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Lot 15
Palitoy Action Man Vintage Famous British Uniforms - 34138 Royal Military Police comprising REd Cap & Badge, Jacket Shirt & Tie, , Trousers, Boots, Khaki Belt, MP Armband, Billy Club, Sterling Sub Machine Gun, , Insignia of Rank, cellophane and backing card box - Near Mint in Excellent packaging, has recent outer protective film, also comes with white card display box.
Lot 2236
WW2 US Officers Chocolate shirt with makers label to neck: US Regulation Officers Shirt, label to neck, but label to hem washed out: Two Chocolate ties and one Khaki green tie: Two British officers Shirts. One has provision for a separate collar. Makers label for "Coles, Ltd, Knightsbridge SW". The other with collar and is dated 1947.(7)
Lot 1019
A Nicole Farhi lady's black lace knee length jacket with flower embellishment all over with black ribbon tie belt, size 12***CONDITION REPORT***Small tear in the lace 2/3 down the jacket on the right, otherwise in very good worn condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1113
A Dolce & Gabbana lady's black wool coat with detachable fur collar, leopard print lining and tie belt, IT 40***CONDITION REPORT***Good lightly worn condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 78
A RIEDEL 'BLACK TIE FACE TO FACE' GLASS DECANTER Of slender tapering form, the base with two profile silhouettes, signed to base, maker's label to neck 56cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 54
HERMÈS VINTAGE Bauchtasche, Koll.: 1985. Epsom Leder in Hellbraun mit Kontraststeppung, Überschlag mit Druckknopfverschluss mit Jagdhorn und Riemen zum binden. Gut erhalten. 14 x 10 x 4 cm.| HERMÈS VINTAGE fanny pack, coll.: 1985. Epsom leather in light brown with contrast stitching, flap with press stud closure hunting horn design and strap to tie. In good condition. 14 x 10 x 4 cm.
Lot 127
Assorted gold items - Four 9ct gold (tested) photo frame pendants, largest approx 5cm, smallest approx 2cm, three 9ct gold brooches/pins - weight approx 5.2 grams - 18ct (hallmarked) chain parts - approx weight 4.2 grams - three broken 9ct chains - approx weight 7.5 grams - a 9ct gold gents ring - approx weight 9.7 grams - a 9ct tie chain - approx weight 2.5 grams and a 9ct Mourning bracelet
Lot 246
A mixed group of knitwear including a Mary Farrin black knit dress with self tie, deep v neck, flared sleeves, gold, cream and metallic black detail (l. 51"), a black/white Bellino knit dress (l. 51") and a black sequin Bernshaw jacket (l.24") together with two black knit skirts (l. 33" and 36") Mary Farrin was known as Queen of the Knits, supplying Christian Dior amongst other significant brands. She established her boutique in South Molton Street in the late '60s. Originally using knitters in their own homes she stepped up production as she became established moving it to Gozo, Malta. The label closed in 1990. (5)
Lot 247
A mixed group of knitwear by Mary Farrin including a bat wing top with skirt in turquoise knit (skirt: l.27"), a loose dress with lace and knit collar, full sleeves and tie neck in soft golds and pink (l.48"), a Pallas Original pure Irish linen cream knit skirt (l.28"), a contemporary wool knit long skirt in shades of purple (l. 35") and a charcoal grey La Bottega di Brunella Italian knit skirt (41") see notes for lot 246 (5)
Lot 251
A stylish '70s Cresta, Hong Kong, two piece suit composed of a mandarin style tunic top with side vents, tie to waist with skirt with two deep inverted pleats (top: l.26" chest 35", skirt: l.27" waist 26"), a '70s Berkatex two piece skirt suit composed of a shirt style top and belted skirt (top: chest 38" l.24". skirt: l. 27" waist 28") sized as 14, an Eva for Robert Janan acrylic jersey knit dress with v neck (l.48", sized as 12) and a 60s Norman Hartnell jacket in green boucle tweed with deep green shot silk collar and tweed insert (l.23" chest 38") (4)
Lot 258
A group of Mary Farrin knitwear to include a softly hanging dress with tie waist, with alternating knitted bands of angora, balloon sleeves, soft brown (l.49"), a smock style loose fitting dress with tie to neck, alternating bands of angora knit, balloon sleeves, soft brown (l.46") and a winter weight wool tweed cardigan jacket, label missing (l.32") (3)
Lot 259
A mixed group of knitwear by Mary Farrin including a skirt with jacket in complex check knit, browns and fawns with loose shaped jacket (skirt: l.26". jacket: l.27"), a open knit dress in blues and pinks with rounded neckline and loose short sleeves, reminiscent of Missoni in style (l.46") and a grey/fawn knit sleeveless dress with deep v neck and tie waist (l.45") see notes for lot 246. (5)
Lot 280
A mixed group of knitwear by Mary Farrin including a strappy dress in fine knit (l.43"), a lightweight knit scarf in cream/green/pink, a long knit dress in silver with pearlised pinks/greens in crochet knit with self tie waist, deep v neck and a skirt with open jacket in soft pinks/creams/greens in light mohair and wool, the jacket with full sleeves and bead detailing, the skirt with light knit lining which hangs below outer skirt, deep slide slit and elastic waistband (skirt: l.25" lining: l.27") (see notes for lot 246) (5)
Lot 281
A mixed group of knitwear by Mary Farrin including a winter knit dress with high cowl collar and tie waist in taupe/cream (l.42"), a cream knit skirt (l.26"), a loose knit open jacket and a Pallas Irish Linen crochet knit long skirt with self tie elastic banded flounce waistband (l.35") (see notes for lot 246) (4)
Lot 642
ASSORTED MILITARIA comprising an R.A.F. sweetheart brooch; other sweetheart badges, lapel badges and tie pins; a 117 Eastern Township Canada Overseas Battalion C.E.F. cap badge; a small quantity of additional cap badges; a Lusitania medal, boxed; a fragment of splintered timber from a crashed aircraft inscribed in ink 'June 11th 1917 / Bulford Camp / Salisbury Plain Wilts'; buttons; shoulder titles; cloth insignia; and other items.
Lot 156
2018 Swarovski Crystal Society Loyalty Gift. Adorable faceted topaz-colored crystal giraffe wearing a green crystal bow tie. Swarovski acid mark on the bottom. Made in Liechtenstein. Item has original box that measures 4"L x 4"W x 1.25"H. Issued: 2018Dimensions: 1"L x 1"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 160
2019 Swarovski Crystal Society Loyalty Gift. Adorable faceted clear crystal fox wearing a green crystal bow tie. Swarovski acid mark on the bottom. Made in Liechtenstein. Item has original box that measures 3.75"L x 4"W x 1.25"H. Issued: 2019Dimensions: 1.25"L x 1"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 170
Adorable little lamb made of white opal crystal and red tie. Swarovski etched backstamp. This item has its original box. Box measures: 3.25â€W x 2.5â€H. Artist: Edith MairIssued: 2020Dimensions: 1.25â€W x 1.5â€HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 501
KANSAS CITY BOMBERLife Magazine One-Sheet (26.75" x 40.25")Fine+ on Linen MGM, 1972On the June 2, 1972 issue, Life Magazine featured the fetching Raquel Welch as the cover girl to which MGM decided to release this unique special poster as a promotional tie-in for the film Kansas City Bomber.This poster on linen has had some touch-up work done to the fold lines, especially the upper vertical and horizontal lines. Plus, there is some light smudging in the top right, the right side edge, and the lower right edge. Other than some scattered creases, the poster is very clean.Centering around the then-popular 70s league sports entertainment Roller Games, iconic actress Raquel Welch plays a tough single mother and kick-ass roller derby queen. The film was a continuation of strong female performances by Welch and also marks one of the earliest film appearances of Jodie Foster.This lot will be auctioned on Friday, December 8th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 7th.
Lot 182
MAN OF THE WORLDFull Bleed One-Sheet, (26.25" x 40")Fine+ on Linen Paramount, 1931This is the only extant copy of this poster that we are aware of. It is a glowing image of Carole Lombard and William Powell. Interestingly, the source image for the artwork depicts Lombard with a cigarette in her hand and Powell is lighting with a match emitting the glow. The artist decided to omit the cigarette.Prior to restoration, this poster had previous issues including light crimping, chipping, and fold and cross-fold wear. There have also been sporadic touch-ups including to the P in Powell, the area under Powell's tie and fold lines, plus there has been painting to the black background in the upper left. Now on linen, the poster displays very well.William Powell stars in this romantic drama as a caddish novelist based in Paris, France, who is blackmailing the uncle of a young American woman (Carole Lombard) and whose dark intentions extend to starting a relationship with her when she arrives in the city. This is a fantastic portrait of Carole Lombard and William Powell from their first onscreen team-up. In real life, Lombard and Powell would soon become husband and wife.This lot will be auctioned on Thursday, December 7th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 8th.
![SIMLA [now SHIMLA], INDIA - J. G. BRYNING (artist). An album on c.27 leaves of original watercolour studies of Auckland House](https://cdn.globalauctionplatform.com/6edce4a1-3223-4a0c-83ea-b0c201165cd2/de7107b2-b4eb-4deb-a19d-b0c2011732a3/468x382.jpg)
Lot 688
SIMLA [now SHIMLA], INDIA - J. G. BRYNING (artist). An album on c.27 leaves of original watercolour studies of Auckland House School, Simla, India, and various landscapes and maritime scenes, small oblong 4to, late 19th-century.SIMLA [now SHIMLA], INDIA - J. G. BRYNING (dates unknown, artist). An album on c.27 leaves of original watercolour studies mainly of Auckland House School, Simla, India, including one captioned, "Young ladies! Please keep to step & turn your toes out", with various landscapes and maritime scenes, and a few other unrelated subjects, including Windsor Castle, contained in a contemporary cloth wallet with silk tie, small oblong 4to (125 x 160mm), mid-19th-century. Simla (as it was previously known) was, from 1864, the summer capital of the British Raj, owing to its temperate climate, and as reflected in its preponderance of colonial architecture. Auckland House School was founded by George Eden (Lord Auckland), the Governor General of India, in 1836, as a place to educate girls on English public school lines. Having gone through various different incarnations, it became, and remains, one of the most prestigious schools in India, earning itself the title "The Cheltenham Ladies College of India." Of J. G. Bryning, the artist of these charming, if somewhat amateurish, watercolours, little is known except that he probably taught art at the school. Many engravings, dating from the middle part of the 19th-century, were made of his Indian views.
Lot 10
A CIRCA 1902 WALES RUGBY UNION TRIAL JERSEY MATCH-WORN BY CHARLES MEYRICK PRITCHARD (1882-1916)Narrow hooped maroon jersey with white collars, four buttons, interior label for J C Stewart, Edinburgh, inside collar inscribed with C M PRITCHARDPreserved with other important jerseys, caps and photographs by Charles Meyrick Pritchard (1882 – 1916) which form a collection entered to this auction by Charlie Pritchard’s great-grandson. In recent years the collection has been archived and exhibited at the World Rugby Museum at Twickenham Stadium.The jersey was awarded to Pritchard at his first Welsh Seniors Trial Match in Treherbert, in 1902, when he was selected for 'the possibles'. Pritchard was later selected as the third forward reserve for Wales against Ireland in Belfast, in March 1904. Fortuitously for Pritchard, the first two forwards pulled-out of the tie, then on the day of the match, another was taken ill, consequently Pritchard was awarded his first full Welsh cap against Ireland at the age of 21. The match was said to be a thrilling affair, with Ireland looked to be beaten with fifteen minutes to go, but the home team scored two quick tries and a conversion to take the lead to 14-12. Controversy followed when the Scottish referee Mr Findlay Crawford disallowed a last gasp match-winning try by Welshman Dick Jones. Crawford, it is said, was the only person on the pitch or in the crowd to see a forward pass in the movement towards the try-line. Allegedly Crawford, sharing a common attitude with many Scots in rugby circles, was not in favour of the Welsh team being populated by working-class players, and that the team lacked ‘properly educated gentlemen’.
Lot 7
A c.1910 ENGLAND INTERNATIONAL RUGBY UNION MATCH-WORN JERSEY VERSUS WALESAll white jersey applied with felt square bearing embroidered rose-stem, interior label for George Lewin, London, three buttonsPreserved with other important jerseys and caps by Charles Meyrick Pritchard (1882 – 1916) which form a collection entered to this auction by Charlie Pritchard’s great-grandson. In recent years the collection has been archived and exhibited at the World Rugby Museum at Twickenham Stadium. It is unknown, but perhaps likely that the jersey was swapped with Pritchard after his final cap for Wales against England in 1910 at the newly opened Twickenham ground. As Pritchard was by this time a collector of match souvenirs, he would surely have wanted something to take home from this match.The first decade of the twentieth century was a difficult period for English rugby. The professional Northern Union had drawn talent away from union as had military campaigns in South Africa and China. Scotland and Wales dominated the Home Nations Championship, while England lacked continuity and a distinctive playing style. Between 1899 and 1909, a hefty 71 new England caps were awarded and with as many as 16 different half-backs to face Wales being a clear indication of their instability. They were soundly beaten 15-0 by the touring All Blacks in 1905, they also underestimated the raw Australians in 1909 losing the match 9-3. They did however manage to scrape a draw against the Springboks on home-soil, in 1906.However, the 1910 England v Wales match, Charlie Pritchard’s final Wales appearance was to be the turning-point in England’s fortunes. The match was notable as the first international tie to be played at the Twickenham ground. Buoyed by the game’s founding nation finally having a home-ground of their own, England beat Wales 11-6 – Wales’s first loss in three years. England went on to claim the Championship in 1910 for the first time since 1895. The England team also had a new crop of talented players to grace their new Twickenham home such as Adrian Stoop, Cherry Pilman and Ronald Poulton Palmer to name but a few. It was a new confident dawn for England and the mark of a golden era for English rugby union.Their first title for eleven years coincided with the rise of Harlequin F.C., whose brand of attacking rugby led to a purple period in the years leading up to First World War. England did not retain the title in 1911, winning and losing two games. England only lost one game (to Scotland) in the 1912 Five Nations, and thus shared that championship with Ireland. A Grand Slam of the Five Nations was achieved by England in 1913 and England successfully defended the title at the 1914 Five Nations with another Grand Slam. There were no games between 1914 and 1920 owing to the War, but when the Five Nations resumed in 1921 England continued where they left off.
Lot 44
Samuel Palmer (London 1805-1881 Redhill)Portrait of George Richmond signed and dated 'S.Palmer 1831' (lower left)graphite on wove paper stamped with the blind stamp of Dobbs, London21.8 x 17.3cm (8 9/16 x 6 13/16in).Footnotes:ProvenanceWith Katharine House Gallery, Marlborough, where acquired in 2006 by the present private ownerSamuel Palmer was living at Shoreham in Kent between 1826 and 1835 where this portrait of his close friend George Richmond would have been drawn on one of the latter's visits to stay with him. They had met through their mutual friend John Linnell who also introduced them to William Blake, a formative influence in the artistic group they were to create with Frederick Calvert, Frederick Tatham and others which became known as the Ancients. Their visionary paintings ran counter-current to the mainstream artistic style of the day and drew much from the Italian primitives. Palmer embraced the sentiments of the group in his personal life as well, wearing his hair long, growing a beard and adopting flowing, 'archaic' clothing. In contrast Richmond, whose career as a fashionable portraitist was gaining ground in London, is shown in Palmer's portrait dressed in the high collar, silk tie and tailored coat of the day, the same attire we see in his self-portrait miniature of 1830 now in the National Portrait Gallery, London (no. 6586). The identification of the present portrait was first put forward by Raymond Lister presumably with that miniature in mind, and it serves as a record both of a friendship and of a particularly productive period in the life of both artists. Richmond was the son of a miniature painter and showed precocious talent which won him a place at the RA schools at the age of 15. He made a number of trips to stay with Palmer at Shoreham in the later 1820s and they formed a close and enduring friendship. He fell in love with Julia Tatham, but having failed to get her father's approval to marry the two eloped to Gretna Green and married the year the present portrait was taken. Later in the 1830s Palmer married Hannah Linnell, John Linnell's daughter and the Palmers and Richmonds travelled to Italy together on a two year painting tour. Although the Ancients disbanded and the artists' painting styles took different directions, Palmer and Richmond remained close friends for life.For further information on this lot please visit Bonhams.com
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