with gilt interiors, teapot 20cm long; 539g including handle and finial to teapot
THE HISTORIC STYLES OF ORNAMENT; containing 1500 examples for all countries and all periods exhibited on one hundred plates, full page chromolithographic plates, London, Batsford 1898; HUTTON (C), GREEK BRONZES, Seeley & Co 1899; and two other books (4).Condition Report: Greek bronzes book generally ok just with expected general age wear, other books in poor condition and the design book is uncollated, has watermarks and tears to plates.
WILLIAM HUTTON & SONS; an Edward VII hallmarked silver twin handled pedestal bowl of oval form, with cast rim and pierced body, Sheffield 1908, height 18cm, width 26.5cm, approx weight 17.59ozt/547g.Condition Report: Slightly wobbly on the foot rim, tarnishing and wear, surface wear and scratches.
WILLIAM HUTTON & SONS; a Victorian hallmarked silver six setting fruit set, the silver with chased decoration, the mother of pearl handles with carved beaded rims, London 1882.Condition Report: Tarnishing and wear to the silver, a couple of the ends of mother of pearl handles are rough, one of the knives with a large crack running through the mother of pearl handle, light scratches and scuffs.
A cased Victorian silver sugar bowl and sifter spoon, William Hutton & Sons, London 1884, the beaded rim of the sugar bowl above an embossed floral decorated body with vacant cartouche, upon three cast lion mask and scroll feet, gilt interior, 5cm high, with strainer with apostle type handle, 16cm long, within a fitted case with purple velvet interior, gross weight 6.8ozt (at fault)
12th-13th century A.D. Recalling workmanship similar to that found in the floor of the Sistine Chapel, comprising a large central panel with a design of alternating green and speckled porphyry lozenges, with interstitial green and porphyry squares flanked by a green or porphyry triangle on each edge; border of plain marble and outer band of green and porphyry roundels made up from vesica-shaped panels with inset squares and triangles. See Boito, C., Architettura Cosmatesca, Torino, 1860; Hutton, E., The Cosmati, The Roman Marble Workers of the XIIth and XIIIth Centuries, London, 1950; Tosca, P., Storia dell’Arte Italiana, il medioevo, vol. III, Torino, 1965; Matthiae, G., 'Componenti del gusto decorativo cosmatesco,' in Rivista dell'Istituto Nazionale di Archeologia e Storia dell'Arte, vol. I, 1952, pp.249-281; Cigola, M., 'Mosaici pavimentali cosmateschi. Segni, disegni e simboli,' in Palladio, Nuova serie, anno VI n. 11, giugno 1993, pp.101-110; Grant, L. & Mortimer, R. (eds.) Westminster Abbey. The Cosmati Pavements Courtauld Research Papers no.3, 2002.23.5 kg, 53.5 cm (21 3/4 in.). French gallery, Paris, 1990s. From a family collection.Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.203555. The Cosmatesque style was a characteristic type of ornamentation of Eastern Roman origin (opus alexandrinum) used by post-Roman marble makers of the 12th and 13th centuries A.D. It embellishes the floors, ciboria and cloisters of churches by means of polychrome marble inlays of varied and imaginative geometric shapes. The wider use of this decoration began in the 12th century, at which time techniques were improved: the Cosmati floors were made with pieces of stone cut in various shapes and sizes, a property quite different from the mosaics in opus tessellatum, in which the motifs were made from small units all having the same size and shape, or from the opus sectile, intended to create representations with pieces of multi-coloured marble cut out and arranged for this purpose. The stones used by Cosmati artists were often material salvaged from the ruins of ancient Roman buildings. The composition of such mosaics recalls the floors of the most important churches of Rome; in addition to the floor of the Sistine Chapel (created probably in the 14th century for the previous building or Cappella Maggiore), one can cite that of Santa Maria Maggiore (1145-1153 A.D.), San Giovanni in Laterano (14th century A.D.), Saint Clement (1099-1120 A.D.), Santi Quattro Coronati (13th century A.D.), Santa Croce in Gerusalemme (12th century A.D.) and many others. The same technique (but differing in its design, materials and motifs) was used to create the Cosmati pavement in Westminster Abbey, where the king rests during the coronation ceremony. The pavement has undergone a major cleaning and conservation programme and was re-dedicated by the Dean at a service on 21st May 2010.
A pair of silver apostle spoons, William Hutton & Sons, London and Sheffield date marks, 18.5cm long, approximately 107g CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Set of five silver forks, William Hutton & Sons Ltd., Sheffield 1915, rat-tail pattern with engraved handles and five other assorted forks, 19th Century, approximately 419g CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A group of four Edwardian and later silver, including an Edwardian cigarette case, William Hutton & Sons Ltd. Birmingham 1904, with indistinct monogram, 9 by 7.5 by 0.5cm, a/f, a George V cigarette case, Henry Williamson Ltd. Birmingham 1922, both with indistinct with 'KD' monogram, 6.5 by 8.5 by 1cm, an envelope form stamp holder, stamped 'STERLING SILVER', 4.4 by 2.3 by 0.4cm, and a trowel form paperclip, with rubbed hallmarks, 8cm long, overall 5.7toz. (1 bag)
Hutton, Edinburgh, a George III mahogany longcase regulator clock, scroll pediment with brass roundels, circular silvered dial with subsidiary seconds dial signed 'Hutton, Edinburgh', flanked by spiral fluted pillars, chamfered trunk with glazed door, plinth, 213cm high, (pendulum (s.d) and weight)
Kate Harris for William Hutton, an Arts and Crafts large silver and enamelled photo frame, London 1902, planished and embossed interlocking and knotted tendrils, blue green enamel detailing, circular aperture and bracket feet, with oak easel back support, opening 10cm diameter, overall 19.5cm square
NO RESERVE Political cartoons.- Low (David) and others. Collection of original cartoon artwork, related posters, and published prints, including the rare poster "I stand before you..." by Low, lampooning Lloyd George's changing political affiliations, 2 other published Low caricature portraits of P.G. Wodehouse and Somerset Maugham, original cartoon artwork by Perry Hutton Fearon "Poy" relating to Lloyd George, a group of 10 caricature portraits by Alick Ritchie of prominent international figures of the day, including the Aga Khan, Stanley Baldwin, Earl Haig and others, for Players' cigarette cards, with a cartoon of Winston and Randolph Churchill, by Tony Wysard, an unsigned group of pochoir caricatures of Stalin, Churchill, Roosevelt, Mussolini and Hitler, and original artworks by Stanley Franklin, Mel Calman, John Donegan and Dave Brown, various sizes, all unframed, [early to mid 20th century] (Sm. qty.)
A collection of silver to include; A pair of George III London silver serving spoons, hallmarked by Thomas Wallis & Jonathan Hayne, a London silver fiddle pattern serving spoon, a London silver dessert spoon, table spoon and a Victorian fiddle and thread pattern tea spoon, along with a Sheffield silver small sifter spoon, a Birmingham silver long pickle fork, and a decorative William Hutton & Sons silver handled three pronged EPNS toasting fork, and a cased set of silver rimmed glass salts and one EPNS spoon, in case.Weighable Silver: Approx. 346.8 grams (11.2ozt)Further Details: Some tarnishing, surface scratching and general wear.
A GEORGE V SILVER AND GUILLOCHÉ ENAMEL-TOPPED GLASS POWDER JAR by William Hutton & Sons, Birmingham 1929/1930, the square faceted glass body with a pull-off cover filled with green and grey guilloché enamel. 6.5cm high, 12cm wideDate letter rubbed, probably 1929 or 1930, minor chipping/nibbling to the tips of the glass bowl, enamel good with no noted damage or restoration.
AN EDWARDIAN SILVER SWING-HANDLE BASKET by William Hutton & Sons Ltd, London 1908, the open wirework basket of flared oval form, with ropetwist girdle and blue glass liner, on a stepped oval foot. 19.9cm wide, 10.1 troy ounces (excl. glass liner)Marks clear and well struck. Stands upright, very slight rocking to base. Minor nibbles to rim of glass liner. Light surface marks and scratches commensurate with age and use. Handle hinges sturdy. In good condition.

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14769 item(s)/page