14361 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

A postman`s alarm clock

A Leather cased set of Binoculars plus a German Junghous 1950`s Alarm Clock

A STAINED WOOD CASED MANTEL CLOCK WITH ENAMEL DIAL, AN ALARM CLOCK, A CARVED WOOD BRUSH STAND IN THE FORM OF A GLASS EYED PARROT, QUANTITY OF CHESSMEN AND VARIOUS BYGONES ETC

An American mahogany wall clock with striking alarm movement, 65cm (25.75") high

An American mahogany wall clock with striking alarm movement, 65cm (25.75") high

An unusual novelty Tape Measure in the form of an Alarm Clock, 1 ¼” tall

Victorian Postman`s style alarm wall clock with two weights

Victorian `Postman`s alarm clock` with bell strike

A Smiths art deco style white Bakelite Alarm Clock and another similar Alarm Clock

A Jaz cased alarm clock

A brass carriage clock with alarm movement, in leather outer case

A Cartier alarm clock with Swiss movement, in fitted red leather case

A Jaeger Le Coultre travelling alarm clock, with green enamel dial, gilt Roman numerals, in fitted leather case

French Art Deco silver alarm clock, in fitted case, retailed by Mappin & Webb, stamped `925` 3.5" square,

An oak cased Junghans Castle mantle clock with circular dial and two subsidiary dials and alarm 31 cm high

A late George III mahogany longcase clock by Thomas Dadswell of Rotherfield, the moulded cornice above two doric pilasters, with a ten inch square brass dial, with silvered chapter and alarm rings and a 30 hour counter wheel strike movement, above a panelled door, raised on bracket feet, 194 cm high.

A late 20th Century champlevé enamelled and enamelled repeating Carriage Alarm Clock, the silvered platform escapement to a painted dial depicting a reclining nude within a landscape, to a Roman chapter ring with outside minute track, pierced steel hands and sweep centre seconds, in a champlevé enamelled case with carry handle and push repeat, decorated with turquoise blue field and coloured floral and foliate decoration and with further enamelled side panels depicting bathing nude female figures, height 8”

A late 19th Century Walnut Cased Postman’s Alarm Clock, the moulded surround to a spun brass bezel with convex glass (glass A/F), to an 8 ½” painted wooden dial signed Tree, 121 Great Dover Street and 310 Walworth Road, London SE, with cast brass hands and alarm set to the centre to a twin weight-driven movement, diameter 12”

An unusually small late 19th Century Mahogany cased small Postman’s Alarm Clock, the plain moulded surround, to a spun brass bezel with convex glass enclosing a 5 ½” painted Roman wooden dial with outside minute track and cast brass hands with central alarm set to a twin weight-driven movement, diameter 8 ½”

A Mixed Lot comprising: Various Postman Alarm and Cuckoo Clock parts and movements, (most incomplete)

Swiss three weight cuckoo clock, a Smiths musical alarm clock - Who`s afraid of the big bad wolf and one other (3)

An eight day clock by Argenta with date and alarm, the case in gilded rectangular style. 10 cm square.

Brass striking lantern clock with alarm signed Waltar Archar, Stow, 18th Century and later. Dial with 6½" chapter ring with alarm disk and foliate engraving to the centre, surmounted by a strapped bell and lion and unicorn frets, standing on turned feet, 36cm high

Seth Thomas American mantel alarm clock.

An oak cased alarm mantel clock and a Smiths electric mantel clock.

An Art Deco Jaz alarm clock in a fitted leather travelling case, height 9cms, a/f

AN ENGLISH BRASS LANTERN CLOCK, LONDON, FIRST PERIOD unsigned, the dial finely engraved with a ring of flowers, the silvered chapter ring of roman numerals with quarter and star shaped half divisions, having iron hand, strapwork frets, banded ovoid finials, bell straps divided by leaves and iron bell, the movement with cruciform bars and now with anchor escapement, on bulbous feet, 41cm h, c1625-30 In 1987 this clock was the subject of correspondence (with which it is sold) between the late owner and George White, the author of English Lantern Clocks, published in 1989. Sir George, to whom the enquiry had been referred by the British Museum, observed that the rough castings of the frame can be found on a number of clocks by William Bowyer of Leadenhall Street. He also commented on the engraving which he describes as "particularly beautiful" and "full of [symbolism]" although suspecting that the engraver had executed it the wrong way up! ++Alarm work, doors, back, hoop, spurs and some other parts missing; long in the late owner`s possession and not subject to any recent or `professional restoration`, requires a light clean, but essentially complete and a good example from this early period. Consigned by executors

A FRENCH BRASS CARRIAGE CLOCK the enamel mask dial with painted swags and alarm dial below, the movement with platform lever escapement striking on a gong, the backplate numbered 18221 and repeated on the underside of the gorge case, 11.5cm h, excluding handle, late 19th c ++Minute crack in the top left corner of the enamel dial in good original condition requiring cleaning but retaining much of the original gilding the escapement in apparently good working order and original but in very incomplete and worn leather travelling case

A 19th century mahogany cased postman`s alarm clock, having a painted dial with Roman hours

A mixed lot to include: a Zenith travelling alarm clock, vintage brass car horn, brass coal scuttle, part companion set, a Barum Ware bottle vase etc.

Large quantity of miscellaneous travel alarm clocks, quartz clock movements etc

Mahogany and ormolu clock bracket, 14.25" wide; alarm carriage clock within a corniche brass case, 6" high (a.f) and a set of six ormolu capitals

Carriage alarm clock striking on a bell, within a corniche brass case, 5.5" high

French repeater/alarm carriage clock striking and repeating on a gong, within a corniche brass case, 7" high

Junghans two train mantel clock with alarm, the 4.25" white dial with central brass alarm dial within a glazed pillared architectural case surmounted by a finial, 18.5" high

Small Black Forest postman`s alarm wall clock, the 5.75" cream dial within a turned wooden surround

Black Forest postman`s alarm type clock, with wooden plated movement, the 9" white enamel dial with central alarm dial within a brass bezel

Black Forest postman`s alarm wall clock, the 7" white dial with central brass alarm dial within a turned surround

Walnut and floral marquetry month going longcase clock with five pillar movement, the 12" brass arched engraved dial signed Fromantell & Clark on a silvered boss to the arch over a silent/night aperture, silvered chapter ring enclosing a subsidiary seconds dial, centre alarm dial and calendar aperture to the matted centre, the case with long door, the lenticle aperture covered with a pierced brass oval urn embellishment, decorated overall with birds, urns and vases with flowering foliage, surmounted by a broken triangular pediment over a geometric blind fret frieze, with two lead cased brass weights and pendulum, 95" high

A postmans alarm wall clock, inscribed `Theodore W (?), Bishop`s Stortford`

A fine alarm repeater carriage clock in a gilt brass case with circular 2.25 ins silvered dial and floral filigree surround and within a caryatid case, 7.5 ins high (catalogue illustrated)

A gilt brass petite sonery repeating carriage clock with alarm, French 1880. The enamel dial decorated with a blue centre, signed Bailey, Banks & Biddle, Philadelphia. The movement striking on two gongs in a cornice case with incised corners, 6.25 ins high, inscription dated 1880 to front base plinth (catalogue illustrated)

A brass cased carriage clock, late 19th century, the enamel dial inscribed `Cheminant, Paris`, with a repeat mechanism and alarm striking on a bell, 12.5cm

A YELLOW GROUND CHAMPLEVÉ CARRIAGE CLOCK with repeat button and alarm, the enamelled dial with Roman numerals, 8 1/4" high overall with handle up

A Zenith Patent Alarm Clock and Two German Clocks (a/f)

A Georgian style brass cased Swiza clock alarm, ht. 9 cm.

A postman`s alarm clock, 19th century, with painted wooden dial, brass bezel and convex glass.

A French lacquered brass ‘gorge’ cased carriage clock with push-button repeat and alarm L`Epee, late 20th century The eight-day gong striking movement with platform lever escapement and rectangular white enamel Roman numeral dial signed L` Epee.., Saint Luxanne, France to centre with alarm setting dial beneath, the bevel glazed ‘gorge’ case with hinged carrying handle, 15cm high excluding handle. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request.

A fine Swiss gilt brass grande sonnerie giant carriage clock with alarm and push-button repeat Unsigned, 19th century The eight-day two train movement with horizontal lever escapement with split bimetallic balance and engravedCesare Schepers, Firenze, 1883 to the platform, the backplate planted with visible grande sonnerie rack work striking on two bells and alarm pulley with hammer sounding on the smaller bell, the rectangular white enamel Roman numeral dial with blued steel Breguet hands and concentric alarm setting hand above subsidiary strike/silent pointer between winding holes to lower margin, the bevel glazed case finely cast and chased with repeating acanthus leaves to the slender frame members, with hinged carrying handle above pin-hinged front and rear doors, on conforming cast apron base with scroll feet, 20.5cm high excluding handle. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request. A closely related Swiss gilt brass giant carriage clock with grande sonnerie striking was sold at Christies, King Street, London 1st July 2005 for £4800.

An Irish Regency brass inlaid rosewood bracket clock with pull quarter repeat and alarm Warner and Hinds, Dublin, early 19th century The five pillar twin fusee bell striking movement with pull-quarter repeat on six bells and alarm sounding on a separate bell, the backplate signed Warner & Hinds within continuous leafy trail engraved border, the 8.5 inch circular white painted Roman numeral dial with alarm disc and repeat signature to centre and with cast brass bezel, the lancet top case with Gothic rosette inlaid line decorated pediment above canted angles and panel-stepped apron with conforming brass inlay, the sides with rectangular sound frets, 52cm (20.5ins) high; with a contemporary brass inlaid wall bracket with acanthus carved angled corner decoration flanking armorial deer inlaid centre panel to apron above spiral gadroon carved quarter-round section and cavetto moulded base with conforming brass line bound domed pendant terminal, 77cm (30.5ins) high overall. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request. Warner and Hinds are recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Dublin from the late 18th century until 1824.

A rare small Italo-Germanic engraved brass table timepiece with pull quarter repeat and alarm Antonio Ferci, Asti, circa 1700 The four pillar movement with engraved standing barrel and verge escapement with short bob pendulum for the going train, silent pull-quarter repeat on two bells mounted above, and separately wound alarm sounding via a vertically pivoted hammer on the larger of the two bells, the dial integral with the case and approximately 4 inches square with central alarm disc and pierced brass hands within an applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with unusual applied repousse winged mask spandrels and inscribed ANTONIO FERCI to upper margin, the case with ball finial to the foliate scroll engraved and pierced ogee shaped upstand above baluster turned three-quarter columns to angles, the right hand side panel engraved with a female figure and inscribed ASTI, the left with a figure dancing above a series of abstract hatched scrolls (the sides with holes for repeat and alarm cords) the rear panel decorated with a central female figure with sword and severed head flanked by two further figures above stylised flowering foliage, the upper left hand margin engraved JUDITE e OLO, on rectangular base with brass compressed bun feet, 20.5cm high. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request. The specification of the current lot with its `silent pull` repeat mechanism (which strikes the hours and quarters on demand only) and alarm suggests that this timepiece was designed predominantly for use in the bedroom chamber. Furthermore the small compact size indicates a degree of portability which suggests that this timepiece may well have been made with travelling in mind, perhaps serving the same basic purpose as a `Pendule d`Officier` of a century later. The form of the current lot, through its resemblance to a 16th century `masterpiece` table clock (of the type predominantly made in Southern Germany during the 16th and 17th centuries) suggests a Germanic influence. However the dial, with central alarm disc, applied chapter ring with Arabic five minutes and `winged mask` spandrels is almost reminiscent of English work of the late 17th century. The engraved decoration to the sides and back panel are wonderfully naive, with the rear depicting the scene of Judith carrying the head of Holo.

A rare George III ebonised bracket timepiece with pull quarter repeat William Keys, Taunton, late 18th century The four pillar single fusee movement with rise/fall regulation for the verge escapement and silent pull-quarter repeat sounding the quarters on a small bell and the hour on a large bell, the 8.5 inch brass break-arch dial with plain centre within applied silvered Roman numeral chapter ring with Arabic five minutes and signed Will. Keys, TAUNTON to lower edge, the angles applied with scroll cast spandrels beneath arch with Faster/Slower regulation dial flanked by conforming mounts, the bell top case with hinged brass handle above foliate pierced frets to upper quadrants of the front door and circular over concave-topped sound frets to sides, on shallow moulded base (some losses/repairs to both movement and case), 48cm (19 ins) high excluding handle. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request. William Keys appears to be unrecorded, however two makers with the same surname are recorded working in Exeter during the early years of the 19th century. The movement of the current lot incorporates a repeat mechanism which is based upon a design originally devised by Joseph Knibb to enable the clock to sound both the hours and the quarters only on demand by pulling the line exiting the case. In this form, the repeat mechanism has to power both the hour and quarter striking mechanisms rather than just the quarters before tripping the hour strike train (for striking table clocks). This type of repeating mechanism is often termed `silent pull` and is thought to have been intended for clocks destined for use in the bedchamber. Evidence in both the backplate and the dial centre suggests that the current lot was also originally fitted with an alarm mechanism further indicating bedroom use. The original owner of the current lot would have had to have been a very wealthy individual in order to be able to afford the luxury of a spring clock exclusively for use in the bedchamber.

A Zenith pocket alarm clock in a case, 3½" x 3½"

Radio Master. A reproduction ships style clock and a Forbes alarm clock in a wooden case (2)

A Cased Cloisonne Enamel Carriage Clock with Repeater and Alarm, 18.5 cm High.

Early twentieth century alarm clock in the form of portly gentleman with a red face wearing a blue striped shirt and a top hat, white circular dial with subsidiary alarm dial marked with an eagle / FMS. Alarm bell in hat, 21cm overall

A stylish Cyma sonomatic alarm clock, of stepped rectangular form, height 14.5cm, width 22cm.

A French carriage clock 20th century in a gilt metal Art Nouveau case the dial signed Collet, Paris with ring of Roman numerals over an Arabic numeral alarm dial, 115cm high

An eight day Westclox clock advertising Knights Castile and a Westclox advert for baby Ben alarm clocks.

A 19th Century French carriage clock retailed by J. Klaftenberger, 157 Regent Street, the 2.5ins white enamelled dial with subsidiary alarm dial to the repeating movement striking on a gong, contained in polished brass and bevelled glass case of shaped outline, 5.25ins high (movement not working properly and with replacement handle)