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Lot 2002
Platinum three stone round brilliant cut diamond ring, total diamond weight approx 1.90 caratCondition Report:Approx 3gm, size P 3/4, tested as platinum, shank slightly thinning at base - sound, a few claws receded back, diamonds very good colour approx F-H, clarity good, centre stone has small inclusions off centre, visible under 10x loop only, all diamonds eye clean, bright with good movement, middle diamond approx 0.85 carat, side diamonds 0.55 and 0.50 carat
Lot 2013
Platinum three stone old cut diamond ring, total diamond weight approx 2.30 caratCondition Report:Tested as platinum, approx 4gm, size K-L, middle diamond 0.80 carat, side diamonds 0.65 carat and 0.85 carat, diamond bright with good movement, large culets, light yellow hue colour to all three, one side diamond has very small chip to girdle edge, good clarity, very light feathering in areas - visible under a 10x loop eye clean, shank and setting in good condition
Lot 2044
De Beers Aura platinum round brilliant diamond ring, the central diamond solitaire of 1.07 carat, clarity VVS2, colour E, with GIA certificate, surrounded by halo of diamonds and diamond set shoulders, total diamond weight 1.46 carat boxed with authenticity card and purchase receipt dated 2017Condition Report:Approx 4.9gm, size G (De Beers states that this ring has a resizing tolerance of +2/-2 sizes), De Beers number lasered on inside of shank, very good condition, purchased in Dubai
Lot 194
A diamond and platinum solitaire ring, comprising a round brilliant cut diamond weighing approx 0.95ct, assessed colour H/I, assessed clarity VS2, six claw setting to tapered shoulders, size N, total gross weight approx 2.4gms Further details: good- stone intact, minor wear and tear, sizing to shank
Lot 196
A sapphire and diamond cluster platinum ring, comprising an oval cut sapphire within a border of small diamonds, diamond weight approx 0.16ct, size M, total gross weight approx 4.1gms, along with a diamond set solitaire and 18ct white gold ring, diamond approx 0.07ct, size L1/2, total gross weight approx 3gms (2)Further details: all stones intact, wear and tear commensurate with age
Lot 204
A two stone diamond and 18ct gold cross over ring comprising two round brilliant cut diamonds each approx 0.75ct each, assessed clarities Si2/I1, assessed colours H/I, claw set in platinum to a grain set diamond shoulders to an 18ct gold mount, size K1/2, total gross weight approx 4gms Further details: good all stones present and intact, minor wear and tear only
Lot 46
A Kutchinsky platinum and 18ct yellow gold diamond ring, comprises a flower head with layering textured petals, round brilliant diamond highlights on platinum mounts of estimated total carat weight 0.33ct, to a tapered D-section shank, London hallmarked with maker's mark, dated 1962, ring size Q, head measuring 2.5 x 2.1 cm, total weight of item 16.5 grams.one diamond missing
Lot 177
A platinum diamond solitaire ring, consisting of a round brilliant central diamond of 2.17cts, claw set on a high mount, with smaller diamonds pavé set on shoulders, to a tapered flat shank, London hallmarked as 950 platinum, dated 2018 with maker's mark DEJ, ring size measuring at Q, total weight of item 5.4 grams.Together with GIA certificate, the central diamond stating colour and clarity to be D, VVS2, dated August 2017.
Lot 186
An Art Deco emerald and diamond ring, consisting of one round transitional-cut diamond collet set at the central, with fifteen emeralds calibré set on the surmount, and further seventeen smaller round diamonds pavé set on the volute formed ring head, with a pierced gallery to a cut-out flat shank, white metal stamped as platinum, ring size L, total weight of item 11.1 grams.with three ring sizing beads.
Lot 218
A 1950s platinum and white gold dress ring, with a round transitional-cut diamond pavé set in the centre of a platinum mount, on elaborated volute motif ring head with scrollwork and millgrain details, further encrusted with smaller white faceted stones, supported by a wirework under gallery, to an 18kt gold flat ring shank, unmarked, ring head approximately measuring 18.3 x 13.1 mm in dimensions, ring size L, total weight of item 5.2 grams.Metal tested as platinum on the head, 18kt white gold on shank.
Lot 264
Tiffany & Co. A Soleste large full hoop diamond eternity ring, the round brilliant cut diamonds prong-set in a platinum band. Signed Tiffany. The total diamond weight estimated to be approximately 1.76 carats. Ring size T. 5.11 gramsWith original purchase receipt from Harrods, dated 2011, stating the original purchase price to be £6,900
Lot 273
An Art Deco ruby and diamond ring, consisting of fourteen round single-cut diamonds, pavé set on a volute formed ring head, with further twenty-one table-cut rubies calibré set on the lashing, with a pierced gallery to a cut-out flat shank, white metal stamped as platinum, head approximately measuring 1.9 x 1.1 cm, ring size L, total weight of item 10.0 grams.
Lot 292
Tiffany. A single stone diamond and platinum band ring; the round brilliant cut diamond inset to the curved polished platinum band. Signed Elsa Peretti and Tiffany. In original case and outer box. Ring size J. 5.26 gramsTogether with the original purchase receipt from Selfridges in 2015 stating the original purchase price to be £1125.00.
Lot 192
Magenta Pink Triplet Quartz and Topaz Ring, the striking, magenta pink, oval cut, 10ct stone flanked by three marquise cut white topaz, set in a fan shape to each side, on the shoulders of the platinum vermeil and silver mount; the bright accents of the topaz flash light through the centre stone bringing out the different shades and tones from within; size L
Lot 1034
A sapphire and diamond Art Deco dress ring, the octagonal shallow sapphire in a rub over setting, measuring 10.5mm x 12mm, surrounded by baguette cut and round brilliant cut diamonds, the baguettes each approximately 0.10ct and 0.15ct, with twelve round brilliant cut diamonds each approximately 0.02cts, in a platinum setting, on a raised scroll basket, with etched shoulders, yellow metal tests as 18ct, ring size O, 5.7g all in.
Lot 216
A DIAMOND SINGLE-STONE RINGComposed of a European-cut diamond weighing approximately 2.20cts within a eight-claw setting, to a plain hoop, mounted in platinum, ring size N¼Condition Report: Diamond: approx. 2.20cts total, estimated colour G/H, estimated clarity SI (nick located on the girdle) and large colourless feather located on the near the girdle) visible under a bright light sourceWhite metal unmarked - tested by the jewellery department to be platinumNormal signs of wear, overall in good conditionTotal gross weight approx. 4.5g
Lot 244
A SAPPHIRE AND DIAMOND CLUSTER RINGThe oval-shaped sapphire weighing approximately 5.80cts within a surround of brilliant-cut diamonds and two marquise-shaped diamond shoulders, mounted in platinum, diamonds approximately 1.50cts total, ring size L½Condition Report: Sapphire: of blue hue, dark tone, colour banding visible under a bright light source, some broken silk visible under 10x magnification and bright light source, facets are smooth, a minor pit near the gridle visible under 10x magnificationDiamonds: approx. 1.50cts total, estimated colour G/H (with a I/J), estimated clarity some VS and some SIStamped PT950 for platinum, weights inscribed in hoop: sapphire 8.88 & diamond 1.55Normal signs of wear, overall in good conditionTotal gross weight approx. 9.3g
Lot 33
AN EARLY 20TH CENTURY DIAMOND AND RUBY DRESS RING, CIRCA 1925The octagonal plaque centring an old pear and oval-shaped diamond, within a surround of old cushion and brilliant-cut diamonds, accented by a calibré-cut ruby frame, mounted in platinum, diamonds approximately 2.00cts total, French import mark, ring size L¼Condition Report: Principal diamonds: estimated colour I/J, estimated clarity one VS2/SI1 and one SI2Remaining diamonds: similar colour and clarity estimated SI1Rubies: of purplish-red hue, dark tone, overall well matchedFrench import mark for platinumNormal signs of wear
Lot 37
AN ART DECO DIAMOND DRESS RING, CIRCA 1940Of odeonesque design, the arched front section set with a principal European-cut diamond weighing approximately 1.00ct, accented with European, single and baguette-cut diamonds, mounted in platinum, remaining diamonds approximately 1.80ct total, ring size HCondition Report: Principal diamond: approx. 1.00ct, estimated colour H/I, estimated clarity SI1Remaining diamonds: approx. 1.80ct total, estimated colour VS/good SIWhite metal unmarked, tested by the jewellery department to be platinum 850Normal signs of wear, overall in good conditionTotal gross weight approx. 7.6g
Lot 60
A CORAL AND DIAMOND COCKTAIL RING, BY CARTIER, CIRCA 1955The oval-shaped corallium rubrum cabochon coral within an openwork mount of textured wire, highlighted with brilliant-cut diamonds, mounted in 18K gold and platinum, diamonds approximately 1.50ct total, signed Cartier Paris, numbered, with maker's mark 'P&Fils' for Péry & Fils, French assay marks, with maker's case, ring size KPlease note that this lot contains coral and might be subject to CITES regulations when exporting outside the EUMaison Péry was established in 1875 by Lucien Péry, whose elegant gold chains attracted the attention of the jewellers housed in the place Vendome. The company was run by four generations of Péry's, from Lucien’s son Albert to his grandson Bernard who was the father of the great Brigitte Péry who went on to manage the business for four decades.Albert's work at during the first half of the 20th century was prolific, producing new designs almost every week. However, when the WWII broke out, Albert was taken prisoner and the workshop was closed for six years. Once the conflict ended, the production started again slowly, increasing in the 1950s, during which time Péry created some of Van Cleef & Arpels’s most iconic pieces, including the Domino jewellery sets and Ludo bracelets.Bernard Péry began to make connections with other jewellery houses and started collaborations, first with Paolo Bulgari, which lasted for two decades, followed by Cartier, Boucheron, Mauboussin, Templier and Tiffany. Indeed, it seems there is no major jewellery house of the 20th century the Péry workshops did not produce for.Bernard’s daughter Brigitte was of similar business acumen and when she took over, she continued to pursue this strategy. Amongst her collaborators were Graff, Dior, Fabergé and Mikimoto. In 2008 she launched a large-scale training program for the workshops in order to promote innovation and modernise the production techniques of the company. Adopting new design processes ensured versatility and allowed Maison Péry to compete on an international stage. In 2011, she finally decided to sell her family's company to the then President of the Richemont Group, Stanislas de Quercize, thus officially combing Maison Péry into the fold of Van Cleef & Arpels.‘Jewellery always makes you dream,’ Brigitte explained in an interview with Olivier Bachet for IAJA, ‘To dream of those who wear them, what a pleasure and what a chance to be able to do so. And to dream of those who always make them with real passion.’Condition Report: Diamonds: approx. 1.50cts total, unable to assess colour due to yellow mount, estimated clarity: a majority of VS and a couple of SINumbered: (Difficult to identify the number): possibly: 0 (or 9) 18185 and signature Cartier Paris, located on the reverse of the galleryFrench assay marks: dog's head for French platinum and eagle's head for French 18K gold, both located on the outside of the hoopMaker's mark for Pery & Fils located on the outside of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 18.5g
Lot 69
From the private collection of a continental ladyA DIAMOND RING, BY CARLO ILLARIO FOR FASANOComposed of wavy lines of brilliant-cut diamonds interspersed by further wavy lines of polished gold, mounted in 18K gold, signed Fasano, with maker's mark for Carlo Illario, ring size MBorn to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Diamonds: approx. 0.28ct total, unable to assess colour due to yellow mount, estimated clarity VS-SIStamped 750 for 18K gold located inside hoop as well signature and maker's markNormal signs of wear, overall in good conditionTotal gross weight approx. 10.3g
Lot 70
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANOThe central cushion-shaped ruby within collet-setting, between calibré-cut ruby shoulders, between calibré-cut diamonds, mounted in 18K gold, diamonds approximately 2.50cts total, signed Fasano, Italian registry mark '26AL' for Carlo Illario, ring size Q½Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Central ruby: please note the weight to be very approximate due to collet setting, approx. 2.10cts, of purplish-red hue, good transparency, medium to dark tone, facets are smoothRemaining rubies: of purplish-red hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 2.50cts total, unable to assess colour due to yellow mount, estimated clarity VSSignature and Italian assay mark located inside the hoop, 750 for 18K gold located inside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 8.6g* Please note that the ruby was verbally tested at GCS laboratory in London in February 2022. It was found to be natural, Thai origin with indications of heating with minor residue in healed fissures.
Lot 71
From the private collection of a continental ladyAN ENAMEL PENDANT, BY CARLO ILLARIO FOR FASANOThe white oval plaque with enamel baronial family coat of arms depicting three bull’s heads on a red shield crowned by a coronet and knights helmet, the textured and foliate gold frame with similar bale, mounted in 18K gold, signed Fasano, Italian registry mark ‘26AL’ for Carlo Illario,, length (including bale): 7.2cm, width 4.8cmIllario's workshop was able to confirm that this ring was a unique piece made in the 1970s for Fasano.Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Minor signs of wearSignature and maker's mark located on loopMinor signs of wear, overall in good conditionTotal gross weight approx. 35.4g
Lot 72
From the private collection of a continental ladyA MAGNIFICENT AQUAMARINE, SAPPHIRE AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANO, CIRCA 1970The rectangular-cut aquamarine weighing 13.30cts within a double four-claw setting, between calibré-cut sapphire and brilliant-cut diamond shoulders, mounted in 18K gold, signed Fasano, partial Italian registry mark for Carlo Illario, with document, with maker’s case, ring size L½Illario’s workshop was able to confirm that this ring was a unique piece made in the 1970s for FasanoAccompanied by a document from a Instituti Analisi Gemmelogiche in Valenza (Italy) stating that the aquamarine is weighing 13.304cts and is natural. Report number VKX181091Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Aquamarine: of blue hue, medium tone, good transparency, facets are smoothSapphires: of blue hue, medium tone, good transparency, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSItalian assay mark for Illario.Minor signs of wear, overall in good conditionTotal gross weight approx. 13.8g
Lot 75
From the private collection of a continental ladyA DIAMOND SINGLE-STONE RING, BY CARLO ILLARIO FOR FASANOComposed of a cut-cornered step-cut diamond weighing approximately 2.50cts within collet-setting, to a plain hoop, signed Fasano, with Italian registry mark for Carlo Illario, ring size LBorn to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Principal diamond: please note that the diamond was gauged within collet-setting, approx. 2.50cts, unable to assess colour due to yellow mount, estimated clarity VS2-VS1Superficial signs of wear, overall in good conditionTotal gross weight approx. 9.4g
Lot 90
A DIAMOND ETERNITY RING, BY CARTIERThe continuous line of brilliant-cut diamonds within claw-setting, mounted in platinum, signed Cartier Paris, with maker's mark (indistinct), French assay mark, ring size PCondition Report: Diamonds: approx. 0.84ct total, estimated colour F/G, estimated clarity VS (some facet abrasions visible under 10x magnification with bright light source)Signature: Cartier Paris, located on the side of the hoop (starting to rub away)Dog's head for French platinum located on the side of the hoopMaker's mark, indistinct, also located on the side of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g
Lot 2565
A yellow and white metal diamond solitaire ring, set with a round brilliant cut diamond in an eight-claw setting with millegrain shoulders, diamond dimensions approx 6.5 x 6.6 x 3.14mm, weight estimated as 0.82 carats, assessed mounted colour L to M and clarity I2 to I3, size M, gross weight 2.6g, stamped and tested as 18ct and platinumGirdle is fractured.
Lot 2632
A yellow and white metal, sapphire and diamond oval cluster ring, featuring a centre oval faceted sapphire surrounded by eight triangular sapphires interspersed with sixteen rose cut diamonds, all in grain and bezel settings, centre sapphire dimensions approx 5.8 x 3.85 x 2.5mm, weight estimated as 0.54 carats, triangular sapphire dimensions each approx 2.65 x 1.75 x 1mm, total weight estimated as 0.24 carats, rose cut diamond dimensions each approx 1 x 1.1mm, total weight estimated as 0.06 carats, size R½, gross weight 2.5g, not marked but tested as 18ct and platinum, circa early 1900sVery light age wear only, no apparent faults.Full setting 15.5 x 11.5mm.
Lot 2654
Three rings, being a 9ct yellow gold synthetic opal single stone ring, the opal measuring approx 8.85 x 6.85 x 2.5mm, size P, hallmarked 9ct, Birmingham, sponsor JMJ, gross weight 1.6g, a 9ct yellow gold opal doublet ring, the doublet dimensions 10.05 x 7.9mm, size N½, gross weight 2.6g, hallmarked 9ct, London 1980; and a yellow and white metal single stone ring, having a round cubic zirconia in an eight claw setting, cubic zirconia dimensions approx 7.25 x 4.5mm, size K½, gross weight 2.5g, stamped and tested as platinum and 18ctStone is fractured.
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