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Five clocks - a vintage Westclox Big Ben alarm clock, arabic dial, a brass barrel cased clock, a carriage clock "R. Gilbert Dalton-In-Furness, a mahogany cased mantel clock, German clock with bell to top, made in Wurtemberg, (5).

French gilt metal cased travel clock, silvered dial with alarm mechanism, 9.5cm.

An Art Deco electric mantel clock, a chrome alarm clock and a bedside timepiece.

Rhythm world time alarm clock and a collection of watches

An Edwardian gilt brass cased carriage clock with alarm

A 19th Century postman's alarm clock, the painted dial with Roman numerals, and convex glass with brass bezel within a walnut frame 30 cm CONDITION REPORTS Dial, movement and case appear contemporary (19th Century). Dial has been repainted. Please note that we can make no guarantees as to whether or not in working order.

An ebonised miniature thirty-hour longcase timepiece with alarm The movement... An ebonised miniature thirty-hour longcase timepiece with alarm The movement and dial by Conyers Dunlop, London, circa 1740 The posted single-handed movement with verge escapement regulated by short bob pendulum swinging to the rear of the clock and alarm set within the frame behind the going train, the 5 inch brass break-arch dial with alarm disc and pierced steel hand to the matted centre within applied silvered Roman numeral chapter ring and rococo scroll cast spandrels to angles beneath circular boss signed Conyers Dunlop, London flanked by conforming mounts to arch, with domed bell bearer behind, in an ebonised case with ball and spire finial to the shallow domed caddy superstructure over ogee moulded cornice, scroll cast brass infill mounts and break-arch glazed door to hood, the trunk with concave throat moulding over slender caddy moulded rectangular door and ogee moulded plinth base with applied skirt, (case with restoration), 193cm (76ins) high excluding finial; 206cm (81ins) high overall. Conyers Dunlop, the son of renowned clockmaker Andrew Dunlop, is recorded in Baillie. G.H. Watchmakers & Clockmakers of the World as apprenticed in 1725 gaining his freedom of the Clockmaker's Company in 1733; he was appointed Master in 1758 and died in 1779.

An unusual Swiss brass inlaid ebonised mantel clock with alarm Unsigned An unusual Swiss brass inlaid ebonised mantel clock with alarm Unsigned, second quarter of the 19th century The rectangular eight-day movement with anchor escapement regulated by disc bob pendulum with silk suspension, the strike train sounding the half hour and the hour on a single bell before repeating the hour again a minute later, the backplate applied with visible strikework incorporating well-shaped steelwork over a vertically planted bell and incorporating alarm with pull-wind pulley and hammer sounding on the same bell, the circular white enamel Roman numeral dial with pierced steel hands and plain alarm setting pointer set within hinged cast brass bevel glazed bezel, the rectangular ebonised case with hinged carrying handle and rectangular glazed aperture to the double brass line bordered top over conforming front with winding holes set immediately beneath the dial, the sides with rectangular windows within single line strung border, the rear with lift-out access panel, on ogee moulded tall skirt base incorporating brass strung borders to front and sides, 24cm (9.5ins) high excluding handle. The current lot features an unusual striking mechanism where the hour is repeated shortly after sounding on the hour. This system is also often seen on 'Morbier' clocks which were made near the Swiss/France border approximately 30 miles North West of Geneva. Indeed this form of striking may be a legacy of Italian practice where earlier clocks (indicating the Italian six-hour system) were often devised to strike the hour twice in succession and is believed to serve as an audible 'reminder' as to the hour for those who may not be in sight of the clock.

A French lacquered brass carriage clock with push-button repeat and alarm... A French lacquered brass carriage clock with push-button repeat and alarm Unsigned, circa 1900 The eight-day two train gong striking movement with silvered platform lever escapement and alarm train sounding on the same gong mounted on the backplate, the rectangular white enamel dial with blued steel moon hands over alarm setting disc to lower margin, the five-glass bevel glazed corniche case with hinged carrying handle, 14cm (5.5ins) high excluding handle.

A German Black Forest Jockeleuhr miniature wall timepiece with alarm... A German Black Forest Jockeleuhr miniature wall timepiece with alarm Unsigned but to a design devised by Jacob Herbstritt, mid 19th century The movement constructed with three wooden plates forming two compartments enclosing going train regulated by tic-tac escapement and short lenticular bob pendulum swinging within the second rear compartment, with transverse alarm mounted to the left hand side sounding on a bell mounted above and circular white enamel Roman numeral dial set into a shield shaped porcelain cartouche surround with gilt and polychrome floral painted crest and scroll decorated surround, the sides with pin-hinged doors, the rear panel with wire hanging hoop to top edge, 11.5cm (4.5ins) high. This type of miniature wall clock was devised by Jacob Herbstritt before 1845 and is essentially devised as a scaled down version of the Black Forest 'Schotten' clock. The enamel-centred porcelain dial of the current lot is a characteristic feature.

A Fine German Renaissance gilt brass and iron hexagonal table clock Stamped... A Fine German Renaissance gilt brass and iron hexagonal table clock Stamped with initials M L , mid to late 16th century The posted twin fusee movement with pinned iron-capped brass spring barrels concealed between two horizontal plates in the base beneath posted frame with four fine slender double baluster turned uprights, the going train now with verge escapement regulated by short bob pendulum swinging to the rear, the strike train set behind the going train incorporating twin-arbor warned release and sounding the hours via a vertically pivoted hammer on a bell mounted on top of the clock, the exterior with moulded cornice and geometric panel decorated frieze over twenty-four hour dial with stylised bird and fruiting foliage engraved centre within punch-stamped Arabic numeral chapter ring with touch pieces to the moulded outer margin, set over a shaped scribed panel enclosing further scrolling foliate and centred with a winding square, the sides with twin panel doors engraved with standing figures of Adam and Eve to the right and a pair of allegorical females to the left, the angles with conforming vertical geometric bands and the rear engraved after Hans Sebald Beham with Christ standing on a globe and holding the standard of the crucifixion beneath dove emblematic of the Holy Spirit, the lower margin with small panel decorated with a reclining female, the plinth base with complex moulded dado over foliate engraved panels centred with roundels featuring four profile busts to the sides and indistinct armorial crest to the front incorporating the stamped initials M L , on conforming moulded skirt incorporating leaf engraved ogee moulded foot, (alarm mechanism removed), 22cm (8.625ins) high. Provenance: The beneficiaries of the Estate of an Italian connoisseur collector of horological artefacts and works of art. The current lot can be compared to an example illustrated in Tardy LA PENDULE FRANCAIS, 3'me Partie: Provinces et Etranger on page 314. The hexagonal form echoes that of contemporary French examples however differs in the that trains are laid out with the strike behind the going rather than the usual French system of having one above the other. The use of iron for the wheelwork would indicate a date prior to 1580 although the inclusion of brass for the walls of the spring barrels would suggest that the clock was made closer to 1580 than 1550. The strike train also incorporates twin-arbor warning which although is known to have been in use by around 1480 (see Leopold, J. H. The Almanus Manuscript ) seems to have been rarely adopted until the introduction of the English lantern clock in its fully developed form in around 1600. The rear of the clock incorporates an engraved view of Christ standing on a globe holding the standard of crucifixion with a dove emblematic of the Holy Spirit above. Typically such decoration was often copied from a contemporary engraved source - in this case an engraving executed by Hans Sebald Beham in 1546. The panels to the sides of the case are probably also copied from similar sources however these have yet to be identified. The base also incorporates an armorial crest to the front panel, unfortunately wear and degradation to the surface now renders this crest indistinct however closer examination and specialist research may result in the family for whom the clock was made to be identified.

A fine German gilt brass quarter striking table clock with annual calendar... A fine German gilt brass quarter striking table clock with annual calendar dial Engraved with initials P K F R , dated 155(4?) The posted iron triple fusee movement of 'cruciform' layout centred with longitudinal going train with verge escapement regulated by steel two-arm balance set above the top plate flanked by transverse quarter train opposing conforming strike train, the quarter train with cannon warning arbor applied over the locking detent arbor released via capstan wheel driven by the underdial motionwork operating a sliding shunt and sounding on a bell mounted within the superstructure above, the hour strike train now fitted with countwheel for Italian double six-hour striking and released in-turn by the quarter train via detent engaging with pins to the quarter countwheel and arbor passing across the front of the movement, the exterior with annual calendar dial now with vacant centre within concentric Zodiacal scale engraved for the Julian calendar divided onto five day intervals to inner track within reserve engraved with pictorial representations and respective symbols with divisions for every day to the outer track, the applied ring aligned with the Zodiacal scale and divided in a similar manner with each month labelled in Latin along with its length, the spandrel areas engraved with symmetrical hatched foliate scroll infill over conforming band to apron incorporating pivoted shutter for the vacant alarm winding hole engraved with the initials P K, F R , the opposing side now applied with twelve-hour chapter disc with hatched foliate scroll engraved centre within concentric Arabic numerals 13-24 and outer Roman numerals, the upper spandrel areas with conforming foliate infill, the lower margins engraved to match and now applied with three vestigial subsidiary dials for day-of-the-week, quarter-hours and date-of-the-month, the quarter train side with panel engraved with a Classical female playing a harp within an architectural archway fitted with shuttered winding hole for the quarters and another vacant hole probably originally for remote winding of the going train over hatched foliate scroll engraved panel to lower margin, the opposing strike train side with subsidiary countwheel position dial annotated in Arabic numerals 1-12 over vestigial alarm setting dial within further hatched leafy trail infill, the top with fine ogee-outline cupola with complex rectangular section spire finial over stylised flower buds applied to shoulders and six pierced circular portrait panels each depicting an allegorical profile within hatched leafy scroll decorated panel infill, the slender moulded cornice applied with squat urn finials and engraved with text DIE . STUND . UND . TAG . 155(4?) over the calendar dial opposing WACHET . DAN . IR . WIST . NIT over the hour dial, the angles incorporating square section three-quarter pilasters and plinths decorated with scribed-line panels, on shallow inverted breakfronted cavetto moulded base engraved with stylised interlaced foliate motifs, (losses/replacements to dials and motionwork), 22cm (9.75ins) high. Provenance: The beneficiaries of the Estate of an Italian connoisseur collector of horological artefacts and works of art. Comparative literature: Maurice, Klaus and Mayr, Otto THE CLOCKWORK UNIVERSE, GERMAN CLOCKS AND AUTOMATA 1550-1650 pages 182-85 and 189-90. The current lot employs the archetypical 'cruciform' layout to the movement (where the going train is positioned longitudinally in the centre flanked by transverse quarter and hour strike trains) favoured by the south German makers of the finest 'Masterpiece' table clocks from the mid 16th century until the end of the 17th century. From a practical point of view this layout adds a degree of complexity with regards to resolving the lifting of the strike and quarter trains but has the significant benefit of allowing each face of the case to be fitted with dials/features directly relating to the function of mechanism behind. This benefit is particularly relevant when considering the statutory requirement (specifications) of a 'Masterpiece' as dictated by the Augsburg clockmakers' guild in 1558 as transcribed in Maurice, Klaus and Mayr, Otto THE CLOCKWORK UNIVERSE, GERMAN CLOCKS AND AUTOMATA 1550-1650 on page 67: " Mastepieces of 1558 Small-clock makers: A clock a span high, without weights, to strike each quarter-hour. The astrolabe runs as part of the clock. A small flat clock or spherical clock with the phases of the moon; the latter to move forward in time with the hand ." In order for the current lot to fulfil the above requirements it would have need to have been fitted with an astrolabic dial and one showing the phases of the moon. When considering the layout of the clock it is conceivable that an astrolabe was originally fitted to the centre of the side now applied with the twelve-hour chapter disc, however the inscription to the cornice above - DIE . STUND . UND . TAG would perhaps suggest otherwise as this simply translates as THE HOUR AND DAY. From this it is more likely that that the original dial configuration to this side was limited to time, day-of-week and date-of-month functions alone. The other side retains its original year calendar complete with Zodiacal divisions however the central feature is now missing. A clue to what was originally fitted in this space may again be suggested by the inscription to the cornice above - WACHET . DAN . WIST . NIT. Unfortunately there appears to be no direct translation for this phrase, however when considering the inscription in broadly linguistic terms it may be appropriate to speculate that it relates to day and night indication. If this is the case then the centre of the dial may well have originally been fitted with a dial indicating the variance in the relative length of the day and night throughout the year. Alternatively, as more commonly seen, the centre may have featured a disc pierced for the phases of the moon. In addition to either of these two functions the annual calendar dial would have most likely had hands to indicate the date of the year and the zodialogical aspect of the sun. One slight complicating factor regarding the reconstruction of the moving elements to the centre is the presence of the going train winding square. However examination of the going train fusee and other evidence within the movement and quarter-strike side of the case suggests that the going train may have originally been fitted with indirect winding from the side. This would have left the dial centre (and indeed the motionwork behind) free of obstruction. The distinctly two-dimensional external decoration of the current lot is unusual and differs from the fashion for intense sculpted relief made popular by makers such as Jeremias Metzger during the mid 1550's. However the decorative effect of the pierced and engraved profile portraits to the dome is particularly pleasing. The applied stylised flower heads to the angles of the cupola are also unusual being reminiscent of similar decoration seen on Gothic iron chamber clocks of the period. The movement is particularly well executed with fine delicate wheelwork which is remarkable when considering that each wheel was hand forged, cut and filed. The provision of a fairly complex system of warned striking is also testament to the clockmakers technical ability.

A rare George II ebonised table clock with moonphase Thomas Hatton, London A rare George II ebonised table clock with moonphase Thomas Hatton, London, mid 18th century The six pillar twin fusee bell striking movement with Ho-Ho bird inhabited foliate scroll engraved backplate centred with a basket of flowers, the 7 inch brass break-arch dial with calendar and shaped false bob apertures and vestigial alarm disc to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track and pierced steel hands, the angles with applied Indian mask and rococo scroll cast brass spandrels beneath rolling moonphase calibrated for age of the moon and times for high water to the outer edge of the disc over leafy rosette engraved lunettes and with deep herringbone border to the arch, the bell top case with hinged brass carrying handle over foliate scroll pierced upper quadrant frets to the glazed front door, the sides with conforming shaped frets over break-arch glazed apertures, the rear with door matching the front set within the frame of the case, on moulded skirt base with later bracket feet, (movement with losses), 45cm (17.75ins) high excluding handle. Provenance: George Fludyer, (d.1837) and by descent through the Fludyer Family, finally to Sir Arthur John Fludyer, 5 th and last baronet, who died childless in 1922. Then to his sister Katherine who married Henry Randolph Finch of the Croft, Manton, second son of George Finch, Burley-on-the-Hill, Rutland and by descent. The Finch Family had the title of the The Earls of Winchelsea and Nottingham Burley-on-the-Hill. Thomas Hatton is recorded in Baillie, G. H. Watchmakers & Clockmakers of the World as working from Old Bailey, London from before 1757 until 1774. In 1773 he published the work Introduction to the Mechanical part of Clock and Watch Work.

A William III brass lantern clock William Holloway, Stroud A William III brass lantern clock William Holloway, Stroud, circa 1685-90 The posted countwheel bell-striking movement with separately wound trains and verge escapement regulated by short bob pendulum positioned outside the frame at the rear, the dial with a central rose decorated vestigial alarm disc enveloped by stylised leafy tulip sprays issuing from a three-petal flowerhead positioned just above six o'clock and with signature William Holloway, Stroud to upper margin, with iron hand within applied Roman numeral chapter ring with stylised wheatear half hour markers and engraved leafy infill to angles, the generous London-style third period frame with one-piece column turned corner posts beneath armorial pierced frets, vase turned finials and domed bell bearer, the sides with hinged brass doors and the rear with iron hanging hoop over a brass backplate (in unrestored condition, lacking alarm, top finial and with replaced frets ), 35.5cm (14ins approx) high. William Holloway is recorded in Loomes, Brian LANTERN CLOCKS & Their Makers as the son of the clockmaker John Holloway born in 1732 at Market Lavington, Wiltshire. In 1658 he moved, along with his father and younger brother Richard, to Stroud in order to take-on the workshop of the recently deceased John Snow. Holloway was married to Hester Hieron in 1664 and continued working until his death in 1694. William Holloway had three sons one of which, John, continued the business in Stroud after his death; the other two, William and Arthur, moved to London to pursue the trade in the capital. William Holloway was a confident, accomplished and relatively prolific maker who used distinctive castings for his frames which appear almost unique to the Holloway family. His early clocks (1661 to circa 1680) used castings loosely based on the London second period style but were one-piece (i.e. finials and feet were cast integral with the posts) with tall slender finials capped by distinctive acorn turnings. Three examples by Holloway with this type of frame are illustrated in White, George English Lantern Clocks on page 246 (Figures V/78-80). The second type of frame used was much more akin to the standard London third period pattern but again employed one-piece castings and appeared to be short-lived as they are only seen on clocks dating to the first five or six years of the 1680's (see White, page 247, Figure V/81). The third pattern was again based on London third period practice but was much more generous with distinctly bulbous swellings to the finials and feet, two clocks with this type of frame are illustrated in Loomes, Brian LANTERN CLOCKS & Their Makers pages 207 and 209 Figures 13.8 and 13.13. Other traits of Holloways work include the continued use of separate winding for each train long after most other makers had adopted Huygens' single-weight endless rope system. Clocks with separately wound trains are characterised by having hour bell hammers positioned to the right hand side of the movement. Loomes suggests that Holloway may have continued this practice as it allowed straightforward disablement of the strike train by simply removing or not winding the strike weight. Another unusual feature peculiar to Holloway was that he often used four wheel trains in order to give a longer duration. The current lot is a typical of Holloway's final phase of work with generous bold castings and London-style tulip engraving to the dial centre. Unusually the clock is not dated but on stylistic grounds alone it can be placed within a couple of years of 1690.

Three various clocks including an Art Deco Hammond Synchronous electric Date and Day alarm clock.

Three jewellery boxes containing a quantity of costume jewellery to include a small amount of silver stamped 925, a plated card case, travel alarm clock, a small quantity of bank notes and coins and similar

A postman's alarm clock with pendulum and key

A quantity of Wallace & Gromit memorabilia including soft toys, T shirts, figures, alarm clock etc

Collection Of Alarm Clocks, 5 in Total. Including Beatall, Travel Alarm Clock in Black Case Made in USSR by Vega, Travel Alarm Clock in Case Made by Europa, Brass Alarm Clock by Swiss Empire Made in GB.

A FRENCH GRANDE SONNERIE CARRIAGE CLOCK the white enamel Roman dial with Arabic five minutes, inscribed Leroy & Fils, 211 and 213 Regent Street, London, also 13 and 15 Palais Royal, Paris, blued steel Breguet hands and with subsidiary alarm dial, the movement is numbered 2853 and has its original silvered platform escapement which also bears this number, coiled gong strike and with three position lever to the inset base, the gilded gorge case with large rectangular top glass and push button repeat, 14cm high, complete with original numbered key and maroon Moroccan leather travelling case

A 19TH CENTURY FRENCH GRANDE SONNERIE CARRIAGE CLOCK with white enamel Roman dial, subsidiary alarm dial signed Champion, Rue Nve. Des Pts. Champs 21, the movement with platform lever escapement, adjusting square for silence, petite sonnerie and grande sonnerie, signed to the base and No.195, the gilt brass fluted case with large top glass and push button repeat, 15.5cm high

A 19th C French Grand Sonnerie Quarter repeater Carriage Clock: an oval brass case with quarter repeating and alarm mechanism, with Grand Sonnerie, Petite Sonnerie and Silence setting to the base, striking on gongs. Maker's mark P.R to the back plate, in fitted case with key. H 15cm x W12 cm x D10 cm CONDITION REPORT: Perfect condition, Perfect working order

MISS AMERICA CLOCK. Retro mechanical twin winder alarm clock with image of 1960s Miss America contestants on clock face

A Longchamp desk alarm clock

L'EPEE, A FRENCH BRASS CASED REPEATER CARRIAGE CLOCK, the white enamel dial, signed, with Roman and modern numerals and subsidiary alarm dial, the movement with L'Epee mark and striking a coil gong on the hours and half hours, complete with key. 17cm to top of handle

An eight-day bedside clock, the square dial with Arabic numerals within a blue and black enamel frame, on an easel back, 8.5cm wide and an Asprey travel alarm clock, the circular dial with Roman numerals and date aperture, in a folding wooden case, 6cm wide Condition Report: Lot 235 Bedside clock - Frame in sound condition but brass very tarnished. Minute hand slightly bent, ivorine face slightly tarnished. At present in working order. Asprey - Not in working order.

A Victorian marquetry mantel clock, the enamel dial marked Leroy à Paris, within a rosewood, foliate inlaid case, 21cm high and a later alarm clock

Georgian drinking glass with bell shape bowl and folded foot H16cm, Victorian green glass dump, Garrard & Co. silver plated 'Regent Plate' tea pot, early 20th century German travelling alarm clock, cheroot box, Noritake ceramics, decanter and paperweight in one box

An American Ansonia brass alarm clock 'Rouser', with Roman numeral dial, 15cm diameter, with a Swiss brass carriage clock with dial signed Imhoff, 13cm (2)

A 19th century French brass carriage clock with alarm, in a leather case. 4.5ins high. 881.

A sterling silver toast rack, Swiza alarm clock & set of Dutch silver plated forks.

A mixed lot including a Winston Churchill bust, French DEP alarm clock, a bog oak carved Irish miniature harp.

A Postmans alarm clock and a box of clock spares

A late 19th Century walnut alarm mantle clock The Gothic architectural casing with three campana urn finials, the hinged and glazed door revealing white enamel dial with black Roman numerals, pendulum and striking on a bell. Height 42cms.

An early 20th Century wall clock in the form of a clown, complete with weight and pendulum together with a child's alarm clock (2)

A FIVE GLASS FRENCH REPEAT/STRIKE ALARM CARRIAGE CLOCK, Japy Freres, Circa 1900, approximately max 13cm high

A 19th Century French Carriage Clock with white enamel dial and subsidiary alarm dial, hour repeater and striking movement, engraved Brevetco (PM) in brass case having bevelled glass panels, 7in, with original travelling case

An Edwardian gilt brass cased carriage clock, with enamel dial and subsidiary alarm dial, on a plinth base, with single train movement, 13cm high. (key)

A small Sestrel brass cased alarm clock.

20th Century brass cased repeating carriage clock having enamel dial with Roman numerals and alarm dial, inscribed Lepee with key

Small 20th Century brass cased carriage clock, the enamel dial (a/f) having Roman numerals and subsidiary alarm dial striking on a bell

Early 20th Century gilt brass cased carriage clock having enamel dial with Roman numerals and subsidiary alarm dial striking on a bell in a fitted leather case

Late 18th or early 19th Century kingwood and ormolu mounted bracket clock, the shaped case with rococo style mounts, the silvered dial with Arabic and Roman numerals and central alarm dial, the two train movement striking and chiming on three bells

71 SVEGLIA DA TAVOLO HERMES Paris, n° 1005. Anello esterno rotante con indicate tutte le capitali del mondo. Fornito di scatola originale. Diametro mm 75 ALARM CLOCK BY HERMES PARIS N1005 winding front case with all the capitals of the world. In the original box. Diameter 75 mm € 700

72 OROLOGIO DA CARROZZA in argento a tripla cassa. Quella esterna rivestita in pelle decorata in argento, quella centrale in argento traforato e sbalzato a motivi di gusto Luigi XIV. Il movimento a carica posteriore, con complicazioni, suoneria e sveglia, è firmato Pierre Durand. Il quadrante in argento inciso presenta la doppia numerazione romana e araba. Diametro esterno mm 67 SILVER CARRIAGE CLOCK with three cases: the extern in leather with silver ornaments, the central in open work and embossed silver with Louis XIV designs. Movement with back winding, complications, ringing and alarm. The silver dial has roman and arabic numbers. The moviment is signed Pierre Durand. External diameter 67 mm € 3000

A 1930's French brass travel alarm clock by Brevete, in original case (working)

A small mother of pearl cased dual dial alarm clock, dial marked Bavaria, main dial cracked, lacking one piece of mother of pearl, one 'foot' a/f

An early 20th Century Tiffany & Co alarm repeat carriage clock, with striking gong the brass body having bevelled edged glass panels and top with twin barrel repeater movement , the white enamel dial having black Roman numeral hourly markers with minute track border with alarm dial below, face marked Tiffany & Co, movement plate stamped France 14688, height 16.5cm.

An Ingersoll alarm clock and a small mahogany domed cased mantel clock

A late 19c French carriage clock in glazed brass case with outswept base and reeded cast handle. The movement is intended to have 'petit sonnerie' quarter striking and repeating and it has an alarm, but some lifting pieces have been removed preventing it from striking. It has a silvered lever platform escapement and a gilt mask with cream chapter ring and alarm set dial, 7.5 tall overall.

Georgian style walnut cased miniature table clock, the lantern top case having a folding brass handle, arch shaped glazed door enclosing dial with white enamel chapter ring having Roman and Arabic numerals, alarm dial to the centre and subsidiary dial to the arch set within an embossed mask, brass fusee movement, 17.75cm high Condition: Please see extra images and TELEPHONE department for further details

An 18th century brass lantern clock, with Roman numerals to the chapter ring, engraved with tulips and having an alarm dial, with single steel finger hand, surmounted by a strapped bell and three leaf scroll frets, raised on turned feet, height 13.5ins, together with oak wall shelf bracket Condition report: fret cut panels are loose, hole to top right above chapter ring, has holes for side panels/wings which are not present, where you attach pendulum is bent

A silver cased timepiece, with easel back, Birmingham 1979, and with Looping movement with alarm. Width 10.3 cm (see illustration). CONDITION REPORT: The clock case is in very good condition with no significant issues. The bottom right hand corner is crushed but not significantly damaged. There is small dent to the top of the silver case. The movement is over wound. The clock is not currently ticking. The clock face and hands are in good order and the hand adjustment operates. The movement however clearly needs an overhaul.

Three French brass carriage clocks, two timepieces only, one with alarm. Tallest 13 cm. CONDITION REPORT: The clock with the alarm dial is single-train. The clock is overwound and is only ticking for short periods of time and does not appear to be striking. There is no damage to any of the glass panels and the original finish and lacquer is reasonably intact. The dial is in good order and the movement matches the case. The darker of the two remaining clocks is two-train striking on a single gong. The movement is original to the case. The dial appears to be in good order. All glass panels with the exception of the rear door are in good order. The rear door has small losses to three of the four corners. The original lacquer to the case is perished in places. The clock is two-train striking on a gong and is overwound on both trains. The third clock is also a two-train clock striking on a gong. This clock is also on both trains. The case and movement are original to each other. The dial has had repairs to the top left and right hand corners and has various hairline cracks and scuffs. The original lacquer to the case is perished. The rear door is missing its handle and is pushed in to the back of the movement. The glass panels are all in good order other than the rear door. The rear door has chips to two corners.

A Celest brass "Yacht Alarm" bulkhead clock and a matching barometer, each diameter 10cm.

A JEAGERLECOULTRE GILT AND PINK ANODISED AND LACQUERD BRASS BARREL EIGHT DAY ALARM CLOCK, C1960 5cm h, maker's maroon card box ++In very good condition, apparently not working, when gently shaken the movement runs for a few seconds before stopping

A Victorian rosewood box and contents to include a silver handled button hook and horn, bread forks, Crescent binoculars, jade, vintage alarm clock etc.

A 19thC English mahogany dial clock and a Jerome American postman's alarm clock

Jaeger 8 day alarm clock circa 1960 in cylindrical decagon form

A Nigel Mansell digital alarm clock, 1992 Formula 1 & 1992 Indy Car World Championship, in original box; a selection of novelty cigarette lighters and collectables