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SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 27 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 28 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 29 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 30 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 97 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 98 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 99 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 100 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 101 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 102 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

A cased set of George V silver-gilt coffee spoons by Manoah Rhodes & Sons, London 1930, each with twist detail to handle and capital finials, combined weight 77 grams, in original fitted red velvet and cream silk lined box

'The Universal Magazine of Knowledge and Pleasure with Essays Literature Arts and Sciences', Vol LVI and LVII, with etchings and plates to include a rare 18th century etching, 'A View of The City of Boston, Capital of New England', original fold-out book insert, original drawing by Gov. Pownal, painted by Pugh, and engraved by PC Canot, dated in pen to the top 1804, indistinct writing to one side, insert 20 x 33cm.Condition Report: There is a poor condition map of North America (see additional images)All items appear to be in the two volumes

A small model 'quarter model' tail clock, Friesland, mid 19th century. Oak madder case, curved profile hood with crowning of three non-original spheres, ebonised pilasters with brass capital and base as posts, polychrome decorated dial with a fantasy landscape in the arch, dial ring with bridal wreath and Roman numerals indicating the hours, minutes and alarm position, corner ornaments depict the seasons, h 102 cm.

A two-door Keeftkast, Holland, Renaissance, Groningen 17th century. Profiled hood, panel doors with carved floral decor and face with leaf motifs at the bottom, pierced doors behind them, fluted styles with floral decor inserted below and capital above, the base cabinet has two drawers separated by lion masks, resting on ebonised ball feet, h 190 x w 160 x d 70 cm.

A Frisian tail clock, Friesland, mid 19th century. Oak case, the curved hood is crowned with Atlas and trumpet-blowing angels, pilasters with Corinthian capital and base as styles, polychrome decorated dial with a fantasy landscape and bridal wreath in the arch. The dial ring with Roman and Arabic numerals indicates the hours, minutes and seconds, h 140 cm.

A pair of Victorian brass oil lamps, each having a milk glass shade and cranberry glass font, h.57cmSigns of repair/restoration to base of glass font, as pictured.One capital has been reattached upside down, but no signs of damage around it.

A Late Medieval Prayer Book.A small illuminated manuscript prayerbook of long prayers, the latin script believed to be in bastard hand.Black ink on vellum with red and blue initials and a small amount of red ink letter heightening, sixteen lines to the page, double sided on seventy-two leaves (one line to final leaf) measuring 100mm x 75mm. 1r and 29v each with large gilt and colour capital and foliate marginal decoration to margins, elaborate red and blue capital to 5v and 57r, large colour capital to 61v, prayers marked by small copper fore-edge tabs, leaf stub between leaves 8 and 9, final prayer (leaves 71-72) written in later hand.An ink inscription to the front pastedown identifies the book as 14th century The archivist Christopher Whittick, who examined the book in the 1980’s, thought it more likely to be 15th century and of European, possibly Dutch origin.Gilt armorial to front pastedown (fox rampant under three stars), paper label of George Dunn of Woolley Hall to rear pastedown. Dunn’s pencil price code to front blank. Bound in original or early velvet covered wooden boards (rubbed, wear to spine), possibly made to be carried around in a ladies handbag. [‘The Valuable & Extensive Library formed by George Dunn, Esq. (deceased), Woolley Hall, Near Maidenhead …’, was sold by Sotheby’s in three sales from 1913 to 1915]

MK (Maximilian Karl) Neudold. Die Jadeflöte. Kalligraphische Handschrift in roter und schwarzer Tinte auf festem Bütten mit 6 Liedern u. gezeichneter Titelvignette sowie 4 Aquarellzeichnungen. Frankfurt am Main, Eigenverlag, 1945. 17 nn. Bll. Blattgröße 23 x 13,5 cm. Gr. 8°. Schriftspiegel je ca. 7 x 8 cm. Blockbuchbindung mit DTitel und dekorativ bezogenen Deckeln (leicht bestoßen, oberes Kapital mit kl. Fehlstelle). Vom MK Neudold signiert, gestempelt und mit Opuszahl (329) versehen. - Der Kalligraph Neudold ist der Offenbacher Schule unter Rudolf Koch zuzuordnen. - Die Nachdichtungen vermutlich aus: Hans Böhm, Lieder aus China. Nachdichtungen chinesischer Lyrik, München, Callwey 1929. - Tls. unbeschnittenes Exemplar, wenige Bll. etw. fleckig. Insgesamt sehr gut erhalten. Calligraphic manuscript in red and black ink on strong laid paper with 6 songs and drawn title vignette as well as 4 watercolour drawings. Block book binding with cover title and decoratively lined covers (slightly bumped, upper capital with small defect). - Signed and stamped by MK Neudold and inscribed with "opus 329" - The calligrapher Neudold belongs to the Offenbach School taught by Rudolf Koch. - The re-poems presumably from: Hans Böhm, Lieder aus China. Nachdichtungen chinesischer Lyrik, Munich, Callwey 1929. - Partly untrimmed copy, a few leaves somewhat stained. Altogether very well preserved.

Rechtswissenschaften - - Johann Friedrich Schulz. Corpus Juris Militaris auctum ad emendatum. Das ist: Ein vollkommenes Krieges-Recht, Und Artickels-Brieffe Verschiedener Hohen Potentanten (...). Mit Kupfertitel, gestochenem Portät und Titelblatt gedruckt in Rot und Schwarz. Berlin, Rupert Völcker, 1693. 2 Bll., 26 Bll., 472 S., 238 S., 30 S., 60 S., 368 S., 64 S., 44 S. 8°. Ldr. d. Zt. über 4 Bünden mit etw. späterem mont. RSchild, RVergoldung u. dreiseitig gesprenkeltem Schnitt (etw. berieben u. bestoßen, oberes Kapital mit kl. Ausbruch des Kopfbandes). Jähns 1328 ( Ausgabe von 1686 u. 1692). - Das gestoch. barocke Porträt zeigt den Kurfürsten Friedrich III v. Brandenburg, der Kupfertitel unten mit einer Ansicht von Berlin. - Das Werk umfasst deutsche, französische, schwedische, dänische und polnische Kriegsverordnungen, Edikte etc. - Das Kriegsrecht des Kurfürstentums Brandenburg mit Anhängen, eine Anleitung zur Führung von Kriegsbericht-Prozessen u.a. - Provenienz: Fürstlich-Starhemberg'sche Familienbibliothek, Schloß Eferding (Oberösterreich). - Gestoch. Titelbl. u. Porträt etw. knapp beschnitten, papierbedingt stellenweise etw. stärker gebräunt (überwiegend jedoch sehr gleichmäßig), insgesamt wohlerhaltenes Exemplar. With copper engraved title, engraved portrait and title page printed in red and black. Leather binding of the time over 4 bands with a slightly later mounted label on spine, gilt spine and three-sided speckled edges (somewhat rubbed and bumped, upper capital with small damage). - Includes German, French, Swedish, Danish and Polish war ordinances, edicts, etc. - Engraved title-page and portrait somewhat narrowly trimmed, the paper in parts slightly stronger browned (but mostly very even), altogether a well preserved copy.

Picasso - - Tristan Tzara. De Mémoire d'Homme. Vorzugsausgabe mit 9 Original-Lithographien von Picasso (inkl. Titel) sowie einer Suite. Paris, Bordas, 1950. 119 S., 2 Bll. 4°. OPgt. mit gedrucktem DTitel (oberes Kapital mit kl. Einriss). Eines von 30 nummerierten Exemplaren der Vorzugsausgabe auf Hollande van Gelder Zonen (GA 350), von Tzara und Picasso im Druckvermerk signiert. Mit der Suite auf festem Japan. Druck bei Mourlot. - Goeppert/Cramer 59. Bloch 665-673. Bloch, Livres 56. Horodisch 74. Kat. Basel 59. Rauch 74. Monod 10794. Garvey 234. - Prachtvoll illustrierte Ausgabe des vierteiligen Gedichtzyklus aus den Jahren 1946-1949. Picasso malte die Illustrationen teils mit den Fingern, was den Lithographien einen ganz eigenen Reiz verschuf. "Er tauchte seine Finger in Lithotinte und zeichnete auf diese Weise eine gleichermaßen fremde und vertraute Fauna und Flora, deren Konturen er anschließend mit dem Linolstift nachzog" (Kat. Basel). "The verve of these lithographs is due to the ease and freedom with which they were drawn. Picasso varied his use of the lithographic crayon by adding loose wirling strokes of his finger" (Garvey). - In den Rändern zart gebräunt. Vereinzelt unscheinbar braunfleckig. Die Blätter der Suite teils leicht gebräunt. Schönes Exemplar der seltenen Vorzugsausgabe mit der kompletten Suite. Special edition with 9 original lithographs by Picasso (incl. title) and a suite. Orig. vellum with printed cover title (upper capital with small tear) - One of 30 numbered copies of the special edition on Hollande van Gelder Zonen (totel ed. 350), signed by Tzara and Picasso in the imprint. With the suite on strong Japan. Printed by Mourlot. - Splendidly illustrated edition of the four-part cycle of poems from the years 1946-1949. Picasso partly painted the illustrations with his fingers, which gave the lithographs a charm all of their own. "The verve of these lithographs is due to the ease and freedom with which they were drawn. Picasso varied his use of the lithographic crayon by adding loose wirling strokes of his finger" (Garvey). - Margins a little bit browned. Isolated inconspicuous brown spotting. The leaves of the suite partly slightly browned. Fine copy of the rare special edition with the complete suite.

Afrika - - Johann Joachim Schwabe. Allgemeine Historie der Reisen zu Wasser und Lande oder Sammlung aller Reisebeschreibungen ... Dritter Band. Mit 35 teils gefalteten Karten, Kupfer und Ansichten. Leipzig, Arkstee u. Merkus, 1748. 4°. 6 Bll., 668 Seiten, 13 Bll. Leder d. Zt. mit reicher Rückenvergoldung (etwas fleckig und berieben, oberes Kapital mit kleiner Fehlstelle). Erste Ausgabe. - Kainbacher S. 434. - Graesse III, 307 - Der 3. Band umfasst die Bücher VI-VIII: Reisen längst der westlichen Küste von Africa. - Reisen nach Guinea und Benin, welche die Küste von SierraLeona bis zu dem Vorgebirge Lope Gonsalvo in sich fassen. - Beschreibung von Guinea, nebst der Erdbeschreibung, der Natur- und politischen Geschichte. - Teils etwas gebräunt, Stempel auf Titel, insgesamt gutes Exemplar. Schwabe, vol. 3. With 35 partly folded maps, engravings and views. 4°. Cont. leather with rich gilt on spine (somewhat stained and rubbed, upper capital with small missing part).

Bergbau - - Johann Wolfgang von Goethe. Gedruckte Zubußen-Quittung für eine Nachzahlung auf den Ilmenauer Kux Nr. 373 mit eigenhändiger Unterschrift "JWvGoethe" als Leiter des Ilmenauers Bergbaus und eh. U. von Bergrat Christian Gottlieb Voigt auf Bütten. Weimar, 20. Sep. 1791. 1 Bl. (ca. 11,5 x 17,6 cm). "Ein neuer Louisd'or oder Vier Laubthaler sind wegen des Ilmenauer Kuxes oder Bergtheils No. 673. zu dem in der Vierten Bergwerksnachricht am 24sten Februar d. J. ausgeschriebenen gewerkschaftlichen Nachtrage baar entrichtet worden, worüber hierdurch quittiert wird. Weimar, den 20ten Sept. 1791. Sr. Hochfürstl. Durchl. zu Sachsen-Weimar und Eisenach gnädigst verordnete Bergwerks-Commission." - Geglätteter Mittelfalz, horizontale Qeutschfalte im oberen w. Rand, mit sauber hinterlegtem Einschnitt, insg. wohlerhalten. - Ein Kux bezeichnet einen Anteil an einem Bergwerk, das als bergrechtliche Gewerkschaft betrieben wird. Wenn die Gewerkschaft Kapital benötigte, waren Kuxinhaber zur Zubuße verpflichtet. - Die Wiedereröffnung des Ilmenauer Bergwerks 1784, im Zuge derer Goethe eine Bergwerkskommission, der u.a. die beiden Unterzeichneten angehörten, gründete, wurde im Auftrag Herzog Carl Augusts von Goethe betrieben, das seit 1776 unter dessen Leitung stand und der angeschlagenen Wirtschaft Sachsen-Weimars zum Aufschwung verhelfen sollte. Mining. - Printed receipt for an additional payment on the Ilmenau Kux No. 373 with handwritten signature "JWvGoethe" as head of the Ilmenau mining department and signature of mining councillor Christian Gottlieb Voigt on handmade paper. 1 sheet. - Smoothed centrefold, horizontal smoothed crush fold in upper white margin, with neatly backed cut, overall well preserved. - A Kux denotes a share in a mine operated as a mining union. When the union needed capital, Kux holders were obliged to contribute. - The reopening of the Ilmenau mine in 1784, in the course of which Goethe founded a mining commission, of which the two undersigned were members, was operated by Goethe on behalf of Duke Carl August, which had been under his management since 1776 and was intended to help the ailing economy of Saxony-Weimar to flourish.

Zoologie - - Carl Gustav Jablonsky. Natursystem aller bekannten in- und ausländischen Insekten (...) Der Schmetterlinge zweyter Teil. Mit kol. Titelkupfervignette und 10 (von 14) kolorierten Kupfertafeln. Berlin, Joachim Pauli, 1784. XXXII, 295 S. 8°. Pp. d. Zt. (etw. stärker beschabt, berieben u. bestoßen, oberes Kapital mit Defekt, oberfl. wurmspurig sowie mit Bezugsschäden). Nissen, ZBI 2078. - Jablonsky war ein Naturforscher sowie Privatsekretär der preußischen Königin. Die Tafeln nach Zeichnungen von Jablonsky. - Papierbedingt etw. gebräunt u. braunfleckig (tls. etw. stärker), fleckig. Die Tafeln mit etw. laienhaift restaurierten Schäden, knickspurig, fleckig u. mit kl. Einrissen sowie vermutl. nachträgl. etw. unfachmännisch eingebunden. Insgesamt noch überwiegend wohlerhaltenes Exemplar. Zoology - With col. title copper engraved vignette and 10 (of 14) colored copper plates. Cont. cardboard binding (somewhat more scuffed, rubbed and bumped, upper capital with defect, superficially wormed and with some damages to the cover). - Slightly browned and brownstained due to paper (partly a little stronger), stained. The plates with some amateurishly restored damages, creased, with small tears as well as presumably bound in slightly later and somewhat unskilled. Altogether still mostly well-preserved copy.

Eisenbahn - - Robert Stephenson. Description of the patent locomotive steam engine of Messrs. Robert Stephenson and Co. Mit 4 gefalt. Kupfertafeln und zahlr. Textholzschnitten. London, Weale, 1838. 67 S. 4°. Lwd. d. Zt. mit montiertem, typograph. DSchild (fleckig und bestoßen, oberes Kapital mit kl. Fehlstelle, Gelenke minimal angeplatzt). BMC XXIV, 217, 695 (Ausgabe 1850) und Poggendorff II, 1003 - nicht bei Metzeltin. - Mit hs. Widmung (des Verlegers ?) im vorderen Vorsatz. - Angebunden 8 Bll. Anzeigen. - Wohl erste Separatausgabe der Patent-Beschreibung, die auch in Tredgolds "Steam Engine" (1838) erschienen ist. - R. Stephenson einer der Pioniere des englischen Eisenbahnbaus und war Mitbegründer der Stephensonschen Lokomotivfabrik. Daneben war er längere Zeit Chefingenieur der London-Birmingham Railway. Das vorliegende Werk über die Stephensonsche patentierte Lokomotivmaschine wurde in Tredgolds berühmtes Werk über die Dampfmaschine aufgenommen. - Papierbedingt zart gebräunt, vereinzelt etw. stockfleckig, die Tafeln teils mit Abklatsch. Insgesamt wohlerhalten. - Dabei: Colburn, Z. and A. Holley, The Pernament Way and Coal-Burning Locomotive Boilers of European Railways. Mit 51 gestoch. Tafeln u. 1 Kte.. new York, 1858. 4°. Lwd. d. Zt. (etwas bestoßen). - Erste Ausgabe. - Metzeltin 725. - Vors. knickspurig u. gestempelt. - Gutes Exemplar. With 4 folded copper engraved plates and numerous woodcut illustrations in the text. - Cont. cloth with mounted label on cover (soiled and bumped, upper capital with small defect, joints minimally cracked). - With handwritten dedication (of the publisher ?) in the front endpaper. - Bound in 8 pp. advertisement. - Due to paper delicately browned, a few sheets somewhat foxed, the plates partly with offset. Altogether well preserved. - Added: Colburn, Z. and A. Holley, The Pernament Way and Coal-Burning Locomotive Boilers of European Railways. With 51 engraved. plates and 1 map. New York, 1858. 4°. Cont. Covers (somewhat bumped). - First edition. - Endpapers creased and stamped. - Good copy.

Publius Ovidius Naso. Traduction des Fastes d'Ovide, Avec des Notes & des Recherches de Critique, d'Histoire & de Philosophie, tant sur les différens objets du Systême allégorique de la Religion Romaine, que sur les détails de son culte & les Monumens qui y ont rapport. Avec Figures. Par M. Bayeux, Avocat au Parlement de Normandie. 4 Bde. Mit 7 ganzseitigen Kupfertafeln und zahlreichen gest. Vignetten. Rouen, Boucher und Paris, Veuve Ballard & Fils, Barrois l'Ainé, 1783-1788. 2 Bll., XCII, 269 S. ; 4 Bll., 546 S., 2 Bll. ; 3 Bll., 640 S., 2 Bll. ; 4 Bll., 436 S., CVIII, 3 Bll. 4°. Geflecktes Kalbsleder d. Zt. mit reichen goldgepr. RVerzierungen und RTitel. Goldgepr. Deckel- und Stehkantenfileten sowie ornamentale Innenkantenvergoldung. Dreis. Goldschnitt und Marmorvorsätze. (Teils etwas berieben, oberes Kapital von Bd. 2 mit kl. Läsuren) Brunet V, 1490. Sander 1478. - Schöne breitrandige und reich illustrierte Ausgabe. Sowohl gestalterisch als auch inhaltlich ist diese Übersetzung mit ihrer umfangreichen Einleitung und den zahlreichen Anmerkungen beachtenswert. Das Frontispiz in Bd. 1 gestochen von Gaucher nach Cochin, die restlichen Kupfer von Maleuvre, Née, Henriquez und Le Veau nach Le Barbier. - Bd. 3 teils mit schwachen Wasserflecken, Bd. 4 mit schwachem Wasserfleck im weißen Rand des Frontispiz. Papierbedingt sehr zart gebräunt und nur vereinzelt mit kleinen Braunfleckchen. Insgesamt sehr gut erhalten. 4 vols. With 7 full-page copper plates and numerous engraved vignettes. vignettes. Mottled cont. calf leather, with rich gilt ornaments on spine. Gold-stamped fillets on covers and edges as well as ornamental gilt on inner edges. Triple gilt edges and marble endpapers. (Partly somewhat rubbed, upper capital of vol. 2 with small tears). - Beautiful edition with wide margins and richly illustrated. This translation, with its extensive introduction and numerous annotations, is noteworthy both in terms of design and content. The frontispiece in vol. 1 engraved by Gaucher after Cochin, the remaining engravings by Maleuvre, Née, Henriquez and Le Veau after Le Barbier. - Vol. 3 partly with faint waterstains, Vol. 4 with faint waterstain in the white margin of the frontispiece. Paper very delicately browned and only occasionally with small brown spots. Overall very well preserved.

Sachsen-Anhalt - Bergbau - - Kurze Bemerkungen einer Reise über einen Theil der Harz-Gebürge und den Brocken mit 5 (aquarellierten, 2 gefalt.) Tusch-Zeichnungen. Von H.H.C.A.V. 1797. Deutsche Handschrift auf Bütten. 32 beschr. Bl. Kl.-8°. HLdr. d. Zt. (berieben u. bestoßen, Kopfkapital mit kl. Fehlstelle). Die jeweils hs. bezeichneten Zeichnungen (ca. 4,8 x 8 bis 10 x 28 cm) zeigen: Ilsestein, das Puchwerk "Franckenschall bey Clausthal", der Brocken vom Ilsenstein anzusehen, der Gipfel des Brockens, "Monumentum" ("Genio Leibnitzii") - Mit Abschnitten zu: Einbeck, Aldershausen, "Franckenschall", "Clausthal und Zellerfeld, nebst denen dabey befindlichen Gruben und sonstigen Gewercken", Altenau, Ilsenburg, Beschreibung des Brockens und Beschreibung desselben, Celle, Hannover. - Mit Wappen-Exlibris "Bücherei von Otto Licht Magdeburg-Sudenburg" auf dem Innendeckel sowie dessen Stempel auf dem Titelblatt. - Tls. leicht stock- u. fingerfleckig, insg. wohlerhalten. Saxony-Anhalt - Mining - Short notes of a journey over a part of the Harz Mountains and the Brocken. With 5 watercolour (2 folded) ink drawings. German manuscript on handmade paper. Contemp. half leather (rubbed and bumped, head capital with small missing part). - - With coat-of-arms bookplate "Bücherei von Otto Licht Magdeburg-Sudenburg" on the inside cover and its stamp on the title page. - Some slight foxing and finger spotting, overall condition.

Astronomie - - Alessandro Piccolomini. La Sfera del mondo. Di nuovo da lui ripolita, accreciuta, & fino à Sei libri, di Quattro che erano, ampliata, & quasi per ogni parte rinovata, & riformata. - De le Stelle fisse Libro uno. 2 Tle. in 1 Bd. Mit Holzschnitt-Druckermarke auf beiden Titeln, 48 (recte 47) Holzschnitt-Sterntafeln sowie zahlr. Tabellen und Textholzschnitten. Venedig, Varescos Erben, 1595. 6 Bll., 252 S. 32 (recte 30) numm. Bll., 48 S., Bll. 25-93, 3 Bll. 8°. Flexibler Pgt. d. Zt. mit hs. RTitel (Schließbänder fehlend, oberes Kapital mit Fehlstelle, etwas knitterig und fleckig). Erstmals 1540 erschienen. - EDIT16 CNCE 41170 u. 41169. Houzeau-Lancaster I, 2491. Diese Ausgabe nicht bei Adams oder im BM STC. - "Exposition claire et méthodique des connaissances qu'on possédait alors sur la constitution de l'univers. Dans le traité des Etoiles fixes, l'auteur désigne pour la première fois les étoiles individuelles, dans chaque constellation, par des lettres de l'alphabet, mais il employait l'alphabet latin." (Houzeau-Lancaster) - "Alessandro Piccolomini, archbishop of Patras, was an early popularizer of science who wrote his astronomical treatises in the vernacular in order to extend scientific knowledge beyond the confines of church and university. His 'de la sfera del Mondo', first published in 1540, is an unremarkable exposition of the traditional Ptolemaic-Aristotelian geocentric cosmography, but its appendix, De le Stelle Fisse, represents the first printed star atlas, containing maps of the stars as opposed to simple pictures of constellations, and introducing the practice of identifying stars by letter, a method later adopted and expanded by Bayer." (The Haskell F. Norman Library of Science and Medicine, Nr. 1696) - Titel und vordere Vorsätze mit ehem. hs. Besitzeinträgen. Im unteren Rand leicht wasserrandig. Papierbedingt zart gebräunt. Insgesamt gutes Exemplar. Astronomy - 2 works in 1 vol. With woodcut printer's mark on both titles, 48 (recte 47) woodcut star plates and numerous tables and woodcuts in text. Flexible cont. vellum with handwr. spine title (closing bands missing, upper capital with missing part, somewhat creased and stained). - First published 1540. - Title and front endpapers with former autograph ownership inscriptions. Lower margin slightly waterstained. Paper delicately browned. Overall a good copy.

Octave Mirbeau. Le Jardin des Supplices. Mit 11 Original-Radierungen in drei Druckzuständen und einer verworfenen Tafel ebenfalls in drei Druckzuständen von Rapha�l Freida. Paris, Javal et Bourdeaux, 1927. 204 S., 2 Bll. 4°. Himbeerfarbener Ganzmaroquin mit goldgepr. RTitel und RVergoldung, Kopfgoldschnitt, Innenkantenfileten (OUmschlag mit eingebunden, Rücken unscheinbar verfärbt). In marmoriertem und gefüttertem HMaroquin-Schuber (dieser am unteren Kapital stärker bestoßen, etwas angeplatzt). Eines von 90 nummerierten Exemplaren (GA 525) auf Annam mit den drei Druckzuständen und der verworfenen Tafel, ebenfalls in drei Zuständen (insg. 36 Radierungen). - Monod 8204. Carteret IV, 283. - Mirbeaus Roman, der auf dem Höhepunkt der Dreyfus-Affäre veröffentlicht wurde, besteht aus einer Sammlung von Texten, die unabhängig voneinander, zu unterschiedlichen Zeiten, in unterschiedlichen Stilen und mit unterschiedlichen Charakteren geschrieben wurden. Vorangestellt ist die Widmung: "Den Priestern, Soldaten, Richtern, den Menschen, die Menschen erziehen, leiten und beherrschen, widme ich diese Blätter, voll von Mord und Blut." Freidas zugleich sinnlich wie schreckensvolle Illustrationen stehen im Einklang mit dieser Widmung. - Schönes und sauberes Exemplar mit überaus kräftigen Abzügen der expressiven Radierungen. With 11 original etchings in three states and a discarded plate also in three states by Rapha�l Freida. Red full morocco with gilt title and gilt decoration on spine, gilt top edget and inner fillets (orig. wrappers bound in, spine inconspicuously faded). In a marbled and lined half morocco slipcase (the latter more heavily bumped at the lower capital, slightly cracked). - One of 90 numbered copies (total ed. 525) on Annam with the three states of printing and the discarded plate, also in three states (altogether 36 etchings). - Mirbeau's novel, published at the height of the Dreyfus Affair, consists of a collection of texts written independently, at different times, in different styles and with different characters. Preceded by the dedication: "To priests, soldiers, judges, to those who educate, guide and rule people, I dedicate these sheets, full of murder and blood." Freida's illustrations, at once sensual and terrifying, are in keeping with this dedication. - Beautiful and clean copy with extremely strong impressions of the expressive etchings.

Medizin - Anthropologie - - Johannes Hartmann. Anthropologia physico-medico-anatomica Ioannis Hartmanni ... in qua totius humani corporis mechanica structura describitur. Mit gestochenem Porträt und gest. Titelvignette. Venedig, Tramontini, 1696. 6 Bll., 350 Seiten, 1 Bl. Gr.-8°. Pergament d. Zt. (Rücken wurmstichig, oberes Kapital mit kl. Fehlstelle, Innengelenk leicht angebrochen). Erste Ausgabe, selten. - NDB 7, S. 744 - Nicht bei Hirsch-H., Waller etc., nicht im VD17. - Umfangreiches Kopendium der Anatomie in 21 Abhandlungen. J. Hartmann war ein Universalgelehrter, Chemiker, Mediziner und Rektor an der Universität Marburg. Er war ein früher Vertreter der Chemiatrie. "1609 wurde er vom Landgrafen zum Leiter des neu gegründeten Collegium Chymicum ernannt und Professor für Chymiatrie (Iatrochemie). Ein Schwerpunkt des Labors war die Herstellung von Arzneien, weshalb es auch den Zusatz Chymico-Medicum erhielt. Er war damit der erste Chemieprofessor in Deutschland" (NDB). Rare first edition. - Extensive copendium of anatomy in 21 treatises. J. Hartmann was a polymath, chemist, physician and rector at the University of Marburg. He was an early representative of chemiatry and the first professor of chemistry in Germany. - Cont. vellum (spine worm-stitched, upper capital with small missing part, inner joint slightly broken).

Zoologie - Ichthyologie - - Promyslovye ryby SSSR (= Commercial fish of the USSR). 2 Bde., Atlas und Textbd. Mit 230 farbigen Tafeln und zahlr. mont. farb. Abb. (Moskau), Pishchepromizdat, 1949. (I) 787 S. (II) IX., 230 S. 4° und quer 4°. Je dunkelblauer OLwd. mit goldgepr. DTitel, RTitel, DVignette und RVergoldung (etw. angestaubt, leicht berieben, der Atlas mit etw. größerer Verfärbung auf dem VDeckel, das untere Kapital mit Einriss). Mit Beschreibungen kommerzieller Fische der UdSSR sowie einen Atlas mit Farbtafeln in russischer Sprache. Der Textband mit Informationen zur Fischerei der UdSSR sowie umfangreichen Ausführungen zu den einzelnen Fischen. Mit einem Literaturverzeichnis, Begriffserklärung sowie dem alphabetischen Verzeichnis der Fische am Ende des Bandes. - Insgesamt äußerst wohlerhaltene Exemplare, nur wenige Tafeln im Rand minimal gebräunt. Das Kolorit naturnah und satt im Druck. 2 vols. With 230 coloured plates and numerous coloured illustrations. Each dark blue cloth binding with gilt title on cover and spine (somewhat dusted and rubbed, the atlas with slightly larger discolouration, the lower capital with tear). - With descriptions of commercial fish of the USSR and an atlas with colour plates. The text volume with information on the fishery of the USSR as well as extensive explanations of the individual fish. With a bibliography, explanation of terms as well as the alphabetical list of fish at the end of the volume. - Altogether very well preserved copies, only a few plates minimally browned in margins. The colouration appears close to nature and rich in print.

Rowlandson (Thomas) [Picturesque Beauties of Boswell... Designed and Etched by Two Capital Artists...], 20 etched plates only, including frontispiece, from designs by Samuel Collings, on cream wove paper without watermarks, each sheet approx. 375 x 535 mm (14 3/4 x 21 in), wide margins, occasional scattered minor surface dirt and spotting, some handling creases, half morocco, red label to upper cover 'Plates', endpapers with some repairs to loss, spine splitting with some loss, rubbed and scuffed, oblong folio, E. Jackson, 1786

Tennyson (Alfred, Lord) Maud, one of 125 copies, hand-coloured frontispiece by Reginald Savage after Laurence Housman, hand-coloured capital initials, printed on vellum, edges slightly toned, original blindstamped vellum, spine titled in gilt, corners slightly bumped, Essex House Press, 1905 § Cellini (Benvenuto), The Treatises...on Goldsmithing and Sculpture, translated by C.R. Ashbee, one of 600 copies, photogravure plates, woodcut illustrations, errata/advertisement leaf at end, some slight spotting, original buckram, uncut, a little bumped, spine sunned, paper label to spine, slightly torn, Essex House Press, 1898 § Milton (John) Lycidas- A Monody, printed in red and black, with gilt initial, toning to title and rear endpapers, edges uncut and browned, original vellum, slightly spotted, title and author to upper cover in red ink, original green silk ties, Nene Press, 1904, v.s. (3)

* GERARD BURNS (SCOTTISH b. 1961), STUDY OF A GIRL pastel on paper, signedframed and under glassimage size 25cm x 18cm, overall size 55cm x 48cmNote: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.Condition is good overall, with no known or visible issues.

* GERARD BURNS (SCOTTISH b. 1961), REDCOAT ON THE BRIDGE oil on canvas, signedframedimage size 60cm x 60cm, overall size 82cm x 82cm Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow, portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.

* TOM MACKENZIE (SCOTTISH 1947 - 2018), WINTER GLEN limited edition artist's proof print on paper, signed, titled and numbered A/P II - ED 75mounted, framed and under glassimage size 20cm x 28cm, overall size 40cm x 47cmNote: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.

A BRASS MOUNTED CLEAR GLASS SPIRAL COLUMNAR TABLE LAMP WITH CORINTHIAN CAPITAL AND STEPPED SQUARE FOOT. H 57cms.

Two 17th century carved columns, each depicting a lady holding aloft an ionic capital above diamond carved plinths and tapering lower sections, 9.5cm wide, 45.5cm high

A good Victorian travel and topographical photograph album, each photograph with hand written descriptions featuring Government house Melbourne Australia, townscapes, New Zealand images of Maoris, Rotorua, "The Cauldron" White terrace" Natures Fonts, Summit of the Pink terrace, The Step on the White Terrace, Ohinemutu village, the album then travels back to Australia with images of  Brisbane, The "Native" police, then to Fiji circa 1880 showing the capital Levuka, Prince Timothy of Fiji, Cakobau the ex King of Fiji, Fijian house, drying cotton, then to Rockhampton Queensland Australia

A 17th century softwood capital, carved with scrolls and stylised tulip heads, 18cm high

House of Commons menu for a Dinner in honour of Manchester United Football Club Saturday 21st March 1964 on the 21st March 1964 Manchester United had played in the capital during the afternoon, beating Tottenham Hotspur 3-2 at White Hart Lane.

Berlin - Guckkastenbild um 1760 Vue perspective de la Ville de Berlin Capital du Royaume de Prusse. Kol. Kupferstich, verlegt v. J. Chereau in Paris. Französisch betit. Ca. 23×40 cm. Siehe: Ernst, Berlin in der Druckgrafik, Bd. II, Guckkastenblätter-11, S. 624. (60398)

A gilt-bronze mounted onyx pedestal column, early 20th century, the square plateau above a Corinthian capital and laurel banded base set on on stepped square plinth, 109.5cm, 32.5cm wide, 32.5cm deep   

A gilt-bronze mounted onyx pedestal column, early 20th century, with stop-fluted capital, 107cm high, the plateau 30cm square 

A carved giltwood Corinthian column capital, 19th century, with acanthus and scrolls, 27.5cm high

SPRINGBANK 1991 16 YEAR OLD RUM WOOD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.Distilled: 06/1991Bottled: 08/20078 years in refill bourboun / 8 years in fresh rumOne of only 5100 bottles released54.2% ABV / 70cl

21 ASSORTED WHISKY BOOKS INCLUDING GLENFARCLAS AN INDEPENDANT DISTILLERY BY IAIN BUXTON Also including:'The Distilleries of Campbeltown, The Rise and Fall of the Whisky Capital of the World' by David Stirk'A Century of Whisky' by Gavin Smith'Malt Whisky Yearbook' Years 2006-2013And more. Qty: 20

BALMORAL (SPRINGBANK) 15 YEAR OLD CAMPBELTOWN MALT WHISKY There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.46% ABV / 70cl

SPRINGBANK 15 YEAR OLD 1980S 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.46% ABV / 75cl

SPRINGBANK 15 YEAR OLD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.46% ABV / 70cl

SPRINGBANK 1966 LOCAL BARLEY CASK #475 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.Distilled: 02/1966Bottled: 10/1996Matured in Bourbon Cask #475Bottle Number: 652% ABV / 70cl

SPRINGBANK 1997 12 YEAR OLD CLARET WOOD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.Distilled: 05/1997Bottled: 02/2010One of only 9360 bottles released54.4% ABV / 70cl

SPRINGBANK 2003 15 YEAR OLD RUM WOOD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.Distilled: 12/2003Bottled: 2019One of only 9000 bottles released51% ABV / 70cl

SMWS 27.69 SPRINGBANK 1989 18 YEAR OLD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."see pinks, samphire and oomph"Distilled: 12/1989Bottled: 06/200852.8% ABV / 70cl

LONGROW 1974 16 YEAR OLD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.46% ABV / 70cl

SPRINGBANK 12 YEAR OLD 57% ABV 1980S 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.57% ABV / 75cl

SPRINGBANK 12 YEAR OLD 175TH ANNIVERSARY CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.46% ABV / 70cl

HAZELBURN 8 YEAR OLD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.46% ABV / 70cl

SMWS 114.6 LONGROW 1997 17 YEAR OLD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."A dragon's dram"Distilled: 03/1990Bottled: 08/200756.1% ABV / 70cl

SPRINGBANK 1996 9 YEAR OLD MARSALA WOOD CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.Distilled: 10/1996Bottled: 08/2006One of only 7740 bottles released58% ABV / 70cl

SPRINGBANK 12 YEAR OLD CASK STRENGTH 2019 RELEASE CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction.57.1% ABV / 70cl