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A 9ct gold Bulova mechanical strap watch, with a 34mm diameter case, gilt and black baton hour markers, gilt and black baton hands, date aperture at three, centre second sweep, to a leather strap and base metal Bulova buckle, 38.60gCondition ReportNot currently running. Crown winds. Hands and date adjust.Marks and scratches to glass and case.Corrosion to buckle.

A FRENCH ENGRAVED GILT BRASS STRIKING AND REPEATING CARRIAGE CLOCK WITH ALARM FOR THE CHINESE MARKETRetailed by L. Vrard & Co, Shang-Hai, circa 1890With a finely engraved Gorge-type case, bevelled oval top glass, the white enamel dial, signed, with sweep centre seconds and alarm subsidiary, the twin train movement with original silvered platform lever escapement and bi-metallic compensated balance, the backplate mounted with the visible strike work and a bell, the base with the alarm bell19cm high (handle up)CONDITION REPORTThe clock case has been re-gilded in the recent past.  It is in good condition.  There is a small screwhead visible on the top plate to the right-hand side back corner.  The glasses are in good condition.  The movement looks to have been well cared for; however, it is not running so will require a service.  The strike and repeat functions. One double-ended key 

A SOVIET SUBMARINE RED STAR WALL TIMEPIECECirca 1960In a slightly tapering grey-painted metal casing with nickel-fronted bezel, the 5 1/2in cream-painted dial with red star at the XII and a submarine roundel below, with sweep centre seconds, anchor symbol and detailing about the VI, together with wall mount21cm diam.CONDITION REPORTWith key.  The clock is running

A REGULATOR MOVEMENTUnsigned, 20th CenturyWeight driven, with 10 1/2in circular silvered dial with sweep central minute dial and subsidiaries for second and hour, with four plain pillars, screwed, maintaining power, deadbeat escapement, with beat adjustment to the crutch, rectangular brass plates on substantial cast-iron pendulum support, with steel rod and brass cylindrical bob pendulum, brass-cased weightCONDITION REPORTIn good order, it will require a service and of course a case.  It has its pendulum and weight, as noted above.

A FRENCH GILT BRASS AND CLOISONNÉ ENAMEL PETITE SONNERIE AND REPEATING MANTEL CLOCK FOR THE CHINESE MARKETRetailed by J. Ulmann & Cie, No 5462, circa 1905The arched case with push/repeat button above a glazed front flanked by two columns, the sides each with a cloisonné panel, on a stepped base and four bun feet, the 3 1/4in gilt brass dial, signed, with sweep centre seconds and spade hands, above the subsidiary alarm dial, the twin train movement with silvered platform lever escapement and strike/repeat on two blued steel gongs21cm high** PLEASE NOTE THIS LOT IS SOLD SUBJECT TO 5% IMPORT VATCONDITION REPORTThe clock is in very good condition.  The movement is ticking and appears to have been recently cleaned.  The strike is working.  The repeat of the quarters is sometimes out of sync, perhaps a bit sticky and needing some attention?

A VICTORIAN WALNUT REGULATORBy R. Morse, 8 Charing Cross, circa 1870The drum-shaped pediment supported by a pair of adorned dolphins, centred by a shell, above a moulded base with brass panel engraved GREENWICH MEAN TIME, on tapering plinth, the 12in diameter brass dial signed R. Morse, 8 Charing Cross, APPOINTED BY THE HONble. BOARD THE LORDS OF THE ADMIRALTY, subsidiaries for seconds and hours, with sweep centre minutes, the substantial movement with six pillars, deadbeat escapement and maintaining power, heavy brass pendulum mounting block, with minute-setting dial, detachable shaped back door, wood rod and brass bob pendulum; on an associated oak plinthThe clock: 76.6cm high; the plinth 105cm highPROVENANCE BY REPUTE:Chatham Naval Dockyard, The Commissioner’s House.The clock was designed to be set and wound from the reverse.  Most likely it would have sat on a plinth or ledge, visible to the public to set their deck-watches before boarding a vessel to then set the chronometers to time.  CONDITION REPORTThe clock is in unrestored condition.  The wood rod pendulum is broken just below the crutch opening.  The oak plinth is associated.  There is a spare pivot hole visible on the backplate, possibly when the barrel arbour was reversed.  There is one brass-bound weight.

PATEK PHILIPPE REF. 1578 IN ROSE GOLD "REVERSED 9", CIRCA 1950 SOUGHT AFTER GENTLEMAN'S WRISTWATCH, SWEEP CENTRE SECOND, COUNTERPART TIME ONLY OF THE COVETED REF. 1579 CHRONOGRAPH Case: signed, n. 685693, in 18K pink gold, snap on caseback. Bracelet/Strap: – Dial: signed, silvered, applied arrow indexes and Arabic numerals, minute track and 1/5th of seconds fraction, centre seconds. Movement: signed, manual-winding caliber 27SC, n. 704099, 18 jewels, rhodium-plated, côtes de Genève, Geneva seal, monometallic balance with screws adjusted to heat and cold, isochronism and five positions, Breguet hairspring, micrometer regulator. Accessories: – Diameter Ø: 35 mm Note: running at the time of cataloguing.

DU MAURIER DAPHNE: (1907-1989) English novelist. An interesting, small archive of letters, documents and photographs signed by Daphne du Maurier, relating in particular to her beloved Cornwall, where she spent much of her life and where many of her works are set, comprising a T.L.S., Daphne du Maurier, two pages, 8vo, Kilmarth, Par, Cornwall, 30th November 1973, to Hans G. Kosters, stating, in part, ´Like many other writers, I myself think the novels written about other places besides Cornwall are sometimes better! For instance, "The Scapegoat" (set in France), "The Progress of Julius" (set in France)....and even "The Flight of the Falcon" (set in Italy) have more depth, to my mind, than my Cornish novels, though they may not have been so popular.....Meanwhile, I have answered your questions as best I could, and forgive this short letter, but.....I am working hard on research of the live and times of the two Bacon brothers - the elder, Anthony, is barely known to the non-historical reader, and was one of the first "secret agents" of those times, employed by the ill-fated Earl of Essex. His brother Francis is of course well known´; a second T.L.S., Daphne du Maurier, two pages, 8vo, Kilmarth, Par, Cornwall, 7th September 1974, also to Kosters, thanking him for his letter and a newspaper (´I only wish I could read German!´) and continuing to comment on tourism in Cornwall, ´The Cornish coast has been very crowded with tourists this past month, and although we like them to enjoy our beaches I wish they would not leave their rubbish behind them; all the debris of thousands of picnics, papers, tins, bottles, cans, which the tide cannot sweep away! I dare say you have the same in Germany, not only on your beaches but in the forests. It is a great pity´, and also referring to Golden Lads, her biography of Sir Francis and Anthony Bacon, ´I very much doubt if it will be published before next spring or summer......Printing seens to take a long time these days, at any rate in England´; an interesting questionnaire, four pages, 4to, n.p. (Cornwall), n.d. (1974), comprising over twenty questions regarding Cornwall and Du Maurier herself, to which the novelist provides her typescript answers, seventeen of which are signed with her initials (´D du M´), expressing her belief that the tourist industry in Cornwall does not benefit the tinners, clayworkers, fishermen or farmers and noting that ´Mass tourism has already spoilt Spain, Portugal, Brittany, and Greece´, stating that ´The discerning visitor will not cross the Tamar if he finds Blackpool the other side. Those who wish for Blackpool will be better served in Lancashire!´, observing that ´Cornwall is a narrow peninsular. It cannot feed or house a mass invasion of tourists. Nor does the majority of the population desire this invasion´, declaring ´I am appalled at the idea of High Rise buildings in Cornwall. I would like to blast them from the ground in London, Paris, and elsewhere!´, and also stating ´The challenge must be to the young, whether in Cornwall or in the world. They will inherit what we have bequeathed to them. If what we bequeath is ugly, and through our fault, surely they will blame us? Or, if they are without appreciation of the beautiful, this is equally our fault, for it means we have not taught them understanding. My voice is not important. Perhaps I do belong to Cornwall but Cornwall does not only belong to me. It belongs, as every place and country must do, to those who live their lives in it now, today, and will do so through the years, and if the memory of those who are gone and lie beneath the soil still lingers on through the centuries, then perhaps this can be an inspiration to the living to build well upon the old foundations´, followed by a series of questions and answers on a more personal level, stating that she has lived at Kilmarth since 1969 and that she generally does not write for more than five hours a day, adding ´I am not a recluse! Family and friends come to stay. But I do not go often to London´ and in response to a question about whether it disturbs her to be called the ´best-selling author´ in the world, Du Maurier responds ´I do not think this has been true for a number of years! Many best-selling authors have eclipsed me!´; a signed 4.5 x 6.5 photograph of Du Maurier standing outdoors in a three-quarter length pose, signed in blue ink with her name alone to the centre of the image; a signed 6 x 8 photograph of the novelist seated in a pensive half-length pose at a table upon which appears a copy of her book Vanishing Cornwall, signed in blue ink with her name alone to a light area of the image; a further six unsigned photographs of various sizes including images of Kilmarth and individual portraits of Du Maurier and her two daughters, Tessa and Flavia; and a carbon typed copy of a letter from Kosters to Du Maurier. Some light age wear and a few minor traces of former mounting, otherwise generally VG, 12

A Goebel figure, by MI Hummel, Little Goat Herder, large bee mark, 200/0;  others, Skier, Playmates, Sweep, Barnyard Hero

A George III engine turned silver pair cased keywind chronometer pocket watch by Mudge & Dutton, with two subsidiary dials and outer sweep seconds, the signed movement with diamond set cock and numbered 4516, outer case diameter 63mm, hallmarked for London, 1793.**conditionreport**Watch not currently running so in need of attention. Large star crack to the dial. Surface scratches and abrasions to the back of the inner case. Minor surface scratches to the glass. Outer case very tarnished.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A gentleman's stainless steel Jager LeCoultre Memovox automatic alarm date wrist watch, with date aperture and baton numerals, case diameter 37mm, case back numbered 882391, on an associated steel bracelet, no box or papers (a.f.).**conditionreport**Glass cracked. Minor scratches to the glass also. Dial slightly discoloured perhaps?? A few minor nicks and surface scratches to the case back and sides Sweep seconds hand has become detached. Watch ticks when wound and the hands adjust. Alarm function not working so in need of attention.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

An 18ct gold repeating full hunter calendar pocket watch, the dial with roman numerals, moon-phase and subsidiary seconds, day, date, month and with outer sweep stopwatch, 55 cm dia., 129.7g all-in, running at time of inspection, case displaying light bruising

An IWC 18k gent's wristwatch, the 36 mm case with red seconds sweep, on leather strap, 39 g all-in, the dial signed International Watch Company running at time of inspection, crystal displaying light scratches

Chimney sweep brushes and rods.

Border Fine Arts 'A Clean Sweep', model No. B0591A, limited edition 648/950 and 'Hay Bogie', model No. B0698A, limited edition 428/950, both Standard Edition by Ray Ayres, on wood bases, with boxes and certificates (2)Provenance: A Private Collection Both models in overall good condition. No obvious fault, damage or repair

* LOUISE RITCHIE, SKYCROSS acrylic on canvas, signed and titled verso unframedProvenance: The Late Jack McLean overall size 122cm x 122cm Note: Louise Ritchie is a Scottish artist, lecturer and creative facilitator working in independent and collaborative contexts, embracing many processes and experimental pathways. She graduated from Duncan of Jordanstone College of Art and design in 1990 with A BA (Hons) Fine Art and MFA Art &Humanities Graduate of DJCAD, Dundee, Louise is a lecturer on the BA (Hons) Contemporary Art Practice Programme at City of Glasgow College / UWS University of West of Scotland. She is also a former President of the Society of Scottish Artists (SSA) and has won several major awards including, most recently, the Duncan of Jordanstone MFA Art & Humanities Prize 2018. Her practice examines a range of tangential explorations, overlaps and collaborations that articulate the process of creativity curiosity. Multi -faceted, contrary fascinations sweep broadly and loosely with a range of media spanning public art commissions, independent works, printmaking, performative and lens-based works, to large spatially situated paint/print-forms. Exhibiting widely in the UK and abroad including London, Bulgaria, China, Belgium and France, Louise has also co-created projects for Angus Council as an Artist in-residence and her work is in several major collections including The Mirror Group, London, University of Dundee, City of Glasgow College Art Foundation and Dundee City Council.

Twenty-three W R Gay RP postcards of Holberton, including two of a wedding, the church, street scenes, post office and the village chimney sweep, (x2).

A Rolex Oyster Perpetual Datejust gold and stainless steel gentleman's wristwatch - ref. 16233, circa 1991, serial no. E325xxx, with black dial with baton markers, sweep centre seconds and magnified date aperture, the 36mm. case with gold fluted bezel, gold and stainless steel jubilee bracelet, with Rolex box and papers, spare links and swing tag, in very fine condition, worn very sparingly by the owner and with evidence of very little use, close to an as new example.   * Condition: Excellent condition, with no faults to the dial, case, crystal or bracelet - a very few absolutely tiny scratches to the case but these are almost invisible except under a magnifying lens. Almost as new. Winds, adjusts and runs very well and maintains good time. The box is in good condition. The leather to the top of the box is slightly 'baggy' but otherwise fault-free.

William Turnbull (British, 1922-2012)Female signed with monogram, numbered and dated '5/6 89' and further stamped with foundry mark 'Livingston Art Founders' (on the base)bronze with a black patina194 cm. (75 1/2 in.) highConceived in 1989 and cast in 1993Footnotes:ProvenanceWith Waddington Galleries, London, 1993, where acquired by the present ownerPrivate Collection, U.S.A.ExhibitedLondon, Waddington Galleries, William Turnbull: Recent Sculpture, 25 September-19 October 1991, cat.no.10 (another cast)Caracas, Galeria Freites, William Turnbull, 18 October-10 November 1992 (another cast)Berlin, Galerie Michael Haas, William Turnbull, 17 October-28 November 1992 (another cast)London, Serpentine Gallery, William Turnbull, 15 November 1995-7 January 1996 (another cast)Chatsworth, Chatsworth House, William Turnbull at Chatsworth, 10 March- 30 June 2013, cat.no.66 (another cast)Munich, Galerie Thomas, William Turnbull: Skulpturen, April-June 2002 (another cast)London, Waddington Galleries, William Turnbull: Beyond Time, 9 June-3 July 2010, cat.no.19 (another cast)LiteratureVeronique Jaeger, William Turnbull: Recent Sculpture, Waddington Galleries, London, 1991, pp.24-25, 52, cat.no.10 (ill., another cast)Amanda Davidson, The Sculpture of William Turnbull, Lund Humphries, London, 2005, pp.25, 176, cat.no.265 (ill., another cast)William Turnbull (ed.), William Turnbull: Beyond Time, Waddington Galleries, London, 2010, pp.58-59, 103, cat.no.19, (ill., another cast)Patrick Elliott and Clare Lilley, William Turnbull at Chatsworth, Trustees of the Chatsworth Settlement, Chatsworth, 2013, p.47, cat.no.66 (col.ill., another cast)'Turnbull, like Giacometti, was more concerned with establishing an arresting, frontal image (as Giacometti once said, you don't walk around a person you meet, so why do it in sculpture?), one which tends to dominate space and radiate out into it' (R. Morphet, William Turnbull sculpture and paintings, London, Serpentine Gallery, 1996, p.34). William Turnbull was one of the leading sculptors of Post-War British Art and (along with Henry Moore and Barbara Hepworth) turned away from the long-established preoccupation with naturalism to uncover a new notion of what sculpture was meant to be and how viewers should interact with it. As a student at the Slade, he was often to be found at the British Museum studying archaic figures as well as ancient tools and weapons. The timelessness of these archaeological and anthropological artefacts appealed and, in addition to a period spent in Paris where he was exposed to the work of Alberto Giacometti and Constantin Brancusi, they were the foundation of the pared down modernity for which Turnbull is so celebrated. And whilst he identified with aspects of many artistic groups of the period, he allied with none, instead offering a staunch independence in both his life and work.In 1973, Richard Morphet curated a major retrospective of Turnbull's work at the Tate. When the artist saw the extensive exhibition, spanning every part of his career up to that point, he became conscious of the common themes and ideas that had informed his early career. In response to his experience of the Tate show and feeling inspired, he decided to redefine his earlier ideas about sculpture and form. After an interval of about twenty years, in 1979 Turnbull returned to making monolithic figures and developed a new series of idols that would preoccupy him for the rest of his career. The present lot is one such example.Dating from 1989 Female embodies, quite literally, all the hallmarks of Turnbull's oeuvre – a totemic form, pitted surface and schematic markings – all working in harmony to inform the viewer that this is woman, in her most fundamental form. Breasts, hands and genitals are all delineated with an economy of expression that recalls Turnbull's famous question: 'How little will suggest a head?' (quoted in David Sylvester, William Turnbull: Sculpture and Paintings, Serpentine Gallery, London, 1995, p.10). Indeed, the present work suggests the human figure with graceful sparsity - the upright blade which swells and narrows, the functional handles as arms and head, and fingers scoured onto the surface, both designs and anatomy. However, rather than reduce the range of images and interpretations of the work, this simplification intensifies the effect. By reducing any naturalistic element to a minimum, this formal concentration focuses attention on the symbolic flexibility of the works and the archetypal nature of its shape. Female is also unambiguously frontal, in the way that archaic Greek and ancient Egyptian art is with the artist focussed on producing an arresting, anterior image (unlike his aforementioned contemporaries whose concerns were more 'in the round'). The surface is rough much like weathered stone (or skin?) and etched with markings that recall tribal shields, masks and tattoos; the sweep of hair is scraped and grooved like an ancient stele. As ever though, the antiquarian source material is merely alluded to rather than overtly represented.Standing in space at almost 200 centimetres high, Female is a powerful and poised example by an artist confident in his vision and the figure asserts itself as a enduring statement of modern sculpture at its most avant-garde. Here, Turnbull has successfully navigated the distant past and the immediate present, combining and confronting the two to establish a timeless visual language, that was uniquely his own.We are grateful to the Artist's Estate for their assistance in cataloguing this lot.This lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Registration No: NSU 695 Chassis No: 827204BW MOT: Exempt1 of just 623 right-hand drive cars XK150 DHCs manufacturedVery rare factory automatic exampleIn current ownership for twenty three yearsMatching numbers exampleBy the time the XK150 was launched in May 1957, Jaguar had won Le Mans four times and was about to do so once again - what a backdrop against which to market a new sports car. Though the newcomer was a logical progression of the XK140, subtle changes to the bodywork gave this final iteration of the XK models a distinctly more modern air. The split windscreen was replaced with a single sweep of toughened glass and the scuttle height was raised, along with the waistline. The bonnet was widened and the bulkhead on the Roadster was moved rearwards by four inches. Inside, the walnut dashboard of the XK140 was replaced by one trimmed in leather. Thinner doors gave more interior space. The standard engine was the 3.4-litre DOHC straight-six unit of the XK140, but most early 150s were fitted with the optional SE version that sported a cylinder head with larger exhaust valves and a pair of 1.75-inch SU carburettors. Still more power was available from 1958 in the form of the 'S' engine and its straight-port head linked to three SUs, for which 250bhp was claimed. The XK150 was also the first production Jaguar to be equipped with disc brakes. At launch, the XK150 was offered in Fixed Head Coupe (FHC) and Drophead Coupe (DHC) guise, the Open Two-Seater Roadster (OTS) following in 1958. By the time the model was superseded by the E-Type, some 4,445 FHCs, 2,672 DHCs and 2,265 OTSs had been produced.Chassis ‘827204BW’ was manufactured in 1958 and is one of just 623 original right-hand drive XK150 Dropheads. Interestingly supplied new to Ireland, the Jaguar is finished in Cream paintwork with a Black hood and has a complementary Red leather interior upholstery. A ‘matching numbers’ example, ‘NSU 695’ features its original 3.4-litre engine, allied to the very rare factory three-speed Borg-Warner automatic transmission. Returning to the United Kingdom mainland in 1989, the XK150 has had just four keepers since the Jaguars return and has resided in the vendors ownership for the last twenty-three years. Used widely during the vendor’s ownership of the XK150, the has benefitted from sensible upgrades during this time, including fitment of seat belts. Provided with an overhaul of the Borg-Warner gearbox during the current custodianship, the XK150 has further benefitted from a recent front brake overhaul and a new radiator.Described by the vendor as being a ‘very honest and straight example’, the vendor rates chassis ‘827204BW’ as being in ‘very good’ condition in regard to the bodywork and paintwork, and as having an ‘excellent’ engine, gearbox, electrical equipment, and interior upholstery, noting that even the clock and fuel gauge work! Offered with a large history file, ‘NSU 695’ is supplied with a Heritage Certificate, a large selection of invoices, sundry paperwork and current V5C document. A highly desirable ‘matching’ numbers, original right-hand drive, automatic transmission example, this XK150 has much to recommend it. For more information, please contact: Paul Cheetham paul.cheetham@handh.co.uk 07538 667452

A vintage Mappin steel wristwatch with square silvered face, silver batons and hands and seconds sweep, date aperture, stamped Incabloc 22, on original leather strap, in Mappin & Webb box; a vintage square faced wristwatch with Arabic numerals and subsidiary seconds dial by Newmark (no strap)

A large Lladro figure of a chimney sweep seated upon a chimney stack holding a cat, 'Sad Chimney Sweeper'

A vintage Brading Wax Work figure 'Valentine Gray, The Chimney Sweep' together with original Osborn - Smith's Wax Museum pamphlet and a mask of old manCONDITION REPORT.

A George V gent's 18ct gold cased full hunter chronograph pocket watch, unsigned but the white enamel dial and backplate numbered 52576, keyless movement, with sweep seconds and stop/start function (overwound and not running), plain case with gold inner back cover, case assayed London 1913, gross weight 145.9g, dia,5.4cm

A Heuer Camaro gent's stainless steel chronograph wristwatch, having a signed silvered dial with twin subsidiary dials, full chronograph function with sweep centre seconds, fine outer scale, screw-down back cover, case dia.38mm, on replacement steel bracelet, no box or papersIn running order.Chronograph fully functioning.Dial good.Glass with one large obvious scratch.Case generally good, with minor age wear and surface scuffs only.Serial number 134872 and model number 7743.

A Rolex Oyster Perpetual Date superlative chronometer officially certified gent's steel cased automatic wristwatch, having a signed silvered dial with luminous hands, centre sweep seconds, on non-Rolex Oyster type bracelet, case dia. 34mmProbably 1980s.Case dia.34mm.

British Royal Navy brass bulkhead clock, black dial with white Arabic numerals, white hands and red sweep seconds, painted Broad Arrow marking and stock code 0552/461-9296, D15cm

A quantity of drain rods and chimney sweep head.

Rolex Oyster Perpetual Gents Steel Cased Wrist Watch, Ref. No. 6332, circa 1950s, features cream dial, silver markers, seconds sweep hand; case and dial in excellent condition, confirm with photo

A good gents BULOVA wrist watch with seconds sweep W/O

A ROLLS ROYCE gents wrist watch with seconds sweep and date aperture W/O

A gents OMEGA sea master quartz date wrist watch with seconds sweep and date aperture

A gents RELIDE sports man wrist watch with seconds sweep W/O and one other

A mixed lot of children's board games and others, soft toys, Wedgwood Peter Rabbit child's table china, and others, to include Sooty and Sweep glove puppets, Space Attack, Subbuteo Club Edition table soccer, boxed microscope, plastic farm animals, and other items Location:If there is no condition report shown, please request

A gentleman's Omega Seamaster Automatic Wristwatch the black dial with arabic numerals at quarters the remainder baton markers and sweep seconds hand in steel case, case width approx 35mm on associated black leather strap with stainless steel clasp in original Omega box

An 18ct gold open faced, key wind Pocket Watch with detached lever by G & T Hammond, Manchester No 13441, sweep second hand, the outer case with floral and scroll engraving with vacant cartouche, case width approx 47mm, approx 90.9gms all in

A gentleman's 1960'sTudor Oyster Prince rotor self-winding Wristwatch the two tone quartered dial with hourly baton markers and sweep seconds hand in stainless steel case number 300405 7967, case width approx 32mm, on associated expanding bracelet, no box or papers

Rolex Swiss Circa 1980 An Oyster Datejust precision stainless steel wristwatch with gold coloured dial and sweep seconds hands On a leather strap

M.D. GER repeating alarm carriage clock with brass case, bevelled glass, enamel dial with sweep seconds hand and additional alarm dial below, striking on a bell, overall height including handle 20.5cm

A mahogany wall clock, the circular 13¼-inch dial, inscribed 'C. Williamson, Royal Exchange, London', with Roman numerals, brass bezel and a sweep seconds dial, enclosing a single fusee chain-driven movement, with substantial rectangular plates, five knopped pillars and an angular anchor escapement, with a wooden rod pendulum and brass weight, and with adjuster, pendulum, key and winder,45cm wide18.5cm deep56cm highProvenance: The David Morris Collection.Condition ReportPanels do not appear jewelled.  General knocks, rubbing and wear to case.  Some chips, knocks, splits and losses.  Tarnish and discolouration to brass.  Some wear, scratches and tarnish to silvered dial.  Base door lock is not currently functioning, so we are unable to open the door to fit the pendulum, thus, we cannot comment on the working order of themovement.  Evidence of some repair/work to interior of case.  See additional images.

9ct Gold Smiths Imperial Vintage Wristwatch with Cream Dial and Sweep Seconds Hand with 19 Jewel Movement and Rolled Gold Bracelet, circa 1960

A large quantity of gardening related items to include sieves, hand shovels, chimney sweep brush, builders tool belt, hand saws, paint brushes, nails, etc.

Royal Doulton Bunnykins to include Mother DB189, Princess Beatrice DB47, Colling Off DB3, Clean Sweep DB6, Occasions Love Heart DB288, Wedding Day DB287, Christmas Morning DB 285, Graduation Day DB286 and World War II Pilot DB369 (9)

Timor, a gentleman's 9ct gold cased round wrist watch, circa 1956. The textured cream dial with raised gilt Arabic and arrow-head indicators, dauphin hands and sweep centre seconds, the 33mm diameter three-piece case with a back engraved with script initials and dated '6.8.58', numbered inside '48265' and with hallmarks for Edinburgh 1956, on a later black leather strap, Timor 17 jewel adjusted movement, Cal. AS 1287, the case back only weighs 3.8g Condition Report: We do not guarantee any watch for accuracy. The watch ticking and set-hands functioning

OMEGA LADYMATIC WRISTWATCH 22.1mm round, stainless steel case, champagne coloured dial, silver batons and sweep, currently working, back stamped Seamaster, Omega monogrammed crown, sold as seen. Weight 14.7 grams.

Antique dolls ; to include a wax lady doll( repaired leg and at fault with bent arms and head in side pose c 16” and a cloth french boudir doll with painted gold heeled shoes and a small 1930s French celluloid french sweep doll and a puppet papier mache head stick doll with crayon painted head on a pole. Old collection of some interest., in used condition as shown (4)

'Sooty' and 'Sweep' glove puppets, together with four teddy bears to include a Russ Quigley Bear, a Chilton bear, a Merrythought example and one other (6).

CARTIER; a gentlemen's 18ct yellow gold 'Cougar' quartz watch, the cream circular dial set with Roman numerals and outer minute track, with blue hands, centre seconds sweep and date aperture, sapphire cabochon to the crown, the back with Swiss assay marks, 750 and 18k mark, model no. 88904, serial no. 000539, with three-row link bracelet strap and clasp, approx. 111g.Condition Report: a new battery was installed 21/5/24, watch appears to be in going order, under magnification there are tiny scratches to glass, head and strap, one of the outer links has a screw missing and is loose.In non original box.Back case cover and clasp both marked 750.Inner circumference approx. 19cm.Dial approx. 2.6cm, overall including winding crown, approx. 3.5cm.

German teddy bears and others including: (1) Hermann-Spielwaren Tut-anch-Amun, LE 105/1000, mohair, within wooden sarcophagus, swing label certificate, 9"/23cm; (2) Clemens Rabbit, LE 40/333, plush, swing label certificate, 12"/31cm; (3) Teddy Hermann Chimmey Sweep, LE 455/1000, mohair, swing label certificate, 8"/20cm; (4) Teddy Hermann Sophia, LE 4/300, mohair, swing label certificate, 7"/18cm; (5) Teddy Hermann Haselmaus, LE 49/200, mohair, swing label certificate, 5"/13cm; (6) Teddy Hermann 2020 miniature bear, mohair, 5"/13cm; Excellent; (6).

A Chad Valley Sweep hand puppet;  two Sooty hand puppet;  mid 20th century hand puppets, Punch and Judy;  Russian dolls

Bandive Accessit Dual Sweep Equalizer; M Audio CO3 Coaxial/Optical/SPDIF/AES-EBU converter; an M-Audio Firewire Audiophile (3)

Rotary a stainless-steel gentleman's automatic wristwatch the turquoise dial having a sweep seconds hand and date aperture and signed Rotary 17 Jewels Automatic the rear of the case numbered 61 18 85, diameter 38mm.

Hebdomas, a silver eight-day duration pocket watch signed within Spiral Breguet Levees Visibles the typical Hebdomas dial having a visible lever escapement, black Roman numerals, blued steel hands, a sweep seconds hand and subsidiary dials showing day and date, the case with engine-turned decoration to the front and back and marked .925 for silver, diameter 50mm, total weight ca. 91.88gms.

Smiths Imperial an early 1960s gentleman's gold-plated wristwatch the black dial with raised baton numerals, baton hands, sweep seconds hand and signed Smiths Imperial, 19 Jewels Shockproof, diameter 35mm.

Rotary a 9ct gold wristwatch the cream dial having raised baton numerals, sweep seconds hand, date aperture and signed Rotary, the case stamped .375, the leather strap with Rotary buckle, diameter 33mm, total weight 31gs, complete with Rotary outer wooden box, undated guarantee and instruction leaflet.

Omega Seamaster De Ville, the silvered dial with raised baton numerals, sweep seconds hand and signed Omega, Automatic, Seamaster, De Ville, the stainless-steel and gold-plated case stamped within with the model number 166.020, the movement stamped with the caliber number 562 and serial number 21254508, on non-original flexible bracelet, diameter 32mm.

Rolex Oyster a mid-1980s gentleman's stainless-steel wristwatch the blue dial with baton numerals, sweep seconds hand, date aperture and signed Rolex, Oyster Perpetual Date, Superlative Chronometer, Officially Certified, the case marked with the serial number 7409436 and model number 15000, with a stainless-steel Jubilee bracelet, diameter 34mm, complete with green Rolex box and Rolex International service guarantee dated Sept 2004.

A GENTS 'OMEGA SEAMASTER', automatic movement, round white dial signed 'Omega Automatic, Seamaster', Arabic numeral twelve with remaining baton markers, rose metal hands, red seconds sweep, polished stainless steel case, stamped 'Waterproof', approximate case width 33.1mm, movement signed Omega Watch Co, caliber 471, movement numbered 15287933, weight not spinning freely, inside case back stamped 2802-2 SC, fitted with a black strap and a white metal ardillon buckle with Omega emblem stamped 'Acierinox Depose Swiss', together with an Omega guarantee certificate Ref No. 2802, Watch No. 15287933 (condition report: watch winds, sets and runs, although time keeping is untested, glass is cracked and scratched will require some attention, we cannot guarantee the working order of any watch, requires a new screw holding plate in place, weight does not spin freely, possibly missing a screw from the movement)

A Chelsea Derby plate painted with swags of laurel below the Smiths blue wavy rim, the central urn surrounded by pink roses, gilt mark, RF 168peppery glaze to the underside and within the facing sweep of the dish. some light rubbing to the outer edge gilding

BREITLING - a stainless steel Superocean Heritage 42 automatic calendar bracelet watch, ref. A17321, circa 2016, black dial with applied baton hour markers, luminous arrow hands, sweep centre seconds hand, date aperture, green bezel insert and mesh bracelet, serial no. 6028822, case width 42mm, working order, boxed with papers Condition Report:Movement – currently working Dial - very cleanGlass - extremely minor surface abrasionsHands - goodCase - general wear and light abrasions all over with some deeper scratches on bezel insert and casebackCrown – signed with logo, screw-down working, Quickset date working, hands adjust smoothlyBracelet - associated Breitling steel bracelet, general wear and abrasions mainly to clasp, clasp working, wrist size approx 18cm (excluding 6 spare links) Notes – with inner and outer box, chronometer certificate, international warranty card and instructions manual