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An Edwardian silver quatrefoil shaped salver, raised border, on four bracket feet, hallmarked by Charles Hutton & Sons., London, 1907, 17cm wide, 8 ozt (248.8 grams)  

A SELECTION OF SILVER CONDIMENTS, to include a pair of egg shaped pepperettes each of a plain polished design raised on three ball feet hallmarked 'Hilliard & Thomason' Birmingham 1901, an oval mustard with cover hallmarked Birmingham rubbed, another oval condiment with a blue glass insert and cover engraved initial 'B' to the side hallmarked 'William Hutton & Sons' London 1892, a silver salt with a blue glass insert hallmarked Birmingham 1921, together with two silver salt spoons and a sauce spoon all with full silver hallmarks, approximate gross weight 218.3 grams the open salt is not including in the weight as the glass insert is stuck inside

Walter Spies (1895 Moskau - 1942 westlich von Nias im Indischen Ozean)TransformationsaktUmrahmt von einem langen, zur Seite gezogenen, roten Vorhang gibt der Künstler im Stil des Magischen Realismus eine vielfigurige Szene wieder. Aus einer teilw. extremen Aufsichtperspektive wird im Vordergrund ein Orchestergraben mit einem musizierenden, klassischen Orchester dargestellt, während auf der Bühne simultan eine Tänzerin als "Carmen" auftritt. Dieselbe erscheint überdies parallel als Aktfigur beim Umziehen hinter einem transparenten Paravent und ihr Gesäß erscheint im Spiegel ihres Schminktisches. Wäre dies noch nicht surrealistisch genug, so setzt Spies in diesem Bild zusätzlich starke, räumliche, perspektivische Verzerrungseffekte ein, wodurch die eigentlich sitzenden Musiker zum unteren Bildrand hin für den Betrachter beinahe zu liegen scheinen. Die dargestellte "Carmen"-Figur dürfte durch die Darstellung der "Carmen" durch Pola Negri als Femme fatale im berühmten, im Dezember 1918 in Berlin uraufgeführten Film von Ernst Lubitsch inspiriert sein, die darin ein vergleichbares Kostüm trug. Entstanden um 1920, markiert das bedeutende Gemälde - eines der frühesten bekannten im Oeuvre des Künstlers - einen Beginn und Wendepunkt in dessen höchst außergewöhnlichem, bewegtem und abenteuerlichem Leben. Dies führte ihn als Maler, Bühnenbildner, Musiker, Komponist und Fotograf von Russland über Deutschland bis nach Java und Bali. Spies, als Sohn eines deutschen Großkaufmanns und Vizekonsuls in Moskau geboren, wuchs zunächst in Russland auf, wo Gorki und Rachmaninow zu den Gästen der elterlichen Soireen gehörten. Hochbegabt, verarbeitete er bereits als Kind in synästhetischer Weise Klänge in Kunst. In Dresden ging er ab ca. 1905 auf das elitäre Vitzthum-Gymnasium. Künstlerisch beeindruckten ihn als Primaner außer den Werken von Henri Rousseau, die er in der Sammlung Schtschukin in Moskau sah, die Maler der Künstlergruppe "Brücke" und des "Blauen Reiters". 1919 fand er in Dresden Anschluss an den Künstlerkreis um Emil Nolde, Max Pechstein, George Grosz, Oskar Kokoschka, die Dresdener Sezession "Gruppe 1919" und nicht zuletzt Otto Dix, der ihn - wie er selbst später schrieb - sehr "anspornt und ermutigt". Neben Marc Chagall wird Paul Klee in dieser Zeit einer der Leitsterne seiner Arbeit. Doch malte Spies laut eigener Auskunft "nie viel, nicht mehr drei, vier Bilder im Jahr ich hatte seit jeher immer tausend andere Interessen" (Zit. Spies). Noch in Dresden reüssierte Spies mit Bühnenbildern für Hansums "Spiel des Lebens" am Schauspielhaus. Im Frühjahr 1920 lernte Spies den Regisseur Friedrich Wilhelm Murnau kennen, zu dem sich eine Liebesbeziehung entspann. Im Winter 1920 siedelte Spies nach Berlin über; Im April 1921 zog Spies in Murnaus luxuriöse Villa in Grunewald, dessen Wände er fantasievoll mit Jagdszenen im Stil persischer Miniaturen ausmalte - eine bekannte Fotografie zeigt Murnau am Schreibtisch vor diesen Wandbildern. 1922 stellte Murnau den Filmklassiker "Nosferatu" fertig, an dem auch Spies als Assistent beteiligt war. Im Gegenzug sollte Murnaus effektvolle Lichttechnik auch dessen Malstil entscheidend beeinflussen. Spies eigene künstlerische Karriere verzeichnete in jener Zeit erste Ausstellungserfolge. Im März/April 1923 beteiligte er sich erfolgreich mit 11 Gemälden an der Jahresausstellung des Hollandschen Kunstenaars Kring im Stedelijk Museum in Amsterdam. Hierzu gehörte auch das Bild "Baschkirischer Hirte", welches er Géla Forster (Ehefrau Alexander Archipenkos) verkauft hatte. Die "Novembergruppe" zählte Spies zu den ihrigen, 1924 und 1926 stellte Spies drei Werke in deren Abteilung auf der Großen Berliner Kunstausstellung aus; 1925 nahm ihn Franz Roh mit vier Gemälden in sein Buch "Nachexpressionismus. Magischer Realismus (...)" auf. Zuvor hatte Spies bereits Deutschland verlassen - auf der Suche nach Freiheit und Glück. 1923 heuerte Spies als Matrose auf einem Dampfschiff in Richtung Niederländisch-Indien an, wo er im Oktober die Hauptstadt Batavia (Jakarta) auf Java erreichte. Dort bestritt er seinen Lebensunterhalt vornehmlich als Musiker, ab 1924 am Hof des Sultans von Yogyakarta. 1927 fand der Maler sein persönliches Paradies auf Bali, das er zugleich in fantasievolle Bilder umsetzte. Zusammen mit dem niederländischen Maler Rudolf Bonnet reformierte Spies die balinesische Malerei und gründete die Künstlerorganisation Pita Maha, die sich für indonesische Künstler einsetzte. Sein Haus wurde zum Treffpunkt der internationalen Prominenz: Charlie Chaplin gibt bei Spies das Gemälde "Rehjagd" in Auftrag, Vicki Baum schrieb dort ihren Bestseller "Liebe und Tod auf Bali"; er zog Barbara Hutton, die damals reichste Frau der Welt, Ethnologen und Komponisten, Filmer, Forscher, Aristokraten und Neureiche, die sich zunehmend für seine Bilder interessieren, auf die Insel. Ab 1935 kippte das Schicksal für Spies - er erlebte zunehmend Anfeindungen als Homosexueller, Silvester 1938 nahm man ihn wegen "unmoralischen Verhaltens" für acht Monate in Gewahrsam; im Januar 1942 starb er schließlich mit über 400 anderen deutschen Internierten auf einem Frachtschiff nach einem japanischen Angriff. Öl/Papier, auf Karton kaschiert. 58 cm x 47 cm. Rahmen.Provenienz: Geschenk des Künstlers an Friedrich Wilhelm Murnau (1881-1931) in der Zeit 1920-1923; in Erbfolge innerhalb der Familie Murnau an die heutigen Besitzer.Ausstellungen: 2012-2018 Hamburger Kunsthalle; 2018 Hamburger Bahnhof, Berlin.Lit./Ausstellungskatalog: "Hello World - Revision einer Sammlung", Hamburger Bahnhof - Museum für Gegenwart - Berlin, Hrsg. Udo Kittelmann u. Gabriele Knapstein, München, Hirmer, 2018, S. 402, Abb. S. 21, 108 (Nr. 17).Allgemeine Lit.: Hans Rhodius: "Walter Spies (...)", Den Haag, 1964; Michael Schindhelm: "Walter Spies. Ein exotisches Leben", München, 2018; Klaus Huneke: "Géla Forster-Walter Forster - lieben ohne zu fordern", Norderstedt, 2020.Oil on paper, laid down on cardboard. 58 cm x 47 cm.

Paar Tafelleuchter Silber. Ovaler, randprofilierter, auf der Oberseite blütenartig reliefierter Stand, beschwert. Vasenförmige Tülle mit herausnehmbarer, ovaler Traufschale über kanneliertem, konischem Schaft. Gest., Beschaumarken, Herstellerzeichen. Gew. ca. 2100 g. H. 28,5 cm. A pair of weighted silver candlesticks. Assay and maker´s mark.England. London. William Hutton & Sons. 1900.

The Temp Actor, Timothy Hutton signed 10x8 black and white photograph pictured as Peter Derns in 1993 film- The Temp. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Three silver plated entrée dishes including William Hutton and Son

A George V silver circular rouge box, quite plain, domed cover with milled border, enclosing a card box, Poudre Nilde, Paris, 6cm diam, William Hutton & Sons Ltd, Birmingham 1917

A large George V Neo-Classical Revival silver inkstand, central cylindrical wafer box enclosed by a taperstick, flanked by a pair of substantial cut glass wells, deep gallery with re-entrant angles, pierced and engraved with bell husk swags and urns, beaded handles to sides, outswept feet, 33cm wide, William Hutton & Sons Ltd, Sheffield 1911, 954g weighable silver

A late Victorian/Edwardian silver mounted clear glass biscuit barrel, swing handle, push-fitting cover with heart shaped finial, pierced apron, star-cut base, 17cm high, William Hutton & Sons Ltd, Sheffield 1901

A Victorian silver Fiddle and Thread pattern flatware, for twelve, comprising table forks, table spoons, teaspoons, ten dessert spoons, two associated dessert spoons, six coffee spoons, two ladles, William Hutton & Sons Ltd, London 1905, 127ozt, 3,955g

[GEORGIA]. WHITEFIELD, George (1714-1770).  A Journal of a Voyage from London to Savannah in Georgia. In Two Parts. --A Continuation of the Reverend Mr. Whitefield's Journal, from his Arrival at London to His Departure from thence on his Way to Georgia. London: James Hutton, 1738, 1739.  2 works in one volume, 8vo (199 x 123 mm). (Closed tear touching letters repaired on title-page of first work, some browning.) 20th-century half roan, marbled boards.   FIRST EDITIONS of Whitefield's first and fourth journals. De Renne calls A Continuation of the...Journal from his Arrival at London to his Departure...on his Way to Georgia Part IV of the journals, whereas Sabin calls it Part III. Whitefield's "influence in America...was many-sided and far reaching. With his advent a religious awakening already begun was greatly stimulated...Although others contributed greatly to this movement, Whitefield was its most dynamic representative" (DAB). De Renne I, pp. 75-76 (second edition only); p. 82 (with the last leaf in facsimile); Sabin 103534, 103538.Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Georgia

An Edwardian hallmarked silver pepper pot of bombe form, with three outswept supports, Joseph Gloster Ltd, Birmingham 1901 and a further Victorian pepper pot of waisted form, William Hutton & Sons Ltd, Sheffield 1900, combined approx 2.41ozt (2).

A silver sugar pot and matching cream jug, William Hutton & Sons Ltd, Sheffield 1944. (2) CONDITION REPORT: 430g gross

A Victorian Silver Circular Vinaigrette with wavy gadrooned embossed decoration and foliate chased gilt grill, London 1887, William Hutton & Sons, 38mm diam., 16.8g

A Pair of Edward VII Silver Candlesticks with reeded columns and detachable sconces, Sheffield 1905, William Hutton & Sons Ltd., 13cm. Both with faults to base

6 DONGHIA (JOHN HUTTON) Esszimmer-Stühle ¨Phantom¨ - bestehend aus 2 Armlehner und 4 klassischen Stühlen, gepolsterter Sitz und Rücken mit (ergänztem) dunklem Faux-Kroko Bezug von RUBELLI (Venezia), Säbel-Vierkantbeine aus geschwärztem Holz, nur geringe Gebrauchsspuren

Edwardian silver rounded rectangular teapot by William Hutton & Sons, London 1908, gross 305 grams

Pair of Edwardian silver grape scissors with vine leaf decoration, by William Hutton, London 1904, L. 18 cm, 151 grams

Set of 6 Victorian silver Fiddle pattern teaspoons, by George W Adams, London 1878, set of 6 Apostle coffee spoons, 5 smaller spoons, and 6 silver handled tea knives by William Hutton, Sheffield 1923, 234grams of weighable silver, with 3 cases (26)

George III silver rounded rectangular milk jug with embossed fluted and chased floral bands, on 4 ball feet, London 1815, and a Victorian semi-fluted circular jug, by Edward Hutton, London 1882, 302 grams (2)

William Hutton & Sons Ltd. A silver caddy spoon, Sheffield 1926, together with one other silver caddy spoon, having beaded edge to handle, combined weight: 32g (2)

A hallmarked silver quaich bowl, approximate total weight 220g, Sheffield 1919 by William Hutton & Sons Ltd (16 cm handle to handle, 5cm high and 10.5cm diameter)

1901 silver milk jug by William Hutton & Sons Ltd - 158g

Three piece silver cruet set with blue glass liners, hallmarked for Birmingham 1919, William Hutton & Sons

A MATCHED SILVER FOUR PIECE TEA AND COFFEE SET, THE TEA POT, TWO HANDLED SUGAR AND MILK JUG BY WILLIAM HUTTON, LONDON 1895 AND 1896, THE COFFEE POT BY WALKER AND HALL, SHEFFIELD 1916, THE BASES GADROONED, WEIGHT 1721g

AN OAK CANTEEN OF SILVER CUTLERY, MAINLY BY WILLIAM HUTTON AND SONS, LONDON 1898, ORIGINALLY WITH TWELVE PLACE SETTINGS AND NOW WITH ADDITIONAL SILVER AND PLATE SERVING TOOLS. WEIGHT 2867g

An Edwardian electroplate tea caddy spoon, fiddle pattern with shell shaped bowl, an Edwardian electroplate toast rack, on tray base, and a pair of Edwardian electroplate berry spoons by William Hutton and Sons

Four Edward VII silver tablespoons, London 1907, maker William Hutton & Sons Ltd. the old English pattern handles monogrammed JKJ, 9.7oz

Pair of Edward VII silver bonbon dishes, London 1901/02, maker William Hutton & Sons Ltd. with pierced foliate cast borders and quatrefoil form dished centres, 16.5cm wide, 4.9oz

Ɵ WEYMAN, Stanley J. (1855 - 1928). A Gentleman of France Being the Memoirs of Gaston de Bonne Sieur de Marsac. Presentation copy to Rudyard Kipling. 1894. New Edition, 8vo, (191 x 140mm), original bevelled green cloth, INSCRIBED by the author in black ink on front free e/p., 'Rudyard Kipling / from the Author / Dec. 1894', frontispiece with tissue guard, vignette title page, printed from American plates at the Aberdeen University Press, 412pp., plus 24pp. publisher's adverts at rear. Referenced in volume 2 of Thomas Pinney's edited 'Letters of Rudyard Kipling', where Rudyard Kipling writes to Weyman on January 3, 1895, thanking him for the gift of his book. 'I took the afternoon off (and) sat down to a decent volume and showed not till teatime.'; BARRIE, J.M. (1860 - 1937). When A Man's Single A Tale of Literary Life. Rudyard Kipling Association copy. (ca. 1888). original blue cloth, top edge gilt, bookplate of Rudyard Kipling, designed by his father John Lockwood Kipling 303pp; KIPLING, Rudyard. (1865 - 1936). GILLET, Louis. [Translator]. (1876 - 1943). Souvenirs de France. Presentation copy from Louis Gillet to Lady Milner. (1933). eleventh edition as stated, (172 x 105mm), green cloth, gilt lettering to leather panel on spine, original paper wrapper lettered in black and blue bound in, INSCRIBED in French, to Lady Milner by Louis Gillet on half-title, 'To Lady Milner, / a souvenir of your friend Kipling . . . / Louis Gillet / 24 Mai, 34', half-title French text, 135pp. Kipling and Sir Alfred Milner (later Lord Milner) became associated in 1898 when Sir Alfred, as the Queen's High Commissioner, welcomed the Kiplings to South Africa for the European winter; KIPLING, Rudyard. Departmental Ditties and other Verses. 1899. first edition, The Sixpenny Series, 8vo, (208 x 147mm), original blue cloth, 126pp; Traffics and Discoveries. 1904. first edition, 8vo, (205 x 140mm), original red cloth, gilt, gilt top, half-title, title page printed in red and black, 393pp., plus 22pp. publisher's adverts at rear; The Dead King. 1910. first edition, 8vo, (205 x 145mm), original lavender card wrappers, vignette half-title, decorative title page and borders to every leaf printed on rectos only, by W. Heath Robinson, 42pp. Sea Warfare. 1916. first edition, 8vo, (195 x 140mm), original blue cloth, edges untrimmed, half-title, 222pp., plus 4pp. adverts at rear. A collection of articles on naval endeavours, with the poems which accompanied them in their serial publications. Stewart 400; KIPLING, Rudyard. A Diversity of Creatures. 1917. first edition, 8vo, (233 x 140mm), original red cloth, gilt, gilt top, half-title, title page printed in red and black with ink ownership 'Regina Miriam Bloch', a further 4 line ink inscription in the same hand to verso of half-title, 'To avoid the Rain, he / stood under the / Sprout. / [Afghan Proverb]', 442pp., plus 4pp. adverts at rear; CHARLES, Cecil. Rudyard Kipling. His Life and Works. (ca. 1911). first edition, 8vo, (194 x 125mm), white linen backed grey card boards, foredge untrimmed, half-title, portrait frontispiece and an illustration of Kipling's vigorous proof correction when editor of 'The Friend' on thick grey paper, half title, 499pp; BEERBOHM, Max. (1872 - 1956). A Christmas Garland. 1922. 8vo, (192 x 147mm), original blue cloth,gilt, foredge untrimmed, half-title, title page printed in red and black, 197pp; KERNAHAN, Coulson. (1858 - 1943). Six Famous Living Poets. Introductory Studies, illustrated by Quotation and Comment. 1933. Keystone Library edition, second impression, 8vo, ( 227 x 155mm), original blue cloth, foredge and lower edge untrimmed, photo. illustrations, includes works by John Masefield, Rudyard Kipling, Henry Newbolt, Maurice Baring, Alfred Noyes and John Drinkwater, 286pp; HUTTON, Maurice. (1856 - 1940). Many Minds. (ca. 1940). 8vo, (222 x 153mm), original red cloth, gilt lettering to spine, a Christmas gift inscription with a small gift card pasted to front free e/p., half-title, 300pp;  (Qty. 12)           Condition Report: 1.. A Gentleman of France - boards marked and cocked, corners scuffed, spine bumped head/tail, front pastedown with residue of a removed bookplate, foxing to edges, foxing to tissue guard with further foxing throughout, heavier to some pages. 2. When A Man's Single - clean bright boards with light marks, corners scuffed, spine bumped head/tail, light marks to margin of bookplate, with blue ink stamp of Scarning Village Hall to front pastedown, with the letters 'V' and 'I' stamped within the r.h. edge of the bookplate, foxing to e/ps., and further occasional foxing and marks internally.  3. Souvenirs de France - clean bright cloth, corners a little scuffed, spine with small scuff to centre and bumped head/tail, light marks to paper wrapper, o/w. internally clean. 4. Departmental Ditties and other Verses - boards with light marks, corners a little scuffed, spine bumped head/tail, browning to e/ps., toning to edges and pages, o/w. internally clean. 5. Traffics and Discoveries - clean bright cloth, spine bumped head/tail, light foxing to edges affecting some leaf edges, internally clean. 6. The Dead King - wrappers darkened at edges, with light marks, corners a little scuffed, spine darkened and bumped head/tail, occasional light foxing, o/w. internally clean. 7. Sea Warfare - cloth bright with marginal marks, corners a little scuffed, spine bumped at tail, foxing to edges, occasional light foxing internally. 8. A Diversity of Creatures - clean cloth with darkening to edges of boards, spine bumped head/tail, foxing to edges affecting leaf edges, joint split to front pastedown, toning and foxing to e/ps., toning to leaf edges, o/w. internally clean. 9. Rudyard Kipling His Life and Works - clean bright boards, corners bumped, darkening to spine and bumped head/tail, light foxing to edges and e/ps., o/w. internally clean. 10. A Christmas Garland, clean bright cloth and gilt, boards a little marked, corners slightly scuffed, pine bumped head/tail, foxing to edges affecting leaf edges, further occasional light foxing to some pages.  11. Six Famous Living Poets - bright clean cloth with white marks to edge of lower cover, corners a little scuffed, spine bumped head/tail, foxing to edges, further foxing throughout, some heavier in places not affecting the photo. illustrations. 12. Many Minds - cloth marked and stained, corners a little scuffed, spine bumped head/tail, browning to e/ps., joint cracked at pp.128-129, light foxing.      Condition Report Disclaimer

Award – Badge of the Florence Nightingale School of Nursing, award housed in the original John Pinches London case with gilt tooled decoration to the lid. Award has some damage to the blue enamel arms. Reverse of the award “NIGHTINGALE SCHOOL” and engraved “ELLEN E M HUTTON 1915”. Accompanied by a silver gilt medal in case LVS 1897 and another item. (3 items)

A pair of George V silver menu holders, William Hutton & Sons, Sheffield 1911, each of triangular form with pierced foliate detail on bun feet with scrolling easel stand, each 9.1cm wide, weight of pair 1.87ozt (2)

A pair of Edward VII silver grape shears, maker William Hutton & Sons Ltd, London, 1906: the handles in the form of fruit bearing vines, 18cm long, 148gms, 4.77ozs

A pair of Victorian silver serving spoons, maker Goldsmiths & Silversmiths Co, London, 1899: with pierced decorated stems and bowls, 24cm long, cased, together with set of four Edward VII silver spoons, maker William Hutton & Sons Ltd, London, 1902, total weight of silver 352gms, 11.32ozs

A George III silver marrow scoop, maker John Lambe, London, 1800,: monogrammed, a George IV marrow scoop, maker Charles Eley, London, 1824 and a George V silver marrow scoop, maker William Hutton & Sons Ltd, London, 1906, total weight of silver 146gms, 4.72ozs.

A Victorian batchelor's silver teapot, maker William Hutton & Sons Ltd, London, 1899: of oval outline with half-reeded decoration, 21.5cm long, 255gms, 8.22ozs

An Edward VII clear glass and silver mounted scent bottle and stopper, maker William Hutton & Sons, London, 1901: together with a silver cheroot holder case, silver book mark in the form of a trowel, sugar tongs and flatwares, weighable silver 182gms, 5.87ozs.

WORLD WAR II, National Service and Nursing Awards relating to SRN C Hughes to include a cased pair of 1939-1945 Defence and Victory medals with ribbon, both unmarked, cased National Service Medal 1939-1960, the accompanying card No 31667, silver nurse's buckle on a cloth belt, London 1895, Maker William Hutton & Sons Ltd, 9 x 7cms hallmarked silver and enamel badge for Llandudno General Hospital 'For services above self' Birmingham 1954 Maker Thomas Fattorini Ltd, metal badge for The Royal College of Midwives, same maker, metal badge for The General Nursing Council for England and Wales, same maker, stamped verso 'C Hughes SRN 249991 01/08/57', boxed Ingersoll chrome plated nurse's watch, a photograph in frame and a newspaper cutting in Welsh, both presumed to be the recipient of the aforementioned

Pair of late Victorian silver sauce boats of shell form with gadrooned borders, and leaf mounted scroll handles, on stylized shell bases (London 1896) William Hutton and Sons Ltd. Together with one other of conventional form, with open scroll handle, on three pad feet (London 1872) Maker's mark rubbed. All at approximately 32ozs. Pair 19cm across. (3)General overall condition of pair is good, some surface scratching and minor marks, interiors scratched through use, both bases are slightly distorted and appear to be turned up under handles. No other major damage or repair. Marks are rubbed and only fully legible on one sauce boat. Single sauce boat is in very good condition, some minor surface wear and scratching, rim nicked in places. Marks slightly rubbed.

Selection of contemporary silver Chippendale pattern flatware, comprising 13 dinner forks and 8 soup spoons (Sheffield 1969) William Hutton & Sons Ltd. All at approximately 48oz. 21 pieces in total.

Victorian silver cucumber saw, with carved ivory handle (Sheffield 1899), William Hutton. 17cm overall length.Condition report: General overall condition very good commensurate with age, blade has some minor surface marks and scratching, no dents, top edge of blade has some tiny nicks, teeth are all sharp except front tooth which is slightly worn, ivory handle is very good, no major damage or pieces missing, some minor discolourisation and tiny surface cracks. Hallmarks are very good and clear.

Cased set of twelve silver Hanoverian Rattail pattern coffee spoons, with matching sugar tongs (London 1906) William Hutton &Sons Ltd. All at approximately 5ozs.

George V silver two handled rose bowl of circular form, with Art Nouveau influenced decoration, on a domed circular base (Sheffield 1910) William Hutton & Sons Ltd. All at approximately 19.5ozs. 32cm across handles.Provenance: removed from Bramfield Folly, Suffolk

Late Victorian silver Monteith of half wrythen form, with applied Rose motifs and wave border, on a circular base (London 1894) William Hutton &Sons Ltd. All at approximately 36ozs. 23.3cm across.General overall condition very good, overall tarnished, some minor wear, surface scratching and small dents, rim slightly distorted, no major damage or repair. Marks clear.

A silver Monteith bowl,by William Davenport, Birmingham 1905, 13.4cm hightogether with a pair of silver bud vases,by William Hutton & Sons, Birmingham 1910, of trefoil form with beaded rim,12.2cm highand a collection of further silver items,comprising an Edwardian candlestick with loaded base, a modern dwarf candlestick and a George V cigarette case with personal engraving, and a reeded cigarette case,total 21ozt excluding candlesticks (7)Tarnishing and scratches throughout. There are residue polish marks to the bud vases.

A silver salver, by William Hutton & Sons Ltd, Sheffield 1911, of shaped circular form, with knurl feet, 25.5cms wide, 17.8oz.

A silver jug, by James Deakin & Sons, Sheffield 1890; a silver dish by William Hutton & Sons Ltd, Chester 1913; and another with pierced rim, by William Devenport, Birmingham 1926, 4.0oz gross.

Two pairs of silver candlesticks, by William Hutton & Sons Ltd, Birmingham 1901, and Addie Bros, Birmingham 1959; and a Kiddish cup, by Rosenzweig, Taitelbaum & Co (Jacob Rozenzweig), London 1925.

A silver caddy spoon, by Lister & Sons; a Norwegian decorative spoon; two golf interest spoons; and four teaspoons with enamel finials, by Willian Hutton & Sons Ltd, Birmingham 1931, 3.5oz gross.

CRICKET BOOKS, three boxes containing approximately 80 hardback titles to include B&H Yearbooks, Biography (Jim Laker, Jack Hobbs, Len Hutton, J.K. Lever, Gary Sobers, Ian Botham, Geoff Boycott, etc) International Tests and Domestic, Histories and Companions

A cased viola by Robert Hull, label dated 1976, Hutton, Merseyside.Length 68 cms,

An Edwardian William Hutton & Sons Ltd silver three piece cruet set, Birmingham 1907/1908, cased. One pepperette with large split to side. 123g

A set of silver bladed fruit knives and fork, London, William Hutton & Sons Ltd., and a plated fish knife and fork set made by Walker & Hall, Sheffield, all in same case

A William Hutton & Sons Ltd. silver candlestick with weighted base and stem vase plus a matching candlestick and vase, a/f (4)

A pair of Edward VI silver apostle serving spoons pear shaped bowls entwined stems and apostle terminal, maker Wm Hutton,London 1901, 4.5oz, 20cm

A pair of Edward VII silver serving spoons shell shaped bowls and cast handles with figural terminal, maker Wm Hutton,London 1901, 19cm and a matching Victorian silver sifter spoon, London 1899, 15.5cm total wt.4.3oz,

A Victorian silver circular card dish with pie crust border on three scroll feet, maker Wm Hutton & Sons, London 1896, 15.4oz 21cm

A Georgian style oval silver gadrooned teapot, ebonised handle & finial, hallmarked by William Hutton & Sons., London, 1905 together with a small silver two handled sugar bowl, Birmingham, 1927, approx 21.36 ozt (664.6 grams) 

A William Hutton & Sons Arts & Crafts twin handled pewter sugar bowl, inset with Ruskin cabochon, stamped Hutton. Sheffield 04008, height 7cm.

A combination silver vesta case and sovereign holder. Birmingham 190 . By William Hutton and Sons. Approx. 47 grams. Est. £150 - £180.