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A George III oak cased longcase clock, the 8 day movement striking on a bell to an arched brass dial with subsidiary seconds dials and date aperture, the silvered chapter ring inscribed, Geo: Wynn Wokingham, the arch with a red lacquer sun boss, the moulded arch hood with eagle and ball finials, gilt corinthian capital columns, the arched waist door mahogany banded, the base on bracket feet, 7ft 5.5in (227.3cm) high.
A Louis XIV tortoiseshell and gilt brass mounted mantel clock, the 8 day five pillar movement with a verge escapement, to an outside count wheel striking on a bell, the back plate inscribed 'Louis Baronneau A Paris,' the velvet covered dial with a silvered chapter ring, above a gilt brass cartouche inscribed Louis Baronneau A Paris, the case with a lift off top, corinthian capital side pilasters and glazed arched side panel, on a moulded base, 20.25in (51.4cm) high. restored
A Victorian tortoiseshell and ormolu mounted triple dial table clock, by Viner, the twin barrel movement striking on a gong, the back plate inscribed Viner, London, to circular enamel dials for GMT, Paris and New York time, the front plate with engraved foliate decoration, the case with a cupola surmount with flame finials and pierced anthemion and foliate panels, the arched hinged doors to canted corners with Ionic capital foliate corbels, the moulded base to scroll feet, 27.5in (70cm) high.
A collection of small silver, comprising; a short candlestick, with a stop-fluted column, acanthus capital and beaded shaped-square nozzle and stepped square base, London 1901 by William Hutton and Sons Ltd, 15.25cm high (6 in), a round pedestal sweet dish with a harebell and beaded border, Sheffield 1970, 11.5cm diameter (4.5 in), and a foliate engraved napkin ring, Birmingham 1899
An empire style giltwood vitrine 20th century, the carved and pierced torch trophy pediment with trailing flowerheads over a bevelled glazed door and conforming side panels, flanked by channel moulded pillars with acanthus capital and terminals, above a carved flower bud swag apron, raised on fluted tapering supports (180x76).
A FINE PAIR OF LATE VICTORIAN SILVER TWO-BRANCH (THREE-LIGHT) CANDELABRA each having three Corinthian capital-form sockets, with gadrooned concave square drip-trays, the central socket on a further tray and spirally gadrooned balustroid knop, between reeded S-form branches, all on a stop-fluted Corinthian column and stepped partially gadrooned square base, hallmarked Sheffield, 1893, maker HE Ld. 42cm, (16.5in) high (loaded).
AN EARLY 20TH-CENTURY ARTS & CRAFTS-STYLE WALNUT MIRROR-BACKED SIDEBOARD having a humped surmount centred by a stylised stippled poppy, between curved ends on a shelf, above a bevelled rectangular mirror plate between well-pierced supports each having a square section squat balustroid 'capital' on an open square section 'spindle' column, the lower stage having two long drawers with shaped backplate 'axe-head' handles above a central stylised stippled poppy on plain stem, flanked by carved cupboards each enclosing a shelf, one cupboard enclosing a slide-out four-bottle cellaret, on a shaped apron and square feet, 152.5cm x 57cm x 195cm high, (60in x 22.5in x 76.8in).
London Interiors: A Grand National Exhibition of the Religious, Regal, and Civic Solemnities, Public Amusements, Scientific Meetings, and Commercial Scenes of the British Capital, London, for the proprietors, by Joseph Mead, 1841, 4to (270 x 200mm.), two parts in one, frontispiece plate of The Throne Investiture, additional illustrated title, 74 plates, and illustrations, contemporary calf, red morocco lettering piece
An interesting series of seven 19th century 'castletop' card cases, with shaped outlines, hinged covers and embossed archictural scenes on the cover and/or reverse comprising:- One with an engraved eagle and initialled "EAG - MBW", the reverse with a cathedral, one with the capital building and a cathedral on the reverse, one with a cathedral and scrollwork on the reverse, one with the capital building and an arched gateway on the reverse, one with the capital building and musical trophies
Ireland, John (illustrator), Hogarth, London, J. & J. Boydell, 1791, 8vo (230 x 135mm.), two volumes, 2 engraved frontispieces, illustrated titles, plates, some spotting, ownership inscriptions on front free endpaper, contemporary half black morocco, extremities rubbed. With a number of other works including Trusler's 'Hogarth Moralized; A Complete Edition of all the Most Capital and Admired Works of William Hogarth' (London, 1831)
A 19th Century French ebonised Escritoire abatant, the marble top above one short drawer and a fall flap enclosing the fitted interior of two short drawers and shelves, three further drawers below, decorated all-over with inlaid brass scrolls, birds and floral motifs, stringing and moulding flanked by applied capital motifs, raised on a plinth base with turned tapering feet, 27in. x 53in. high.
G Rosenthal, after John Ruskin (1819-1900) Torcello, Capital of Nave Pillar, and St Mark's, Capital of Shaft of Central Porch; The Ducal Palace, Renaissance Capitals of the Loggia; and Stilted Archivolts, from a Ruin in the Rio di Ca' Foscari, lithograph, 35 x 53cm; 53 x 35cm; and 35 x 52cm (3)
An early Victorian rosewood bracket clock, the 8 day twin fusee movement striking on a bell, to a circular enamel dial, the pointed arch case with a stepped top and ribbed finial, gilt brass capital cluster columns, flanking a shaped panel front with carved foliage, pierced brass side panels, on ribbed feet, 21in (53.3cm) high.
An Ionian marble capital. Roman, 2nd century AD. Four fully detailed volutes. Two display facings with fully detailed flutings and delicately pierced pearl and repeated oval ornamentation. Stone mason ruled lines on the upper and lower surfaces. Column about 6 m high. Height 13 cm. Diameter 33 cm. €3,800.00
A Victorian ebonized and burr walnut banded credenza, inlaid stringing with gilt brass mounts and Sevres style porcelain plaques, of bow end outline with a pair of central cupboard doors, enclosing a shelf flanked by corithian capital fluted columns, to further shelves enclosed by glazed doors, on turned feet, 6ft (183cm) wide.
PRINTING. A Collection of Facsimiles of The Types, Woodcuts and Capital Letters, Used by Early Printers. London 1840. Folio, orig. wraps (old reback). 42 lithographic plates. No title or text. With several portraits and other items loosely inserted. Sold with a folder of similar material, including two early manuscript fragments on vellum, one relating to Spalding, 1583.(2)
A pair of late 17th century Spanish candlesticks, on triangular cushion shaped bases with cast scroll feet, the columns with waisted baluster and ring turned sections culminating in a large stepped circular drip pan and a cylindrical capital, the bases engraved with a coat of arms [thrice] and the inscription "ANO DE 1701", unmarked, last quarter of the 17th century (with an iron core and base plate) approximately 17in (43.5cm) high. (2)
An early 20th century inlaid mahogany longcase clock, the eight day three-train movement with anchor escapement, striking the hour and chiming the quarters on five tubular gongs, the 12inch brass arched dial with foliate spandrels, the silvered chapter ring with Roman numerals and subsidiary seconds dial, the arch with 'chime/silent' dial within dolphin spandrels, the case with glazed door and inlaid in the neo-classical style with swags and urns, the hood with brass capital Corinthian columns beneath a broken pediment and brass ball finial, 235cm high, the dial with retailer's stamp for Yoell, Retford
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9689 item(s)/page