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Preisdatenbank abonnierenA late 19th/early 20th Century French carriage clock with alarum, the white enamel dial with Roman numerals and sweep/seconds hand, to the eight day two train movement striking on a bell, contained in brass and bevelled glass case of Corniche pattern, 5.75ins high Provenance: Derek Roberts Antiques, 22-24 Shipbourne Road, Tonbridge, Kent (Invoice dated 11th November 1979 - Invoice No. 1225)
Sooty interest: A black and white photograph of Harry Corbett with Sooty and Sweep, signed by Corbett on the back; "Love to Anne from Sooty, Sweep and Harry Corbett"Provenance; The card was given to the vendors Aunt, who was landlady at the White House Pub, Blackstone Edge, Lancashire. By Harry Corbett personally
Edward VII 18ct gold open-face chronograph pocket watch, the white Arabic dial with centre seconds sweep, the top-wound movement numbered 155767, case hallmarked Chester 1909, sponsors mark of I.J.T.N., 136g approx gross Condition: Dial has very faint mark near 11, movement is ticking but not tested or warranted, centre seconds is also moving, though chronograph function action appears stiff, out case in vgc - **General condition consistent with age
Gold-plated half hunter-cased quarter repeat chronograph pocket watch, the white Roman dial with subsidiary seconds at VI and centre sweep, the case numbered 69026, the front cover with black enamel Roman chapter ring Condition: Dial has radial crack from centre to between I and II, plus a second curved crack beneath subsidiary dial, the top-wound movement is ticking but not fully tested or warranted, outer case in good condition - **General condition consistent with age
A gentlemen's 18ct gold Omega Automatic Seamaster De Ville strap watch, c.1960,a circular case, 33mm, with a champagne dial, raised gilt batons, black hands and gilt centre second sweep. Hand engraved back case with initials and date '17.11.67', an after market strap and buckle. 37.30g. No box or papers
A gentlemen's 18ct gold Jaeger-LeCoultre mechanical 'Favre Leuba' strap watch,the case, 35mm diameter, with a champagne dial, raised gold Arabic numerals and batons, with sword hands and centre second sweep. After market strap and buckle. Case no. 319956A. Movement no. 376078. Calibre P450/4C. 38.62g. No box or papers
A gentlemen's stainless steel Franck Muller limited edition 'Master of Complications 8001 CC Conquistador' automatic strap watch, c.2006,a tonneau case with engine turned silvered dial with stylised luminous Arabic numerals, luminous hands, centre second sweep, subsidiary seconds dial and date aperture. Original strap and buckle. Case, outer box and papers. Edition no. 129
A gentlemen's stainless steel Dunhill Automatic strap watch,with skeleton back, the case 34mm diameter, with a circular white dial, raised silver Arabic numerals and batons, silver hands with centre second sweep and date aperture. Sectioned back with Dunhill crocodile strap, damaged, with deployant clasp. Case no. BB19558 8006 PXUF. No box or papers
A gentlemen's stainless steel Dunhill quartz chronograph WR30m strap watch, c. 2010,a cushion-shaped case, 37 x 32mm. A circular white dial with luminous Arabic numerals and batons, subsidiary dials, with sectioned hands, centre second sweep and date aperture. A Dunhill leather strap and deployant clasp. Case no. 142 12733 MXOH. No box or papers
A gentlemen's stainless steel Cartier 'Pasha Meridian Big Date' GMT 2550 automatic bracelet watch,a circular case, 35mm diameter, with a black dial, silver Roman numerals, raised silver batons, luminous hands, centre second sweep and date aperture. Two colour Arabic numerals to the bezel, with an integral bracelet and deployant clasp. Case no. 825830CD. Case, outer box and papers and three spare links
A mid 19th Century mahogany eight-day regulator with mercury filled pendulum, by Lawson & Son, Brighton, the silvered dial with seconds and hour dial and centre sweep minutes, the base of the dial above a carved frieze, the glazed door with presentation plaque, 'To the Directors of W H Smith & Son Ltd. from A J Godtschalk (late counting house) 24th February 1941', 180.5cm high/Provenance: The W H Smith Archive/see illustration
A Continental silver cased open face pocket watch, the white enamel dial with black Roman numerals and 300 outer track, with centre sweep hand, stamped '935', 6cm wide CONDITION REPORT: Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding.
ELIOTH GRUNER (AUSTRALIAN 1882-1939)THE SILVER LIGHT OF SUMMER MORN Signed, oil on canvas41cm x 46cm (16in x 18in)Provenance: A gift to the current owner from Dr. Patricia Mackay who brought it back to Scotland from Australia c.1934/35. When in Australia Patricia Mackay spent time with her first cousin Angus MacIntyre who acquired, re-built and lived in Fairlight House, Manly from 1910-1939. Although there is no record of MacIntyre's collection, Gruner was a regular visitor to Fairlight House.Note: One of the later figureheads pertaining to the Australian Impressionist movement, New Zealand-born artist Elioth Gruner (1882-1939) is distinguished as one of the country's most innovative and poetic painters of light, whose work captured the imagination of many throughout the early 20th century. We are delighted to offer The Silver Light of Summer Morn, an assertion of Gruner's artistic prominence, and a landmark of his evolving career.Gruner moved to Australia at a young age, and in 1901 began selling paintings to Sydney's Society of Artists, where his work gradually gained traction. It was not until 1923, however, that Gruner garnered much of his inspiration from his travels across Europe, where pioneers of European Modernism conjured a rethinking of his artistic technique. The paintings of Cézanne introduced him to a high-key palette, whilst those of Gauguin revealed the beauty of expressive brushstrokes and simplified forms. Upon his return to Australia, Gruner's repertoire developed in accordance with his European counterparts - a simplification of subject matter, an increased attention to pattern, and a freer, wider sweep of the brush set him apart from his Australian equals.The Silver Light of Summer Morn is a fine example of Gruner's dedication to plein-air painting, in which we're presented with his new, excited and liberal working of the brush. A vast turquoise sky extends across most of the composition, subsuming a mellow swathe of sand, and a delicate slither of seawater disappears into the bright horizon. Rougher topology in the distance smoothly tapers down to a low vanishing point, convening with the lighter tones of the water's surface. We are not, however, the only admirers of this placid view. To the bottom right two women regard the calm waters with their backs to the viewer, one leisurely reclining beneath a pink parasol, the other standing. A deckchair endorses this site as one frequently revered by visitors, accentuated by more distant figures merrily testing the waters of the calm Pacific Ocean. Nonetheless, we're still drawn to the sprawling sky that dwarfs all the participants in this blissful scene - Gruner's affirmation of the landscape as the most important facet of this masterful work. The atmosphere is palpable; long shadows allude to the early time of day - a raw light often favoured by Gruner. The painting evokes a certain ephemerality, as if the tide will soon rise, consuming the lowly swathe of sand; the seated woman will surely raise and fold her parasol, continuing with the nearby figure for an amble along the beach. The solitary deckchair will not remain on the sand forever, and the light will change as the day progresses. It is this refreshing simplicity of elements - an impression of a calm Pacific morning - which marked Elioth Gruner as an artist of distinguished skill, worthy of receiving the Wynne Prize seven times across three decades of painting. The Silver Light of Summer Morn is a demonstration of nostalgia, and a celebration of local beauty. It references the theory of artist Max Meldrum who proposed tone as the most important element of any painting. Most importantly, however, is that Gruner painted the unpaintable: the element of light itself.
A Gentleman's Rolex Oyster Perpetual 'Air King' Super Precision Wristwatch, the silvered dial (with some corrosion) having hourly baton markers and sweep seconds hand in stainless steel case, Model No. 6552, Reg No. 422865, on associated expanding bracelet, no box or papers, case width approx 33mm
A Gentleman's Omega Wristwatch the textured blue dial with arabic numerals, red sweep seconds hand, minute track and day/date aperture at 3 o'clock in steel case on leather strap, approx case width 40mm and a gentleman's Fludo Chronometer Wristwatch the silvered dial with alternating arabic numerals and dot markers, minute track and two subsidiary dials in steel case, approx case width 33mm
Markey Robinson (1918-1999) Where the Mountains O'Mourne Sweep Down to the Seagouache on boardsigned lower left 91¾ x 122½cm (36.1 x 48.2in)The Oriel Gallery, Dublin (label verso) where purchased by the present owner Markey At The Oriel' by Paul O'Kelly, published by The Oriel Gallery, illustrated on page 2 Markey Robinson was born in Belfast in 1918. He was the son of a house painter and spent time as a boxer and as a merchant sailor. He trained at the Belfast College of Art and was a prolific Irish artist with a distinctive naive expressionist style. His first exhibitions were in Belfast during World War II. His paintings cover a wide range of subjects, but there are certain recurring features. These may appear separately or in combination. Village scenes of cottages in which the gable end of the cottage is distinctive as in this work. Frequently, there are no windows visible in these cottages. Women wearing dark shawls - no facial features are visible. As an artist, Markey Robinson produced artworks with similar elements to those of Matisse, Derain and Picasso (especially his clown and figure studies). His work has also been influenced by the Incas and the Aztecs, as evidenced by his authentic style of bold brush paintwork.
A 19th century oak long case clock by Savage of Shrewsbury, with arched painted dial, second hand sweep and date apertureCondition Report: 8 day clock. Has weights, pendulum and key but not known whether original. Door fitting loose. Probably stripped at some point in time. Hood hinge loose and dangling. Movement not guaranteed original to case. Sold as seen. Mid 19th century.Height 83ins, maximum width 19ins, maximum depth 9ins.
Frank Wootton (1911-1998) pair of limited edition coloured prints, 'Hurricane Mk I: Bob Stanford-Tuck leading 257 Squadron into action during the Battle of Britain' & 'Spitfire Mk V: Douglas Bader leading 616 Squadron for a sweep over German occupied France', signed in pencil 'frank wootton' in the margin, 'Hurricane' further signed by Wing Commander R.R. Stanford-Tuck, 'Spitfire' further signed by Group Captain Sir Douglas Bader, 32.5 cm x 40.5 cm, nos. 35/850, certificate of authenticity from Blaze Fine Arts (2)
An Early Victorian Scottish mahogany regulatorInscribed E. Hollander, Kensington, circa 1850The swept pediment above carved thistle and rose, with circular glazed cast-brass bezel, the trunk inset with a glazed panel door, flanked by canted angles, on a stepped panelled plinth, the 12 1/4in. circular silvered dial later (?) inscribed E. HOLLANDER KENSINGTON, with Arabic five-minute markers, sweep minute hand and subsidiaries for seconds and hours, the substantial four-pillar movement with four -crossed wheelwork, maintaining power, deadbeat escapement with jewelled pallets, with glazed mercurial compensated pendulum with a steel rod196cm high
A Napoleon III mahogany and brass-mounted two-day marine chronometerBy Vissière, Paris, No. 230, circa 1860The plain mahogany three-tier case, with rectangular ivory plaque and brass chevron-shaped lock escutcheon, flanked by a brass carrying handle to each side, the underside of the lid with a paper label of H. G. Blair & Co. Cardiff, sprung brass gimbals and locking arm, the brass bowl with bevelled glass above the 3in. silvered dial, signed VISSIÈRE 56, RUE DE L'OUEST PARIS No 230 with blued steel Breguet moon hands, subsidiaries for the hours and seconds with sweep central minutes, with power reserve indicator above the VI, the movement with chain fusée and maintaining power, signed and numbered with bi-metallic compensated balance and steel helical spring, Earnshaw detent escapement, with brass 'tipsy' winding key 16cm squareSimon Vissière was born in Paris in 1822. He was a pupil of Winnerl, a renowned maker. He exhibited at the major mid-19th Century exhibitions. In 1867 he moved to L'Havre and died in 1887.
A Victorian ebonised and parcel gilt regulatorCirca 1879, Inscribed P. N. Denton, WellingtonThe case with an arched pediment, fitted with an inspection door, above fully glazed trunk door, with internal carved wood spandrels, glazed panelled sides, above a bombé-shaped plinth, the 13in. circular silvered dial inscribed Regulator and across the centre P. N. Denton, Wellington with Arabic five-minute markers, sweep centre minute hand and subsidiaries for hour and seconds, the substantial four-pillar movement with blued screws to each side, tapered shoulders, high pinion count and wheelwork with six crossings, deadbeat escapement with pierced pallet frame, screwed from each side to the arbour shoulder and supporting slotted crystal pallets, three jewelled endstones and with maintaining power, with glazed mercurial pendulum, with a steel rod, the backboard with a paper label inscribed in ink Arrived by the Inch Marmock from London started 15th February 1879 cost EJ/Z/C purchased from GTW Ltd by P.N. Denton March 1924 EU/-/-201cm high
A Victorian mahogany regulatorBy I & M. T. Levitt, Lombard Street, London, circa 1850The case with a rectangular stepped pediment, above the hood with canted angles, enclosing a circular glazed dial aperture, above the trunk with glazed panel door, with canted angles, on a panelled plinth; the 12in. silvered dial, signed I. & M. T. Levitt, 48 Lombard Street, London , with sweep centre minutes and subsidiaries for the seconds and hours, the movement, signed, with arched plates and screwed pillars, high pinion and wheel count, of six crossings, deadbeat escapement, with maintaining power and jewelled pallets, with David Ritchie's compensated pendulum179cm highThe origin of the firm I & M T Levitt begins with Morris Tobias (1762 - 1846). In 1817 he formed a partnership with his nephew Levitt which was dissolved around 1825. He continued as a sole trader and had a large market in the US. Following Tobias' death in 1846, his great nephews I & M T Levitt carried on the business until 1861.
A mahogany cased silver deck stop watchBy Newsome & Co, Coventry, No. 142068, hallmarked Chester 1900The white enamel dial signed, with Government arrow, stop sweep centre seconds, the gilt three-quarter plate movement, signed, with bi-metallic compensated balance, blued steel hairspring with single overcoil, diamond endstone, jewelled to the centre in screwed chatons, in a silver case with inner dust cover58mm diameterThe deck case 12.5 x 9.5 x 6.5cm
GENTLEMAN'S ROLEX OYSTER PERPETUAL SUBMARINER WRISTWATCHthe circular blue dial with luminous dot and baton hour markers, luminous hour, minute and sweep second hand, date aperture at 3 with a Cyclops eye, the rotating blue bezel with Arabic numeral 10 minute track, screw down crown, stainless steel and gold bracelet with a fold over clasp, the movement numbered '3135' and serial number 'K329871'
An unsigned continental open faced chronograph pocket watch, the white enamel dial with black Arabic numerals, blued hands, subsidiary seconds register, blued sweep centre seconds and minutes register at 12 o'clock, the crown wind complication movement number 1243595, with start/stop push button within the crown, the blued case number 203762
Rolex - a lady's steel and gold Oyster Perpetual 'Datejust' wristwatch, circa 1993, the champagne coloured dial with gold coloured baton markers, sweep second hand and date window at 3 o'clock, steel case with yellow fluted bezel, dial 25mm, signed automatic 29 jewel movement calibre 2135, with quick date set, number 2329280, serial number S115432, model number 69173 on a steel and gold steelinox 'Jubilee' link bracelet number 62523D.18, with stainless steel oyster clasp, complete with original guarantee dated 1/94, seal, Rolex box and outer card cover
JW Reeley & Sons - A silver open faced chronograph pocket watch, hallmarked Chester 1901, the white enamelled dial marked 'Chronograph' with black Roman numerals, gold coloured hands and blued sweep centre seconds, the key wind movement number 21377 signed 'Manufactured in Coventry by CJ Richardson', with stop/start slider at 2 o'clock, the reverse plain with a vacant escutcheon shaped cartouche within a belted border The stop/start slider is inoperative
An unsigned 18ct gold open faced pocket watch and a silver open faced chronograph pocket watch, the first with gilt floral dial, gold coloured Roman numerals, blued hands and subsidiary seconds register, the unsigned front loading fusée movement numbered 74943 behind a base metal dust cover, the case by Henry Stuart, the outer lid hallmarked Chester 1865, the case hallmarked Chester 1863, with foliate edge, the reverse engine turned around a vacant belted cartouche, in a blue velvet lined presentation case; the second with white dial, black Roman numerals and Arabic five minute indicators to the outer minute track, gold coloured hands and blued sweep second hand, with sliding stop/start lever at one o'clock, unsigned key wound movement, the case probably by the City Watch Case Company, hallmarked London 1884, the reverse engine turned around a circular vacant cartouche, the key attached via a base metal foxtail link short guard chain with swivel catch terminal (2)
Omega - a gentleman's 9ct gold wristwatch, circa 1966, the circular signed cream coloured dial with gold coloured Arabic numerals, blued hands and gold coloured sweep second hand, the signed 17 jewel manual wind movement number 23283578, calibre 601, the case number 131/25016, hallmarked London 1966, on a grey coloured stitched leather strap with pin buckle
Sewills - A gentleman's 'Ark Royal' military style steel wristwatch, the circular signed black dial with luminous Arabic numerals and hands, sweep second hand and date window at 3 o'clock, the unsigned automatic movement with quick date set, the case with exhibition back, numbered 3244, on a black strap with pin buckle. rear crystal loose
Rolex - A gentleman's Oyster perpetual wristwatch, circa 1952, the signed circular cream coloured dial with gold coloured triangular batons, hands and sweep second hand, date window at 3 o'clock, model number '6016 modele depose', serial number 903863, the automatic movement number H99042, steel case with gold coloured bezel, on a brown crocodile grain strap with pin buckle
Omega - A gentleman's gold plated 'Constellation' wristwatch, circa 1962, the circular silvered dial, gold coloured batons and hands with black accents and gold coloured sweep second hand, the date window at three o'clock, the twenty four jewel signed automatic movement numbered 19692039, calibre 561, the screw down case back numbered 168.005 on a multi link bracelet with fold over clasp numbered S(?)220
Omega - A gentleman's stainless steel 'Genève' wristwatch, circa 1971, the circular signed silver coloured dial with black batons, hands, sweep second hand and date window at 3 o'clock, the signed automatic movement calibre 1481, number 33723598, case number 166099, on a stainless steel bracelet with fold over clasp Rust evident down the winding stem. Button will not fully engage. Pin missing from the bracelet, replaced with a non standard version. Bracelet a little stretched
Rolex - A gentleman's Oyster Perpetual 'Air King' precision stainless steel wristwatch, circa 1987, the signed blue dial with silver coloured batons, hands and sweep second hand, model number 5500, serial number R333324, the signed automatic 29 jewel movement calibre 1520, case number 1002, on a steel steelinox Oyster bracelet number 78350 with Oyster clasp, complete with original guarantee dated 21/12/1987, instruction booklet, suede cover, and outer card cover, no box Other Notes: First released in 1945, the Air King is currently one of the longest continuously manufactured models within the Rolex range. It is the only remaining watch in production from the original “Air Series” which included the Air Lion, Air Giant, and Air Tiger, all created to honour the RAF pilots of the Battle of Britain. The Air King is well known, and has become a highly prized collector's piece.
Breitling - A gentleman's 'Datora' chronograph steel watch head, circa 1945, the circular signed cream coloured dial with Arabic numerals, blued hands, sweep blued chronograph counter and red date indicator, with day and month windows at 12 o'clock and three subsidiary registers, model number 785, case number 608721 (for restoration) This is a 'project' watch in need of full restoration and is not currently in working order. The acrylic crystal is a little perished and cracked. It is lacking lug bars and a strap, and the chronograph pushers are inactive but it has the potential to be a rare, beautiful and collectable timepiece once restored.
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