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Two Christian Dior Paris winter ensembles, late 1970s, all with black labels, comprising fitted black wool overcoat with quilted velvet facings, black trousers, green polka dot silk blouse and sash; together with a Prince of Wales checked swing coat with pleat to centre-back, matching trousers and black leather tie belt, average size chest 92cm, 36in, waist 71cm, 28in (6)

A brick red Halston Ultra Suede day dress, late 1970s, labelled, with simple tie belt, bust 92cm, 36in A similar piece Shirtwaist dress 1972 is owned by the Metropolitan Museum New York and pictured in the book Our New Clothes Aquisitions of the 1990s. p.53 with the following commentary: 'His Ultrasuede dress shirtwaist was rational, reasonable clothing solving the chaotic clothing problem for women. Wrapping tying and folding in sportswear tradtion were all habits of mind for Halston. He offered a versatile sportwear icon of new material, knowing that the shirtwaist could be interpreted for countless individual expressions through personal styling'

FOOTBALL PROGRAMMES - Bridgwater Town v Luton Town 1963; England v Wales Villa Park Birmingham 1948 with ticket stub; Wales v Ireland at Wrexham FC 1948; FA Final Tie Manchester City v Newcastle United at Wembley 1955; Everton v West Brom 1968; others including Fulham, Blackpool, Chelsea, Newport County; some Wrestling programmes; football related booklets and ephemera; Test Cricket magazine c.1948 and other related items (a lot). ++mixed condition

RUGBY PROGRAMMES - many for Newport including Abertillery v Newport 1948, Australia v Newport 1957, Barbarians v Newport 1957; Ireland v Wales 1950, Wales v Scotland 1954, England v New Zealand 1954, Wales v England 1955 many other Wales internationals and some Rugby League Wembley Final Tie programmes including Bradford Northern v Wigan 1948 and Widnes v Warrington 1950 (approx 44). ++mixed

Miscellaneous lot comprising a BR(W) Totem Capbadge GUARD; NUR Badge; Tie Clip; BR(W) Guards Whistle; Ticket Nippers and an unusual, hand-held passenger counter. All belonged to an ex BR Guard, who later became an Inspector.

PAIR OF LATE VICTORIAN JET AND SILVER EARRINGS, of pendant design, the jet beads engraved with leaves; and a Victorian tie pin, the oval jet plaque carved with a bouquet of flowers within a carved border.

A 9ct Gold Travelling Pencil, Sampson Mordan & Co, 5 cm, a 9ct gold charm, in the form of a whistle, assorted tie pins and items (qty)

Four embroidered bodice fronts and two complete shirts, from Sindh, Kutch and Gujerat, early-late 20th century, a tie-dye wool shawl, a white wool shawl, and a black shawl with embroidered borders from Gujerat, Sindh, and Kashmir. See Colours of the Indus: Costume and Textiles of Pakistan, Nasreen Askari and Rosemary Crill, Merrel Holberton in association with the Victoria and Albert Museum, 1977, p. 33. Traditional Indian Textiles, John Gillow and Nicholas Barnard, Thames and Hudson, London 1991, p. 72

A quilted patchwork dowry bag, 47cm x 82cm, a block printed cotton kunjia, or tidy, a chicken-printed chakla, and a Mirpurkas cover, all from Sindh, Rajasthan, two bandhini tie-dye dopattas from Rajasthan, early/mid-20th century, and two embroidered ghagra or skirt pieces from Saurashtra See Colours of the Indus: Costume and Textiles of Pakistan, Nasreen Askari and Rosemary Crill, Merrel Holberton in association with the Victoria and Albert Museum, 1977, p. 20, 31

A woman's headveil, Chenini, South Tunisia, of Berber tie-dye wool, with woven tasselled border at one end, and embroidery at the other, 91cm x 73cm excluding border (Na-33), a woman's indigo and white striped blouse, Djerba, 74cm long (Na-40), a Berber shawl, Handira, from Middle Atlas, applied with metal sequins, 108cm x 158cm excluding fringe (Na-37). Marie-France Vivier, formerly of the Musee des Arts d'Afrique et d'Oceanie and Musee Branly, Paris, and an expert on Maghrebi textiles, commented to Sheila, that Na-33 was 'a very old piece'

A cloth, kantha, from Bangladesh, depicting three Hindu legends, 67cm x 195cm (In-157), a Kanebi Kutch shawl border (In-30), and a cotton cloth prepared for tie-dye (In-84)

A fine photograph album covering Sheffield United's progress in the 1899 F.A. Cup competition, including photographs from the semi-final against Liverpool, the final tie v Derby County at the Crystal Palace and the team's triumphant return to Sheffield, the album compiled by H.Jasper Redfern and presented to Tom Bott Esq. the Sheffield United Director, each photograph with neatly inscribed captions beneath or above the image, containing approximately 50 original 4 by 5in. albumen photographs

Vanwall F1 racing team-related ephemera 1955 to 1961, a collection comprising a set of royal blue zip-up mechanics overalls by Bergeres Freres of Mayfair, bearing yellow and green embroidered Vanwall and BP logo patches over the breast pockets-as issued to the team at the 1958 Monaco GP and one of only 18 sets produced, two silvered metal and green enamel lapel badges by Marples & Beasley of Birmingham featuring the Vanwall logo-two of only 100 ever made, similar metal and enamel lapel badges for Maserati and the Monza Autodrome, a period Nurburgring tie pin, a comprehensive album containing 74 photographs covering the team's activities from 1956 to 1961, including overseas Grand Prix races, factory scenes, accident damage and developments like the Reims streamliner, Monaco short-nose, through to the final rear-engined Lotus chassis, mostly monochrome 13 by 18cm., 5 by 7in. or larger press photos, but including some smaller previously unpublished personal camera shots, also some Aston Martin photos of Reg Parnell's 1956 Tasman single-seater, the 1959 F1 car and winning pit stops during the 1959 Le Mans 24-hours, plus a 1962 F1 Lola-Climax V8 postcard signed by Roy Salvadori, eight race programmes: the 1956 French and European GPs, 1957 Goodwood Easter meeting, German and Italian GPs, 1958 British, German and Monaco GPs, the latter bearing 15 signatures on its cover, including Tony Vandervell, Colin Chapman, Stirling Moss, Tony Brooks, Stuart Lewis-Evans, Peter Collins, Mike Hawthorn, Jack Brabham, Cliff Allison and Graham Hill, a large 1956 European GP souvenir programme, a 1958 season review magazine published by Autosport, four BP and Shell racing successes publicity booklets for 1956, 1957 and 1958, eight motor racing books: Vanwall 2.5 litre F1 by Ian Bamsey, Motoring is My Business by John Bolster, Le Mans 1959 by Stirling Moss & Maxwell Boyd, The Motor Yearbook 1957, Motor Racing Sketch Book by Carlo Demand & Charles Meisl, two 1950s B.R.M. V16 books-one with an 8-page engine cutaway section, The Vanwall Story by Klemantaski & Frostick with inside cover bearing 17 signatures including Tony Vandervell, Jack Fairman, Ron Flockart, Masten Gregory, Phil Hill, Bruce McLaren, Reg Parnell, Harry Schell, Carroll Shelby, Allison, Brabham, Brooks, Moss, Salvadori, three complete 1957 newspapers: L'Espoir 16 May, Motoring News 12 September and La Vigie 26 October, all with headlines celebrating a Vanwall success, a September 1958 issue of L'Automobile reporting on the death of Peter Collins, a large 12-page 1959 Vandervell Products calendar featuring black & white Vanwall racing photos but lacking dates section; also two framed Terence Cuneo calendar prints (a qty.) Based in an industrial bearing factory in Acton, the Vanwall team came to dominate F1 in the late 1950s, culminating in the team capturing the first ever World Championship for Constructors in 1958. All this came about because patriotic owner Tony Vandervell fell out with one of his customers-Enzo Ferrari-and vowed that his cars, resplendent in their British Racing Green, would eventually beat 'those bloody red machines'!

Marco Franceschetti: a blue Sampdoria No.4 jersey worn in the 1995 European Cup Winners' Cup semi-final tie v Arsenal, long-sleveed, the reverse lettered FRANCESCHETTI Arsenal defeated Sven-Goran Eriksson's Sampdoria on penalties after both legs had finished 3-2. This jersey was swapped with an Arsenal player.

Reading v Arsenal F.A. Cup tie programme 16th February 1935

The extremely scarce Sporting Lisbon v Arsenal newspaper programme for the 2nd Round Fairs Cup match 29th October 1969 This programme is recognised as being the rarest official programme for a competitive Arsenal match in the post-war era. Having won this tie 3-0 on aggregate Arsenal went all the way to win the Fairs Cup in season 1969-70 beating Anderlecht in the final.

14 Arsenal reserves programmes v Millwall, homes comprising a single-sheet at Hendon FC dated 8th November 1950 for the London Mid-Week League fixture, three Highbury single sheets dated 16.9.36, 5.4.48 & 1.9.48, seven 8-pagers with red covers for seasons 1927-28, 1928-29, 1929-30, 1932-33, 1933-34, 1934-35 & 1935-36 and a 4-pager for the London F.A. Challenge Cup final tie 4.12.61, aways comprising four 4-pagers dated 12.9.49 and a single typescript sheet for the London Challenge Cup match 2.10.67

A white Saudi Arabia No.16 international jersey from the final tie of the 1989 FIFA U-16 World Championship, short-sleeved This shirt that was swapped with the Scottish youth international Paul Dickov, later of Arsenal and Man City. The host nation Scotland won the tournament beating Saudi Arabia on a penalty shoot out following a 2-2 draw after extra time. Paul Dickov was one of three Arsenal youth players in the Scotland squad, the others being goalkeeper Jim Will and defender Scott Marshall. The Saudi No.16 was the defender Abdullah Al- Theneyan.

A fine and extensive collection of souvenirs from the British Empire Exhibition held at Wembley in 1924 and 1925, mostly metalware items in silver plate, brass, aluminium etc., including trays of various sizes, a Swan brand teapot, Lipton's souvenir tea caddies, fluted vases, mugs, mustard & salts, napkin rings, tea strainer, cutlery, hair tidy, match covers, ladies compact and vanity mirror, freestanding Wembley Lion emblems, miniature figures representing Empire countries, lapel button, brooch, tie pins, boxed set of opera glasses etc. The British Empire Exhibition was opened by King George V on 23rd April 1924. 56 of the 58 British colonies at the time participated in the event which cost £12million to stage and attracted 27 million visitors, by far the largest exhibition held anywhere in the world. The venue at Wembley in Middlesex was made famous by the building of the British Empire Exhibition Stadium, or Empire Stadium for short. This was immediately adopted by football, with the first F.A. Cup final being played there a year before the Exhibition opened. Wembley Stadium quickly established itself as the home of football.

A roll of unused gentleman's tie fabric printed with the logo for the 1966 World Cup, maroon ground with repeated pattern, width of material 66cm., 26in.

82 Burnley home programmes for seasons 1957-58 to 1959-60, 63 League, 7 F.A. Cup, 6 reserves, 5 friendlies and 1 League postponed, lacking only one F.A. Cup tie v Blackburn Rovers 16.3.60

15 1920s Chelsea home programmes, the lot including practice match blues v reds 16.8.28 and a Cup tie v Cardiff City in 1926-27, some ex-binder

Dukla Prague v Manchester United European Cup tie programme 4th December 1957, this copy formerly being the property of Manchester United & England goalkeeper Ray Wood who played in this match and in the Red Star Belgrade tie and was involved in the Munich Air Disaster on the return journey.

A two piece ratchet tie down down set

3 boxed Star Wars Return Of The Jedi vehicles: Two TIE Interceptors and a Slave I Vehicle.

30 assorted unboxed Star Wars vehicles/creatures including 2 AT-ATs TIE Interceptor, Y-Wing, B-Wing, X-Wing etc.

A COLLECTION OF BROOCHES, modelled as tennis rackets, the majority white-metal; four silver snuff boxes the lids decorated with tennis rackets; and a small collection of other tennis related items including earrings, tie pins etc (a lot). THIS LOT IS THE PROPERTY OF A PRIVATE TENNIS COLLECTOR

A pair of damask and velvet lined and interlined curtains, with ropetwist tie backs, each curtain approximately 214cm long x 174cm wide each; and another pair of silk curtains, with tie backs, each curtain approximately 234cm x 58cm

A gold hair brooch surrounded by pearls, a 9ct gold brooch with blue stones, a Victorian heart shaped locket, a gold jug charm, plus gold tie pins etc

XX CENTURY ENGLISH SCHOOL Sheffield Wednesday, scene outside Hillsborough ground on the occasion of the then record attendance of 66,000, at the cup tie with Barnsley on 03-02-23, note people stood on the top of the shed, oil on board, signed Stubbings and dated '82, 77 x 104.5 cms.

A small collection of assorted gentleman's gold items comprising boxed 9ct gold dress studs, a rolled gold tie clasp, a pair of gold cufflinks with blue and white enamel shield decoration and a 9ct gold ring

A boxed Victorian 15ct gold bar brooch set with a small light blue sapphire and two seed pearls together with two pairs of hallmarked silver cufflinks, a silver tie clip and a 925 silver bangle (q)

A large silver cigar holder holder, a pair of gold cufflinks, a 15ct. gold and diamond set tie pin etc.

A gold ring, three tie pins, three brooches, two coins and a £1 note

Georg Jensen silver brooch no.342, to/w gentleman's Georg Jensen tie slide no.756

Four pairs of earrings for pierced ears including; sapphire and diamond gold scroll studs, marcasite and simulated pearl studs, green bead studs with matching necklace and tie tack and Rotary watch

Collection of jewellery items including; smokey quartz single stone ring, 9ct; three stone illusion set diamond ring, 18ct; peridot and pearl bar brooch, 9ct; 9ct tie pine and yellow metal bow brooch

A Silver Brooch in form of horse's head, a horseshoe tie pin and 2 brooches (4)

A Set of 3 Gentleman's Gold Dress Studs set with rubies, also a gentleman's gold tie clip mounted with mother of pearl and chain

A Gold Tie Pin having circular top inset with turquoise, and 2 other tie pins (3)

English School late 19th Century/half length portrait of a young girl/ miniature portrait in a gilt metal frame with ribbon tie surmount/two others and two porcelain plaques

A set of four gilt metal curtain tie backs modelled as flower heads.

A set of five gilt metal curtain tie backs with stylized flower head decoration.

A George III helmet-shape cream jug Henry Chawner, London 1793, bright cut decoration of swags with a ribbon tie, blank shield cartouche, square foot 15cm high, 4.5oz

AN OVAL MINIATURE PORTRAIT on ivory of a young girl holding flowers in a gilt metal ribbon tie frame, circa 1880, 3 1/2" x 2 1/4"

A CONTINENTAL OVAL MINIATURE PORTRAIT of Augusta Strubel in a gilt metal ribbon tie frame, 2" x 2 1/2"

A 19TH CENTURY OVAL MINIATURE PORTRAIT of a young lady inscribed to the reverse 'Grosvenor' in a gilt metal ribbon tie frame, 2 1/2" x 1 3/4"

Scottish silver kilt pin and tie clasp, both with embossed decoration

Rangers Football Club interest, Two Scottish Football League gold and enamel medals, engraved to the reverse 'League Cup Winner 1983-84 T.C.Dawson' and 'The Skol Cup Final Tie Winners 1984-85 T.C.Dawson' with RFC crest, respectively, two RFC gold and enamel lapel badges 'Chairman' and 'Vice Chairman', and a Boys' Brigade gold medal, engraved to the reverse '1st Row Coy L-Corpl. H.Dawson 1916-17'

A silver ingot, three tie pins and further military badges etc.

A reverse glass painted tie pin with fighting game bird, gilt metal mounts.

A GOLD HORSE SHOE TIE PIN with raised pierced sides, and set with five small diamonds, unmarked

Two 9ct gold ropetwist link neckchains, an oval gold back and front pendant locket with a 9ct gold neckchain, a 9ct gold tie pin bar, seven pairs of earrings in a variety of designs, a blue enamelled pendant designed as a windmill, with a neckchain, two ceramic floral brooches, and a similar stick pin, two Ingersol wristwatches, and a Timex fob watch with a gilt metal chain.

Military interest; A Royal Army Corps tie pin, silver plated ash tray by Mappin & Webb detailed with Kings own Malta regimental crest, various brass trench art, a Kukri, a steel shovel head, 1914 Christmas gift tin and sundry.

Walter Sickert (1860-1942), The New Tie, etching, 27cm x 17.5cm.

After SYDNEY E WILSON - Portrait of a Young Lady, coloured mezzotint pub. Vicars Bros, London 1913, blind stamp to margin and signed in pencil by the artist, and another similar, a pair, in decorative gilt frames with ribbon tie finials, 33cms x 27cms (2)

Edwardian black satin and voile dress over an embroidered cream silk under dress with black velvet tie detailing, labelled 'Harvey Nichols, Knightsbridge'; an Edwardian black taffeta and lace coat (2)

A 9ct rose gold bangle, hallmarked 1919, a 9ct gold flat curb bracelet and a 14ct gold tie tack, gross weight approx 19.6gms, all as found. (3 items)

A pair of 9 carat gold concave cufflinks, seal engraved with a crest and monogram; a pair of oval cufflinks, engraved with a crest and monogram; a pair of 9 carat gold engraved cufflinks; a pair of 1970's textured cufflinks; a pair of black textured cufflinks and studs; a Mikimoto cultured pearl tie bar, stamped 'K14'; and two pairs of 9 carat gold collar stiffeners by Asprey, both in leather cases (8)

A pair of ormolu tie backs