Large Chinese blue and white Kangxi period porcelain yen yen vase, painted in underglaze blue with extensive mountainous lake scenes with scholars, fishermen and buildings, Kangxi, double circles mark, 17.5" high - ** Provenance - From the Estate of Mr Roy Moodie by descent, who had a fascinating and successful banking career with the Hong Kong and Shanghai Banking Corporation in the 1950s. It was this time spent in the far east that encouraged his love and lifelong interest in Chinese artifacts, especially blue and white porcelain, jade and furniture
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AN 18K WHITE GOLD DIAMOND AND CHINESE GREEN HARDSTONE RING the jade is 12.5mm x 9.3mm x 4.8mm, surrounded with brilliant and baguette cut diamonds to an estimated approx total of 0.40cts, finger size K1/2, weight 8.1gms, together with a pair of green hardstone earrings set in yellow metal, weight approx 2.3gms Condition Report: the ring is stamped 750 18k, probably far eastern, light general wear. Diamonds;- bright and lightly included with clear feather type inclusions, that can only be seen with a loope. no carbon dots. Earrings no assay marks at all, not even the butterflies, hence the 'yellow metal' in the description.
A Chinese pale jade snuff bottle, of flattened vase form with carved twin mask ring handles, with carved panels to either side of stylized rectangles within a Greek key border, green hardstone domed stopper and oval foot, 2¼in. (5.8cm.) high; together with a Tibetan jade and white metal snuff bottle, the metal mounts with semi-precious stone cabochons. (2)
Two Chinese carved jade Pi discs, probably 19th century, the larger in shaded green jade, having raised carving of mythical beast around central ring, the reverse with repeating raised decoration, 2 3/8in. (6cm.) diameter, the smaller in mutton fat jade with carved figure of a mythical beast to one edge, 2in. (5cm.) at its largest. (2) *Condition: Both good with age related wear only.
A Chinese carved jade style vase and cover, Qing style, 20th century, in mottled spinach green hardstone the vase of flattened baluster form, the front carved with two cranes beneath a fir tree, the domed cover carved with the canopy, on a carved wood stand, the vase 8½in. (21.5cm.) high, some damage to cover.
A Chinese pierced hardwood table screen, late 19th/early 20th century, carved with foliate scrolls and set with two jade plaque, one decorated with figures and the other with bats and flowers around an auspicious character, 28.5cm highCondition report: One piece loose. Cracks, splits and leaves. General wear.Please view additional images
A Chinese spinach jade bowlWith slightly everted rim, raised on a shallow foot, together with a shallow dish, 13.5cm x 13.5cm x 6.5cm,This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A collection of Chinese hard stone carvingsQing dynasty Comprising of a Jade dragon headed belt hook, 12cm wide, with wooden stand, a small jade group of two monkeys, 3.5cm high, three hard stone cups and two soapstone seals, the larger 9.5cm high, (7)For further information on this lot please visit Bonhams.com
Rawson Jessica, Chinese Jade: from the Neolithic to the Qing. Art Media Resources Ltd. 1995. ISBN: 0-71411469-3 Lin Yutang, Imperial Peking. Elek Publishing. 1974 Craig Cluna, The Barlow Collection of Chinese Ceramics, Bronzes and Jades: An Introduction. University of Sussex. ISBN: 0-9532113-0-4 Zhejiang Sheng Bo Wu Guan, Zhejiang Chronological Porcelain. Wen Wu Publishing. 2000. ISBN: 7-5010-1217-2 Li Zhiyan, Chinese Pottery and Porcelain Traditional Chinese Arts and Culture. Foreign Languages Press. 1997. ISBN: 7-119-01167-7 Editorial Committee, Shaanxi History Museum. Shaanxi History Museum Robert E Harris, Power and Virtue: the Horse in Chinese Art. China Institute Gallery. 1997. ISBN: 0-9654270-1-3 Rosemary Scott, Imperial Taste Chinese Ceramics from the Percival David Foundation. Chronicle Books. 1989. ISBN: 0-87701-612-7 Robert D Mowry Eugene Farrell Nicole Rousmaniere, Hare's Fur, Tortoiseshell, and Partridge Feathers, Chinese Brown and Black Glazed Ceramics 400-1400. Publications Department, Harvard University Art Museums. 1997. ISBN: 0-91672-488-3 British Library, Chinese Printmaking Today: Woodblock Printing in China 1980-2000, The British Library. 2004. ISBN: 0-7123-4823-9 Six Dynasty CultureProvenance: The Professor Conrad Harris Collection
Percival David Foundation of Chinese Art, Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties, Percival David Foundation. 2002. ISBN: 0-7286-0339-X Lin Ying, Celestial Horses: The Apogee of Chinese Art and Civilisation, Foreign Languages Press. 2002. ISBN: 7-119-02999-1 Ann Paludan, Chinese Tomb Figurines, Oxford University Press. 1994. ISBN: 0-19-585817-4 William Watson, The Genius of China: an Exhibition of Finds of the PRC Held at the Royal Academy Lond 1973-74, Times Newspapers Ltd. 1973. ISBN: 0-7230-0107-3 Guo Ligu & Bo Wuyuan, Special Exhibition of Horse Paintings (Hua ma ming pin te zhan tu lu), Min Guo. 1990. ISBN: 957-562-018-6 Hugo Munsterberg, The Arts of China, Charles E Tuttle Company. 1989. ISBN: 0-8048-1624-7 Kentucky Horse Park, Imperial China The Art of the Horse in Chinese History, Kentucky Horse Park. 2000. ISBN: 1-56469-071-7 Michelle Morgan, 100 Treasures - The Museum of East Asian Art, The Museum of East Asian Art, Bath. 2000. ISBN: 1-89773-411-5 Albert E Dien, The Quest for Eternity: Chinese Ceramic Sculptures from the PRC, Thames and Hudson. 1987. ISBN: 0-500-27465-7 Robert Kleiner, Chinese Snuff Bottle, Oxford University Press. 1984. ISBN: 0-19-585756-9 Treasures from the Underground Palaces Treasures from Northern Song Pagodas, Dingzhou, Hebei Province, China, Idemitsu Museum of Arts Lisa Rotondo-McCord, Heaven and Earth Seen Withing Song Ceramics from the Robert Barron Collection, University Press of Mississippi. 2001. ISBN: 0-89494-077-5 Ancient Chinese Jade Gallery, Shanghai MuseumProvenance: The Professor Conrad Harris Collection
William Watson (Thames & Hudson), Tang and Liao Ceramics, Thames and Hudson. 1984. ISBN: 0-500-23408-6 Shanghai Museum of Art, Treasures - 300 Best Exvacted Antiques from China, Art Media Resources Ltd. 2000. ISBN: 7-80635-587-1 Roger Keverne (Consultant Editor), Jade, Anness Publishing. 1991. ISBN: 1-85238-183-3 Roderick Whitfield and Anne Farrer, Caves of the Thousand Buddhas: Chinese art from the Silk Route, Braziller. 1990. ISBN: 0-7141-1447-2 Michael Teller, Celestial Horses, TK Asian Antiquities. 2002. ISBN: 0-98864-761-3 Stacey Pierson, Earth, Fire and Water: Chinese Ceramic Technology. A Handbook for non-Specialists, School of Oriental and African Studies University of London. 1996. ISBN: 0-7286-0265-2 Craig Clunas, Art in China, Oxford History of Art. 1997. ISBN:0-19-284207-2 The Cream of Henan Cultural Relics Collection, China Publishing. ISBN: 7-80537-791-X Stacey Pierson, Collecting Chinese Art: Interpretation and Display Colloquies on Art & Archaeology in Asian No. 20, Percival David Foundation of Chinese Art. 2000. ISBN: 0-72860-316-0 An Exhibition of Important Chinese Ceramics from the Robert Chang CollectionProvenance: The Professor Conrad Harris Collection
Height: 17.3cm, Length: 19.5cm Depicted standing four square with a cylindrical filler on the centre of its back into which water can be poured. Bears('xiong') have always held a special place in Chinese culture. The Yellow Emperor, the foremost of the 'Five Emperors', is also known as 'You Xiong' (having bears). Legend states that Gun, the great grandson of the Yellow Emperor, was sent to control the floods of the Yellow River. He determined the solution to be a magical dike, only possible with special self-growing soil. This, he stole from the Emperor of the Sky. Not only was his plan a failure, his theft soon cost him his life. Years later, villagers noticed an odd transformation taking place. They looked on as Gun’s lifeless corpse evolved into a yellow bear and ran away, disappearing into the forest mountains. Yu, son of Gun, later tamed the Yellow River floods, when he transformed himself into a bear and bored a drainage tunnel through a mountain. The earliest examples of bear-shaped artefacts include pottery and jade artworks from the Hongshan culture. A reddish-brown pottery bear jar, excavated at Chahai, Fuxin, Liaoning, is now at Chaoyang Defu Museum. For an example of a bear in jade, see lncredible Treasures: E-Kuan-Tao Museum, Sanyi Culture, 2006, p.119. Some scholars believe that such objects are evidence of bear worship in ancient times. Oxford TL test consistent with Qijia period, sample C205e59 Provenance: The Professor Conrad Harris Collection
Height: 17.5cm, Length: 32.5cm The two heads may represent Nüwa and Fuxi holding hands. Both have their arms outstretched. The hair of each is depicted in a chignon typical of the dynasty. Nüwa is the mother goddess of Chinese mythology, the sister and wife of Fuxi, the emperor-god. They were described as having snake-like tails. Many mythological Chinese deities have a human face and a snake-like body. For example, The Classic of Mountains and Seas contains more than descriptions of such deities. Neolithic Jade carvings of double-headed snake-form figure were excavated in Shijiahe site. In Han Dynasty, influenced by yin and yang, snake-form Nüwa and Fuxi figures became popular in tomb ceramics. People started to put double-headed snake-form figures in tombs in Northern Qi Dynasty. The phenomenon reached its peak in Tang Dynasty, and continued to Song Dynasty. Oxford TL test consistent with Tang Dynasty, sample C120d47 Provenance: The Professor Conrad Harris Collection
ËœA CHINESE CARVED CELADON JADE 'MANDARIN DUCK' GROUP, 20TH CENTURYcarved and pierced as a pair of confronting ducks, each grasping a lotus spray in its beak, the stone of pale celadon tone with russet inclusions, box17cm wideProvenance: Private European Collection, acquired in Hong Kong, August 1984
A CHINESE SPINACH JADE ARCHAISTIC CENSER AND COVER, 20TH CENTURY the body with deep rounded sides rising from a short spreading foot to a rolled rim, set with a pair of high relief taotie mask handles, the domed cover carved and pierced with a dragon scroll band, all surmounted by a finial formed of four dragon heads grasping a pearl and each suspending a loose ring, wood stand 17.5cm wide Provenance: Private European Collection, acquired in Milan
A CHINESE WHITE JADE 'LINGZHI AND MONKEY' RUYI SCEPTRE naturalistically carved as a 'lingzhi' with large ruyi head, the curved shaft carved and pierced in high relief with two monkeys and small leafy 'lingzhi' shoots, the stone of creamy-white tone 46.5cm long Provenance: Swiss Private Collection of Chinese Jades: sold for the benefit of Mission Bambini. |Mission Bambini is an independent, non-profit organization, created in Italy by Goffredo Modena, engineer and entrepreneur, in 2000. Our mission is to help and support children living in poverty, sickness and without education, giving them the opportunity and hope of a better life. In 18 years of activities Mission Bambini has helped more than 1,350,000 children through 1,500 projects in 73 countries around the world. Our Balance sheet is public and certificated and at least 75% of funds raised are used for humanitarian work. Early in 2015 the Italian Foundation created Mission Bambini Switzerland and Friends of Mission Bambini USA.| Maria Elena Di Fazio (International Development, Mission Bambini Switzerland Foundation, March 2019) For further information, please see the charity's website: www.missionbambini.org/en/
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