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A circa 1930 mahogany cased mantle clock, the gold effect dial with Roman numerals inscribed "Mappin & Webb", an oak cased mantle clock, the circular dial inscribed "Ferranti", bearing plaque inscribed "Presented to Geoff. Perrett by The Members of Bristol Motorcycle Club April 1948" and an H.A.C Goliath repeater alarm clock bearing label verso "Shephard & Catton Burnley" (3)
RED CHINA - THREE CHAIRMAN MAO CLOCKS post-1949, comprising two stained wood mantel clocks, each circular dial with Arabic numerals around a crowd scene of cheering workers, the canted corners with inset full-length portrait panels, each 23cm wide; together with a red painted metal alarm clock, 15.5cm high.
BEATLES SGT PEPPERS, ABBEY ROAD & MYSTERY TOUR MERCHANDISE. Eight items with all being boxed and most made by Vandor to include Sgt. Peppers Salt & Pepper, Sgt. Peppers large cookie jar, guitar box, Abbey Road mini box, She Loves You mini box, Magical Mystery Tour mini box, collectors photo frame and Sgt Peppers alarm clock.
Thomas Watts of Lavenham - an 18th century brass wall clock, having an arched dial with signed silvered disc to the arch, silvered chapter ring with Roman numerals, alarm dial, single pierced blue steel hand, cast brass mask spandrels, weight driven 30-hour striking verge movement (lacking bell), the whole housed in later oak case, dial w.5", h.7"Haggar & Miller's Suffolk Clocks & Clockmakers lists two Thomas Watts of Lavenham, being father and son. The father 1694-1741 and the son 1729-1777. It is often not possible to distinguish their clocks from one another, however Thomas Watts Jnr was the more prolific maker of the two, and he is reputed to have made the Lavenham church clock in 1775.
A circa 1900 French brass carriage clock, with alarm and push button hour repeat, having visible platform escapement, unsigned white enamel dial with subsidiary alarm dial, twin barrel going eight day movement striking the hours and half-hours on a gong, the alarm striking with single hammer on a bell, unsigned backplate, h.16cm (handle down), together with a leather case (case in very poor condition) and winding key Condition Report / Extra Information In running and striking order.
An unusual Postman's Alarm clock, early 20th century, unusual three colour dial on a Black Forest movement of 30 hour duration with alarm clock, with pendulum and cone weights hanging below, the movement within wooden frame.* These clocks were supplied to postmen, tram drivers and conductors to keep at home. With original paperwork from 'The Barometer Shop' and various letters from the Antiquarian Horological Society and Science museum, regarding the provenance of these clocks.
A French brass repeating carriage clock by Drocourt , late19th century, the case engraved to the edges and base with geometric designs, the face with ivory Arabic numeral chapter ring, signed Drocourt 23 Rue Debelleyme, with subsidiary alarm ring below, on a matted foliate gilt back plate, the twin barrel movement with repeat mechanism and gong strike, 14cm high appears to be going, repeat mechanism is working, loss of gilded surfaces to case,
A French brass carriage clock, late 19th century, with plain case, the white enamel dial with Roman and Arabic numeral chapter ring, with subsidiary dials for the day of the week, alarm and date, the double barrel movement with repeat striking and gong strike with two hammer action, 14cm high there is wear to the surface finish of the case,
Westclox- Nice Quality And Attractive Gilt Metal Clock Garniture Set. Circa 1900-1910. An Ornate Clock with alarm. The candlesticks with glass prism drops. The whole making is a very attractive Garniture Set. Clock 11.25 inches high and candlesticks/prisums 9.5 inches high. Excellent working order. 2 prisms missing to one candlestick.
19TH CENTURY FRENCH BRASS CARRIAGE CLOCK having full depth Roman enamel face with alarm indicator, the face marked: James Ritchie and Son of Edinburgh, the case overall with foliate, scrolled, engraved decoration. Two train striking movement with alarm and repeat. 14cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Includes key, the case is overall worn to show no trace of original gilding, the face lettering is worn but the enamel appears sound. Clock runs and strikes but not tested long term.
An Aspreys travelling alarm clock, mid 20th century, with square silvered dial with Roman numerals all in a folding green leather case, a pair of folding tortoiseshell and gold coloured metal mounted glasses, in leather case by Theodore Hamblin Ltd., a brass bookmark, the terminal as a cats face the opposing end a mouse on an alabaster block, a silver mounted bookmark, whist marker in the form of a rotating hand on a marked dial and a pair of lorgnettes (6). CONDITION REPORT: The 19th Century ivory and turned wood counteriis in good condition throughout other than a small piece of material to the underside missing but this does not detract in any shape or form. The folding glasses in the case are in good order throughout. The lorgnettes may have been gilded previously but this has worn away leaving the base metal however they are still in working, serviceable order. The silver mounted bookmark is in good order. The gilded brass bookmark with cat mask terminal has the glass eyes still inset. The mouse on block on the opposite end of the ribbon is in good order albeit the alabaster block does have some very slight rub mark around the edges. On the whole this is a very good lot and faults would be basically wear and tear that is commensurate with age.
Easton of Petworth, thirty hour wall clock with alarm, 18th century, the 15 cm square brass dial with Roman numerals and floral engraved spandrels chiming on a bell and supported on a stained beech bracket with matching glazed hood. CONDITION REPORT: In our opinion the case has been made to accommodate the movement. It is probably circa 1920. There is damage to the front left hand corner of the cornice where there are losses. There is a further detached section of moulding at the rear left hand corner of the cornice. Other than this the case is in generally good condition. The movement appears to be complete. Whilst we have not had the clock running when weight is applied to both trains the clock seems to operate and strike. We have the pendulum.
An 18th Century Arched Brass Dial Lantern Clock, signed Frans Wells, London, circa 1760, 9-3/4-inch arched brass dial, arch with silvered plaque signed, side pierced frets and opening doors, hoop and spikes, anchor escapement, striking on a top mounted bell, 37cm high see illustration 08.12.17, Dial and movement look clean, side doors and back panel are later, alarm work missing, with pendulum and weight.
An 18th Century Austrian ''Kuhschwanz'' Alarm Wall Clock, circa 1760, 5-1/4-inch arched brass dial, central alarm disc, visible bob pendulum, arch with silvered plaque with initials CH, side opening doors, verge escapement, alarm striking on a bell, 17.5cm high see illustration 08.12.17, Dial with scratches and is discoloured, movement is complete, movement needs cleaning, with two weights.
A Biedermeier ormolu carriage alarm clock by Anton Liszt, Wien. Engraved with flowers and scrolling foliage and raised on a square plinth over cylindrical bun feet. With enamel dial having Roman numeral markers and alarm subsidiary. Housing a two train movement striking on a bell and two gongs and with repeat mechanism, 13.5cm. Condition Report. To be used as a guide only. Running. No key. Hair crack across the dial. Two hips to the dial invisible with the front door closed.
A rare Charles I first period brass lantern clock Anonymous but possibly by Richard Milbourne, London, circa 1620-30; the dial later inscribed for John Harford, Bath, 1658 The posted movement now with verge escapement regulated by short bob pendulum swinging outside the frame to the rear and Huygen s endless rope winding, the reversed strike train with countwheel planted to the rear and sounding the hours on a bell set above the top plate, the dial with elaborate rose centred vestigial alarm disc and sculpted iron hand enveloped by fine engraved infill incorporating winged angel mask over opposing lions mask inhabited stylised foliate scrolls issuing from cornucopiae and grotesque mask positioned just above six o'clock, within an applied Roman numeral chapter ring with simple wheatear half hour markers, the upper angles engraved John Harford, in Bath, 1658 over earlier leafy sprays matching those to the lower angles, the distinctive frame with one-piece column turned corner posts incorporating rounded blocks at the junctions with the top and bottom plates beneath symmetrical foliate strapwork pierced frets decorated with engraved detail to the front, integral multi-knopped ovoid vase-turned corner finials and domed bell bearer cast with pierced decoration between the limbs surmounted by a later substantial cup-and-cover vase finial, with brass side doors and on ring-turned ball feet, 32cm (12.5ins) high excluding later finial; 39.5cm (15.5ins) high overall; with an oak wall bracket and 19th century cylindrical brass cased weight embossed in the Arts and Crafts style with monogram DIW. The current lot can be directly compared to an example dated to circa 1610-1620 signed Richard Milborne fecit in holborne illustrated and described in Loomes, Brian LANTERN CLOCKS & Their Makers on pages 49-50 (Figures 5.10-11). In particular the engraving to the centre of the dial of the Milborne clock is almost identical to that of the present lot. In addition to this they also share the same pattern of frame casting and the unusual detail of having a lateral hammer stop applied to the top plate (removed from the current lot but evidence in the form of a vacant lot is still present). From this it would be reasonable to suggest that both originate from Milborne s workshop evidenced by the fact that the signed example is inscribed directly into the dial plate along with fecit. . Loomes also illustrates (Figures 5.2-9) another larger clock with dial engraved by the same hand and related frame castings which also could have originated from the same workshop. A detail worth noting is that this larger unsigned clock was made without an alarm, hence the centre is engraved with infill to occupy the space which would have been taken by a setting disc. This infill takes the form of a two-tier complex radial rosette almost identical to the one decorating the alarm disc of the current lot (suggesting that the disc itself is a rare original survivor). A third clock utilising the same frame castings and with dial engraving clearly by the same hand is illustrated in White, George English Lantern Clocks on page 82 (Figure II/94). This example was once in the Iden collection and is fitted with a non-original front fret bearing a signature for William Selwood hence is described by White as by an unknown maker. Although the angel and demon engraved decoration departs a little from the design seen on the others noted above it is clear that the similarities are strong enough to suggest that it was made in the same workshop (possibly that of Richard Milborne). From these observations it would seem reasonable to conclude that the present clock and the three clocks described above can be considered a series. Very little is known of Richard Milborne; Brian Loomes notes in Clockmakers of Britain 1286-1700 that A Richard Milborne and his wife, Mary had two children baptised at St. Clement Danes, Elizabeth and Mary in 1634 and 37 respectively. The identification of the current lot as being London first period work possibly from the workshop of Richard Milborne confirms that the engraved inscription for John Harford of Bath was added at a later date. John Harford is recorded by Loomes in Clockmakers of Britain 1286-1700 as born in Chippenham, Wiltshire in 1632. His uncle (on his maternal side) was the clockmaker John Snow of West Lavington and his father (John senior) may have been the clockmaker John Har(t)ford who was made a Free Brother of the Clockmakers Company in 1632 and Assistant in 1649. John Harford junior was apprenticed to his uncle John Snow from 1646 until 1653 and is thought to have worked in Bath from around 1654. He was described as a watchmaker in 1677 when his son (again of the same name) was apprenticed in London and is thought to have continued working until the end of the century. The presence of Harford s signature on the current lot would suggest that he probably acquired the clock and perhaps overhauled the mechanism prior to retailing it under his own name. On close examination the chapter ring appears to have been replaced at the same time of the execution of the signature. Indeed evidence in the form of extant earlier engraved decoration beneath indicates the original chapter ring was narrower whilst Harford's signature and date appear to have been executed to comfortably occupy the space above the current chapter ring.
A Pulsynetic C69 programmable electromagnetic impulse timer Gents, Leicester, mid to late 20th century With black painted cast iron frame applied with electromagnetic slave mechanism shunting a large diameter twenty-four hour wheel drilled with holes positioned at five-minute intervals to circumference to take pins to engage with the timing contacts, with day-of-the week disc to allow de-activation over the weekend and mercury short-interval timer, set along with connection terminals within a glazed-front wooden case with lift-off cover incorporating front door, applied with paper label incorporating serial number 120778 in ink to the inside of the left hand side and an ivorine button inscribed MAKERS, GENTS, OF LEICESTER to lower front rail, 45cm (17.75ins) wide. Gents of Leicester were founded by John Thomas Gent in 1872 and specialised in producing electric timepieces principally for semi-public and industrial use alongside fire alarm systems, telephones, transformers and related products. The firm initially operated from Faraday Road, Leicester, later (after WWII) moving to nearby Kibworth. They were bought-out by the multi-national organisation, Chloride, in 1981. The current lot would have almost certainly served as an automatic bell ringer in a school or factory. The mechanism would be driven by impulses directly from a master clock every thirty seconds causing the large diameter twenty-four hour dial to rotate. Pins inserted within the circumference of the ring would engage with contact points at programmable intervals which, in-turn, would cause a circuit to become open for a short period of time (dictated by the controlled flow of mercury in the short duration timing switch). The day of the week dial allows the mechanism to be disabled over the weekend.

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