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Button sets, tie pins, etc.

A QUANTITY OF JEWELLERY including a silver cruciform pendant, a 9ct. gold watch chain, a Victorian gold brooch, various items of paste jewellery, a gold tie pin set with a pink stone, four foliate enamel buttons etc.

A 9CT. GOLD GATE LINK BRACELET with padlock clasp, 8 grams, 17cm. long, together with a 9ct. gold tie pin.

A 9CT. GOLD SIGNET RING a 22ct. gold wedding band, a wide 9ct. gold wedding band, a 9ct. gold engraved ring, a 9ct. gold signet ring set with a hardstone, a Victorian 15ct. gold brooch set with a small diamond, a 9ct. gold tie pin and a white stone ring.

* RACKHAM (Arthur) Illustrator. The Ingoldsby Legends, 1907, 4to, No.248 of 560, large paper copy, signed by Rackham to limitation leaf (2 small fore edge tears and slight staining), tipped in colour plates, t.e.g. other untrimmed and slightly spotted, bright vellum gilt (lacking tie), slip case

* RACKHAM (Arthur) Illustrator. Grimm`s Fairy Tales, 1909, 4to, No.448 of 750 copies, signed by Rackham to limitation leaf, tipped in colour plates, t.e.g. others untrimmed, slightly stained vellum in slipcase, lacking tie

A SUITE OF BOTTLE GREEN DAMASK CURTAINS CIRCA 1910 The wool ground woven with baskets of fruit suspended from loops, applied with gold braid, the hems with velvet borders and gold bobbin lace; together with three velvet tie backs and two velvet pelmets Curtains - 166 x 64 in. (420 x 162.5 cm.) (9) View on Christie's.com

Pair of Victorian cast gilt curtain tie backs in Rococo style

A collection of Victorian brooches in gold and other various metals, including a circular Etruscan revival style brooch, stone set brooches, a tie pin, two curb link brooches, a circular locket back brooch with three small coral cabochons, a modern 9 carat gold garnet and cultured pearl spray brooch, and two gilt metal brooches, 19 in all

A George V gold 1/2 sovereign, dated 1915, later fitted with a gold suspension loop to convert to a pendant; An 18ct gold, sapphire and diamond set three stone ring; A 9ct gold tie pin; a 15ct gold pin brooch; A Raymond Weil, ladies gold cased wristwatch, c1980; two further gents steel cased wristwatches; a gun metal cased open face pocket watch; further misc items of costume jewellery. (a lot)

Yellow Plush Steiff Teddy Bear Called Teddy Robertson bearing button to his ear, boot button eyes, stitched nose, felt paw pads and stitched claws, with growler (no longer working), wearing a later red bow tie and velvet embroidered waistcoat, 43cms.

19th Century Lacquered Hinged Work Box, another smaller, pair of gilt metal tie backs (one af); another pair of tie backs with gilt metal mounts formed as serpents; red velvet and woolwork tie back (one box).

Early 20th Century Childs Black Velvet Jacket with one braided epaulette, braid appliques and panelled back (37.5 cms from shoulder to waist); matching waistcoat with striped lining; black velvet cap labelled Hyam & Co Briggate Leeds; tartan silk tie; childs sporran; pale blue and white trimmed sailors collar.

Pair of Early 18th Century Silk Brocade Ladies Shoes with pointed toes and green silk ribbon latchet tie, leather sole with a white kid leather seam between the shoe sole and upper, also kid leather lining to the inside of the shoe, on a high shaped heel. Length from heel to toe 20 cms and heel height 6 cms.

A Victorian oval agate and turquoise brooch, 5.5cm, together with a Masonic medal in a 9 carat gold mount, a Teli pocket watch and a gilt tie pin (4)

A Victorian 9 carat gold curblink and citrine swivel fob seal, another similar fob and a 9 carat gold tie pin (3)

An RAF 9 carat gold and enamel bar brooch, a Royal Army Service Corp 9 carat gold bar brooch and three tie pins (5)

THREE ANTIQUE GENTS TIE PINS, ONE SET WITH A RUBY TOGETHER WITH A HALLMARKED SILVER PENDANT DEPICTING A SWALLOW ON A CHAIN AND SILVER CHARM AND A 9ct GOLD HALLMARKED NECK CHAIN ( WEIGHT 4gm ) AND CARVED PENDANT WITH FLOWERS POSSIBLY IVORY

EIGHT ANTIQUE GENTLEMAN`S STOCK AND TIE PINS - ONE CITRINE AND ONE SHELL CAMEO

THREE GENT`S TIE PINS INCL. A CITRINE IN A GOLD MOUNT.

THREE GENTLEMAN`S TIE PINS - TWO BEING ENAMEL AND GOLD THE OTHER BEING AMETHYST

TWENTY ASSORTED TIE PINS, SOME BEING ANTIQUE

A 18ct gold signet ring, a 9ct signet ring, locket and tie pin, a yellow metal signet ring, a gold plated gent’s wristwatch and four other items (10).

AN ARAB DAGGER (JAMBIYA) AND A MASONIC SWORD the first with curved polished blade, and horn hilt studded with brass and steel nails, in its leather-covered wooden scabbard decorated with silver beadwork over the outer face, complete with its belt; the second with etched blade decorated with masonic motifs, brass hilt with bow-tie quillons engraved `G. W. Sayer` and `Rosslyn` in its scabbard the first: 31.5cm; 12 3/8in (2)

A HAND-AND-A-HALF SWORD IN 15TH CENTURY STYLE, 19TH/20TH CENTURY, PROBABLY BY ERNST SCHMIDT, MUNICH with double-edged blade cut with a short slender fuller on each side, steel hilt comprising a pair of straight `bow-tie` quillons with pierced terminals, large wheel pommel, and two-stage grip 98.5cm; 38 3/4in blade For a similar example see E. A. Mowbray 1967, p. 81.

A 9ct gold tie clip, and a 9ct gold and bronze core ladies bangle

Victorian silver seal in the form a dog, an opal and yellow metal tie pin with attached gold 1 dollar coin , silver and mother of pearl pen knife, diamond and sapphire brooch and seven gold plated Victorian tokens

9ct gold tie clip weighing 4.6 grams

9ct gold tie pin with the shell emblem set with small central diamond weighing 8.8 grams

Second World War Royal Air Force Officers tunic, with retailers label for Roscoe & Co dated 1945, with trousers, belt, later blue shirt and tie (4) (Mannequin not included)

A tie clip modelled from two shilling coins

An early 20th century pressed card jewellery box containing a quantity of costume and other jewellery, necklaces, beads, gold tie pin with shield head etc.

A lady`s hallmarked 9ct. gold ring set within an arrangement of nine small red stones and a part engine turned gold tie clip signed `9ct` total weight approx. 2.8gms. (2).

A COLLECTION OF FOOTBALL EPHEMERA to include 5th May, 1956 Birmingham City V Manchester City Programme and Final Tie Tickets; A Desert Song, Programme 1934, The Palace Theatre, Redditch, "The Whole Duty of May", 1687, 1 vol, an album of sketches, Poems, etc, circa 1917 onwards, and four other books

A VICTORIAN MAHOGANY CHEVAL MIRROR having arched plain plate with moulded surround held in twin turned fluted horns mounted on four cabriole legs with a base stretcher tie, 2m high x 90cm wide

AN EDWARDIAN MAHOGANY SUTHERLAND TABLE having satinwood crossbanded `D; flap top, four squared and splayed legs, fretted end panels and plank stretcher tie, 63cm high x 62cm wide

A GOLD BAR TIE PIN set single old cut diamond

TWO 20TH CENTURY LADY`S WRIST WATCHES and a SELECTION OF TIE PINS

MORRISON, James Douglas ('Jim'; 1943-1971). The Lords. Notes on Vision. [No place: by Western Lithographers for the author,] 1969. 2° (280 x 215mm). On 82 leaves of ivory paper (a little colour from the folder faintly transferred on small areas of some page edges). Loose as issued in the original blue card portfolio with red tie, upper side lettered in gilt (extremities rubbed, light soiling, trace of adhesive where flaps were once sealed). FIRST EDITION OF THE DOORS LEADER'S RARE FIRST BOOK. 1 of only 100 copies, self-published by Morrison. The Lords gathers aphorisms and observations which Morrison began collecting in notebooks while studying film at UCLA. It is a poetic commentary on contemporary social structure, which Morrison saw divided between 'lords' and 'sheep'. Morrison remarked: 'what that book is about is the powerlessness that people have in the face of reality... they have no real control over events or their own lives. Something is controlling them'; whereas 'the lords are a romantic race of people who have found a way to control their environment and their lives. They are somehow different from other people' (in Sugerman, The Doors, p.188). View on Christie's.com

A 19th Century bobbin turned tie and cravat rack, 28cm x 61cm (11" x 24").

A GEORGE III SILK PANEL, embroidered in relief, with a spray of flowers including tulips and roses with turquoise ribbon tie, in a rosewood moulded frame, 11 1/2" x 10"

A cased quantity of assorted Jewellery etc., including Stick Pins, Brooches, Military Buttons and a cased nine carat yellow gold textured bark finish Tie Pie

An American carved and painted wooden whirligig early 20th century, the standing character figure with the original polychrome paint and wooden paddle form arms painted cream with dark red central bands, the face with applied tack eyes and wooden block nose, with a black bowler type hat with red band, black waiter-style jacket with upturned collar and black neck tie, dark red trousers and black shoes, on a small painted brass mount, 9.75in (25cm) high from base to hat.

Nine WW2 era Brentford & Chelsea official football programmes comprising Chelsea v. Portsmouth, London War Cup 18/04/42; Chelsea v. West Ham United, Football League South 09/01/43, tear to left margin; Brentford v. Reading at Chelsea Football Club, London Cup Final 07/06/41; Arsenal v. Brentford at Chelsea Football Club, London War Cup Semi-Final Tie 02/05/42; Brentford v. Chelsea, Football League South 19/09/42; Brentford v. `Spurs, Football League South 26/12/42; Brentford v. Queens Park Rangers, London War Cup 14/04/41; Brentford v. Reading, London War League 13/09/41; Brentford v. Chelsea Football League Cup (2nd Round) 01/03/41. (9)

A pair of Victorian laurel wreath curtain tie backs.

Costume jewellery & jewelled velvet curtain tie back.

1957/8 Manchester United v Sheffield Wednesday football programme: the first game after the Munich disaster played on 19 February - FA Cup 5th round cup tie - team sheet left blank, token neatly removed- otherwise (G)

Collection of 1921/22 Millwall v Crystal Palace FA Cup tie original football photographs: 8x original press photographs (8.5 x 6.5") played at The Den, Selhurst and New Cross replay c/w typed match details on the back plus 2x others Millwall v Swindon action press photographs. (10)

A small quantity of jewellery and costume jewellery, including collar studs, tie pin, wristwatches, cufflinks, and a pair of glasses

A rare Minton porcelain vase and cover the design attributed to Dr Christopher Dresser, Japanese gourd form with modelled silk tie, painted in the Persian manner with elaborate panels of flowers in yellow, coral and white on a red and blue panelled ground, highlighted in gilt printed mark to base 27cm. high Literature Christopher Dresser, Kunstgewerbemuseum, Koln 1981 exhibition catalogue page 39 plate 34, illustrates a Japanese Double gourd form from which the shape has inspired this vase - the pattern is also similar to Dresser`s textile designs for J W & C Ward reproduced page 43 from the Art Journal 1871. Christopher Morley Dresser`s Decorative Design page 154 figure 280 this vase illustrated in the forthcoming Dresser monograph

Guidi (Guido) Les anciens et renommé aucteurs de l first edition in French numerous woodcut illustrations in text hole in text n6 worm hole through whole text block in lower margin damp-staining throughout text ending at p. 672 rebacked retaining contemporary boards Lyons Guillaume Roulle 1555 § Saurez (Francisco) Cirugia Methodica Chimica Reformada trimmed close at places in bottom margin some fore-edge pages slightly frayed damp-staining in places ink library stamp front free endpaper contemporary vellum one tie missing Madrid 1722; and 2 others v.s.(5)

A gilt metal brooch, square shape with pierced design, centered with a carnelian, also an enamel fish, silver dolphin pendant, two tie slides, pair of cufflinks and other items (a parcel)

C AUGUSTIN A portrait miniature of Elledane (?) Comtesse de Provence, in ebonised and gilt ribbon-tie surround, oval, 3½” x 3”

A DIAMOND RIBBON-TIE BROOCH, set to the centre with a round old-cut diamond, c.0.25cts and surrounded by graduated old-cut diamond ribbon loops in white metal, the yellow metal reversed with brooch fitment and safety chain. See illustration

A RUBY AND DIAMOND BROOCH of ribbon-tied form, set to the centre with a cushion-cut old diamond c.0.2cts each ribbon-tie set with a row of graduated pink rubies and flanked to either side by rows of graduated old-cut diamonds, set in white metal, the yellow metal back with bar fitment.

Lladro boy with sailing boat sitting on harbour tie. 23cm.

* Beggars Benison Club. An original diploma admitting George Paton as member of the Club, 20th December 5746 [the Club dating system from the beginning of the word, 4000 BC] ie. 1746, “By the Supereminently Beneficent and Superlatively Benevolent Sir John McNachtane Sovereign of the Most Ancient and Most Puissant Order of Ye Beggar Bennison and Merryland in Ye Eight Year His Guardianship and in that of Ye Order 5746. Having nothing more sincerely at heart than ye Happiness and Prosperity of our well beloved Subjects the Inhabitant of our Celebrated Territories of Merryland and the promoting of Trade, Manufactures and Agriculture in that delightful Colony. And Being well informed that the worth George Paton Esqre. has all manner of Inclination as well as sufficient ability for these noble and laudable purposes And willing that such bold Adventurers as he is known to be should have all suitable encouragement. We do hereby Create Admit and Receive Him a Knight Companion of the Most Ancient and Most Puissant Order of the Beggars Bennison and Merryland by the name Style and Title of Sir George Paton... “, signed Pat Anstruther by the witness and recorder R. Hunter, written in an italic copperplate hand with an additional amendment to lower left blank area, 16th December 15760 [i.e. 1760] appointing Sir George “agent for the affairs of our Order and Stationer in Ordinary which office he is to enjoy for the future”, signed by R. Hunter, vellum document with original faded red silk seal tie and red wax Club seal (an erect penis with a tied small purse above an anchor), sl. cracked with loss of seal edge between 7 and 12 o”clock, a little soiling, 31 x 38cm, original endorsement dated 20th December 5746/1746. The Beggar’s Benison (or Bennison) was a Scottish Society of an erotic and convivial nature composed of the nobility and gentry of Anstruther and surrounding districts. The club was formally founded in 1739, original founders including Philip Paton (merchant comptroller of the customs at Kirkcaldy), Robert Hunter (customs clerk) and John McNachtane (customs officer at Anstruther). The recipient of this diploma is most likely the book collector George Paton (1721-1807). He spent most of his life as a customs clerk but built up an extensive library which took its origins in the bookseller’s stock of his father John Paton, a prominent Edinburgh bookseller and George Mosman, his maternal grandfather. Most of Paton’s books were sold by auction in 1809 and his manuscripts at a sale in 1811. The most substantial holdings of his correspondence are held in the National Library of Scotland. (1)

Calvas (A. publisher) Album de Décoration 56 (of 60) chromolithographed plates loose as issued later marbled boards portfolio lacking 1 tie small folio Paris [c.1930].

PHILIP: (1921- ) Duke of Edinburgh, consort of Queen Elizabeth II. Blue fountain pen ink signature (`Philip`) on an oblong 4to page removed from the Wembley Stadium Distinguished Visitors Book 1948-51, with typed heading indicating that the page was signed on the occasion of the Rugby League Challenge Cup Final tie, Halifax v. Bradford Northern, 7th May 1949. Three file holes to the left edge, not affecting the signature. VG

CRAWFORD BRODERICK: (1911-1986) American Actor, Academy Award winner for Best Actor in 1949 for his role as Willie Stark in All The King`s Men. Vintage signed 8 x 10 photograph of Crawford in a head and shoulders pose wearing a dark suit and patterned tie. The actor smiles warmly as he leans slightly towards the camera. Signed in turquoise fountain pen ink to a light area of the image. Scarce. VG