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Lot 766

A PAIR OF CARVED OAK HERM PILASTERS 19TH CENTURY IN THE LATE 17TH CENTURY MANNER Each with female figure below Ionic capital 87cm high, 13.5cm wide at the base Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both with surface wear- notably to edges. Some top moulding lacking to both and with loss to noses. Some indications of old damp to surface which is now fairly dry and dirty- slight variance to fruit carving, Some shrinkage cracks Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Lot 871

EDOUARD LANTERI (1848-1917) IN HONOUR OF RICHARD PHENE SPIERS A pair of lead plaques, one with profile portrait of the architect opposed by another plaque with Roman capital, inscribed and dated 1905 (MCCCCV), now set in a common white painted frame overall 34.5 x 49cm Provenance: A.Tilbrook, from whom purchased by Robert Kime Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Drill holes to all upper corners- surface with wear- most notably small gouge to his left shoulder- very dirty. Reverse with inscription. Frame with rubbing and scuffs Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Lot 7

Talora Walsh‘Nova’Acrylic paint on a hollow fibreglass statueMeasures: 229 x 50 x 209cmApprox weight: 57kgArtist Talora said, ‘In 2019 a study claimed that Bristol was the ‘new vegan capital of the world’ and while I don’t know if that is true, I can say that I have had some amazing plant-based meals while traveling Bristol’s streets. Whatever your culinary preference, fruits and vegetables are an amazing source of all things good, and I wanted to capture the joy of eating fresh and vibrant foods. ‘Nova stood proudly on the Gloucester Road throughout the summer before being returned to auction in pristine condition, finished in a coat of anti-graffiti varnish. UK Delivery Charges by postcode can be found here: unicorndelivery.tiiny.site

Lot 46

Miguel Cabrera (Antequera de Oaxaca, Mexico, 1715 / 1720 - Mexico, 1768)"Our Lady of Sorrows"Oil on canvas.69,5 x 62,5 cm.Miguel Cabrera was one of the most renowned painters in the field of eighteenth-century New Spanish painting, with an oeuvre that the Dallas Museum of Art defines as "legendary: more than 309 works from his great studio have been documented." Little is known of his youth; In fact, according to the Andrés Blaisten Museum, it is only because of the painter's will in 1768 that we know that he was a native of Oaxaca. The first news of him is from 1739, the year of his marriage to Ana María Solano, and we also know of his stint at Juan Correa's workshop in the capital of the Viceroyalty.Archbishop Rubio Salinas was Cabrera's patron, whom he named his chamber painter. He was also a painter for the Society of Jesus, for whose churches he produced numerous works.In 1753 he was appointed president for life of the Academy of San Carlos.In 1756 Cabrera published "American wonder and set of rare wonders observed and directed by the rules of the art of painting", a narrative about the image of the Virgin Guadalupe from the printing press of the Jesuit school of San Ildefonso.His work is kept in many churches and convents in Mexico. Two of his images of the Virgin of Guadalupe are in the Vatican Museum. Another, painted in 1756, for the temple of San Francisco Javier, is kept in the National Museum of the Viceroyalty.The Dallas Museum of Art has a Saint Gertrude the Great by Miguel Cabrera and another painting of the saint, also by Cabrera and dated 1768, is part of the collection of the José Luis Bello y Zetina Museum in Puebla, Mexico.Likewise, there is an outstanding series of Casta paintings from 1763 that is kept in the collection at the Museo de América in Madrid. They represent the families, father, mother and son of the various castes and social strata, in situations of daily life. Reference bibliography:- Dallas Museum of Art. (n.d.). "Saint Gertrude". (2006.37). https://collections.dma.org/artwork/5328501 - Museo Andrés Blaisten. (s.f.). https://museoblaisten.com/Artista/79/Miguel-Cabrera

Lot 39

Lazaro Pardo de Lago (Cuzco, Viceroyalty of Peru, Active between 1630 - 1660)."Appearance of Christ and the Virgin Mary surrounded by angels to Saint Francis, in the Porziuncola Chapel of Santa Maria degli Angeli, in Assisi"Oil on copper. Handwritten in golden letters at the bottom margin: "Jubileo o Indulgencia de Porciuncula" (Jubilee or Indulgence of Porziuncola).29 x 22.5 cm.This painting is undoubtedly the work of Maestro Pardo de Lago. In our opinion, it can be compared to Lázaro Pardo's "Exaltation of the Cross," which is kept in the Pedro de Osma Museum in Cuzco, Peru. Additionally, the delicate features of the Virgin Mary's face and hands in this painting can also be compared to the painting of the "Immaculate Conception" also kept in the Pedro de Osma Museum.It is worth noting that themes dedicated to such an important episode in the life of Saint Francis were significant references for Pardo de Lago due to his strong connection with the Order.Another important noticeable element in this painting is the heraldic shield seen on the altar, which belongs to the Chaves family. Originating from Extremadura, with roots in Portugal and ancestral properties in Trujillo and Ciudad Rodrigo, this family also had a branch that moved to Peru. They proved their nobility in the Orders of Santiago, Calatrava, Alcántara, Charles III, and the Knights Hospitallar.Their coat of arms consists of a gules field with five gold keys arranged in a cross with their eyes looking downward. There is also a bordure (border) of gules with gold saltires alternating with the quinas of Portugal.This wonderful painting portrays the moment of the apparition when Saint Francis asked the Lord to grant an indulgence to all who visited the church dedicated to the Virgin Mary, under the title of Maria degli Angeli. The Lord accepted this request and instructed Saint Francis to go to Perugia to obtain the desired favour from Pope Honorius II. The Holy Father granted this indulgence in 1216.This indulgence is still granted today if, between August 1st and 2nd, one visits any chapel in a Franciscan convent and receives "the grace of Porziuncola, where complete forgiveness is obtained, and peace with God is established."Saint Francis of Assisi had a "great desire for the salvation of all souls," and that the faithful, with piety and devotion, would receive the indulgence by fulfilling the Church's provisions.As cited by the Real Academia de la Historia (Royal Academy of History), Lázaro Pardo de Lago was a: "Painter, gilder, and Creole or mestizo sculptor, who ranks among the first important masters who worked in the ancient Inca capital. His work was primarily linked to the Franciscan Order, and his more personal style appears to echo early Hispanic naturalism, blending the observation of immediate reality with refined formal stylisation. In 1630, Pardo painted, at the request of the Franciscan monastery of Cuzco, two large canvases depicting the Franciscan martyrs of Japan, which can be considered his masterpieces. Both scenes reveal a painter of exceptional quality, judging by the meticulous precision of his work, the luminous colour, and the strongly characterised heads of some martyrs. Deploying ingenious local expressive resources, Pardo depicted the Asian friars with features similar to those of mestizos or the mixed Hispanic and indigenous people of his time.Furthermore, Lázaro Pardo was one of the first Cuzco artists who used engravings by Peter Paul Rubens and his school as a starting point for his compositions. An example of this is the Assumption of the Virgin, executed in 1632 by order of the parish of San Cristóbal, based on a homonymous work engraved by Cornelis Galle, following the original design by Rubens.His workshop must have been one of the largest in Cuzco during his time."The coat of arms which appears on the altarpiece is the heraldic shield of the Chaves family.They came from the Extremadura province of Spain, and were originally from Portugal with ancestral properties in Trujillo and Ciudad Rodrigo. One branch settled in Peru. Their nobility was verified by the Orders of Santiago, Calatrava, Alcántara, Charles III, and the Knights Hospitallar.Arms: In the gules field are five golden keys placed saltirewise with their eyes downward; there is a bordure of gules, full of gold saltires alternating with the quincunx of Portugal.Reference bibliography:- Real Academia de la Historia. (s.f.). "Lázaro Pardo Lago". https://dbe.rah.es/biografias/70955/lazaro-pardo-lagoThis lot has been imported, therefore its exportation permit from the Ministry of Culture is guaranteed. 

Lot 400

A ROMANESQUE CARVED CORNER CAPITAL IN THE 13TH CENTURY MANNER Possibly Istrian stone, carved with foliage and 'pelican in piety', traces of plaster 55cm wide, 45cm high, 39cm deep Condition Report: Weathering and with loss and some softening to surface detail from age, handling and general wear. Ground contact staining. Possibly purchased from Sotheby's New York January 29, 1999 Lot 4: A stone half-capital in late Romanesque style Wear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.  Condition Report Disclaimer

Lot 734

CARVED STONE FRAGMENTS PROBABLY 11TH-13TH CENTURIES Including section of stone capital in the Gothic manner, 13.5cm high, 8cm wide A small section of floor mosaic, 12.5cm wide, 6.5cm high overall A fragment from a limestone grotesque, 14cm wide, 14cm high A section of carved soft limestone, probably a bracket, with torso lacking head and arms, lappeted scrolling base, traces of polychrome, 23.5cm wide, 14.5cm high Condition Report: As per cataloguing- fragments with losses, wear and incomplete. Wear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.   Condition Report Disclaimer

Lot 735

A CARVED LIMESTONE CAPITAL 19TH CENTURY OR EARLIER Of ornate pieced scrolling foliate form 51.5cm high, 59cm wide, 70cm deep Condition Report: Weathering and with losses and some softening to surface detail from age, handling and general wear. Ground contact staining and moss/lichen build up. Wear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.   Condition Report Disclaimer

Lot 741

WEATHERED ARCHITECTURAL STONE FRAGMENTS TO INCLUDE: EIGHT CARVED STONE AND GRANITE PLINTHS 13TH CENTURY AND LATER 61cm wide and smaller: A large carved pale white stone plinth for a column, possibly Roman 1st Century A.D., approximately 84cm wide, 33cm high: The sides and top to a Roman style stele, grooved side supports, approximately 53cm high, 45cm wide: A pale stone side support possibly from a stele, 43cm high, 39.5cm deep: Two pale white stone column cylindrical sections, 31cm diameter: A stone capital base of square form, 34cm square: A small column plinth, 38.5cm diameter. Condition Report: As per cataloguing- heavily weathered and with losses and some later holes and staining from garden use. Terracotta vase section lacking base and damaged. Stele (?) section slabs with damages and incomplete Heavy wear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Lot 313

A pair of Edwardian style loaded silver plated Corinthian capital, three branch candelabra, on a stepped plinth  24"h  16"spread

Lot 145

A ROMAN MARBLE CORINTHIAN CAPITAL AND TWO LATER SMALL MARBLE CAPITAL SECTIONS/STATUE BASES Roman capital, 37cm high, 41cm widest point; each capital/base section 12.5cm high, 31cm widest point Condition Report: Weathering and with losses and softening to surface detail from age, handling and general wear. Ground contact staining. Wear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.   Condition Report Disclaimer

Lot 211

A MATCHED PAIR OF GEORGE II SILVER-GILT CANDLESTICKS DAVID WILLAUME, LONDON 1729 AND WILLIAM GOULD, LONDON 1747 With cylindrical capital, baluster stems to square bases, later flat-chased with strapwork, engraved with the Walpole crest, numbered 3 and 4 11cm (4 1/4in) high 680g (21.85 oz) gross Provenance: Lord McAlpine, Fawley House Sale, Sotheby's, 14 October 2003, lot 33 Sotheby's, London 14 December 2004, lot 405, where purchased by Robert Kime. Condition Report: David Willaume - Marks are partially obscured, slightly wobbles, wear to the gilding, heavier wear to the flat surface, engraving is crisp, numbered 4William Gould - Marks are partially obscured, slightly wobbles, wear to the gilding, heavier wear to the flat surface, engraving is crisp, numbered 3Both with light scratches and wear commensurate with age and useCondition Report Disclaimer

Lot 53

A LATE VICTORIAN OAK CENTRE TABLE BY GILLOWS, LATE 19TH CENTURY The drawer stamped 'GILLOWS 16534', the lock stamped 'HOBBS & CO LONDON', the cushion shaped frieze and arcades to all four sides 75.5cm high, 82.5cm wide, 50cm deep Literature: S. Stuart, 'A Survey of Marks, Labels, and Stamps used on Gillow and Waring & Gillow Furniture 1770-1960', Regional Furniture, 1998, pp. 58-93. https://bifmo.furniturehistorysociety.org/entry/gillow-company-1862-1897. Accessed 25 June 2023. This table is in the 'Jacobethan' style fashionable from the latter part of the 19th century, a style comprising Renaissance, Elizabethan and Jacobean motifs. 'Several combinations of marks and numbering systems seem to have been utilised by Gillow's branches [London and Lancaster] during the nineteenth century' (Stuart, p. 81). The impressed '16534' stamp on the drawer of this table denotes the Gillows' pattern number, entered into the relevant Gillows' Estimate Sketch Book on the page opposite the drawing, sometimes with the journeyman's name responsible for the work. The Estimate Sketch Books, however, only survive for Lancaster, not for London, and not all of Gillows' designs are included (ibid., pp. 66, 72). In circa 1884, when this table was probably made, the omission of an 'L' prefix to the pattern number suggests that the table was probably made in London rather than Lancaster; an 'L' prefix identified Lancaster from circa 1870. This suggestion is reinforced by the 'GILLOWS' stamp, also on the drawer, rather than 'GILLOWS LANCASTER' or 'GILLOWS & Co LANCASTER' (ibid., p. 65). If this table was made in London, it was probably at Gillows' 'works' at George Street, Grosvenor Square, established in 1881, and as Susan Stuart suggests, London may have had their own numbering system (ibid., p. 79).    Condition Report: N.B. The photograph on page 60 of the catalogue shows a key resting on the corner of this table top - this key is not for this table, the key is part of lot 123. There is no key for this table.Overall there are some scratches, marks, dark stains, knocks, cracks and abrasions consistent with age and use.Observations include:Open joins to the three plank top. The top has a slight bow, raised slightly to the front with a small gap between the frieze and top.There are chips generally to some edges and corners including the top, supports and feet.There are impressions to the drawer front where the swing handle touches the drawer front.The table has the same carved decoration to all four sides, the legs are carved to all four sides.One carved rectangular capital to the frieze above a leg is missing one narrow section.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

Lot 170

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL - BOTTLE NUMBER 2 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 2 / 237 40.6% ABV / 75cl Small tear on label and production damage to carton, please see additional photos.

Lot 171

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL - BOTTLE NUMBER 3 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 3 / 237 40.6% ABV / 75cl

Lot 172

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL - BOTTLE NUMBER 4 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 4 / 237 40.6% ABV / 75cl

Lot 175

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL - BOTTLE NUMBER 7 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 7 / 237 40.6% ABV / 75cl

Lot 176

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL - BOTTLE NUMBER 8 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 8 / 237 40.6% ABV / 75cl

Lot 177

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL - BOTTLE NUMBER 9 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 9 / 237 40.6% ABV / 75cl

Lot 178

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL - BOTTLE NUMBER 10 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 10 / 237 40.6% ABV / 75cl

Lot 179

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 11 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 180

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 12 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 181

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 91 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 182

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 92 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 183

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 93 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 184

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 94 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 185

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 95 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 186

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 96 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 187

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 127 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 188

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 128 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 189

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 129 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 190

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 130 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 191

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 131 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 192

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 132 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 193

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 181 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 194

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 182 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 195

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 183 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 196

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 184 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 197

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 185 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 198

SPRINGBANK 1969 45 YEAR OLD LOMBARD JEWELS OF SCOTLAND 75CL CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction. Lombard Tasting Notes - Great length with the lightly salted dried fruit and sweet, violet incense and dusty peat lingering. Distilled: 16/07/1969 Bottled: 29/07/2014 Matured in Cask #15 Bottle Number: 186 / 237 40.6% ABV / 75clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 61

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 1 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 1 / 26041.1% ABV / 70cl Some minor damage to labels, please see additional photos

Lot 62

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 2 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 2 / 26041.1% ABV / 70cl Small scuff to label and carton. Please see additional photos

Lot 63

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 3 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 3 / 26041.1% ABV / 70cl

Lot 64

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 4 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 4 / 26041.1% ABV / 70cl

Lot 65

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 5 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 5 / 26041.1% ABV / 70cl

Lot 66

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 6 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 6 / 26041.1% ABV / 70cl

Lot 67

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 7 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 7 / 26041.1% ABV / 70cl

Lot 68

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 8 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 8 / 26041.1% ABV / 70cl

Lot 69

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 9 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 9 / 26041.1% ABV / 70cl

Lot 70

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND - BOTTLE NUMBER 10 CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 10 / 26041.1% ABV / 70cl

Lot 71

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 11 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 72

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 12 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 73

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 13 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 74

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 14 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 75

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 15 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 76

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 16 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 77

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 17 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 78

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 18 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 79

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 25 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

Lot 80

SPRINGBANK 1969 44 YEAR OLD LOMBARD JEWELS OF SCOTLAND CAMPBELTOWN SINGLE MALT There are very few distilleries left in Scotland that have the capacity to carry out 100% of the whisky making process onsite, but Springbank can make that claim. Situated in Campbeltown (the former whisky capital of the world) the distillery produces three distinct styles of single malt: lightly peated Springbank, heavily peated Longrow, and triple distilled, unpeated Hazelburn.Despite being a relatively small distillery, Springbank has cultivated a global cult following, with older expressions such as their legendary Local Barley series commanding eye-watering sums at auction."Classic, dusty, very mature, grippy but soft ...... I'm lost for words" - Whisky Magazine #130 Scored 9.3/10Lombard Tasting Notes - Delightful, slightly salty dimension to this whisky. It develops into a beautiful, well balanced, creamy finish.Distilled: 16/07/1969Bottled: 14/04/2014Matured in Cask #7Bottle Number: 26 / 26041.1% ABV / 70clPlease note the image on this lot is for illustrative purposes only. If you require further information about this particular bottle, please request a condition report.

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