Albrecht Dürer, Joachims Opfer wird zurückgewiesen (aus: Das Marienleben), 1511Albrecht Dürer, (1471-1528)1511Joachims Opfer wird zurückgewiesen. 1511. Holzschnitt. Aus: Albrecht Dürer, Das Marienleben, 1511, mit lateinischen Gedichten des Benediktinermönchs Benedictus Chelidonius aus dem Nürnberger St. Aegidien Kloster. Dargestellt ist die Szene, wo Joachim, der Vater Marias, dem Oberpriester ein Opferlamm darbietet, welches abgelehnt wird. 30 x 21cm. Unten mittig in der Darstellung bezeichnet mit Monogramm AD, verso mit ganzseitig gedrucktem Text (ANGELUS IOACHIM RURI COMMORA/ TI APPARET ET AD AUREAM PORTAM/ CONIUGI OCCURRERE MONET […]). Verso mit Bleistift mehrfach bezeichnet und mit den dafür gefragten Wasserzeichen.
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NO RESERVE Monet (Akim) The Space Between, one of 1500 copies, Verona, 2003 § Knorr (Karen) Belgravia, one of 1000 copies, 2015 § Ballen (Roger) Outland, New York, 2001 § Epstein (Mitch) Family Business, Gottingen, 2003 § Lorenz (Richard) & others. Imogen Cunningham 1883-1976, Cologne, 2001 § Sturges (Jock) New Work 1996-2000, Zurich, 2000 § Tillman (Lynne) The Velvet Years: Warhol's Factory 1965-67, Photographs by Stephen Shore, 1995, illustrations, some colour, original cloth or boards, all but the first with dust-jackets, the last two slightly rubbed; and c.80 others, photography, mostly American, v.s. (4 boxes)
Speiseteilservice für bis zu 10 Personen, 22-tlg., C.H. Field Haviland, Limoges, Frankreich, Ende 20. Jh., Edition ''Musée Claude Monet - Giverny'', Wiederauflage eines von Claude Monet für sein Esszimmer in Giverny entworfenen Services, Streifendekor in Zitronengelb und Blau, ovale Deckelterrine, L. 31,5 cm, ovale Vorlegeplatte, L. 36 cm, Fischplatte, L. 62 cm, 10 tiefe Teller, Ø 23,5 cm, 5 Vorspeisen- o. Dessertteller, Ø 22 cm, 2 Suppentassen mit UT, 1 UT best., H. 6 cm
Kaffee- u. Mokkateilservice für bis zu 6 Personen, 22-tlg., C.H. Field Haviland, Limoges, Frankreich, 20. Jh., Edition ''Musée Claude Monet - Giverny'', Wiederauflage eines von Claude Monet für sein Esszimmer in Giverny entworfenen Services, Streifendekor in Zitronengelb und Blau, Kaffeekanne, min. best., H. 17 cm, Milchkännchen, H. 9 cm, Zuckerdose, 1 Henkel best. u. gekl., H. 11 cm, 4 Kaffeetassen mit 3 UT, H. 6,5 cm, 6 Mokkatassen mit UT, 1 UT best. u. gekl., H. 5,5 cm
A GOOD TALL IVORY NETSUKE OF A SARUMAWASHI (MONKEY TRAINER)UnsignedJapan, 18th century, Edo period (1615-1868)Superbly carved as a monkey trainer wearing a cloud-patterned robe, a food basket tied to his waste, holding a long taming stick in one hand, the other hand handing a peach to the monkey clambering on his shoulder. The foreigner-esque face of the sarumawashi is carved expressively with large eyes and a wide grin baring teeth. The ivory bearing a deep-yellowish patina, turning honey-colored in the back, the back with large and asymmetrical himotoshi placed at an angle to each other.HEIGHT 9.7 cmCondition: Very good condition with wear and traces of use consistent with age and handling. Several natural age cracks. A tiny old chip to the edge of the monkey trainer's hat.Provenance: Sotheby's, 25 October 1994, Amsterdam, lot 663. Ex-collection Dr Anton C. R. Dreesmann (1923-2000), old inventory no. E-41 pasted to the back. Sold at Christie's, The Dr Anton C. R. Dreesmann Collection: Dutch Pictures & Works of Art, 16 April 2002, London, lot 1330.Dr Anton C. R. Dreesmann (1923-2000), third-generation member of the founding family of the biggest Dutch department store, Vroom & Dreesmann, was a passionate collector, amassing over 1,300 works of art, barely ever selling any of his beloved acquisitions. Among his collection were famous works by French impressionist and post-impressionist painters such as Claude Monet and Georges Seurat, but he also formed a small collection of netsuke mostly depicting foreigners and Dutchmen.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307507150-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A MAGNIFICENT AND LARGE GREEN JADE MYTHICAL BEASTQing DynastyThe imposing animal carved recumbent with large bulbous eyes beneath bushy brows, a wide mischievous grin revealing fangs, the accentuated spine terminating with the large bushy tail sweeping across its left haunch, its paws neatly tucked beneath the large body, the stone of mottled dark olive-green tone with russet veins. 32cm (12 1/2in) long; 8550g. Footnotes:清 青玉瑞獸Provenance: Milly von Friedländer-Fuld (1866-1943), Berlin (this lot is sold with the permission of the heirs of Milly von Friedländer-Fuld)Auktion Van Marle & Bignell, The Hague, 20-25 October 1941, lot 1384Kunsthandel v.Veen, AmsterdamSpink and Son Ltd., LondonBluett and Sons Ltd., London, 15 November 1984A British private collection, and thence by descentPublished, Illustrated and Exhibited: Chinesische Kunst, Berlin, 1929, p.394, no.1086Somerset House, 1979來源: Milly von Friedländer-Fuld (1866-1943)舊藏,柏林(該拍品經 Milly von Friedländer-Fuld 繼承人許可出售)Auktion Van Marle & Bignell,海牙,1941年10月20-25日,拍品編號1384Kunsthandel v.Veen,阿姆斯特丹倫敦古董商Spink and Son, Ltd.倫敦古董商Bluett and Sons Ltd.,1984年11月15日英國私人收藏,並由後人保存迄今展覽著錄:《中國藝術》,柏林,1929年,第394頁,編號1086Somerset House, 1979年Milly Antonie von Friedländer-Fuld was born in the Netherlands in 1866, the daughter of the banker Elias Jacob Fuld and his wife Lina. Her father, a native of Frankfurt, ran the Amsterdam bank Becker & Fuld together with Carl Becker, which maintained close ties with the Rothschild Bank in Frankfurt. According to a list from 1913, the family was one of the wealthiest families in Germany. The family's town house on Pariser Platz was furnished in a manner befitting its status and contained a constantly growing art collection, which was later to include paintings by van Gogh, Picasso, Gauguin, but also by French Impressionists such as Manet and Monet, which belonged to her daughter Marie-Anne von Goldschmidt-Rothschild. Milly's husband, Fritz von Friedländer-Fuld was known for his collection of gold and silver objects, such as rare boxes, nécessaires, flacons and watches, parts of which he had exhibited in Berlin in 1906. The present lot was loaned by Milly von Friedländer-Fuld and exhibited in the seminal Chinesische Kunst exhibition of 1929 in Berlin. This exhibition was amongst the first major exhibitions of Chinese art in Europe. It included 1270 works of art, on loan from some of the greatest museums such as the Asian Art Museum in Berlin, the Louvre and Guimet in Paris, the Rijksmsueum in Amsterdam, the National Museum in Stockholm, as well from some of the leading collectors and dealers such Adoplhe Stoclet, George Eumorfopoulos and C.T. Loo, to name a few. After her husband's death in 1917, Milly Antonie von Friedländer-Fuld initially moved to the Netherlands and France. However, the palace and its inventory remained in the family and was used by her as well as her daughter Marie-Anne von Goldschmidt-Rothschild and her family, who still resided there in June 1938. Following Hitler's rise to power, the palace was forcibly sold to Albert Speer, on behalf of the German Reich, and much of the family's property was seized. In August 1939 ten trucks left Berlin with inventory and art objects to Amsterdam for storage at De Gruyter & Co. - likely also including the present lot. These were later seized as well and similarly to the fate of the objects in Palais Friedländer in Berlin, were sold at auction between 1941 and 1942. After the occupation of the Netherlands by the Germans, Milly Antonie von Friedländer-Fuld fled to France, and died in Cannes in 1943. The jade mythical beast which was sold in The Hague at Marle & Bignell in October 1941 to a Dutch dealer, made its way to the UK and sold through London dealers Spink & Son and Bluett's & Sons to a British collector. It is now sold with the agreement of the British collector's family and the heirs of Milly Antonie von Friedländer-Fuld.The present lot is remarkable for its extremely large size (32cm long) and weight (8.55kg) and anthropomorphic face. Large jade animal carvings include both animals and mythical beasts; the former such as water buffaloes, horses and elephants and the latter, mythical creatures such as Buddhist lions, qilin and luduan. See for example S.C.Nott, Chinese Jade Throughout the Ages, London, 1975, pls.241, 391, 392, 394, 395 and 397. See also a pale green and russet jade carving of a bixie, Ming dynasty, with closely related humanoid face, which was sold at Bonhams London, 17 May 2012, lot 25.It is extremely rare to find animals and beasts of such striking size, and although widely published and much admired, exceptionally large jade animals such as the present lot, in fact, form a very select and unusual group within the tradition of Chinese jade carving. Usually carved with great sensitivity and naturalness, such pieces have been traditionally dated to the late Ming to early Qing period, based upon a number of factors: the similar mid-green or occasionally greyish colour of the pieces suggest that they were sourced before the quelling of Xinjiang in 1759 gave access to fine and large raw jades sent in as tribute from the new vassal region. See a large jade figure of a horse, late Ming/early Qing dynasty, illustrated by J.Rawson, Chinese Jade from the Neolithic to the Qing, London, 1995, pl.26:20, and also a large jade buffalo, late Ming or Qing dynasty, illustrated in Ibid, pl.26:19.For further information on this lot please visit Bonhams.com
A collection of posters, including: 'Bad Girl Bikers', Brian Robson at Meiklejohn Illustration, Athena International, London 1986; 'Women in a Garden', by Claude Monet, printed by Athena International, London 1977; 'Galaxy Survivor', by Irvine Peacock at Meiklejohn Illustration, Athena International, 1985; and others, contained together in a poster tube.
DAVID CRANE ( BRITISH 1946) A MODERN ENGLISH SCHOOL LANDSCAPE, depicting a ploughman working a team of heavy horses, signed bottom left, oil on canvas, approximate size 39cm x 49cm, together with a watercolour landscape with indistinct signature lower right, attribution to A.N. Walford verso, approximate size 28cm x 40cm and a Monet print (3)
AN ASSORTMENT OF WHITE METAL AND COSTUME JEWELLERY, to include a 'Wedgwood' cameo brooch and pendant, an early 20th century fish eating a pearl necklace, engraved 'V.Betts 1915', five brooches, two pairs of clip on earrings, a heart locket pendant, a gate bracelet, a pair of cufflinks, a hedgehog charm and an assortment of chains and necklaces, most stamped 925, silver or sterling, approximate gross weight 149.1 grams, together with a AF French jet beaded necklace, a small assortment of costume jewellery, names to include Mali, OJJ, Napier and Monet (condition report: general moderate wear, overall condition good, French jet necklace broken, requires attention)
Reichsmünzstätte Frankfurt am Main - Goldgulden o.J., Sigismund von Luxemburg, Av: Johannes der Täufer mit Lamm Gottes, zwischen den Füssen C, MONET NO FRANCFRD; Rv: Reichsapfel im Vierpass, SIGISMVND RO NORVM REX, ss, stark berieben, leicht gebogen, leicht verschmutzt, Doppelprägung, Kratzer, Tönung, leichte Prägeschwäche, 3,39g rau.| Imperial mint Frankfurt am Main - gold florin o.J., Sigismund of Luxembourg, Obv: John the Baptist with Lamb of God, between feet C, MONET NO FRANCFRD; Rv: Imperial Orb in quatrefoil, SIGISMVND RO NORVM REX, VF, heavily rubbed, lightly bent, lightly soiled, double stamping, scratches, toning, slight weakstrike, 3.39g rough.
The Masterworks of Monet by Douglas Mannering 1999 Hardback Book Second Edition with 256 pages published by Colour Library Direct, good condition. Sold on behalf of Michael Sobell Cancer Charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
6 Teile Porzellan Edition "Musée Claude Monet Giverny". Limoges. Stempelmarken C. H. Haviland, Limoges, 1990er Jahre. Weiß mit blau-gelber Farbstaffage. Kaffeekanne (H 19 cm), Krug (H 19,5 cm), 3 Suppenteller (Ø 23 cm) und 1 Schale (Ø 29,5 cm). Aufrufzeit 27. | Okt 2023 | voraussichtlich 20:40 Uhr (CET)6 pieces porcelain Edition "Musée Claude Monet Giverny". Limoges. stamps C. H. Haviland, Limoges, 1990s. White with blue-yellow color affair. Coffee pot (H 19 cm), pitcher (H 19,5 cm), 3 soup plates (Ø 23 cm) and 1 bowl (Ø 29,5 cm). Call time 27th | Oct 2023 | expected 20:40 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A JEWELLERY BOX WITH CONTENTS, large black multi storage box, includes costume jewellery pieces names to include 'Monet, Napier, ChrDior, clip on earrings, magnifying glass, boxed pieces of jewellery, imitation pearls, beaded necklaces, with a small amount of world coins (condition report: used conditions, may require some attention)
BLANCHE HOSCHEDÉ-MONET (1865-1947)Coin du Jardin de Claude Monet à Giverny signed and dated 'B. Hoschedé 47' (lower left)oil on canvas50.1 x 61.1cm (19 3/4 x 24 1/16in).Painted in 1947Footnotes:The authenticity of this work has been confirmed by Philippe Piguet. This work will be included in the forthcoming Blanche Hoschedé-Monet catalogue raisonné, currently being prepared.ProvenanceNitia Salerou Collection (the artist's niece).Private collection, Eure (acquired from the above, circa 1960).Private collection, France (by descent from the above); their sale, Aguttes, Paris, 22 October 2018, lot 59.Private collection, UK (acquired at the above sale).For further information on this lot please visit Bonhams.com
Late 20th Century vintage brooches and clip on earrings to include a pair of Orena gold tone circular earrings, a Monet gold tone and purple cabochon bar brooch, a Miracle hardstone bar brooch, a pair of Trifari gold tone and faux pearl earrings and a pair of Monet gold tone, faux pearl and white cabochon earrings all housed in a red fabric Retro musical jewellery box A/F. Location:BWR
Late 20th Century costume jewellery to include a Monet gold tone necklace with blue and purple bead tassels, an Alcozar & J gold tone and turquoise cabochon necklace, an Alva Studios gold tone and blue stone bracelet, clip-on earrings, a blue howlite bead necklace with silver clasp, glass bead jewellery, a Grosse silver tone cross pendant with 4 central glass cabochons and decorative pieces. Location:RWM
A string of Majorica grey simulated pearl beads in original box and a quantity of late 20th Century clip-on earrings to include Monet, Trifari and 1970's Austrian Modernist silver tone earrings, a vintage simulated pearl necklace and fashion watches together with an empty Rotary watch box. Location:BWR
Betjemen (John), A RING OF BELLS, POEMS OF JOHN BETJEMAN INTRODUCED & SELECTED FOR THE YOUNG BY IRENE SLADE, illustrated by Edward Ardizzone, first edition, illustrated boards, DJ, illustrated title page, illustrated chapter pages, John Murray, London 1962 (at fault), Noyes (Alfred), ORCHARD'S BAY, first edition, illustrated blue cloth boards, DJ, colour lithographic frontispiece, Sheed & Ward, London 1939 (at fault), Wildenstein (Daniel), MONET - OR THE TRIUMPH OF IMPRESSIONISM, the authorised catalogue raisonne, 4 vols, first edition, blue cloth boards, slipcase, original transport box, 2580 illustrations, Taschen and Wildenstein Institute, 1996 (at fault) (3)
Claude Monet (1840-1926) was a renowned French painter and one of the founders of the Impressionist movement. He was born in Paris and developed a passion for art at a young age. Monet is best known for his landscape and outdoor scenes, particularly his series of paintings depicting water lilies, haystacks, and the Rouen Cathedral. Monet's style was characterized by his innovative use of light and color, capturing the transient and atmospheric effects of nature. He often painted en plein air, working directly from nature to capture the changing qualities of light and atmosphere. This approach, along with his loose brushwork and emphasis on capturing the essence of a scene rather than precise details, was highly influential and marked a departure from the more traditional artistic conventions of his time. Monet's most famous works include "Impression, Sunrise" (which inspired the name of the Impressionist movement), "Water Lilies," "Haystacks," "Rouen Cathedral Series," and "Japanese Bridge." His art had a profound impact on the development of modern art and continues to be celebrated for its beauty and innovative approach. Monet's paintings are widely exhibited in museums and galleries around the world, and his legacy as one of the greatest painters of all time remains influential to this day. Measures 9.25 x12.5 Verso is blank.Mounted to archival quality paper.
Claude Monet (1840-1926) was a renowned French painter and one of the founders of the Impressionist movement. He was born in Paris and developed a passion for art at a young age. Monet is best known for his landscape and outdoor scenes, particularly his series of paintings depicting water lilies, haystacks, and the Rouen Cathedral. Monet's style was characterized by his innovative use of light and color, capturing the transient and atmospheric effects of nature. He often painted en plein air, working directly from nature to capture the changing qualities of light and atmosphere. This approach, along with his loose brushwork and emphasis on capturing the essence of a scene rather than precise details, was highly influential and marked a departure from the more traditional artistic conventions of his time. Monet's most famous works include "Impression, Sunrise" (which inspired the name of the Impressionist movement), "Water Lilies," "Haystacks," "Rouen Cathedral Series," and "Japanese Bridge." His art had a profound impact on the development of modern art and continues to be celebrated for its beauty and innovative approach. Monet's paintings are widely exhibited in museums and galleries around the world, and his legacy as one of the greatest painters of all time remains influential to this day. Measures 9.25 x12.5 Verso is blank.Mounted to archival quality paper.
Claude Monet (1840-1926) was a renowned French painter and one of the founders of the Impressionist movement. He was born in Paris and developed a passion for art at a young age. Monet is best known for his landscape and outdoor scenes, particularly his series of paintings depicting water lilies, haystacks, and the Rouen Cathedral. Monet's style was characterized by his innovative use of light and color, capturing the transient and atmospheric effects of nature. He often painted en plein air, working directly from nature to capture the changing qualities of light and atmosphere. This approach, along with his loose brushwork and emphasis on capturing the essence of a scene rather than precise details, was highly influential and marked a departure from the more traditional artistic conventions of his time. Monet's most famous works include "Impression, Sunrise" (which inspired the name of the Impressionist movement), "Water Lilies," "Haystacks," "Rouen Cathedral Series," and "Japanese Bridge." His art had a profound impact on the development of modern art and continues to be celebrated for its beauty and innovative approach. Monet's paintings are widely exhibited in museums and galleries around the world, and his legacy as one of the greatest painters of all time remains influential to this day. Measures 9.25 x12.5 Verso is blank.Mounted to archival quality paper.
Monet, Cl. - Mirbeau, Octave. Claude Monet. "Venise". 20 Bl. Mit 9 (1 farbig und montiert) ganzseitigen Abbildungen. 27 x 21 cm. OBroschur (etwas bestoßen) mit DTitel. Paris, Bernheim-Jeune et Cie, 1912.Ausstellungskatalog der Galerie Bernheim-Jeune (28 Mai bis 8. Juni 1912) mit einem längeren Essay von Mirbeau. - Wohlerhalten.
Tetzen-Lunds, Chr. Samling af moderne fransk malerkunst. 5 S. Mit zahlreichen Abbildungen auf Tafeln. 33 x 24 cm. OHalbleinen. Kopenhagen 1934.Eines von 100 nummerierten Exemplaren des Kataloges der Sammlung Tetzen-Lunds' (1852-1936), die 107 Werke aller Größen der Zeit versammelte, von Cezanne über Picasso, Renoir, van Gogh und Derain bis zu Monet, Matisse und Modigliani. - Wohlerhalten. - Dabei: Hollstein & Puppel. Kunstauktion XL - Sammlung C. Brose Berlin. 111 S., 1 Bl. Mit XXX Tafeln. 28,5 x 21,5 cm. Halbleder d. Z. mit goldgepr. RSchild. Berlin 1928. - Versteigerungskatalog der legendären Sammlung, die auch einen großen Bestand an Werken von Karl Blechen umfasste (154 Losnummern).
GEORGE FREDERICK WATTS (ENGLISH 1817-1904) HAYSTACKS (STUDY ON BRIGHTON DOWNS) Oil on canvas 33.5 x 65.5cm (13 x 25¾ in.) Provenance: With the artist 1887 Given by the artist to Frederic, Lord Leighton His sale, Christie's, 14 July 1896 (3rd day), lot 343 Where bought by Sir William Agnew, Bt., for 290 gns Still with Sir William Agnew in 1905 Christie's, London, 11 June 2002, lot 118, where purchased by Robert Kime Exhibited: Grosvenor Gallery, London, 1883, no. 59, as Study on Brighton Downs Manchester, Royal Jubilee Exhibition, 1887, Fine Art Section, no. 249, as Haystacks, lent by the artist Royal Academy, London, Exhibition of Works by the late George Frederick Watts, R.A., O.M and the late Frederick Sandys, Winter 1905, no. 26, as Landscape, lent by Sir William Agnew City Art Gallery, Manchester, G.F Watts Memorial Exhibition, 1905, no. 148, as Landscape, lent by Sir William AgnewLiterature: Times, 30 April, 1883, p.4 Mrs Watts's Manuscript catalogue, vol. I, p.16 as Brighton Downs The present lot was painted in 1882 and exhibited the following year at the Grosvenor Gallery as Study on Brighton Downs, although the name Haystacks was already given to it when it was noticed briefly in a review in the Times, and Watts himself seems to have adopted this title later. No doubt the subject was one he had seen when travelling to or from the town, where he had a winter studio from 1876. Like so many of Watts's landscapes, Haystacks (Study on Brighton Downs) is astonishingly minimal. No other Victorian artist made more daring experiments of this kind; they are one of his work's most original aspects. Haystacks as a subject seem to have been a constant source of wonder and inspiration to Watts. The picture is reminiscent of Evening (Ashmolean Museum, Oxford), a small panel of 1864 in which he introduced some examples he had seen in the vicinity of Little Holland House, Kensington. However, unlike the Oxford picture which has overt literary associations; an armed knight is seen riding by, and the picture's alternative title, 'All the air a solemn stillness holds', taken from Thomas Gray's Elegy, this picture focuses attention on the haystacks alone. Characteristically though, Watts still manages to suggest a symbolist dimension. Stark as it is, the image has none of the objectivity of a painting of a haystack by for example, Monet. Watts must have thought highly of the picture to have sent it to the Grosvenor, and it was still in his possession when he lent it to the Royal Jubilee Exhibition at Manchester in 1887. He subsequently gave it to Sir Frederic Leighton, who had, according to Mrs Watts in her manuscript catalogue of her husband's works, 'admired' it. Leighton and Watts were not only close friends but neighbours in the artists' colony which had developed in the Holland Park area since the 1860s. When the picture appeared at Leighton's posthumous sale at Christie's in July 1896 it was bought by the dealer Sir William Agnew, who apparently wanted it for his own collection rather than stock. He still had it nine years later, when he lent it to the first two venues of the memorial exhibition which toured the country following Watts's death in 1904. Condition Report: The canvas has been lined with a new stretcher, but this is providing good supports and the paint layer is stable, and the old exhibition labels have been preserved. There is a diagonal surface scratch (approx. 4cm) to the upper right corner, and a very small spot of paint loss above it. Inspection under UV light reveals no visible signs of retouching, although the glaze layers and discoloured varnish do make it difficult to read under UV.Condition Report Disclaimer
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