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Lot 3
The Smiths: A collection of five postcards, two written by Morrissey to Mike Hinc, the first undated but believed to be September 1984, the front featuring a black and white photograph of The Marvelettes, reading 'Dear Michael, Thoughts on Cardiff: No toilets (except public one)!! Dressing room 300 degrees below freezing point!! Stage laughably small, heavies mid-barrier were ultra heavy with happy fan. Crowd were great. ART WORK (given to Outlaw by ATB) was 3 records old!!!! - Will accept your decision on Belfast & Dublin venues - tickets aren't too expensive, I presume - thanks to Martin for coming to Gloucester. Please compile Feb-Mar venues. Love, your pets, The Smiths'.The second card, featuring a picture of Morrissey himself, and dated April 28th 1985, reads 'Mike, Can we tie in an Italian date with the Spanish jaunt? Yet still to England on planned date? Can we ditch Barcelona and do Rome? Or one important Spanish date and two Italian? Any idea how London Records found my address? Love, M'.The remaining cards feature bass guitarist Andy Rourke apparently practising his signature (on the reverse of a Smiths promotional postcard), a further card with the same image, with a typed message (probably by Morrissey, to Mike Hinc), reading 'These four beautiful boys would like to do SOME GIGS (but NOT the Upper Volta). We feel a grand passion for Ireland. Nine gigs? But we don't want to LOSE MONEY. Nine gigs? Our future support must be JAMES from FACTORY (please contact them when necessary)...Nine gigs (three rows of three). Remember, we are Rough Trade Artists.' There is blur crayon across the card, similar to that used to sign other letters written to Mike Hinc from Morrissey, as featured elsewhere in this sale.The final card, featuring a black and white portrait of Morrissey, is from an unknown sender, to 'Hilary', who worked with Mike Hinc at All Trade Booking, and reads 'Hilary, I need a copy of US tour inv (359?). Are Ross Bennet Smith having this paid from US? Can your travel agent get me info on QE2 to US. And sea routes to Japan?? (P'haps from US). Please call me, [?]', the card with a postmark dated 13th September 1985. Provenance:From the personal collection of the late Mike Hinc, former booking agent at Rough Trade for Morrissey, The Smiths and others. The lot forms part of an extensive archive of related items on this sale, consigned by the family of Mike Hinc. Qty: 5
Lot 54
Military and Nursing medals and badges. Includes group of WW1 era sweetheart brooches: 9ct Gold Australian Commonwealth Military Forces, silver Ypres x2; silver naval and HMS Raleigh; silver RAF and others. Nursing related badges including Territorial Force Nursing Service miniature medal in case, Proficiency medal inscribed to Edith M Terry, silver Canterbury and College of Nursing badges. Also mixed other items including tie pins, badges and pendants.
Lot 126
Lehmann (Germany) Tinplate Clockwork ‘OH-MY’ Alabama Jigger, EPL 685, circa 1912-15, lithographed tin, jointed dancer with red cheque trousers, blue jacket, yellow tie and yellow hat, black and white spats, on tinplate base/stage housing working clockwork mechanism, when wound the dancer jigs up and down, turning around, overall in good original condition, some paint chipping to blue jacket. Approx H.25.5 cms (10inches)
Lot 646
Vintage Action Man Palitoy Royal Military Police Famous British Uniforms, Catalogue No. 34138, 2nd issue, circa 1972, contents: Red cap, jacket, shirt, tie, trousers, boots, khaki belt, MP armband, billy club, Stirling sub-machine gun, uniforms appears mint on sealed card, original Union Jack box is excellent.
Lot 372
AR * Gibbings (Robert, 1889-1958). Twelve Woodcuts (Decorations for Erewhon by Samuel Butler, 1923), portfolio of 12 woodcuts printed on thin laid japan, unsigned, sheet size 200 x 128 mm, loose as issued in original maroon cloth portfolio, with printed label to upper cover 'Twelve Woodcuts by Robert Gibbings', tie partly broken, some fading to spine, 8vo (210 x 140 mm)QTY: (1)NOTE:Gibbings' illustrated edition of Samuel Butler's Erewhon was first published by Jonathan Cape in 1923 with 38 woodcut illustrations. There was a deluxe issue of 25 numbered copies of the portfolio, with each print signed in pencil by the artist with the standard edition limited to 125 copies. The present portfolio contains all 12 of the woodcuts, but unsigned. The woodcuts form part of Gibbings' early oeuvre, being similar in style to City Walls, Hamrun and Clear Waters, which utilised the 'vanishing line' technique.
Lot 212
William III (1694?1702), Crown, 1700, edge DVODECIMO, third laureate and draped bust variety right, long thin tie ends, toothed border surrounding both sides. Rev, crowned cruciform shields, angles plain, Lion of Nassau struck at centre, eight strings to Irish third harp, date flanking top crown, (S.3474; ESC. 97; Bull 1010). A choice and well struck example with much underlying brilliance. Almost uncirculated, with a very minor nick on the king’s portrait.
Lot 328
Vintage Alexander composition doll featuring a soft body with a composition head, arms, and legs. The doll has painted facial features, open-close sleep eyes, and a synthetic blonde wig styled in braids. Dressed in an antique-style beige dress with a small floral pattern, ribbon tie at the waist, knit socks, and black shoes with bow accents. The back of the doll's head bears the remains of a faint manufacturer marking.Dimensions: 13"HCountry of Origin: United StatesCondition: Age related wear.
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40828 item(s)/page