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SMALL COLLECTION OF VICTORIAN SILVER WAREScomprising a toddy ladle, George W.Adams, London 1851; a pair of sugar tongs by the same maker, 1864; a smaller pair of sugar tongs, Edward Hutton, London 1893; a teaspoon, Elizabeth Eaton, London 1850; a mustard spoon, Joseph & Albert Savory, London 1848; a preserve spoon, Walter & John Barnard, London 1888; a circular three footed salt, Henry Holland, London 1867; and a pair of salt and pepper condiments, Edward Hutton, London 1887, 6.5cm high
LEE, Rev. Frederick George, The History and Antiquities of Thame Church, London 1883, Fo (39 x 26.7cm) 1/4 bds. Brett Bookplate scuffed and torn and HUTTON & HINTON, Oxfordshire Monumental Inscriptions, Evesham 1825, marbled end papers with Comerford & Brett Bookplates, 1/2 bds with monogram, Fo (39.5 x 2cm) (2)
Hutchinson (William). The Spirit of Masonry in Moral and Elucidatory Lectures, by Wm. Hutchinson, Master of the Barnardcastle Lodge of Concord, 1st edition, J. Wilkie & W. Goldsmith, 1775, engraved frontispiece and title, occasional scattered spotting, cloth hinge repairs, 19th century brown half morocco by T. Hutton of Durham, modern reback, board edges rubbed, 8vo (1)
Manuscript - Yorkshire. Catalogue of 16th- and 17th-century legal documents relating mainly to towns and villages in the West and North Ridings, circa 1750,manuscript in black ink on laid paper, written in a neat clerical hand, 248 numbered pages and initial 3-page index (unnumbered), numerous blanks to rear, various watermarks including cipher 'G R' surmounted by crown, browning, occasional marginalia dated between 1757 and 1771, a few ink-splashes and other marks, edges untrimmed, contemporary calf-backed marbled boards, worn, folio (33 x 20.5 cm)Manuscript catalogue of documents including indentures, title deeds, wills, marriage articles and settlements, chancery proceedings, and other legal transactions, bearing on land use in locations including Temple Newsam, Swillington, Altofts, Wakefield, Sheriff Hutton, Leeds, Birdsall, Halifax, and the lost village of Thorp Stapleton. Many of the documents relate to notorious landowner Sir Arthur Ingram (1565-1642).(1)
Penmiel Press Rivers in the Desert. By John Millican, Drawings by Clarke Hutton, limited edition, Esher: Penmiel Press, 1982, frontispiece, 14 illustrations on 7 folded sheets of varicoloured japanese paper, inscribed by the typographer 'With love to Jackie & Clinton, Edward Burrett, 28:4:88' on front pastedown, bookplate of Clinton E. Geiser (see note), original marbled boards, glassine dust jacket, small folio, number 59 of 60 copies only, signed by Millican, Hutton and Burrett, together with: Full Point. A Typographer Remembers, by Edward Burrett, limited edition, 1976, tipped-in photographic frontispiece, 5 plates, bookplate of Clinton E. Geiser, 'Addendum' (8-page pamphlet) laid in, original cloth, slipcase, 4to, number 30 of 125 copies only, signed by Burrett, plus Kubla Khan. With Drawings by Clarke Hutton, limited edition, 1984, single unsigned gathering of 4 leaves, original transparent plastic inner wrappers and orange paper outer wrappers with windows, number 6 of 75 copies signed by Burrett, and: Tribute to Diana Bloomfield. A Pot-Pourri of her Wood Engravings and Drawings, limited edition, 1985, bookplate of Clinton E. Geiser, prospectus laid in, original cloth gilt, slipcase, number 31 of 150 copies for sale, signed by Burrett; The Seven Deadly Sins. The Drawings, Clarke Hutton, The Verses, Tim Towle, limited edition, 1980, bookplate of Clinton E. Geiser, original black cloth, very slightly marked, number 5 of 60 copies for sale, signed by Hutton, Towle and Burrett, 4to; and approximately 15 others, mainly Penmiel Press prospectuses, specimen pages and other ephemera Provenance: from the collection of Anglo-Swiss financier Clinton E. Geiser (1923-2010), neighbour of Edward Burrett's in New Road, Esher Surrey, where Burrett ran the Penmiel Press; thence by descent to the present owner. (20)
Penmiel Press. The Beatitudes, limited edition, Esher: Penmiel Press, 1985, printed on hand-made paper, text illustrations, original purple sheep by Sangorski and Sutcliffe, vignette gilt to front board, original plain card slipcase (sunned and chipped), 8vo, number 13 of 65 copies only, signed by typographer Edward Burrett, together with Rivers in the Desert. By John Millican, Drawings by Clarke Hutton, limited edition, 1982, frontispiece, 14 illustrations on 7 folded sheets of varicoloured japanese paper, original marbled paper boards by Grays of Wimbledon, original glassine dust jacket, small folio, number 8 of 60 copies only, signed by Millican, Hutton and Burrett, plus A Psalm of David. The Twenty Third Psalm, limited edition, 1974, printed on hand-made paper, woodcut endpapers by Diana Bloomfield, original cloth gilt, original plain card slipcase (sunned), 8vo, number 50 of 50 copies only, signed by Burrett, and The Seven Deadly Sins. The Drawings, Clarke Hutton, The Verses, Tim Towle, limited edition, 1980, printed on varicoloured paper, 7 illustrations, inscribed by the typographer 'With love to Jackie & Clinton, Edward Burrett, 28.4.88' on the front free endpaper, printer's prospectus laid in, original black cloth over bevelled boards by Grays of Wimbledon, original glassine dust jacket (spine-panel chipped), 4to, number 51 of 60 for-sale copies, signed by Hutton, Towle and Burrett on the limitation leaf, all items with the bookplate of Clinton E. Geiser (see note) Provenance: from the collection of Anglo-Swiss financier Clinton E. Geiser (1923-2010), who was a neighbour of Edward Burrett's in New Road, Esher Surrey, where Burrett ran the Penmiel Press; thence by descent to the present owner. (4)
Penmiel Press Eleven Chinese Proverbs, Drawings by Clarke Hutton, limited edition, Esher: Penmiel Press, 1975, printed on varicoloured hand-made paper, 12 illustrations by Clarke Hutton, bookplate of Clinton E. Geiser to front pastedown (see note), original patterned paper boards by Sangorski and Sutcliffe, gilt-lettered morocco label to front, slipcase (small hole in spine panel), 8vo, number 31 of 50 copies only, signed by Clarke Hutton and printer Edward Burrett, together with Hutton (Clarke), Original artwork for 'On Luck', Chinese Proverb number 2 in the Penmiel Press Eleven Chinese Proverbs, 1975 ink on wove paper (19.5 x 13 cm), signed and dated by the artist in pencil, mounted, framed and glazed, original manuscript title and caption to mount, original typescript label on reverse Provenance: from the collection of Anglo-Swiss financier Clinton E. Geiser (d. 2010), who was a neighbour of Edward Burrett's in New Road, Esher Surrey, where Burrett ran the Penmiel Press; thence by descent to the present owner. (2)
Swallows Press Original artwork by Clarke Hutton after his illustrations for the Swallows Press edition of Shakespeare's Sonnets, 1974, oil on panel (24 x 15 cm), initialled 'CH 74' in corner, mounted and framed, reverse of frame signed 'Clarke Hutton 1974' in black ink and bearing mounted typescript label signed by Edward Burrett, designer of the Swallows Press Sonnets The label explains: 'Clarke Hutton was responsible for illustrating forty of the "The Sonnets" by William Shakespeare commissioned and published by Maitland & Thorold in 1975. The original abstract drawings were in black and white and when completed Clarke Hutton then painted this "synthesis" of the Sonnets based on the eternal triangle of three persons in love - Shakespeare, the Earl of Southampton (his patron) and the "Dark Lady". February 1975'. Provenance: from the collection of Anglo-Swiss financier Clinton E. Geiser (1923-2010), who was a neighbour of Edward Burrett's in New Road, Esher Surrey, where Burrett ran the Penmiel Press; thence by descent to the present owner. (1)
Swallows Press The Sonnets, William Shakespeare, Preface by Robert Graves with Drawings by Clarke Hutton, limited edition, 1975, 20 lithographic plates on varicoloured Glastonbury paper, top edge gilt, bookplate of Clinton E. Geiser (see note) to initial blank, top edge gilt, original brown Niger by Sangorski and Sutcliffe, small mark to spine, original fleece-lined patterned slipcase with slight rubbing to extremities and paper lifting on top panel, publisher's prospectus laid in, folio Number 80 of 260 copies signed by Robert Graves, Clarke Hutton, and typographer Edward Burrett. Provenance: from the collection of Anglo-Swiss financier Clinton E. Geiser (1923-2010), who was a neighbour of Edward Burrett's in New Road, Esher, Surrey, where Burrett ran the Penmiel Press; thence by descent to the present owner. (1)
A GEORGE V SILVER FIVE BAR TOAST RACK, of arched form, maker William Hutton & Sons Ltd, London 1923, approximate weight 2.6ozt, 82 grams, together with a pair of George III Old English pattern tablespoons, later engraved and gilded decoration to the bowls, maker Stephen Adams, London 1809, approximate weight 3.1ozt, 96 grams, a George V rectangular silver cigarette box, marks partially rubbed, Birmingham circa 1922, a white metal mounted and leather pocket watch frame with easel back and containing a silver plated pocket watch, a silver condiment spoon and four silver and enamel spoons, two with damage to the enamel (10)
A late Victorian silver and ivory-handled stilton cheese scoop,Messrs Hutton & Sons, London 1897,a George IV silver and carved ivory butter knife,Joseph Willmore, Birmingham 1826;a late Victorian silver and carved ivory pickle fork,Birmingham 1880,an unmarked silver and ivory pickle fork,together with a stilton cheese scoop and three pickle forks,electroplated and ivory-handled (8)Provenance: The Estate of Mrs Annabelle Comery
Mid-19th century eight day longcase clock with painted arched dial, signed - J. Hutton Dundee, painted with Mary Queen of Scots and figures representing England, Scotland, Ireland and Wales - in flame mahogany veneered case with swan-neck pediment and gilt ball mounts, 217cm high (pendulum, key and two weights present)
A VICTORIAN SILVER CREAM JUG AND SUGAR BOWL OF SIMILAR DESIGN, the creamer, London 1898, mark of William Hutton & Sons Ltd, the sugar bowl, Dublin 1908, mark of Sharman D Neill, each with wavy rims, plain bodies and raised on paw feet, (c.7oz in all). Creamer 10cm high, bowl 12cm diameter. (2)
A collection of silver cutlery & flatware, comprising four 'Fiddle' pattern table forks by William Hutton & Sons, London 1911, and a further one by Joseph & Albert Savory, London 1839, six 'Fiddle' pattern dessert forks by Elizabeth Eaton, London 1847 and a further two by George Adams London 1868, six 'Fiddle' pattern table spoons by James Beebe London 1819, a further five by William Eley & William Fearn London 1822 and a further one by Charles Eley London 1826, four 'Fiddle' pattern dessert spoons by Joseph & Albert Savory London 1838 and a further two by Joseph & Albert Savory London 1841, six 'Old English' pattern table forks by George Smith & William Fearn, London 1793, together with six modern silver handled table knives with stainless steel blades by William Comyns & Sons Ltd, London 1970, 70.1ozt weighable (39)
A collection of silver items, to include: a silver twin handled cup and cover by Charles S. Green & Co. Ltd., Birmingham 1928, with a cone finial to the ogee domed cover, twin lion mask handles, engraved with a presentation inscription, on a circular pedestal foot, 16.5cm, (6 1/2in); a Victorian pedestal cup by John Johnson & Alfred Springthorpe, London 1883, engraved with a presentation inscription and on a circular pedestal foot; five other pedestal cups; and a tapering mug by William Hutton & Sons Ltd., Sheffield 1934, with a double scroll handle and reeded bands, 8.5cm (3 1/4in) high, with a glass base, 520g (16.72 oz) gross weighable
An Edwardian silver shaped oval tea caddy by Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, Birmingham 1906, on four paw feet, 10cm (4in) high; an Edwardian oblong baluster tea caddy by William Hutton & Sons Ltd., London 1901, with gadrooned borders, 8cm (3 1/4in) long; and an oval tea caddy by Synyer & Beddoes, Birmingham 1922, with an oval finial to the domed cover, 9.5cm (3 3/4in) long, 371g (11.93 oz) gross
A silver shaped circular waiter by William Hutton & Sons, Sheffield 1935, with a raised gadrooned rim. 16.5cm (6 1/2in) diameter; a pair of late old Sheffield plate bottle coasters, circa 1840; and an Edwardian silver rimmed cut glass salad bowl by Robert Pringle & Sons, London 1908, 23cm (9in) diameter (4)
A pair of Edwardian silver cylindrical and pierced biscuit boxes by William Hutton & Sons, Sheffield 1901, with compressed ball finials to the domed covers, beaded rims, each on small dome supports, engraved with a crest and a motto Non Crux, Sed Lux, 15.5cm (6in) high (no liners) The crest and motto for BLACK.
An Edwardian silver oval baluster kettle on stand by William Hutton & Sons Ltd., London 1902, the half lobed body with a composition loop handle, on an oval pierced stand, on four sweeping legs above a burner, 38cm (15in) high; an Edwardian oval half lobed tea pot by William Aitken, Birmingham 1907, with a composition finial and angular handle, 28.5cm (11 1/4in) long; and a similar smaller example, 21cm (8in) long, 2482g (79.82 oz) gross
ϒA Victorian silver ovoid small tea pot by William Hutton & Sons, London 1885, with an ivory button finial and ivory spacers to the loop handle, on three ball feet, 17.5cm (7in) long, 239g (7.65 oz) grossϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

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14772 item(s)/page