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A mission pcm7000 linear phase compact disc player with manual - a rare item with a superb sound Condition report - PCM 7000, Not tested with speakers but it appears to read and play with CD

A Syd Barrett book , two compact discs and some rare newspaper cuttings and a magazine with a Syd article - Pink Floyd interest

BEDROOM CHAIR, of compact proportions, 51cm W x 72cm H.

HOWARD & SONS SOFA, early 20th century mahogany, of compact proportions, on square tapering supports (stamped 64828312 Howard & Sons Ltd Berners St to rear leg and castors), 139cm W x 76cm D x 99cm H.

1st item: Waltrous sterling silver ladies dance purse. Interior with coin holders, compact and money or card holder. 3 5/8" H x 2 1/2" W. 2.975 troy ounces. 2nd item: Jaques & Marcus (New York) sterling silver collapsible fountain pen. Maker's mark and sterling marked on the inner shaft. 2 1/2" L when closed. .965 troy ounces. 3rd item: Sterling silver perfume bottle, marked sterling on one shoulder. 3" x 1 1/2" W. 1.155 troy ounces. Combined weight 5.095 total troy ounces. All pieces American, early to mid 20th century. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: 1st item monogrammed, with a one dent. 2nd item overall good condition. 3rd item: A couple of dents to the body.

A Leica Minilux Compact Camera, champagne, serial no. 2163833, with Leitz Summarit f/2.4 40mm lens, slight crack to top screen but appears in working order, in maker's caseThis auction is being held toraise funds for NHS Charities Together (Registered Charity No 1186569) with100% of hammer prices being donated. This is in association with The LeicaSociety https://www.theleicasociety.org.uk/In this sale, buyers will NOT becharged any buyer’s premium

A Leica Mini Zoom Compact Camera, black, serial no. 2027560, with Leitz Vario-Elmar 35-70mm, in maker's caseThis auction is being held toraise funds for NHS Charities Together (Registered Charity No 1186569) with100% of hammer prices being donated. This is in association with The LeicaSociety https://www.theleicasociety.org.uk/In this sale, buyers will NOT becharged any buyer’s premium

A Leica D-Lux 5 Digital Compact Camera, complete with handgrip 18715 and leather case 18708, all in maker's boxesThis auction is being held toraise funds for NHS Charities Together (Registered Charity No 1186569) with100% of hammer prices being donated. This is in association with The LeicaSociety https://www.theleicasociety.org.uk/In this sale, buyers will NOT becharged any buyer’s premium

A collection of cameras to include: olympus trip md3, minolta vectis 200, ricoh af 55, jvc compact etc

A collection of 35mm Compact Camera's to include: Olympus, Canon, Minolta, Ricoh etc (14

A Marantz compact disc player cd.7, with remote. IMPORTANT: Online viewing and bidding only. No in person collections, Mail Boxes Etc couriers ONLY.

A ladies 9ct yellow gold bracelet, consisting of alternate brushed yellow gold 'X' links and polished white gold open navette links, 18.5cm long, 10.28 grams, with a boxed Stratton compact decorated with a butterfly

A small collection of miscellaneous items to include silver cased powder compact, silver dressing table jar, loose flatwares etc

An early 20th century silver cigarette case, Birmingham 1927, 9cm, together with a silver compact and a silver snuff box, 233g gross (3)

Collection of assorted vintage powder compacts including Musical compacts by Clover, Dandy-Mate, an Eastern silver compact with Niello decoration and other makers Condition Report Click here for further images, condition, auction times & delivery costs

Six powder compacts including three Startton, L'aimant Gold Plated Anniversary Compact (boxed) and two others (6) Condition Report Click here for further images, condition, auction times & delivery costs

A Coty yellow metal and enamelled miniature compact, mid-20th Century, of circular form, the top with embossed web pattern enamelled with green, the underside with engine-turned wave pattern, opening to a mirror interior with branded puff, 4.2cm dia.

LOT OF VINTAGE JEWELLERY, including silver brooch, silver pendant, also including a gilt metal compact

EARLY 20TH CENTURY SILVER COMPACT/SOVEREIGN/CIGARETTE CASE, of rectangular form, the parcel gilt interior with sprung sovereign holder and hinged mirrored compact lid, 8.5cm x 5cm

A silver compact by Mappin & Webb, Birmingham 1941

Chris Gilvan-Cartwright Salmacis, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) For me painting operates as a hermetic portal between an instinctive inner and outer reality as if operating as a pineal body. The act of making a painting is important, one decision leads to another as the work becomes realised by applying paint directly wet into wet. I draw out the subject using what's at hand, brushes, charcoal, rags and fingers twisting and turning the paintings until images reveal a cliff edge or a space containing bathos and absurdity something both divine and decrepit. I invent painted narratives involving corporeal figures occupying preternatural landscapes and stage sets. They are falling or about to fall apart often in a state of transformation, reverie or catatonic breakdown referencing holy men or hermits drawn from northern European medieval painting. I have also performed as The Baron Gilvan, 'A dispossessed Mitteleuropa aristocrat, landed up on the shores of Blighty clutching only his paintings and his hopes, The Baron is concerned with only the intensity of life itself, and the beauty of the ideal. He is raw, unflinching, and utterly sincere, a compact of all that is magnificent'.The Baron was originally conceived as a conduit for my own creativity, a governor of all of my works, the character through which it all must flow.

Chris Gilvan-Cartwright True Love Cowboy, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) For me painting operates as a hermetic portal between an instinctive inner and outer reality as if operating as a pineal body. The act of making a painting is important, one decision leads to another as the work becomes realised by applying paint directly wet into wet. I draw out the subject using what's at hand, brushes, charcoal, rags and fingers twisting and turning the paintings until images reveal a cliff edge or a space containing bathos and absurdity something both divine and decrepit. I invent painted narratives involving corporeal figures occupying preternatural landscapes and stage sets. They are falling or about to fall apart often in a state of transformation, reverie or catatonic breakdown referencing holy men or hermits drawn from northern European medieval painting. I have also performed as The Baron Gilvan, 'A dispossessed Mitteleuropa aristocrat, landed up on the shores of Blighty clutching only his paintings and his hopes, The Baron is concerned with only the intensity of life itself, and the beauty of the ideal. He is raw, unflinching, and utterly sincere, a compact of all that is magnificent'.The Baron was originally conceived as a conduit for my own creativity, a governor of all of my works, the character through which it all must flow.

Chris Gilvan-Cartwright True Love Cowboy, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) For me painting operates as a hermetic portal between an instinctive inner and outer reality as if operating as a pineal body. The act of making a painting is important, one decision leads to another as the work becomes realised by applying paint directly wet into wet. I draw out the subject using what's at hand, brushes, charcoal, rags and fingers twisting and turning the paintings until images reveal a cliff edge or a space containing bathos and absurdity something both divine and decrepit. I invent painted narratives involving corporeal figures occupying preternatural landscapes and stage sets. They are falling or about to fall apart often in a state of transformation, reverie or catatonic breakdown referencing holy men or hermits drawn from northern European medieval painting. I have also performed as The Baron Gilvan, 'A dispossessed Mitteleuropa aristocrat, landed up on the shores of Blighty clutching only his paintings and his hopes, The Baron is concerned with only the intensity of life itself, and the beauty of the ideal. He is raw, unflinching, and utterly sincere, a compact of all that is magnificent'.The Baron was originally conceived as a conduit for my own creativity, a governor of all of my works, the character through which it all must flow.

Chris Gilvan-Cartwright Christina Miracle, 2020 Acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) For me painting operates as a hermetic portal between an instinctive inner and outer reality as if operating as a pineal body. The act of making a painting is important, one decision leads to another as the work becomes realised by applying paint directly wet into wet. I draw out the subject using what's at hand, brushes, charcoal, rags and fingers twisting and turning the paintings until images reveal a cliff edge or a space containing bathos and absurdity something both divine and decrepit. I invent painted narratives involving corporeal figures occupying preternatural landscapes and stage sets. They are falling or about to fall apart often in a state of transformation, reverie or catatonic breakdown referencing holy men or hermits drawn from northern European medieval painting. I have also performed as The Baron Gilvan, 'A dispossessed Mitteleuropa aristocrat, landed up on the shores of Blighty clutching only his paintings and his hopes, The Baron is concerned with only the intensity of life itself, and the beauty of the ideal. He is raw, unflinching, and utterly sincere, a compact of all that is magnificent'.The Baron was originally conceived as a conduit for my own creativity, a governor of all of my works, the character through which it all must flow.

9ct gold compact pendant, with internal mirror on hinged lid and engraved initial by Deakin & Francis Ltd, approx 22.5gm Condition Report 55mm x 40mm, pitting to the mirror otherwise in good conditionClick here for further images, condition, auction times & delivery costs

A silver and enamel travelling compact

A George VI silver travelling compact, by Deakin & Francis, Birmingham 1946,Footnote: Due to the nature of the design to the cover, this example may well have been originally designed to have been enamelled. In this 'raw' state it is a particularly collectable item.

Hensel Expert Compact Flash and Generators, Professional Studio Photographic Lighting x 4 in carry cases with Tripods.

A Selection of Compact Cameras, including digital Nikon Coolpix S640 (boxed), a SONY Handycam Camcorder and other accessories.

An Attractive Hallmarked Silver and Enamel Trinket Pot, of circular from detailed with exotic bird and roses, 4.9cm diameter, EK, (import marks for London 1912(; together with a vintage "Gwenda" compact. (2)

Lenz Digital Plus Compact 60520 DCC Digital Power Controller & Transformer - Boxed. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Ambrosius Bosschaert the Younger (Middelburg 1609-1645 Utrecht)Tulips, roses, lily of the valley and other flowers in a glass vase on a stone ledge oil on copper35.6 x 23.3cm (14 x 9 3/16in).Footnotes:ProvenanceWith Kunsthandel P. de Boer, Amsterdam, 1950 Dr. Fred Meijer discusses the present work in a report from 9 August 2019 in which he dates it to 1633 or 1634. In his 1960 book, The Bosschaert Dynasty Laurens Bol illustrated a somewhat similar composition dated 1632, formerly in The Hague Gemeentemuseum. Another example from 1632 also includes two bluebottles on the ledge, but both these arrangements are somewhat compact and sit tighter in the picture plane than the present composition. In the following year, 1633, Bosschaert seems to have allowed more space around his bouquets and made them less compact, as dated examples from that year indicate. An example dated 1635 is composed similarly and includes the same two flies on the table. The comparisons suggest that the present work was executed in 1633 or 1634. An undated still life of flowers and fruit, which will also have originated in or around 1633, judging from stylistic features, includes several flowers that are also included in the present bouquet. An interesting feature of all of these examples is the shadow of the vase, which has a focused spot of light in the centre.Laurens Bol remarked that Ambrosius Bosschaert the Younger might be nicknamed 'The Master of the Bluebottle', since the great majority of his still lifes show a bluebottle in a characteristic pose: tilted forward, licking the surface on which it sits, just like the one on the left on the ledge in the present painting. Still lifes of flowers in a glass vase on a ledge or table top made up Ambrosius Bosschaert the Younger's 'core business.' Their inspiration goes back to examples by his father and by Jan Brueghel the Younger in the first decade of the century. While the presence of the bluebottles may have had vanitas connotations (hinting at decay) and the caterpillar (which becomes a butterfly) may have evoked association with the Resurrection, it is probably inappropriate to read too much profound meaning into a bouquet such as this. Essentially such a work of art allowed the viewer to enjoy fresh flowers all year round, as a feast for the eyes.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Pioneer PL-90 Reference Turntable, together with Pioneer PD-M95 Elite multi-play compact disc player and four Bang & Olufsen speakers

A carved ivory netsuke, formed as a crouching figure, and a powder compact, decorated with a rickshaw

SILVER 2-HANDLED SMALL CIRCULAR BOWL, SUGAR NIPS, COMPACT & 800 MARKED PICKLE FORK, 5.4OZ GROSS

SILVER ART DECO LADIES POWDER COMPACT WITH FITTED MIRROR, ENGINE TURNED SURFACES 95G

A silver perfume bottle, spill vase, caddy, penknife and compact

An Art deco hallmarked silver and rose gold trimmed lady's compact, size 6.5 x 6.5 x 1cm.

Marantz CD-873 compact disc player and Denon DR-M12HX stereo cassette 

A Compact 60 (2) twin channel acoustic amplifier, serial number 001011998, cased.

A George V cut glass smelling salts bottle, with silver screw lid, having turquoise blue and white guilloche enamel decoration, Birmingham 1913, together with a Continental miniature compact, white and gilt metal with turquoise and lilac guilloche decoration. (2)

A Canon Canonet 28 compact film camera with 40mm lens together with a No.2 Folding Brownie (2)

SILVER COMPACT HOLDER, containing it's French compact

POWDER COMPACT, a Stratton floral & gilt decorated compact together with a silver hand mirror frame

A SMALL TRAY OF MUSICAL BOXES ETC. TO INCLUDE A MUSICAL COMPACT WITH FIGURATIVE DETAIL

International multi band compact radio receiver. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

A silver guilloche enamel compact depicting flowers, the rear side with an engine turned finish, the gilt interior hallmarked for Birmingham, 1957, 172g, 10cm x 8.5cm

A vintage Gucci beige suede shoulder bag, with a brown leather adjustable strap and gilt metal clasp to flap closure, leather interior with some zip and flap components, in the original felt dust bag, 20cm x 22.5cm x 4.5cm (closed and compact)

A large quantity of costume jewellery, to include a vintage Stratton compact, pendant with a design of birds with conjoined beaks, and wooden Catholic bracelet (75+)

A Collection of Costume Jewellery to Include Victorian Memorial Glass Locket, Coronation Brooch, Micromosaic Brooch Together with Ladies Compact Case

A JVC compact auto disc changer

A RECTANGULAR CONTINENTAL SILVER (900) SNUFF BOX, engine turned decoration, gilt interior, stamped 900, FC within an oval, width 8cm, together with a white metal compact with yellow metal cypher to lid (2)

A GEORGE V SILVER SPECTACLES CASE, hand hammered finish, engraved initials to circular cartouche, Chester 1915, together with an Edwardian silver card case of plain rectangular form, Birmingham 1909, and a silver mounted Kigu circular powder compact, London 1965, gross weight excluding compact 3.86 ozt, 120.1 grams (3)

A BOX OF COMPACTS, mainly vintage compacts, to include a circular Stratton compact with banded floral decoration, a Stratton lipstick holder with attached hinged mirror etc

A SELECTION OF NINE COMPACTS, to include a Stratton mirror featuring an embossed fern detail lid, with black outline, together with a rectangle musical compact powder and mirror with engine turned pattern lid etc

A selection of 35mm and compact cameras

1978 Suzuki 250 X7, 249cc. registration number KNP 8T. Frame number 500201. Engine number GT2502 101185. Suzuki's GT250 X7 is the ultimate expression of the air-cooled 250 sports bike. Launched in 1978 it instantly became the fastest 250 on the streets. Motorcycle Mechanics' jockey-like test rider Brian Crichton - lying flat on the tank - squeezed 99.5mph out of the first test bike to reach our shores. Removing the mirrors yielded an extra 1mph, making the X7 the first genuine 100mph 250 in the UK. Mechanically, it was not a radical departure from the late '60s T250 Super Six. The secret of the X7's speed is not a huge leap forward in engine technology, but rather a crash diet. At only 128kg, the X7 is a staggering 18kg less than the GT250B and C models it replaced, and 23.5kg lighter than Yamaha's air-cooled RD250. Adopting a single downtube frame over the older GT's twin downtube layout shaved almost 1.5kg from the X7's chassis, and its ultra-compact engine weighs 7.3kg less than the 'old' GT250B/C mill. The X7's combination of power and light weight worked brilliantly and the bike was virtually the same from 1978 until it made way for the RG250 Gamma in 1983. In five years all that changed were its colours and graphics, and a switch to rectangular indicators and a one-piece clock housing in 1980. KNP had been well restored by a previous owner who stripped the engine, overhauled the crank and fitted new pistons, rings, small ends, bearings and seals, the frame was stripped and powder coated, with new bearings, the forks were rebuilt, carb overhauled, new cables, and electrics including a Rexspeed CDI unit, all the bodywork was resprayed, a new seat fitted as well as tyres and battery. Then it was set up on a rolling road for the Higgspeed exhaust system. Our vendor purchased it in December 2018 but there was a slight oil leak from the gearbox so he rebuild it with new seal, apart from that little has been done with apart from the occasional ride out. MOT's from 1995 at 20,397 and 1996 at 21,633 together with the 2017 one at 27,747, confirm its mileage; today it is 27,775. Sold with the V5C and old MOTS, the bike started instantly when the cataloguer viewed it and produced the video.

Boxed Kenwood Multipro compact food processor

Marquetry wood matchbox cover, Indian style box, Elizabeth Arden compact and a snuff type box (4)

Three Silver and Enamel Hinged Compacts, including a silver square compact with gold edge by Deakin & Francis, Birmingham 1951, 6.5cm by 6.5cm; a circular compact with engine turned cover by C Payton, Chester 1931, 6cm diameter; another in pale pink enamel with silver mounts by Harry Clifford Davis, Birmingham 1921, 7cm