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Lot 641
Yashica Electro 35mm G Outfit. With 45mm f1.7 lens (full working order, but needs battery) with wide angle and telephoto supplementary lenses and view finder set. Also a Yashica T AF compact and other photographic items, all in a camera bag. Also a Vanguard T-120223 AB tripod with quick release head (not pictured).
Lot 646
Practica B Series Camera & Lens Collection. Comprising of B100, BC3, BX20, BMS camera bodies, all with 50mm f/1.8 lenses + winder, x2 converter, 28-70 Zoom, 135 f/2.8, 35-70mm f/2.8, 70-210mm f/4-5.6, Sigma Superwide 2, Sigma 35-200 f4-5.6, various flash units, Photax 400mm f/6.3 T-mount (fungus) etc.; also a Lomo Zenith LCA compact camera
Lot 289
An Edward VIII lady's silver and shagreen rectangular compact, 83mm x 72mm x 12mm overall, London 1937, and silvery metal and shagreen lighter, 45mm x 40mm x 10mm overall, a 22ct gold wedding band (gross weight 4.2 grammes - ring size R1/2), a 1920's silvery coloured metal mounted aquamarine and diamond set bar brooch, the oblong cut aquamarine of approximately .50ct shouldered to either side by three small old cut diamonds, 16mm overall (gross weight 3.6 grammes), two other gold coloured metal bar brooches (gross weight 4.1 grammes), an Indian silvery mounted and white stone set circular floral brooch, 28mm in diameter, an Indian silvery coloured metal mounted and zircon set peacock fan pattern brooch (gross weight 8.2 grammes), and a modern silvery coloured metal pearl set garland pattern brooch
Lot 65
A George VI silver and sky blue guilloche enamel compact with engine turned borders and base, 2.75ins square, by W.A. Perry & Co, Birmingham 1938, a ditto silver and pale blue guilloche enamel circular compact with engine turned back, 3.125ins, by Crisford & Norris Ltd, Birmingham 1947 (bruise to enamel), and a Continental silver and royal blue enamel circular dish, 2.25ins diameter, and matching bone tipped cigarette filter, 2.625ins overall (enamel damaged), in fitted case
Lot 85
A George V silver engine turned compact and cigarette case, each with Royal Artillery crest and blue and red enamel panel to front, compact with a cast thumbpiece, 2.25ins square, cigarette case, 3.625ins x 3.375ins, by The Goldsmith & Silversmith Company, Birmingham 1935 (gross weight 6.8ozs - small bruise to enamel of cigarette case)
Lot 59
Kenneth Mahood (b.1930) WAGON AND MOONLIGHT, 1955 oil on board signed lower right; with title and dated on reverse; with Frederick Gallery exhibition label on reverse Frederick Gallery, Dublin;Private collection 'Spring Exhibition of Irish Art', Frederick Gallery, Dublin, 8 -26 March 1999, no. 42 The Frederick Gallery exhibition catalogue accompanies this lot. Kenneth Mahood was born in Belfast in 1930. From 1945 to 1949 he was an apprentice lithographer before becoming a professional painter. He exhibited in Belfast, London and Dublin and won a CEMA scholarship to study art in Paris. In 1955 Victor Waddington held a solo show of his work and in 1956 in London he exhibited in a two-man show with Jack B. Yeats. His first cartoon was accepted by Punch when he was eighteen, and he later became not only a regular contributor but also, from 1960 to 1965, the magazine's Assistant Art Editor under William Hewison. In 1966 Mahood became the first-ever political cartoonist on The Times, and in the same year was a founder member of the British Cartoonists' Association. He left The Times at the end of 1968, but at the start of 1969 began working as a cartoonist for the Evening Standard. In 1971 he went to the Financial Times. In 1978 he was elected to the Punch Table, and in 1982 he moved to the Daily Mail to draw its "Compact Cartoon". Mahood has also contributed drawings to the New Yorker, produced a number of books and worked in collage. 12 by 20in. (30.5 by 50.8cm)
Lot 60
Kenneth Mahood (b.1930) GREEN LANDSCAPE oil on board signed lower right; titled on original label preserved on reverse Kenneth Mahood was born in Belfast in 1930. From 1945 to 1949 he was an apprentice lithographer before becoming a professional painter. He exhibited in Belfast, London and Dublin and won a CEMA scholarship to study art in Paris. In 1955 Victor Waddington held a solo show of his work and in 1956 in London he exhibited in a two-man show with Jack B. Yeats. His first cartoon was accepted by Punch when he was eighteen, and he later became not only a regular contributor but also, from 1960 to 1965, the magazine's Assistant Art Editor under William Hewison. In 1966 Mahood became the first-ever political cartoonist on The Times, and in the same year was a founder member of the British Cartoonists' Association. He left The Times at the end of 1968, but at the start of 1969 began working as a cartoonist for the Evening Standard. In 1971 he went to the Financial Times. In 1978 he was elected to the Punch Table, and in 1982 he moved to the Daily Mail to draw its "Compact Cartoon". Mahood has also contributed drawings to the New Yorker, produced a number of books and worked in collage. 13 by 23.50in. (33 by 59.7cm)
Lot 61
Kenneth Mahood (b.1930) HARBOUR, RED AND YELLOW oil and mixed media on board with original Waddington Galleries exhibition label on reverse; also with Frederick Gallery exhibition label on reverse Waddington Galleries, London;Where purchased by a Mr Patrick Hall Esq.;with Frederick Gallery, Dublin;Private collection Waddington Galleries, London, September, 1958, no. 18;''Spring Exhibition', Frederick Gallery, Dublin, 2001, no. 43 Kenneth Mahood was born in Belfast in 1930. From 1945 to 1949 he was an apprentice lithographer before becoming a professional painter. He exhibited in Belfast, London and Dublin and won a CEMA scholarship to study art in Paris. In 1955 Victor Waddington held a solo show of his work and in 1956 in London he exhibited in a two-man show with Jack B. Yeats. His first cartoon was accepted by Punch when he was eighteen, and he later became not only a regular contributor but also, from 1960 to 1965, the magazine's Assistant Art Editor under William Hewison. In 1966 Mahood became the first-ever political cartoonist on The Times, and in the same year was a founder member of the British Cartoonists' Association. He left The Times at the end of 1968, but at the start of 1969 began working as a cartoonist for the Evening Standard. In 1971 he went to the Financial Times. In 1978 he was elected to the Punch Table, and in 1982 he moved to the Daily Mail to draw its "Compact Cartoon". Mahood has also contributed drawings to the New Yorker, produced a number of books and worked in collage. 8 by 23.50in. (20.3 by 59.7cm)
Lot 424
An Art Deco 9 carat gold combination powder compact and lipstick case by Asprey with applied white gold E. P. monogram. With engine turned engraving and Greek key fret borders, safety chain and braided tassel. Assayed London 1923, gross weight 128 grams, 8.25cm. Condition Report. To be used as a guide only. Good condition.
Lot 506
Poole & Chinese Tableware (total 60 pieces) - Poole ('Tango' teapot & lid, salt & pepper, 'Summer Glory' flan dish, 5 plates, salt and pepper, 'Compact' coffee pot, 2 bowls, 'Mandalay' large plate, Mushroom/Sepia tea pot with lid & jug) together with Chinese Tableware 42 pieces in 4 colours with 2 teapots and ginger jars
Lot 2165
Three Early 20th Century Tapestry Evening Bags, with variously embellished metal frames; a Fitted Two-Tone Gold Metal Wrist Compact, by Evans, boxed; a Painted Metal Fitted Evening Purse; a White Metal Mesh Evening Bag; Berlin Woolwork Cushion Panel, of geometric design; Quantity of Chinese and Japanese Printed and Embroidered Textiles, together with a carved wooden cigarette box (qty)
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38783 item(s)/page