We found 40828 price guide item(s) matching your search
There are 40828 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
40828 item(s)/page
Vinyl / Autograph - David Bowie – Black Tie White Noise. Original EU 1993 1st pressing LP album on Arista Records, 74321 13697 1, signed on front by producer / guitars Nile Rogers (Chic) and guitarist Reeves Gabrels (Tin Machine, The Cure). Provenance: Consigned by a former radio music producer in whose presence the album was signed by the artists.
Assorted Circa 1930s Mainly Floral Evening Wear, comprising of a blue, green, purple and red example with short sleeves, pockets and quiltted detail to the neckline,sleeveless example in a multicoloured desgin with green velvet trim and bows to the bodice,black long dress with pink, green and white floral fabric to the bodice and skirt with matching fabric scarf/belt,a cream example with purple and green design with ruffled trim to the neckline and a gathered full skirt,a sleeveless example printed with blue and red tulips with black collar and detail to the waist,white example with green and red floral design, stylised bow detail to the bodice and attatched fabric tie,orange, red, blue and green example with short sleeves, covered buttons and looped fastenings to the bodice and smocking to the reverse,and a cream example with purple and blue floral print with bows to the shoulders and an attatched fabric belt,(8)Blue floral short sleeve dress, long, buttons to back - hem has been re-stitched otherwise slight wear, bust 34", waist 28".White floral sleeveless dress with bow - stripe of discolouration to the front and lighter marks to the back, inside of hem rubbed and worn, centre of bow to the bodice repaired to the inside, some wear overall, bust 33", waist 39".Cream short sleeve long dress, gathered waist and plated neckline - appears back of neckline has been re-stitched, overall some dusty discolouration, slight wear, 32" bust, 28" waist.plum ground sleeveless dress with black collar - hem re-stitched, possibly something cut/altered to the waistband, slightly dark area to the back of the dress, otherwise slight wear overall, 33" bust and 29" waist.purple and red floral long dress with stylish pockets - slight wear overall, 34" bust, 28" waist, repairs to back opening.floral dress with green velvet trims - straps broken, staining to inside of bodice, some small rust marks to the velvet, some areas of light discolouration, couple of tiny pin head size holes, inside of hem worn. 30" bust.Black dress with floral bodice - later black velvet straps, 36" bust, 28" waist, small hole to the reverse, lining to skirt has dropped, stitches loose around the zip, damage to the black trim on the back, slight fading.cream short sleeve dress with bows - some v slight pink discolouration in areas, bows badly re-stitched, tiny yellow mark near one sleevehole, slight wear overall, 36" bust, 36" waist.
Assorted 1920s Day Dresses, comprising a cream linen type embroidered dress with cap sleeves and smocking to the waist,cream sleeveless dress with buttons to the bodice, stitched neck line and matching fabric belt,another cream dress with pointed collar, short sleeves and three decorative buttons to the bodice,green, red and cream striped dress with black trim and decorative buttons and v-neckline,pink and white floral short sleeved dress with a decorative button placket to the front and rounded collar,green and pink floral print dress with tie detail to the neck line and ruffle tims to the skirt,white short sleeved dress with pink and blue floral embroidery, ruffled details to the skirt, neckline and sleeves,(7)
19th Century Baby Bonnets, comprising two similar cream silk bonnets with decorative wriggle work embroidery, silk ruffled trim to the edges, gathered silk and embroidered brim,cotton baby bonnet with floral sprig embroidered to top of the bonnet, appliquéd with flower heads overall, cream silk lining, two similar cotton examples,later bonnet with cream silk chiffon ruffled tiers and filet lace insert to the top, silk lining, various lace trims,Brussels Lace Baby Cape, of decorative floral design with tiered mount to the shoulders, silk ribbon tie,(one box)
Assorted 1970s and Later Ladies Costume, comprising Tom Bowker for Jean Varon silver tone velvet sleeveless evening dress with v-neckline, woven ribbon trim edging to the bodice and straps, Jean Varon black evening dress with velvet skirt, stylised gathered sleeves and gathered trim to the waist,Laura Phillips purple taffeta type fabric evening dress with leg of mutton style sleeves, gathered trim to the neckline and cuffs, matching fabric belt (size 12),a black wool blend hooded cape with toggle and hook and eye fastening,Karida cream sleeveless dress with spotty net overlay to the shoulders and a scoop neckline (size 40),Jean Allen black dress with velvet to the bodice and cuffs, striped woven fabric to the skirt and sleeves, faux wrap v-neckline and attached fabric belt (size 16),Kati at Laura Phillips black dress with spaghetti straps and a jewelled detail to the gathered bodice (size 12),John Marks by Anne Tyrrell navy dress with v-neckline, peplum type detail to the waist (size 16),John Bates Dresses including a blue chiffon type dress woven with metallic stripes, elasticated neckline, sheer batwing style sleeves and a matching fabric belt (size 14), another in orange and green floral chiffon with orange attached waist tie, gathered trim to the v-neckline (size 10), and a white dress with gold broderie anglais type details, square neckline and full gathered skirt (size 10),a long dress with black and white spotty fabric to the sleeves, shoulders and tie at the neckline, black trim to the hem and abstract orange, black, grey and white design to the main dress,a black dress with velvet bodice, puff sleeves and purple and green floral pattern printed to the skirt and sleeves,Bern Shaw cream batwing kaftan style dress,and a Warrender pink and blue marbled sheer dress woven with gold stripes and spaghetti straps (size 10),(15)
Asorted Circa 1930s and Later Evening Wear, comprising a GEH Cooper rose gold tone sleeveless silk type dress with beads and sequins to the bodice and back together with matching belero style jacket,Roecliff at Chapman green silk dress with pink and white floral print, spaghetti straps and full gathered skirt,white, pink and green floral sleeveless dress with gathered bodice and skirt and attatched fabric tie,green floral brocade type dress with spaghetti straps and zip fastening to the reverse,King's of Gauchiehall Street Glasgow pink strapless dress with floral beads, sequins and embroidery and pleated detail to the reverse,gold tone silk type evening dress with embroiderd panel to the neckline and full skirt with matching belero style jacket and fabric belt,navy blue sleeveless dress with beads and sequins all over and zip fastening in reverse,black evening coat with quilted cuffs and patch pockets and a large pointed collar,Co-mar black wool double breasted over coat with long sleeves and button details to the reverse,(9)
Four Circa 1920s Dresses, comprising a navy example with short sleeves, buttons to the bodice and an attached fabric tie at the waist,a coral coloured example with collar, cream trim to the button plackets and a matching fabric belt,a pink and rust coloured ombre long example with short puff sleeves, a layered collar and decorative flower buttons to the front,and a cream and silver sleeveless dress with lace mount to the bodice and lace underskirt, splits to the cream skirt section and beading to the front of the skirt,(4)
Circa 1950s Cocktail Dresses, comprising Dalys Glasgow lilac shift style dress with beading to the bodice in a wave design to the front and back, sleeveless with zip to the reverse,Jean Allen pale blue grosgrain dress with metallic embroidered detail to the skirt in a leaf design, sleeveless with a box pleats to the skirt and a zip to the reverse,a pale green sleeveless dress with beads and sequins to the bodice and straps, bow detail to the reverse, pleated skirt,Blanes cream floral lace mounted dress, scoop neck and a ribbon trim to the waist with a bow to the reverse,a silver coloured silk type dress with floral metallic embroidery to the neckline and skirt,a black striped dress with red, green and gold metallic stripes, elbow length sleeves, waist tie and bows to the waist,Polmarks black and white devore velvet floral dress, sleeveless with gathered black velvet modesty panel,Slic-wear black wool shift dress with beading to the neckline and down the sides,Rozlynne Carina Model blue shift dress with short sleeves and embroidery to the neckline,King's Sauchiehall Street Glasgow layered chiffon type blue dress, sheer top the the bodice and a large tie detail to the reverse,(10)
Circa 1930s Sleeveless Red, Yellow, Green and Blue Dress of abstract design, woven with stripes of metallic thread with v-neckline and matching belt, matching bolero jacket, together with various costume accessories, including three pairs of long leather gloves, a brown leather glove wallet with tab and buckle fastenings, five glove stretchers, a wooden tie press, cream beaded hinged purse, a pair of metal Vic-Tree shoe trees, black moire silk waistband with gilt metal buckle etc (one box)
A Collection of CC41 and Other Gents Clothing and Dressing Robes, comprising a Burton CC41 navy blue and red striped single breasted jacket with notched collar, pockets and button fastenings,CC41 pale blue shirt with button placket and button holes to the cuffs,Stantons three peice suit consisting of a single breasted jacket, waistcoat with pockets and trousers with buckle and tab details to the waist,two Lyaris Clothing overcoats, a green wool example with pockets, long sleeves and collar and a navy double breasted example with internal and external pockets and a notched collar,Burberrys khaki green trenchcoat with pockets, buttons fastenings and button and tab details to the cuffs,a pair of grey wool breeches, two navy pairs, a green and brown wool waistcoat with pockets with khaki green silk type fabric to the reverse,Celanese brown geometric design dressing robe with matching fabric tassle tie,green example with red spider web design, another in red with paisley type design,green iridescent short sleeved robe woven with a geometric design, another in blue with a green and red abstract leaf design,and an orange and brown geometric design robe with coloured button fastenings,(16)
Circa 1930-50s Black Dresses, Jackets and a Suit, comprising a black crepe shift dress with pink trim, embroidered details to the front and sleeves,a jacket with stylised detail to the large collar, two button fastenings and elbow length sleeves,a crepe overcoat with two button fastenings and two decorative buttons and embroidery to the collar,a crepe dress with net to the bodice and sleeves, appliquéd with flowers, attached fabric belt,a black overcoat with tie fastening and embroidered abstract leaf design to the shoulders,a black short sleeved dress with purple appliqué patch to the waist, button and loop fastenings to the shoulders and fabric belt,a similar dress with press stud fastenings to the bodice and slight gathering to the reverse,a black long sleeve jacket with pockets and embroidered appliqués,a black dress with beading to the bodice, elbow length sleeves and boat neckline,a black grosgrain suit including a jacket with velvet trim to the collar and cuffs, and a skirt with silk type waistband,(10)
Assorted Early 20th Century Ladies Evening Costume, comprising a burgundy crepe sleeveless evening dress with gathering to the bodice and skirt, stylised tassel trim to the neckline,a blue evening dress woven with an abstract leaf design, long sleeves, v-neckline, gathered detail to the waist, covered buttons and loop fastenings to the reverse,a black crepe evening dress with shawl collar and elbow length sleeves, with sequins to the collar, buttons and down the front of the skirt,a black boucle knitted dress with long sleeves, pin tuck details to the bodice and a v-neckline,another black crepe dress with sequins to the bodice, elbow length sleeves and a tie at the waist,and a long royal blue skirt woven with gold coloured spots and zip and button fastenings to the reverse(6)
Assorted Circa 1970s and Later Ladies Clothing, comprising circa 1980s Hermés silk midi dress with long sleeves, gold tone buttons to the cuffs and bodice, tie at the neckline and a matching belt (size 38),Versace Classic black co-ord with lines of rainbow stitching, consisting of a sleeveless shift dress and a single breasted jacket with pockets and silver tone buttons (size 50),Gina Bacconi blue and green abstract floral print dress with v-neckline and long sleeves (size 14),Linsiano blue evening dress embellished with beads and sequins in a floral design with a gathered section to the hem (size L),Frank Usher navy blue long cardigan with floral beading and sequins (size L),Albert Nipon black wool jacket with shoulder pads and gold tone buttons,Louis Feraud grey woven shift dress with black belt (size 16),Artigiano blue and white floral jersey dress with gathered detail to the waist and long sleeves (size 14),Cache D'or black wool midi skirt (size 14),Pakeman Catto and Carter linen blend co-ord consisting of a stone coloured shift dress with cap sleeves printed with a black and white leaf design and a black single breasted jacket with the leaf print fabric as a trim to the cuffs (size 16),another Pakeman Catto and Carter co-ord consisting of a coral coloured sleeveless shift dress and a cream silk jacket embroidered with a scrolling leaf and floral pattern in cream and pink with covered buttons (size 16),Savoir black shift dress with cap sleeves and a faux wrap front (size 24),Penny Plain blue and white checked jacket with button and loop fastenings and pockets (size 16),a black wool coat with a rounded collar, pockets and a matching belt,and Cotswold Collections cream long sleeved shirt with grey floral and leaf design, with matching belt (size 14)(15)
Circa 1970s Costume comprising Mary Quant's Ginger Group black watered taffeta style fitted waistcoat with button fastening,Susan Small floral velvet printed sleeveless dress with roll neck collar, Pierre Cardin Paris red wool long sleeve dress with fabric tie to the collar, pleated skirt tulip style skirt with pockets,Susan Small Casual brown wool double breasted coat with collar, long sleeves and black trim,(4)
Assorted 1970s and Later Ladies Mainly Hildebrand Liberty Costume, comprising a dress printed with flower and berry designs on a red ground,a skirt printed with an orange, blue and green floral pattern, with long sleeves and buttons to the front,a green and pink floral cotton dress with green paisley fabric to the square neck, cuffs and hem, with matching fabric belt,green, pink and yellow abstract design dress with elbow length bell type sleeves (size 38),a blue, green and pink checked dress with square neckline, short sleeves and pockets (size 38),a pink, silver and black checked silk type shirt with long sleeves and another in a dark teal colourway,Hartnell pink, purple and white paisley print sleeveless top with tie at the neck(8)
20th Century Ladies Costume, comprising a Biba brown paisley type design dress, with ruffle to the hem, buttons to the bodice and scoop neck,David Butler Collection by Pressler orange floral printed dress with gathered waist, ruffled trim to the cuffs and neckline and sheer sleeves (size 12),Mademoiselle blue, green and yellow spot design shift dress, sleeveless with a scoop neck,Paul English black mini dress with cross body strap, boned bodice and double layer skirt (size 38),a similar black strapless dress with bow detail to the waist and puff skirt,red and white net mounted spotty dress with faux wrap bodice and pleated skirt,cream silk type sleeveless dress with stencilled flower print to the bodice and hem,Gina Fratini cream silk sleeveless dress with ribbon tie detail to the bodice and patch pockets,white cotton muslin short sleeved dress with draw string waist, lace trim to the neckline, sleeves and hem,(9)
Assorted Circa 1950s Dresses and Co-ords, comprising Goydor grey silk type dress with abstract pink design, long sleeves, v-neck and matching scarf/waist tie,Diana Dress burgundy short sleeved dress with square neck, pointed collar and covered buttons to the bodice,Eastex black shift dress with floral embroidery, short sleeves and square neck, Rembrandt Original brown co-ord with blue, white and cream abstract scrolling design, consisting of a jacket with black velvet trimmed collar and a pencil skirt,Matita/Barbara Lingard black and grey floral co-ord consisting of a jacket with scalloped trim to the front and a pencil skirt,a grey woven coat with long sleeves, pockets and button hole fastenings (missing buttons),A Sibsonia Model plum coloured crepe dress with buttons to the bodice, elbow length sleeves and pleats to skirt,a black mid length dress with square neckline, beading to the collar and short sleeves, Helen Hunter, Fashioned Alma Leigh blue lace mounted dress with long sleeves,Lady in Black pink lace mounted sleeveless dress, with attached gathered detail to the waist and v-neckline,Alice Edwards purple lace mounted dress with short sleeves and attached pleated detail to the waist,Carnegie Model brown abstract design dress with v-neckline and stylised pleated detail to the waist,(12)
SILENT RUNNING (1972) - Douglas Trumbull Collection: Freeman Lowell's (Bruce Dern) White Robe Costume - Freeman Lowell's (Bruce Dern) white robe costume from Douglas Trumbull's Silent Running. Lowell wore his white robe while he tended to the dome on Valley Forge.This lot comes from the collection of the director and special photographic effects artist Douglas Trumbull. This costume consists of an off-white woven cotton robe. It has a hood, a tie string closure at the neck, and one front pocket. It exhibits some discoloration on the interior, frayed fibers on the ties as well as the sleeve gussets, and some separation of seams.Visual effects pioneer Douglas Trumbull was born in Los Angeles in 1942. After abandoning architecture for technical drawing and cartooning, his talent for photorealism soon earned him work at Graphic Films, an esteemed Hollywood studio for which he designed groundbreaking cosmic effects for the 1964 New York World's Fair. After seeing Trumbull's work, director Stanley Kubrick hired him to create animations and VFX shots - including the iconic Star Gate sequence - for what would become his seminal masterpiece 2001: A Space Odyssey. From that film's success, Trumbull became one of the industry's most trusted photographic effects experts, designing and producing legendary screen moments in such sci-fi landmarks as Close Encounters of the Third Kind, Star Trek: The Motion Picture, and Blade Runner, all three of which earned him Academy Award® nominations. In addition to directing the cult classics Silent Running and Brainstorm, Trumbull later received a Scientific and Engineering Award for his high-speed photography process Showscan in 1993, one of two specialty awards given to him by the Academy of Motion Picture Arts and Sciences before his death in 2022. 60 years since he first made his mark on global cinema, Propstore today celebrates Douglas Trumbull by presenting a selection of rare memorabilia from his personal collection to the public.Estimate: $4,000 - 8,000Bidding for this lot will end on Thursday, August 15th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, August 16th, Saturday, August 17th or Sunday, August 18th.
ROBIN HOOD: PRINCE OF THIEVES (1991) - Robin Hood's (Kevin Costner) Cape - Robin Hood's (Kevin Costner) cape from Kevin Reynolds' Robin Hood: Prince of Thieves. Robin Hood wore his cape upon his return home to England from Jerusalem, during his first confrontation with Guy of Gisbourne (Michael Wincott), and later draped it over his family's servant Duncan (Walter Sparrow).This long cape, meant to look old and worn, is made of various patches of multiple fabrics in shades of brown, with a matching hood and a brown tie around the neck. In addition to the cape exhibiting intentional production-applied distressing, bits of fabric around the edges have continued to fray in the years since production.Estimate: $2,000 - 4,000Bidding for this lot will end on Thursday, August 15th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, August 16th, Saturday, August 17th or Sunday, August 18th.
FIGHT CLUB (1999) - The Narrator's (Edward Norton) Tie and Distressed Dress Shirt - The Narrator's (Edward Norton) tie and distressed dress shirt from David Fincher's Fight Club. The Narrator wore his white button-up and tie to work until he began to rebel against the dress code and wore his clothing more stained and disheveled without a tie.This lot consists of one white cotton button-up long-sleeve shirt from Banana Republic (Size S) with front pocket, and a satin patterned tie. Also included is a production tag hand-marked "Gap w/o Blood." Production intentionally distressed this shirt to appear grimy and stained. This lot exhibits discoloration on the tag.Estimate: $1,000 - 2,000Bidding for this lot will end on Friday, August 16th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Saturday, August 17th or Sunday, August 18th.
JOHN WICK: CHAPTER 3 - PARABELLUM (2019) - John Wick's Bloodied Stunt Morocco Costume - John Wick's bloodied stunt Morocco costume from Lionsgate's blockbuster hit John Wick 3: Chapter 3 - Parabellum. Wick's signature suit was bloodied when he sacrificed his finger and wedding ring to The Elder in Morocco.This stunt costume consists of a charcoal-color wool blazer (size 42"x36" with an interior label marked for a stunt performer and an intentional tear made by production to the left shoulder; matching slacks with both zipper and button closures and a Workers United tag sewn into the interior; a matching silk neck tie already knotted by production; a matching leather belt (size 34) with a metal buckle; a white cotton-blend dress shirt of the style worn by the principal actor (stunt performers wore different shirts of a different brand) with its right side bloodstained; and a pair of black leather dress shoes (US men's size 10). The blazer is intentionally distressed with stab holes on its left sleeve. This costume exhibits crinkling and sweat stains throughout, and the shoes' soles are grimy from production.Estimate: $4,000 - 8,000Bidding for this lot will end on Thursday, August 15th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, August 16th, Saturday, August 17th or Sunday, August 18th.
SCREAM (1996) - Billy Loomis' (Skeet Ulrich) and Stu Macher's (Matthew Lillard) Screen-Matched Ghostface Costume - Billy Loomis' (Skeet Ulrich) and Stu Macher's (Matthew Lillard) Ghostface costume from Wes Craven's Scream. Billy and Stu donned their shared Ghostface costume as they hunted Loomis' girlfriend Sydney Prescott (Neve Campbell) and her friends on the anniversary of her mother's murder. This mask screen-matches to several different scenes due to the unique dimpling under the one eye, which was the result of a factory fluke. Most notably, it screen-matches to the first time in the series that Sidney is attacked by Ghostface, as well as their climactic final confrontation, leading to fans dubbing this mask the "Sidney Attack" mask.Scream won various awards, including three Saturn Awards in 1997, and has been praised for its originality, meta commentary, humor, and ensemble cast, which were instrumental to the film's success. This costume became the final design-choice for all later Scream costumes and remains one of the most recognized characters in horror films with an enduring legacy.This iconic costume consists of one soft glow-in-the-dark PVC mask and a custom-made sparkly lurex robe with hood and built-in gloves. The mask was originally created by Fun World DIV for its Fantastic Faces/Fearsome Faces line. This mask has black mesh covered eyes, a blackened mouth and nose, and features the "Fun World Div" debossed on the backside of the long chin. Additionally the mouth features matte black tape, a temporary modification which was utilized by Peter Deming, a director of photography, for scenes in which the mouth needed to appear dull, whereas when the mouth needed to appear shiny they applied a layer of chapstick. The presence of the tape indicates the mask was last used in a scene where it needed a dull mouth. Attached to the mask is a black cotton shroud with a self-adhesive strip sewn into the top to secure the robe's hood, which has the second strip sewn onto the interior. The pull-over robe has a one-piece front and is made of a unique woven fabric which contains silver-colored threads to give the appearance of sparkles. The sparkles ultimately helped to visually distinguish the costume from dark backgrounds and was unique to the early Scream films. Furthermore, this robe features a smaller hood that contains a rigid plastic board sewn in to keep the shape of the crown, two tie strings at the neck, and a pair of gloves attached to the sleeves with a pinched back to give them a slimmer fit. The sleeves feature a more square shape with zig-zagged edges. This costume exhibits a buildup of grime and discoloration on the mask, while the robe exhibits frayed threads from unfinished edges.Estimate: $50,000 - 100,000Bidding for this lot will end on Thursday, August 15th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, August 16th, Saturday, August 17th or Sunday, August 18th.
THE MASK (1994) - The Mask's (Jim Carrey) Necktie - The Mask's (Jim Carrey) tie from Chuck Russell's The Mask. Stanley Ipkiss (Carrey) donned the mask of Loki to transform into his powerful and mischievous alter ego, The Mask, who wore his signature zoot suit and necktie throughout the film.This polka dot-patterned black-and-white silk necktie features a "Made by Hand" tag on the tongue. It exhibits some creasing from wear.Estimate: $2,000 - 4,000Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.
STAR WARS: THE EMPIRE STRIKES BACK (1980) - 1980s-Era Light-Up Darth Vader European Promotional Costume - A light-up Darth Vader costume used for touring and promotional events in the UK circa 1980s with its original vintage electronics and showing evidence of extensive use. In addition to the 1980s promotional events, this specific costume was on display at Planet Hollywood in Las Vegas circa the late 1990s. Lucasfilm commissioned a small number of high-quality Darth Vader costumes to be manufactured for use in marketing events circa the releases of The Empire Strikes Back and Return of the Jedi. The first in-person appearance tour featuring Darth Vader also included Boba Fett as part of the marketing campaign for The Empire Strikes Back. Following Return of the Jedi's release, a more extensive tour produced by toy-manufacturer Palitoy ran from 1983 to 1985 throughout the UK and other parts of Europe to boost sales of Star Wars toys. Newspapers informed the public of the opportunity to "Meet Darth Vader," a chance for which many children rushed; the tour was thorough and featured Vader appearances at cities and towns throughout the United Kingdom and other European countries. After the Palitoy promotional tour concluded in 1985, other UK-based promotional events such as home video release celebrations and other occasions continued to feature Darth Vader throughout the 1980s. The costumes used for these appearances were of comparable quality to the film-used versions. They were produced in the UK by N.J. Farmer, who previously worked for Palitoy and had a longstanding relationship with Lucasfilm. Lucasfilm provided Farmer with original castings and patterns on which to base their promotional costumes. While components such as the fiberglass helmet in this costume are nearly identical to the film-used examples, the costume features unique and distinctive greeblies on the chest box, a visible on/off switch mounted on the side of the chest box to control its lights, and a visible cord which supplies power to the chest box via the belt. These elements appear extensively in photographs of Darth Vader appearances in the UK and Europe in the 1980s. Except for a pair of boots, this costume comes complete with all other original hard and soft components included. The helmet was molded from a genuine film helmet and painted black and gray with machined aluminum "tusks," dual-layer metal grills in the vents, a single acrylic lens piece which is screwed in place, foam padding for wearer comfort, and elastane straps. The faceplate and dome, which is labeled "669" on the interio r, are secured together via a two-piece ring mounting system. The fiberglass upper body armor is painted black and gray with hinged shoulder bells. The facemask is believed to have been repainted sometime after its 1980s usage, and the helmet dome was repainted recently to restore its finish. The shoulder and chest armor may have also been repainted. Replica boots have been added to complete the costume for display. The illuminating chest box and belt are key elements to the costume and retain their original finish and vintage electronics, which are still in operable condition. These components exhibit wear and tear from appearance use, including damage to the leather at the back of the belt. The chest box features functional flashing red lights in the coin-slot greeblies, and the belt boxes featuring illuminating green buttons; the electronics are original, but the battery pack has been updated to a modern rechargeable battery. The belt also includes a metal buckle, vintage plastic battery-holder pack, and metal lightsaber clip. The final "hard component" of the costume is the vacuum-formed shin greaves featuring fastening strip fasteners. The black cotton cape features a leather-trimmed collar with a metal chain across it and a matching interior robe layer with evidence of N.J. Farmer manufacturers labels that were removed at some point. The quilted black leather vest features a zippered and buckled back, the cotton shirt features quilted black leather sleeves and a tie-up back, and the quilted black leather pants feature boot stirrups and a fastening strip fly with a significant tear on their back which has since been repaired. The codpiece is made of black leather with a felt backing. This Farmer-manufactured promotional costume's components exhibit wear commensurate with its extensive use and age. It remains one of the nicest examples to come to market, showing evidence of heavy usage at promotional events and retaining original period electronics.Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide.Estimate: $75,000 - 150,000Bidding for this lot will end on Thursday, August 15th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, August 16th, Saturday, August 17th or Sunday, August 18th.
THE MATRIX RELOADED (2003) - "The Burly Man" Concept Art Print Binder with Promotional Samsung SPH-N270 Cell Phone - A "The Burly Man" concept art print binder with a promotional Samsung SPH-N270 cell phone from the Wachowskis' The Matrix Reloaded.This lot consists of one navy blue three-ring binder with "The Burly Man" printed covers that contains seven pages of production phone numbers, 50 pages of concept art prints and continuity pictures, and an additional 11 behind-the-scenes photographs. Included is a cellphone created by Samsung as promotional tie-ins. The cell phone comes with its opened original cardboard box, a manual, a rechargeable battery, and an adapter. This lot exhibits bent and creased edges, as well as scuffing on the interior of the binder. Dimensions: (largest) 11" x 11.5" x 2" (28 cm x 29.25 cm x 5 cm)Contains electronics; see electronics notice in the Buyer's Guide.Estimate: $1,200 - 2,400Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.
KILL BILL: VOL. 1 (2003) - Set of Printed Quentin Tarantino Production Notes with Annotated Script, Crew Placard, Crew Hat, and Royal Elastics ICON Shoes - A set of printed Quentin Tarantino notes with an annotated script, crew placard, and crew hat from the production of Tarantino's Kill Bill: Vol. 1, as well as a pair of Royal Elastics ICON shoes created as a tie-in for the film's release.This lot consists of 29 photocopied sheets of shot and scene notes originally handwritten by Tarantino during production; a 198-page script with a unique cover listing Tarantino and Uma Thurman's names and marked "Debbie Zoller" for the film's key makeup artist; a red and white laminated "Super Cool Man Chu" parking placard marked "CAM express #2" on the back; a black cotton Nike hat with "Kill Bill" embroidered on the back along with the production logo; and a pair of black leather and rubber sole Royal Elastic shoes (Size 10 1/2 M) embroidered "Kill Bill" in red in an original box. The script also features printed annotations on pages 25 and 52. This lot exhibits grime on the script, fold creases on the notes, and damage to the shoe box. Dimensions: (largest) 8.5" x 11" x 1" (21.75 cm x 28 cm x 2.75 cm)Estimate: $2,500 - 5,000Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.
JAMES BOND: SKYFALL (2012) - James Bond's (Daniel Craig) Whitehall/Tube Chase Suit - James Bond's (Daniel Craig) suit from the chase scenes through the London Underground and Whitehall in Sam Mendes' Bond film Skyfall. Bond chased Raoul Silva (Javier Bardem) through the London Underground and Whitehall after his escape from MI6, with Bond foiling Silva's assassination attempt on M (Judi Dench) at a Parliamentary inquiry.Skyfall is widely considered to be one of the best Bond films made and was nominated for five Academy Awards, the most ever for a Bond film. Fashion designer and film director Tom Ford designed Bond's suits in four films, starting with Quantum of Solace (2008), and all of Bond's clothing was custom-made for the film. The costume consists of a pinstripe suit jacket and matching pants; a light blue button-up shirt; and a tie. The jacket, pants, and shirt all feature interior labels that read either "Daniel Craig" or "D Craig," and "Tom Ford" labels, and the jacket features an embroidered label in the interior chest pocket which reads "Bond 23." The pant label has some handwritten size notes, believed to denote that they were lengthened specifically for the scenes when Bond is running down Whitehall.The shirt is a slightly different style from the one seen in the film but is an original tailored for Craig as Bond, possibly from another film.Estimate: $25,000 - 50,000Bidding for this lot will end on Thursday, August 15th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, August 16th, Saturday, August 17th or Sunday, August 18th.

-
40828 item(s)/page